Guidelines for Style Analysis, by Jan LaRue. Expanded second
... accompanied by the long-awaited Models, stands as an affirmation of the enduring usefulness of the text and its unique insights, elegantly simple yet powerful in their efficacy as the basis for a style-analytical method. Proceeding from an understanding of music as sound in motion, with temporal imp ...
... accompanied by the long-awaited Models, stands as an affirmation of the enduring usefulness of the text and its unique insights, elegantly simple yet powerful in their efficacy as the basis for a style-analytical method. Proceeding from an understanding of music as sound in motion, with temporal imp ...
VAN TECH MUSIC THEORY Package – IA
... It is important to note that when written in text, we say the pitch name first, followed by the accidental (i.e. B-flat or F-sharp). However, when written on the staff, the accidental will always appear before the actual note. (i.e. ♭♩ ) C: Clefs - Each pitch has a place on the staff. A staff must i ...
... It is important to note that when written in text, we say the pitch name first, followed by the accidental (i.e. B-flat or F-sharp). However, when written on the staff, the accidental will always appear before the actual note. (i.e. ♭♩ ) C: Clefs - Each pitch has a place on the staff. A staff must i ...
Choral Ensemble – Word
... Selections:____________________________________________________________ _____________________________________________________________________ ...
... Selections:____________________________________________________________ _____________________________________________________________________ ...
rosser-elementary-school-music-program-course-preview-2016-17
... Assessment tools - Authentic assessment with video recordings (solo and group). - Written reflections and self-assessments of musical knowledge and personal performance experience. Term 1 2016/17 Kindergarten Learning Objectives - Use the voice to sing in tune and in rhythm while keeping a steady te ...
... Assessment tools - Authentic assessment with video recordings (solo and group). - Written reflections and self-assessments of musical knowledge and personal performance experience. Term 1 2016/17 Kindergarten Learning Objectives - Use the voice to sing in tune and in rhythm while keeping a steady te ...
Tone and Voice: A Derivation of the Rules of Voice
... filter. For typical complex harmonic tones, this generally means that simultaneously sounding notes should be more widely spaced as the register descends. ...
... filter. For typical complex harmonic tones, this generally means that simultaneously sounding notes should be more widely spaced as the register descends. ...
File - Heath Vocal Music
... to be focused and clear; more breath support needed Somewhat on pitch with a few incorrect notes Sometimes articulates the words but the text is often not discernable; several problems with pronunciation Dynamic levels fluctuate but can be discerned. Phrasing is usually consistent and occasionally s ...
... to be focused and clear; more breath support needed Somewhat on pitch with a few incorrect notes Sometimes articulates the words but the text is often not discernable; several problems with pronunciation Dynamic levels fluctuate but can be discerned. Phrasing is usually consistent and occasionally s ...
Basic Musical Notation: Help Sheet
... Eighth notes (left) and sixteenth notes (right) may also look like this. ...
... Eighth notes (left) and sixteenth notes (right) may also look like this. ...
Thomas A - Music at Thomas Edison
... Timbre is the result of what sound waves are actually present in the sound. Usually timbre is determined by instrumentation. Each instrument has its own tone color, and composers use and blend those colors much as a painter uses various paints. Orchestration – _______________________________________ ...
... Timbre is the result of what sound waves are actually present in the sound. Usually timbre is determined by instrumentation. Each instrument has its own tone color, and composers use and blend those colors much as a painter uses various paints. Orchestration – _______________________________________ ...
1 Consonance and Dissonance in Theory, Practice and Science
... seems to be a trade-off between pitch commonality and pitch proximity: If the pitch commonality between successive sonorities is high, their pitch proximity can be low, and vice-versa. So for example it is more important to adhere to conventions of voice leading in complex chromatic progressions th ...
... seems to be a trade-off between pitch commonality and pitch proximity: If the pitch commonality between successive sonorities is high, their pitch proximity can be low, and vice-versa. So for example it is more important to adhere to conventions of voice leading in complex chromatic progressions th ...
The Renaissance 4/4 Other Features of the Style
... NB To understand the slides herein, you must play though all the sound examples to hear the principles in action. The sound of the music will make sense of the rules. ...
... NB To understand the slides herein, you must play though all the sound examples to hear the principles in action. The sound of the music will make sense of the rules. ...
Notes - Higher Music
... written in notation and then how it is played: the main note is played, followed by the note below, then the main note again. Ornaments ...
... written in notation and then how it is played: the main note is played, followed by the note below, then the main note again. Ornaments ...
Musical Interval and Ratio
... It is necessary to understand what is interval as my subject topic analyzes ragas analyzes with reference to interval. Here I am giving only that detail about Interval which is related to my works. Different types of Interval is used in Western countries. In Indian music each artiste has their diffe ...
... It is necessary to understand what is interval as my subject topic analyzes ragas analyzes with reference to interval. Here I am giving only that detail about Interval which is related to my works. Different types of Interval is used in Western countries. In Indian music each artiste has their diffe ...
presentation source
... 1. Use just major third, divided into two equal intervals 2. This defines a wholetone interval - how many cents? (answer: 193.2 cents) ...
... 1. Use just major third, divided into two equal intervals 2. This defines a wholetone interval - how many cents? (answer: 193.2 cents) ...
Music 170 Homework problem set 6 (due Nov. 3) 1. Two pipes, both
... 2. Three alpenhorns are tuned so that the second one is a perfect fifth above the first, and the third one is a perfect fifth above the second one. If the first one sounds at 100 Hz, at what frequency does the third, highest, one sound? 3. The harmonic overtone series (the ratios 1:2:3:...) defines ...
