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PSYCHOLOGY (8th Edition) David Myers PowerPoint Slides Aneeq Ahmad Henderson State University Worth Publishers, © 2006 1 2 The Nature of Sensory Processes the experience of stimulation of the body’s senses The process by which the brain organizes and interprets sensory information Colored surface can be either the outside front surface or the inside back surface Cannot simultaneously be both Brain can interpret the ambiguous cues two different ways 5 Why is the Dalmatian difficult to see? => Figure -objects perceived to stand apart from background => Ground -background against which a figure appears Figure? Ground? **Figure & Ground apply to all senses (not just vision) **both interpretations Examples: => Camouflage – blends into background Test your awareness 9 10 SENSATION How we detect physical energy from the environment and encode it as neural signals the experience of stimulation of the body’s senses process by which our sense receptors and nervous system receive and represent stimulus energies from our environment PERCEPTION refers to how we select, organize, and interpret information experiencing meaningful patterns in the “jumble” of sensory information 11 12 Our sensory and perceptual processes work together to help us sort out complex images. “The Forest Has Eyes,” Bev Doolittle 13 Bottom-up Processing Analysis of the stimulus begins with the sense receptors and works up to the level of the brain and mind. Letter “A” is really a black blotch broken down into features by the brain that we perceive as an “A.” 14 Top-Down Processing Information processing guided by higher-level mental processes as we construct perceptions, drawing on our experience and expectations. THE CHT 15 Click the picture for video - Sensation and Perception This program demonstrates how visual information is gathered and processed, and how our culture, previous experiences, and interests influence our perceptions. With Dr. David Hubel of Harvard University and Dr. Misha Pavel of the Oregon Graduate Institute of Science and Technology. 16 Sensation Sensing the World: Some Basic Principles Threshold Sensory Adaptation Vision The Stimulus Input: Light Energy The Eye 17 Sensation Vision Visual Information Processing Color Vision Hearing The Stimulus Input: Sound Waves The Ear Hearing Loss and Deaf Culture 18 Sensation Other Important Senses Touch Taste Smell Body Position and Movement 19 Sensation & Perception How do we construct our representations of the external world? To represent the world, we must detect physical energy (a stimulus) from the environment and convert it into neural signals. This is a process called sensation. When we select, organize, and interpret our sensations, the process is called perception. 20 Sensing the World Senses are nature’s gift that suit an organism’s needs. A frog feeds on flying insects; a male silkworm moth is sensitive to female sex-attractant odor; and we as human beings are sensitive to sound frequencies that represent the range of human voice. 21 Exploring the Senses 1. What stimuli cross our threshold for conscious awareness? 2. Could we be influenced by stimuli too weak (subliminal) to be perceived? 3. Why are we unaware of unchanging stimuli, like a band-aid on our skin? 22 22nd October 1850 A relative increase in mental intensity, [Fechner] realized, might be measured in terms of the relative increase in physical energy required to bring it about (Wozniak, 1999). Gustav Fechner (1801-1887) 23 Psychophysics- study of the relationship between physical characteristics of stimuli and our psychological experience of them Light- brightness Sound- volume Pressure- weight Taste- sweetness Absolute Threshold Intensity No No No Yes Yes Observer’s Response Detected Tell when you (the observer) detect the light. 1. Absolute Threshold minimum stimulation needed to detect a particular stimulus 50% of the time 24 Proportion of “Yes” Responses 1.00 0.50 0.00 •Vision: A single candle flame from 30 miles on a dark, clear night •Hearing: The tick of a watch from 20 feet in total quiet •Smell: 1 drop of perfume in a 3-room apartment •Touch: The wing of a bee on your cheek, dropped from 1 cm •Taste: 1 tsp. Sugar in 2 gal. water 0 5 10 15 20 Stimulus Intensity (lumens) 25 25 2. Difference Threshold • minimum difference between two stimuli required for detection 50% of the time •just noticeable difference (JND) Difference Threshold No No Yes Observer’s Response Tell when you (observer) detect a difference in the light. 