Music Theory Essay. - Guitar Master Class
... second is referred to as frequency. Frequency is measured in Hertz (1Hz being one vibration per second). The higher the frequency, of a sound wave, then the higher the pitch of the note. Humans with good hearing can detect sound waves within a frequency range of about 20Hz up to about 20,000 Hz. In ...
... second is referred to as frequency. Frequency is measured in Hertz (1Hz being one vibration per second). The higher the frequency, of a sound wave, then the higher the pitch of the note. Humans with good hearing can detect sound waves within a frequency range of about 20Hz up to about 20,000 Hz. In ...
REVERIE by Debussy!
... mainly in France, that began in the late nineteenth century and continued into the middle of the twentieth century. Like its precursor in the visual arts, musical Impressionism focused on suggestion and atmosphere rather than strong emotion or the depiction of a story as in program music. Musical Im ...
... mainly in France, that began in the late nineteenth century and continued into the middle of the twentieth century. Like its precursor in the visual arts, musical Impressionism focused on suggestion and atmosphere rather than strong emotion or the depiction of a story as in program music. Musical Im ...
Midterm3Spr09Key.doc
... integer values. The function will return a new array where the elements of b will follow the elements in a. The function may not modify the array parameters. The following code illustrates the functionality associated with the function: var c=[2, 5, 7]; var d=[3, 4, 5]; alert(append(c,d)); // will d ...
... integer values. The function will return a new array where the elements of b will follow the elements in a. The function may not modify the array parameters. The following code illustrates the functionality associated with the function: var c=[2, 5, 7]; var d=[3, 4, 5]; alert(append(c,d)); // will d ...
the big picture: the late middle ages and early
... musical structure as the French Ballade (AAB), but the poetic pattern is distinctly different. The two A sections (occasionally a third A is added) each consist of three lines of poetry, which are then followed by a two-line ritornello, designated as B. Jacopo da Bologna’s madrigal Non al suo amante ...
... musical structure as the French Ballade (AAB), but the poetic pattern is distinctly different. The two A sections (occasionally a third A is added) each consist of three lines of poetry, which are then followed by a two-line ritornello, designated as B. Jacopo da Bologna’s madrigal Non al suo amante ...
VAN TECH MUSIC MUSIC THEORY LEARNING GUIDE Level IIA
... For example, using the piano keyboard we can easily see that between the white keys for G and A, there exists a black key. The black key can be called either G♯ or A♭ because of its distance relative to the white keys. E: Whole Tones vs. Semitones - The smallest distance between two pitches is a sem ...
... For example, using the piano keyboard we can easily see that between the white keys for G and A, there exists a black key. The black key can be called either G♯ or A♭ because of its distance relative to the white keys. E: Whole Tones vs. Semitones - The smallest distance between two pitches is a sem ...
The Overtone Series
... a low C beneath the bass clef. The pitches above it are that pitch's overtones. The overtones go on and on, and up and up, and get quieter and quieter. This diagram only shows the first seven overtones. For reference, these overtones have been labeled in terms of major scale degrees that they corres ...
... a low C beneath the bass clef. The pitches above it are that pitch's overtones. The overtones go on and on, and up and up, and get quieter and quieter. This diagram only shows the first seven overtones. For reference, these overtones have been labeled in terms of major scale degrees that they corres ...
Tonal Music
... 1915, all music in western culture was tonal. Again, all music had one note that all other notes gravitated toward. This does not mean that any one key was predominant in all music. On the contrary, there are 30 possible tonics, or keys for compositions, when you consider both major and minor modes, ...
... 1915, all music in western culture was tonal. Again, all music had one note that all other notes gravitated toward. This does not mean that any one key was predominant in all music. On the contrary, there are 30 possible tonics, or keys for compositions, when you consider both major and minor modes, ...
Aspects of mathematics and music in Ancient Greece
... construction of musical scales and that the different modalities of tetrachord’s subdivision defined the genera. For that purpose the Pythagoreans used mathematical processes. By extracting the 4th from the fifth, they defined the ratio of the tone (9:8). Then various ‘semitones’ sizes occurred: the ...
... construction of musical scales and that the different modalities of tetrachord’s subdivision defined the genera. For that purpose the Pythagoreans used mathematical processes. By extracting the 4th from the fifth, they defined the ratio of the tone (9:8). Then various ‘semitones’ sizes occurred: the ...