... 2. Three alpenhorns are tuned so that the second one is a perfect fifth above the first, and the third one is a perfect fifth above the second one. If the first one sounds at 100 Hz, at what frequency does the third, highest, one sound? 3. The harmonic overtone series (the ratios 1:2:3:...) defines ...
Exploration 3
... The Gloria, Sanctus, and Agnus Dei movements also contain internal proportional properties. For example, the first two “horizontal” phrases of the Gloria are both eighteen measures long. Another example occurs toward the end of the piece, just preceding the “Amen.” Showing how this maps onto the sco ...
... The Gloria, Sanctus, and Agnus Dei movements also contain internal proportional properties. For example, the first two “horizontal” phrases of the Gloria are both eighteen measures long. Another example occurs toward the end of the piece, just preceding the “Amen.” Showing how this maps onto the sco ...
Chapter 3 Piccola musica notturna (1954)
... Given the decision to endow E with an increasing amount of structural force, I6 is a logical choice to follow P0 because E is both the first pc of the former, and the last pc of the latter. This relation also holds true for P 0 and P6, and, as shall be shown, for R6, which plays an important role at ...
... Given the decision to endow E with an increasing amount of structural force, I6 is a logical choice to follow P0 because E is both the first pc of the former, and the last pc of the latter. This relation also holds true for P 0 and P6, and, as shall be shown, for R6, which plays an important role at ...
Lec2
... – The interval between any two consecutive notes of the chromatic scale – On a keyboard, the distance between any note and the note nearest to it, black or white ...
... – The interval between any two consecutive notes of the chromatic scale – On a keyboard, the distance between any note and the note nearest to it, black or white ...
Definitions, Quiz 1
... Countermelody. An accompanying melody sounded against the principal melody. RHYTHM Rhythm. The element of time in music. (Since music is an art that exists solely in time, rhythm controls ultimately all the relationships within a musical work.) Beat. Regular pulsation; a basic unit of length in musi ...
... Countermelody. An accompanying melody sounded against the principal melody. RHYTHM Rhythm. The element of time in music. (Since music is an art that exists solely in time, rhythm controls ultimately all the relationships within a musical work.) Beat. Regular pulsation; a basic unit of length in musi ...
OTHER SCALES CHROMATIC SCALE The scale consisting of all
... (1547). Locrian mode was only a theoretical possibility and not used because of the tritone between the final (tonic) and the fifth. The Church modes served as the tonal basis of Western music until about 1600, after which time the major and minor scales were used more extensively. Content: Modes ma ...
... (1547). Locrian mode was only a theoretical possibility and not used because of the tritone between the final (tonic) and the fifth. The Church modes served as the tonal basis of Western music until about 1600, after which time the major and minor scales were used more extensively. Content: Modes ma ...
广东海洋大学教师论文被 SCI-Expanded 收录情况统计
... Publisher: John Wiley and Sons Inc. Abstract: The thermooxidative degradation of methyl methacrylate-graft-natural rubber (MG) at different heating rates (B) has been studied with thermogravimetric analysis in an air environment. The results indicate that the thermooxidative degradation of MG in air ...
... Publisher: John Wiley and Sons Inc. Abstract: The thermooxidative degradation of methyl methacrylate-graft-natural rubber (MG) at different heating rates (B) has been studied with thermogravimetric analysis in an air environment. The results indicate that the thermooxidative degradation of MG in air ...
05 Elements Unit 5
... Now that we have seen how the various elements melody, rhythm, harmony, etc form the building blocks of musical compositions, lets consider how these elements, melody and harmony, function to construct a musical system. ...
... Now that we have seen how the various elements melody, rhythm, harmony, etc form the building blocks of musical compositions, lets consider how these elements, melody and harmony, function to construct a musical system. ...
HERE - NWSS Music
... 76. Renaissance: a period in musical history dating from the 14th to 16th centuries. This period signified a rebirth of music, art, literature and architecture. 77. Romantic: A period in history during the 8th and 19th centuries where the focus shifted from a neo-classical style to a more emotional, ...
... 76. Renaissance: a period in musical history dating from the 14th to 16th centuries. This period signified a rebirth of music, art, literature and architecture. 77. Romantic: A period in history during the 8th and 19th centuries where the focus shifted from a neo-classical style to a more emotional, ...
Popular Music Theory - The Academy Of Popular Music
... As we have learned, chords are not always in root position. However in addition to the first and second inversion chords that we have explored there are also thrid inversion* chords. Third inversion can only be used with a 4 note chord. A chord in third inversion has the seventh on the bottom. From ...
... As we have learned, chords are not always in root position. However in addition to the first and second inversion chords that we have explored there are also thrid inversion* chords. Third inversion can only be used with a 4 note chord. A chord in third inversion has the seventh on the bottom. From ...
The Overtone Series
... The result is that there are many overtones produced above the fundamental pitch. These overtones are too soft to be individually perceived but are nevertheless ...
... The result is that there are many overtones produced above the fundamental pitch. These overtones are too soft to be individually perceived but are nevertheless ...
View printable PDF of 6.3 Analyzing Diatonic Modes
... When analyzing to determine the scale or mode of a passage: STEP 1: Find the tonal center. See "tonic by assertion" below. STEP 2: Create a pitch inventory by listing all the notes low to high starting on the tonal center. STEP 3: Determine the scale or mode in use, based on the tonal center and pit ...
... When analyzing to determine the scale or mode of a passage: STEP 1: Find the tonal center. See "tonic by assertion" below. STEP 2: Create a pitch inventory by listing all the notes low to high starting on the tonal center. STEP 3: Determine the scale or mode in use, based on the tonal center and pit ...