26 Subliminal Threshold: When stimuli are below one’s absolute threshold for conscious awareness. Kurt Scholz/ Superstock 27 Signal Detection Theory (SDT) a. b. c. Predicts how and when we detect the presence of a faint stimulus (signal) amid background noise (other stimulation). SDT assumes that there is no single absolute threshold and detection depends partly on persons: Works with all senses i. experience ii. expectations iii. motivation iv. level of fatigue; stressors ie. HOW SOON WOULD YOU NOTICE A RADAR BLIP OF AN APPROACHING SHIP? Ie. Baseball batter; wide reciever; video gamers Carol Lee/ Tony Stone Images 28 SDT Matrix The observer decides whether she hears the tone or not, based on the signal being present or not. This translates into four outcomes. Decision Yes No Present Hit Miss Absent False Alarm Correct Rejection Signal 29 4. Weber’s Law => to perceive as different, two stimuli must differ by a constant minimum percentage Weber fraction: k = dI/I Stimulus Constant (k) Light 8% Weight 2% See book activity Tone 3% 30 5. Sensory adaptation- diminished sensitivity as a consequence of constant stimulation GEE, THIS WATER IS cold! COMON’ IN. THE WATER IS FINE! What other examples can you come up with? 31 Sensory Adaptation Diminished sensitivity as a consequence of constant stimulation. Put a band aid on your arm and after awhile you don’t sense it. 32 Now you see, now you don’t 33 Beau Lotto's color games puzzle your vision, but they also spotlight what you can't normally see: how your brain works. This fun, first-hand look at your own versatile sense of sight reveals how evolution tints your perception of what's really out there. 34 Test Your Awareness : Whodunnit? 35 Pushing the Limits: The Human Eye 36 1.Transduction In sensation, the transformation of stimulus energy into neural impulses. Applies to all senses! Vision => turning stimulus (what you see) into neural impulse being sent to occipital lobe for processing. Phototransduction: Conversion of light energy into neural impulses that the brain can understand. 37 The Stimulus Input: Light Energy SPECTRUM OF ELECTROMAGNETIC ENERGY This spectrum ranges from gamma rays as shorts as the diameter of an atom to radio waves over a mile long. The narrow band of wavelengths visible to the human eye (shown enlarged) extends from the shorter waves of blue-violet light to the longer waves of red light. Important point to know Both Photos: Thomas Eisner Visible Spectrum 38 Light Characteristics 1. Wavelength (hue/color) 2. Intensity (brightness) 3. Saturation (purity) 39 Wavelength (Hue) 2. Wavelength is the distance from the peak of one wave to the peak of the next. 3. Hue (color) is the dimension of color determined by the wavelength of the light. 40 Important point to know Wavelength (Hue) Violet Indigo 400 nm Short wavelengths Blue Green Yellow Orange Red 700 nm Long wavelengths Different wavelengths of light result in different colors. 41 Intensity (Brightness) 4. Intensity Amount of energy in a wave determined by the amplitude. It is related to perceived brightness. 42 Remember !! • Frequency is measured by the number of wave peaks moving past a given point in a certain amount of time. Therefore: High Frequency = short wavelength (lots of wave past a given point) A lot of waves move past this line. 43 wavelength Measurement Point What color do you think this is? wavelength What color do you think this is? 44 Remember!! • The higher the wave the brighter (more intense) the color Tall waves = bright, intense colors Short waves = dull, less intense, or lighter colors 45 Intensity (Brightness) Blue color with varying levels of intensity. As intensity increases or decreases, blue color looks more “washed out” or “darkened.” 46 Purity (Saturation) Saturated Saturated Monochromatic light added to green and red makes them less saturated. 47 Page 179 of old textbook 48 49 Part Cornea Pupil Iris Function Transparent tissue where light enters the eye. Opening in eye which light passes through. Muscle that expands and contracts to change the size of the opening (pupil) for light. Lens Transparent structure behind the pupil that changes shape to focus images on the retina. Retina Contains sensory receptors that process visual information and sends it to the brain. Fovea Visual “acuity” happens here. Sharpness/ Details…due to cluster of CONES. Optic Nerve Carries neural impulses from the eye to the brain. Rods Receptor cells used for night vision Cones Receptor cells used for color vision Blind Spot Point where the optic nerve leaves the eye because there are no receptor cells located there. 50 Lens: Transparent structure behind the pupil that changes shape to focus images on the retina. 