Introduction to Pitch Class Set Analysis
... analytical objects. Consider all musical parameters (register, duration, timbre, etc.) in determining segments. Segments are usually identified as contiguous elements but may be non-contiguous as well. The consistency of a musical surface composed of small groups of pitch-classes is regarded by Fort ...
... analytical objects. Consider all musical parameters (register, duration, timbre, etc.) in determining segments. Segments are usually identified as contiguous elements but may be non-contiguous as well. The consistency of a musical surface composed of small groups of pitch-classes is regarded by Fort ...
course content - Walker County Schools
... Demonstrate the components necessary for characteristic tone production in the middle register at a mezzo forte level Examples: demonstrating correct posture and playing position, adjusting tone quality while playing, forming correct embouchure, beginning tone with correct attack, supporting tone wi ...
... Demonstrate the components necessary for characteristic tone production in the middle register at a mezzo forte level Examples: demonstrating correct posture and playing position, adjusting tone quality while playing, forming correct embouchure, beginning tone with correct attack, supporting tone wi ...
Music K-8 - Aspen Academy
... Melodic pitches low la, low so, Whole note Single eighth note, quarter, single eight note patterns (syncopation) La pentatonic and so pentatonic scales Identify timbre of specific orchestral instruments Introduction to Soprano Recorder ...
... Melodic pitches low la, low so, Whole note Single eighth note, quarter, single eight note patterns (syncopation) La pentatonic and so pentatonic scales Identify timbre of specific orchestral instruments Introduction to Soprano Recorder ...
June 27 - UCSB Music
... The grand staff is broad, but even it does not account for all the pitches we hear in music. If a pitch is very high, it might appear above the top staff. Likewise, a very low-sounding pitch will appear below the bottom staff. In order to be clear, these pitches are written with ledger lines. Ledger ...
... The grand staff is broad, but even it does not account for all the pitches we hear in music. If a pitch is very high, it might appear above the top staff. Likewise, a very low-sounding pitch will appear below the bottom staff. In order to be clear, these pitches are written with ledger lines. Ledger ...
vocabulary 1
... Mezzo - In dynamics, it is often used to modify other musical terms as mezzo forte (medium loud or literally half as loud as forte), mezzo piano (medium soft or literally half again louder than piano), Molto – much, very Non troppo - A term meaning not, and used to qualify a directive in the perform ...
... Mezzo - In dynamics, it is often used to modify other musical terms as mezzo forte (medium loud or literally half as loud as forte), mezzo piano (medium soft or literally half again louder than piano), Molto – much, very Non troppo - A term meaning not, and used to qualify a directive in the perform ...
Musical Terms - Mrs. Serres Music Room
... Harmony is a combination of tones sounded together. The basic unit of harmony is a chord, where two or more tones are played at the same time. ...
... Harmony is a combination of tones sounded together. The basic unit of harmony is a chord, where two or more tones are played at the same time. ...
Benward Chapter 3
... Descending: Three Blind Mice, Mary Had a Little Lamb, Deck the Halls, Away in a Manger, The ...
... Descending: Three Blind Mice, Mary Had a Little Lamb, Deck the Halls, Away in a Manger, The ...
Symbolic Music Representations
... minor third or an augmented second. The spelling comes from the role an interval plays as part of a scale as well as the historical tuning practice of having different frequency ratios for enharmonic intervals. ...
... minor third or an augmented second. The spelling comes from the role an interval plays as part of a scale as well as the historical tuning practice of having different frequency ratios for enharmonic intervals. ...
Elements of Music - La Salle University
... • High or low sounds (notes) • Melody - the “tune”. A series of pitches heard one at a time. • Motive - a short, instantly recognizable idea. Like a musical "word". Usually, a melody consists of several motives. ...
... • High or low sounds (notes) • Melody - the “tune”. A series of pitches heard one at a time. • Motive - a short, instantly recognizable idea. Like a musical "word". Usually, a melody consists of several motives. ...
Suppose we are given the problem Minimize z = -19x 1 - 13x 2
... We replace the top row with [−π T b| − π T ], where π T = cT B AB is computed using c T from the original LP (1). We compute (note the order cT B = [c1 , c3 , c4 ] = [−19, −12, −17] must match the order in the basis heading x1 , x3 , x4 ) ...
... We replace the top row with [−π T b| − π T ], where π T = cT B AB is computed using c T from the original LP (1). We compute (note the order cT B = [c1 , c3 , c4 ] = [−19, −12, −17] must match the order in the basis heading x1 , x3 , x4 ) ...
Elements of Music Review - Hamden High School Music Program
... b) The scientific name for pitch is frequency. The pitch ‘A’ above Middle ‘C’ is the frequency 440 Herz (Hz). This means that the sound waves of this pitch are vibrating 440 times each second. Humans can hear sounds from as low as 20 Hz to as high as 20,000 Hz. Dogs, dolphins, and bats can hear high ...
... b) The scientific name for pitch is frequency. The pitch ‘A’ above Middle ‘C’ is the frequency 440 Herz (Hz). This means that the sound waves of this pitch are vibrating 440 times each second. Humans can hear sounds from as low as 20 Hz to as high as 20,000 Hz. Dogs, dolphins, and bats can hear high ...
WHY study music? 1. Musician 2. Advertising 3
... • Stravinsky = Listen for: Crescendo / Gradual addition of instruments/ repetition of same melody at different pitch / sudden dynamic change / crescendo to ending • Ellington = listen for : repeated note melody / tone color changes as melody passes to different instruments / brass using mutes / ful ...
