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Aalborg Universitet The Role of Media Aesthetics in Web Advertising Research Jessen, Iben Bredahl Publication date: 2012 Document Version Accepted manuscript, peer reviewed version Link to publication from Aalborg University Citation for published version (APA): Jessen, I. B. (2012). The Role of Media Aesthetics in Web Advertising Research. Abstract from Advertising in Communication and Media Research, Tübingen, Germany. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: September 17, 2016 Abstract for the ECREA TWG Symposium Advertising in Communication & Media Research Tuebingen, Germany, 14–15 June 2012 The Role of Media Aesthetics in Web Advertising Research Iben Bredahl Jessen Department of Communication and Psychology, Aalborg University, Denmark Advertising is a genre that draws on a variety of other genres and modes of expression to attract the consumer’s attention. In this sense, advertising is a parasitic genre (Cook, 2001) borrowing from a cultural repertoire of representational practices in order to proclaim the functional or symbolic value of a product. On the web, advertising appears in many different formats (Barnes & Hair, 2009). Some advertisements on the web share features with advertisements in other media, e.g. magazine or classified advertisements, others take advantage of the unique capacities of the medium (Leckenby, 2005), for instance interactive web banners or advergames in which the consumer is supposed to engage. Considering the diversity of web advertising, how should we understand the use of the web as an advertising medium? What questions should we ask to address content, genre, and medium in relation to web advertising? This paper focuses on media aesthetics as an approach to describe and analyze the representational practices related to the web as an advertising medium. Starting from the idea that media set up frames for communication (Brügger, 2002; Meyrowitz, 1993) and that content should be studied in relation to media and media genealogy (Bolter & Grusin, 1999, Manovich, 2001), the paper will discuss the role of media aesthetics to grasp genre complexity in web advertising. Three levels of analysis are proposed: Firstly, media aesthetics is considered as an approach to describe the overall dynamics in web advertising, i.e. how the web is used as an advertising medium from a general point of view. On this level of analysis the cultural use of the web medium is argued to be important. Secondly, media aesthetics is proposed as a way to categorize the different sub-genres of web advertising, that is, to identify the aesthetic variety in relation to a particular format of advertising, e.g. to describe the different representational strategies in banner advertisements. Thirdly, media aesthetics is outlined as a focus on content and media in case analysis. 1 References Barnes, S. B. & Hair, N. F. (2009). From banners to YouTube: using the rearview mirror to look at the future of internet advertising. International Journal of Internet Marketing and Advertising, 5(3), 223-239. Bolter, J. D. & Grusin, R. (1999). Remediation. Understanding New Media. Cambridge, Mass. & London: The MIT Press. Brügger, N. (2002). Theoretical Reflections on Media and Media History. In N. Brügger & S. Kolstrup (Eds.), Media History. Theories, Methods, Analysis (pp. 33-66). Aarhus: Aarhus University Press. Cook, G. (2001). The Discourse of Advertising (2nd Ed.). London & New York: Routledge. Leckenby, J. D. (2005). The Interaction of Traditional and New Media. In M. R. Stafford & R. J. Faber (Eds.), Advertising, Promotion, and New Media (pp. 3-29). Armonk, New York & London: M.E. Sharpe. Manovich, L. (2001). The Language of New Media. Cambridge, Mass. & London: The MIT Press. Meyrowitz, J. (1993). Images of Media: Hidden Ferment – and Harmony – in the Field. Journal of Communication, 43(3), 55-66. 2