1. Accommodation: The process by which the eye’s lens changes shape to help focus near or far objects on the retina. Don’t confuse me with transduction! 51 The Lens 2. Nearsightedness: A condition in which nearby objects are seen more clearly than distant objects. 3. Farsightedness: A condition in which faraway objects are seen more clearly than near objects. 52 Retina Retina: The lightsensitive inner surface of the eye, containing receptor rods and cones in addition to layers of other neurons (bipolar, ganglion cells) that process visual information. 53 Bipolar & Ganglion Cells Bipolar cells receive messages from photoreceptors and transmit them to ganglion cells, which are for the optic nerve. 54 Optic Nerve, Blind Spot & Fovea Optic nerve: Carries neural impulses from the eye to the brain. Blind Spot: Point where the optic nerve leaves the eye because there are no receptor cells located there. This creates a blind spot. Fovea: Central point in the retina around which the eye’s cones cluster. http://www.bergen.org 55 Test your Blind Spot Use your textbook. Close your left eye, and fixate your right eye on the black dot. Move the page towards your eye and away from your eye. At some point the car on the right will disappear due to a blind spot. 56 Photoreceptors E.R. Lewis, Y.Y. Zeevi, F.S Werblin, 1969 57 Finally the brain recognizes and matches the constructed image with previously stored information / images and past experiences (assumptions, interests, and expectations) and thus identifies the stimulus (seeing Cartman). = conscious perception of the person you know! As feature detection cells are working separately and simultaneously the brain’s higher-level cells respond to combined information from those same cells. “parallel processing” I see Cartman. HOW? Light rays reflect off him and travel into my eyes. The rods and cones, bipolar cells and ganglion cells convert the light waves’ energy into neural impulses. The brain receives the impulses and goes through FEATURE DETECTION(Hubel & Weisel) = brain responds to visual input Color Depth Movement Form Bars Edges Gradients of light 58 Visual Information Processing Optic nerves connect to the thalamus in the middle of the brain, and the thalamus connects to the visual cortex. 59 Feature Detection Ross Kinnaird/ Allsport/ Getty Images Nerve cells in the visual cortex respond to specific features, such as edges, angles, and movement. 60 Shape Detection Ishai, Ungerleider, Martin and Haxby/ NIMH Specific combinations of temporal lobe activity occur as people look at shoes, faces, chairs and houses. 61 Perception in Brain Our perceptions are a combination of sensory (bottom-up) and cognitive (top-down) processes. 62 Visual Information Processing Processing of several aspects of the stimulus simultaneously is called parallel processing. The brain divides a visual scene into subdivisions such as color, depth, form and movement etc. 63 Tim Bieber/ The Image Bank From Sensation to Recognition 64 1. Trichromatic theory: Based on behavioral experiments, Young & Helmholtz suggested that the retina should contain three receptors that are sensitive to red, blue and green colors. Standard stimulus Comparison stimulus Max Medium Low Blue Green Red 65 Subtraction of Colors If three primary colors (pigments) are mixed, subtraction of all wavelengths occurs and the color black is the result. 66 Addition of Colors If three primary colors (lights) are mixed, the wavelengths are added and the color white is the result. Fritz Goro, LIFE magazine, © 1971 Time Warner, Inc. Additive color mixing 67 Photoreceptors Blue Cones MacNichol, Wald and Brown (1967) measured directly the absorption spectra of visual pigments of single cones obtained from the retinas of humans. Short wave Green Cones Medium wave Red Cones Long wave 68 Color Blindness Genetic disorder in which people are blind to green or red colors. This supports the Trichromatic theory. Ishihara Test People who suffer redgreen blindness have trouble perceiving the number within the design 69 2. Opponent Process Theory Hering proposed that we process four primary colors combined in pairs of red-green, blueyellow, and blackwhite. opposing retinal processes enable color vision “ON” RED GREEN BLUE YELLOW BLACK WHITE “OFF” GREEN RED YELLOW BLUE WHITE BLACK Cones Afterimage effect Pg. 187 Retinal Ganglion Cells 70 Opponent Colors Gaze at the middle of the flag for about 30 Seconds. When it disappears, stare at the dot and report what you see. 71 3. Color Constancy – Perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object – My red mustang