... • Stravinsky = Listen for: Crescendo / Gradual addition of instruments/ repetition of same melody at different pitch / sudden dynamic change / crescendo to ending • Ellington = listen for : repeated note melody / tone color changes as melody passes to different instruments / brass using mutes / ful ...
A Composition Project: an Original 12
... rests. This allowed me to create unique rhythms that would play a succession of quick notes rather then spread them out allowing for the brain to have moments of dense material and others that were spread out. Another challenge I faced was answering the question of why. This question came in many fo ...
... rests. This allowed me to create unique rhythms that would play a succession of quick notes rather then spread them out allowing for the brain to have moments of dense material and others that were spread out. Another challenge I faced was answering the question of why. This question came in many fo ...
Traditional composition techniques
... inversion mirrored contour; e.g., subject and inversion in Bartok's Music for Strings, Percussion and Celeste, first movement isomelos same notes, different rhythm; used constantly in dodecaphony microtones intervals smaller than a semitone non-tonal scales scale structures that are symmetric in con ...
... inversion mirrored contour; e.g., subject and inversion in Bartok's Music for Strings, Percussion and Celeste, first movement isomelos same notes, different rhythm; used constantly in dodecaphony microtones intervals smaller than a semitone non-tonal scales scale structures that are symmetric in con ...
Concepts Word Bank - Stage 5
... STRUCTURE – the form or order of parts in a song Form – the order of parts 12 Bar Blues Form – 12 bars made up of chords I, IV and V. Binary form – 2 parts AB Verse/Chorus Form – the typical form of a piece of popular music also featuring an intro, bridge or middle 8 and outro Ternary form – 3 parts ...
... STRUCTURE – the form or order of parts in a song Form – the order of parts 12 Bar Blues Form – 12 bars made up of chords I, IV and V. Binary form – 2 parts AB Verse/Chorus Form – the typical form of a piece of popular music also featuring an intro, bridge or middle 8 and outro Ternary form – 3 parts ...
Elements of Music
... Motif (like a ‘riff’ in guitar) – small building block of a melodic phrase Phrase – a musical sentence; usually 4 to 8 bars in length Ostinato - a short melody or rhythmic pattern that is constantly repeated, usually in the same part at the same pitch (i.e., drum pattern for “We Will Rock You) ...
... Motif (like a ‘riff’ in guitar) – small building block of a melodic phrase Phrase – a musical sentence; usually 4 to 8 bars in length Ostinato - a short melody or rhythmic pattern that is constantly repeated, usually in the same part at the same pitch (i.e., drum pattern for “We Will Rock You) ...
Instrumental Music Adv 4th 9 weeks
... I can independently develop practice strategies to improve my performance (ex. Playing difficult rhythms slowly, playing out of tune sections with a tuner, etc.) I can independently implement practice strategies to improve my performance. ...
... I can independently develop practice strategies to improve my performance (ex. Playing difficult rhythms slowly, playing out of tune sections with a tuner, etc.) I can independently implement practice strategies to improve my performance. ...
Music in Modernism c. 1900-2000
... Fugue for Organ, Op. 57, subtitled “Inferno”. Though not German, Alexander Scriabin was trained at the Moscow Conservatory, and spent most of his life living in Switzerland. Similar to Reger, Scriabin embellishes his tonal structures with chromatic tendencies, which unlike Reger, eventually progress ...
... Fugue for Organ, Op. 57, subtitled “Inferno”. Though not German, Alexander Scriabin was trained at the Moscow Conservatory, and spent most of his life living in Switzerland. Similar to Reger, Scriabin embellishes his tonal structures with chromatic tendencies, which unlike Reger, eventually progress ...
PowerPoint Lecture Slides
... between C and D could be called C# or Db, depending on if it is perceived to be higher than C or lower than D. ...
... between C and D could be called C# or Db, depending on if it is perceived to be higher than C or lower than D. ...
Music as the art of misleading
... In the sense of André Martinet (Eléments de linguistique générale). In art, the « content plane » and the « expression plane » (cf. Hjemslev) are irreducible (except for concept art): a discourse can be paraphrased, but not a poem, where form and content are consubstantial. ...
... In the sense of André Martinet (Eléments de linguistique générale). In art, the « content plane » and the « expression plane » (cf. Hjemslev) are irreducible (except for concept art): a discourse can be paraphrased, but not a poem, where form and content are consubstantial. ...
supplementaryMaterial_08Dec15
... tone, tone, tone, semitone. The key signature (e.g., C Major) refers to the first note of that subset, which is the tonal “center” (and scale degree 1) of the key. For example, the white notes of the piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarc ...
... tone, tone, tone, semitone. The key signature (e.g., C Major) refers to the first note of that subset, which is the tonal “center” (and scale degree 1) of the key. For example, the white notes of the piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarc ...
Instrumental Music Interm 1st 9 weeks
... 2016.17 Seventh Grade Intermediate Instrumental Music, Quarter 1 ...
... 2016.17 Seventh Grade Intermediate Instrumental Music, Quarter 1 ...
Is the Musical Scale and Arithmetic or Geometric
... What is the common difference (if arithmetic) or ratio (if geometric)? Does this constant have any meaning related to musical scales? Notice that the frequency of A 440 is exactly twice that of A 220. This is no mere coincidence. For any two notes that are an octave apart, the ratio of the frequency ...
... What is the common difference (if arithmetic) or ratio (if geometric)? Does this constant have any meaning related to musical scales? Notice that the frequency of A 440 is exactly twice that of A 220. This is no mere coincidence. For any two notes that are an octave apart, the ratio of the frequency ...