is red in my garage with no lights on, and red in the driveway as well with the sun shining on it! Color of an object remains the same under different illuminations. However, when context changes the color of an object may look different. R. Beau Lotto at University College, London 72 Audition (HEARING) SOUND 73 The Ear Dr. Fred Hossler/ Visuals Unlimited 74 The Ear Outer Ear: Pinna. Collects sounds. Middle Ear: Chamber between eardrum and cochlea containing three tiny bones (hammer, anvil, stirrup) that concentrate the vibrations of the eardrum on the cochlea’s oval window. Inner Ear: Innermost part of the ear, containing the cochlea, semicircular canals, and vestibular sacs. 75 anvil - (also called the incus) a tiny bone that passes vibrations from the hammer to the stirrup. cochlea - a spiral-shaped, fluid-filled inner ear structure; it is lined with cilia (tiny hairs) that move when vibrated and cause a nerve impulse to form. eardrum - (also called the tympanic membrane) a thin membrane that vibrates when sound waves reach it. Eustachian tube - a tube that connects the middle ear to the back of the nose; it equalizes the pressure between the middle ear and the air outside. When you "pop" your ears as you change altitude (going up a mountain or in an airplane), you are equalizing the air pressure in your middle ear. hammer - (also called the malleus) a tiny bone that passes vibrations from the eardrum to the anvil. nerves - these carry electro-chemical signals from the inner ear (the cochlea) to the brain. outer ear canal - the tube through which sound travels to the eardrum. pinna - (also called the auricle) the visible part of the outer ear. It collects sound and directs it into the outer ear canal semicircular canals - three loops of fluid-filled tubes that are attached to the cochlea in the inner ear. They help us maintain our sense of balance. stirrup - (also called the stapes) a tiny, Ushaped bone that passes vibrations from the stirrup to the cochlea. This is the smallest bone in the human body (it is 0.25 to 0.33 cm long). 76 Cochlea Cochlea: Coiled, bony, fluid-filled tube in the inner ear that transforms sound vibrations to auditory signals. 77 Hearing (Audition) Sound waves cause the tympanic membrane (eardrum) to vibrate. Humans can hear sounds waves with frequencies between 20 and 20,000 Hz. The three bones in the ear (malleus, incus, stapes) pass these vibrations on to the cochlea. The cochlea is a snail-shaped, fluid-filled structure in the inner ear. Inside the cochlea is another structure called the organ of Corti. Hair cells are located on the basilar membrane of the cochlea. The cilia (the hair) of the hair cells make contact with another membrane called the tectorial membrane. When the hair cells are excited by vibration, a nerve impulse is generated in the auditory nerve. These impulses are then sent to the brain. 78 DID YOU KNOW...the stapes is the smallest bone in the human body. It is only 0.25 to 0.33 cm long [0.10 to 0.13 inches] and weighs only 1.9 to 4.3 milligrams. Loudness is measured in DECIBELS- this is the force of sound waves against the ear. The louder the sound, the more decibels. Here are approximate decibel levels for some everyday sounds: Info found on “neuroscience for kids.” http://faculty.washington.edu/chudler/bigear.html 79 80 Sound waves are composed of compression and rarefaction of air molecules. JUST HEAR THIS! More important Hearing NOTES! Place Theory • the theory that links the pitch we hear with the place where the cochlea’s membrane is stimulated Frequency Theory • the theory that the rate of nerve impulses traveling up the auditory nerve matches the frequency of a tone, thus enabling us to sense its pitch HOW WE LOCATE SOUNDS Sound waves strike one ear sooner and more intensely than the other. From this information, our nimble brains compute the sound’s location. As you might expect, people who lose all hearing in one ear, often have difficulty location sounds. Acoustical transduction: Conversion of sound waves into neural impulses in the hair cells of the 81 inner ear. Theories of Audition Frequency Theory states that the rate of nerve impulses traveling up the auditory nerve matches the frequency of a tone, thus enabling us to sense its pitch. Sound Frequency Auditory Nerve Action Potentials 100 Hz 200 82 Theories of Audition Place Theory suggests that sound frequencies stimulate the basilar membrane at specific places resulting in perceived pitch. http://www.pc.rhul.ac.uk 83 Sound Characteristics 1. Frequency (pitch) 2. Intensity (loudness) 3. Quality (timbre) 84 Frequency (Pitch) Frequency (pitch): The dimension of frequency determined by the wavelength of sound. Wavelength: The distance from the peak of one wave to the peak of the next. 85 Intensity (Loudness) Intensity (Loudness): Amount of energy in a wave, determined by the amplitude, relates to the perceived loudness. 86 Quality (Timbre) Quality (Timbre): Characteristics of sound from a zither and a guitar allows the ear to distinguish between the two. http://www.1christian.net www.jamesjonesinstruments.com Zither Guitar 87 Overtones Overtones: Makes the distinction among musical instruments possible. 88 Localization of Sound 1. Intensity differences 2. Time differences Time differences as small as 1/100,000 of a second can cause us to localize sound. The head acts as a “shadow” or partial sound barrier. 89 Conduction Hearing Loss: Hearing loss caused by damage to the mechanical system that conducts sound waves to the cochlea. Sensorineural Hearing Loss: Hearing loss caused by damage to the cochlea’s receptor cells or to the auditory nerve, also called nerve deafness aided with a cochlear implant has led to widespread debate b/w those who are deaf and those who are not deaf Cochlear Implant 90 Hearing Deficits Older people tend to hear low frequencies well but suffer hearing loss for high frequencies. This high-frequency loss results from nerve degeneration near the beginning of the basilar membrane. The findings supports place theory’s assumption that different pitches activate different places on the basilar membrane. 91 Directions: Complete the Penny Saved is a Penny Heard activity along with the questions/ worksheet. 1. How does “A Penny Saved is a Penny Heard!” explain sensory adaptation? 2. How does “A Penny Saved is a Penny Heard!” explain the topic of sensory threshold? (pg. 199) 3. Define difference threshold (jnd) and apply it to “A Penny Saved is a Penny Heard!” (pg. 201) 4. What year did the composition of the Penny change? 5. How might we alter our experiment to help prove the signal detection theory? What could we do in our experiment – explain: 6. Since we were not in a lab setting, what are some problems that could bias or negatively affect the outcome of our experiment, producing unreliable results? 92 • WARM + COLD = HOT • PRESSURE + COLD = WET • PRESSURE + PAIN = ITCH • PRESSURE + PRESSURE = TICKLE Paradoxical heat • Skin is the largest organ in/of the human body • 4 distinct skin senses: pressure, warmth, cold & pain • Essential to development from start of life **premature babies gain more weight faster if stimulated by hand massages** Taylor, Greggie, Gilina, Laura Elizabeth Mind over Matter • Pain is distributed everywhere throughout the brain Pain control: distracting thoughts is an effective way to increase pain tolerance = placebo effect Chronic Pain: constant or reoccurring pain Phantom Limbs: the brain can misinterpret the spontaneous central nervous system activity that occurs in the absence of normal sensory input (you can try to reach with a body part that isn’t there) People born without the ability to feel pain usually die at a young age Gate Control Theory – Spinal cord contains a neurological “gate” that blocks or allows pain signals. Melzack & WALL Opened By: Pain signals traveling up small nerve fibers Closed By: Activity in the larger fibers or by information coming from the brain Pain is the body’s way of telling you that something has gone wrong -No single stimulus that triggers pain, nor are there any special receptors. Gate Control Theory – Spinal cord contains a neurological “gate” that blocks or allows pain signals. Melzack & WALL Opened By: Pain signals traveling up small nerve fibers Closed By: Activity in the larger fibers or by information coming from the brain Pain Control Drugs Exercise Surgery Hypnosis Massage Thought Distraction When Lucy tricks Charlie Brown yet again, Brown experiences pain, a message from his body that he is a terrible kicker. Sensory interaction- the principle that one sense may influence another Cross Adaptation – brushing your teeth and then drinking orange juice! Smell + Texture(experience) + Taste = Flavor Our emotional response to taste is innate - If you lose taste sensation on half of your (everyone makes the same face after tongue, you can’t tell the difference because eating something sour) the other side compensates for the loss. - Inside each tiny bump on the surface of the tongue there are 200 or more taste buds. - Taste receptors reproduce themselves every week or two. - As you grow older, your number of taste buds decreases, and tongue sensitivity decreases. * Also, alcohol and cigarettes decrease taste sensation Click picture for video Smell is also called olfaction. There are millions of receptor cells and they combine with odor molecules to allow you to smell. Women and young adults have the best sense of smell. Strongest sense tied to memory. “This Old Spice ad suggests that if you use Red Zone body spray your girlfriend will be fond of the way you smell and thus will harbor positive feelings toward you—even when you're acting like a knucklehead.” We can identify over 10,000 different odors. Odors can have the power to evoke memories and feelings. Pheromones – odor molecules => sense of attraction; evolution? Like taste, smell is a chemical sense. Smell comes in through the nose and hits the receptor cells. Messages are then sent to the olfactory nerve. That transfers messages to the olfactory bulb. From there it goes to the temporal lobe in the limbic system. Nasal Conchae • Smell is a chemical sense • Sense of smell peaks in adulthood • Process: 1. Molecules of sent reach receptors at the top of the nose 2. Receptors send messages to the axons fibers (forming the Olfactory nerve) 3. The fibers send the message to the Olfactory bulb 4. The information is sent to the primary smell cortex (located in temporal lobe) • We can detect over 10,000 odors • Olfactory brain is linked to memory storage • Pleasant smell = better performance Nasal Passage Olfactory bulb Ex: Chocolate •Kinesthetic Sense is the sense of our body parts’ position and movement •For you to take one step requires feedback and instructions from 200 muscles •1972- Ian Waterman contracted a rare viral infection that destroyed nerves enabling his sense of light, touch, body position, and movement. He couldn’t move or function so he had no Kinesthesia •Vestibular Sense monitors the head’s (and thus the body’s) position and balance/ equilibrium •Your inner ears send the information that enables your brain to monitor your body’s position •The biological gyroscopes for your sense of equilibrium are in the inner ear (semicircular canals and vestibular sacs) • Semicircular canals and vestibular sacs which connect to the cochlea are substances that move when the head rotates or tilts which stimulates hair-like receptors in these organs of the inner ear •If you twirl around and then come to an abrupt halt, neither the fluid in your semicircular canals nor your kinesthetic receptors immediately return to their neutral state= dizziness Other Important Senses Bruce Ayers/ Stone/ Getty Images The sense of touch is a mix of four distinct skin senses—pressure, warmth, cold, and pain. 100 Skin Senses Only pressure has identifiable receptors. All other skin sensations are variations of pressure, warmth, cold and pain. Pressure Burning hot Vibration Vibration Cold, warmth and pain 101 Pain Pain tells the body that something has gone wrong. Usually pain results from damage to the skin and other tissues. A rare disease exists in which the afflicted person feels no pain. AP Photo/ Stephen Morton Ashley Blocker (right) feels neither pain nor extreme hot or cold. 102 Biopsychosocial Influences 103 Gate-Control Theory Melzak and Wall (1965, 1983) proposed that our spinal cord contains neurological “gates” that either block pain or allow it to be sensed. Gary Comer/ PhototakeUSA.com 104 Pain Control Pain can be controlled by a number of therapies including, drugs, surgery, acupuncture, exercise, hypnosis, and even thought distraction. Todd Richards and Aric Vills, U.W. ©Hunter Hoffman, www.vrpain.com 105 Sensory Interaction When one sense affects another sense, sensory interaction takes place. So, the taste of strawberry interacts with its smell and its texture on the tongue to produce flavor. 106 Age, Gender, and Smell Ability to identify smell peaks during early adulthood, but steadily declines after that. Women are better at detecting odors than men. 107 Smell and Memories The brain region for smell (in red) is closely connected with the brain regions involved with memory (limbic system). That is why strong memories are made through the sense of smell. 108 Body Position and Movement The sense of our body parts’ position and movement is called kinesthesis. The vestibular sense monitors the head (and body’s) position. Bob Daemmrich/ The Image Works http://www.heyokamagazine.com Whirling Dervishes Wire Walk 109 1. What is the difference b/w top down processing and bottom up processing? 2. What is the difference b/w sensory threshold and jnd? 3. 4. Explain signal detection using the following example: “DRIVING A CAR AND HEARING AN AMBULANCE IN THE DISTANCE” 5. Explain the following and give an example: a. Sensory Adaptation b. color constancy c. size constancy d. shape constancy 110 6. What is the difference b/w transduction and accomodation? 7. Label the eye 111 8. What are the stages/ steps of light passing through the eyeball? 9. What can an afterimage be used to explain? 112 Visual Perception Hidden Meanings in Popular Logos* • From AOL.com Daily Finance http://www.dailyfinance.com/2011/01/14/hidden-meanings-in-12-popular-logos/ FedEx Can you spot something in this logo? The FedEx logo, designed in 1994 by Linden Leader & Landor Associates, at first appears simple and straightforward. However, if you look at the white space between the "E" and "x" you can see a right-facing arrow. This "hidden" arrow was intended to be a subliminal symbol for speed and precision. Amazon.com That yellow arrow is more than just a decorative swoosh. The Amazon logo was created to represent the message that it sells everything from A to Z (the arrow connects the two letters) and also represents the smile that customers would experience by shopping on the Amazon.com Web site (the arrow becomes a smile). Baskin-Robbins In 2005, as part of its 60th anniversary celebration, BaskinRobbins launched a new brand identity. The new logo was intended to "capture the fun and energy of Baskin-Robbins." In the old logo, the number "31" appeared within a simple arc, suggestive of a scoop of ice cream, and next to the name. In the new logo, you can see that the "31" still exists. It is now formed by the pink portion of the ice cream store's two initials: "B" and "R." Big Ten Conference Founded in 1896, the Big Ten Conference is a union of world-class academic institutions who share a common mission of research, graduate, professional and undergraduate teaching and public service. From approximately 1949 until 1990, the Big Ten consisted of 10 member schools. Then, on June 4, 1990, it added Pennsylvania State University into the Conference. The "Big Ten" name stayed the same, but a logo was crafted to reference this addition by planting a number "11" in the negative space. (Look closely at the blue space surrounding the letters "G" and "T" in the left logo.) However, the conference recently revealed an even newer logo to be used beginning with the 2011-12 academic year (shown right). The lettering includes an embedded numeral "10" in the word "BIG" and is built on the conference's iconic name, but this time without any reference to the number of member institutions Toblerone In 1908, in Berne, Switzerland, Theodore Tobler and Emil Baumann (Tobler's cousin), developed a unique chocolate, consisting of a special recipe and a triangular shape. But it wasn't until 1970 that the Matterhorn mountain image appeared on the packaging for the first time. Today there is a bear (symbol of the city of Berne, where Toblerone is produced) hidden in the modern version of the Matterhorn mountain logo. Northwest Airlines Back in 2003, lamenting the loss of the old Northwest Airlines logo (shown here), pilot Patrick Smith published his critique of the new logo in his "Ask the Pilot" column at Salon.com, saying the airline's previous circular corporate logo was, "quite simply, a work of genius. It was an N; it was a W; it was a compass pointing toward the northwest." Sun Microsystems Sun's logo -- which features four interleaved copies of the word "sun" -- was designed by professor Vaughan Pratt of Stanford University. It is an ambigram, which is defined as a typographical design or artform that may be read as one or more words not only in its form as presented, but also from another viewpoint, direction or orientation. The initial version of the logo had the sides oriented horizontally and vertically, but it was subsequently redesigned so as to appear to stand on one corner. Goodwill Do you see the right half of a smiley face? Or do you see a lower case "g"? In either case, you'd be correct. Families and Marriage The "i's" in Families and the mirrored "R's" in Marriage visually symbolize both relationships simply and effectively. Unilever According to Unilever, its new identity is an expression of vitality. Each icon within the logo represents an aspect of its business. For example, the shirt (below the heart) symbolizes "clothes" and represent fresh laundry and looking good. IBM According to the IBM Archives, in 1972 the IBM international recognition logo was adopted and remains the official logo still in use. The IBM logo is easily recognized by the distinctive eight stripes that make up the letters IBM. The horizontal stripes are intended to suggest "speed and dynamism."