The Functional Tonal Musical System and its Mathematical
... If we avoid to define music (Helmholz already did it admirably) and consider music simply as an “art”1, our study of the meaning of tonality requires explanation: “By tonality – largely speaking – one understands the phenomena of gravitation and convergence of sounds, in a musical composition, towar ...
... If we avoid to define music (Helmholz already did it admirably) and consider music simply as an “art”1, our study of the meaning of tonality requires explanation: “By tonality – largely speaking – one understands the phenomena of gravitation and convergence of sounds, in a musical composition, towar ...
File - Melissa Hayes
... (about 1600) until the breakdown of tonal harmony at the end of the Romantic period (1900). It continued to be used by some composers after this period. The major scale is made up of eight notes. These are each given a scale degree number. Below is an example of a C major scale. Below each note is i ...
... (about 1600) until the breakdown of tonal harmony at the end of the Romantic period (1900). It continued to be used by some composers after this period. The major scale is made up of eight notes. These are each given a scale degree number. Below is an example of a C major scale. Below each note is i ...
NJCCS Elements of Music
... Quintuple meter, with 5 beats to the measure, and septuple meter, with 7 beats to the measure, occur frequently in twentieth-century music and are found occasionally in earlier music. Each of these meters combines duple and triple meter. In quintuple meter, for example, the measure is subdivided in ...
... Quintuple meter, with 5 beats to the measure, and septuple meter, with 7 beats to the measure, occur frequently in twentieth-century music and are found occasionally in earlier music. Each of these meters combines duple and triple meter. In quintuple meter, for example, the measure is subdivided in ...
Voc Music Baseline
... A. diaphragm B. larynx C. vocal cord 2. The pitch distance between two tones is ______. A. chord B. Accent C. Interval 3. The number of notes a particular voice can sing is called_____. A. Range B. natural C. Scale 4. Intervals that are sung simultaneously are called______ A. Harmonic Interval B. Di ...
... A. diaphragm B. larynx C. vocal cord 2. The pitch distance between two tones is ______. A. chord B. Accent C. Interval 3. The number of notes a particular voice can sing is called_____. A. Range B. natural C. Scale 4. Intervals that are sung simultaneously are called______ A. Harmonic Interval B. Di ...
"The Elements of Music"
... • Functional harmony = the system by which different chords relate to each other in a particular key. Chords in a key are defined by Roman numeral (for example, I, ii, iii). • Chord progression = the movement of chords as they change during a piece of music. ...
... • Functional harmony = the system by which different chords relate to each other in a particular key. Chords in a key are defined by Roman numeral (for example, I, ii, iii). • Chord progression = the movement of chords as they change during a piece of music. ...
Handout - Biological Computation Project
... terminology and a total rejection of common paradigms of musical expression, many critics – not all conservative – found ample ammunition to back up their claims that serial music was a mere intellectual exercise which could not seriously be regarded as music at all” (Grant, 2001) – Phillip Glass de ...
... terminology and a total rejection of common paradigms of musical expression, many critics – not all conservative – found ample ammunition to back up their claims that serial music was a mere intellectual exercise which could not seriously be regarded as music at all” (Grant, 2001) – Phillip Glass de ...
class9#
... Consider the behavior of G# and Ab (same music-level pitch in C major. G# will be usually part of a transposition to A major (A) or A minor (Am), so it will function as a leading tone to A. Ab will probably be part of a modulation to Fm or Eb. it will go down to G. Ab and G# are not part of C, so th ...
... Consider the behavior of G# and Ab (same music-level pitch in C major. G# will be usually part of a transposition to A major (A) or A minor (Am), so it will function as a leading tone to A. Ab will probably be part of a modulation to Fm or Eb. it will go down to G. Ab and G# are not part of C, so th ...
Document
... To fill out the Pythagorean scale, we need F. If we take 2C to be the 5th above F, then 2C= 3/2F, or F = 4/3 C ...
... To fill out the Pythagorean scale, we need F. If we take 2C to be the 5th above F, then 2C= 3/2F, or F = 4/3 C ...
Week 15
... Harmony 傳統調性系統之外的其他做法 • Composers want alternatives to major/minor • Modes of Medieval & Renaissance were revived • Scales from music outside western Europe utilized • Some composers created their own scales/modes ...
... Harmony 傳統調性系統之外的其他做法 • Composers want alternatives to major/minor • Modes of Medieval & Renaissance were revived • Scales from music outside western Europe utilized • Some composers created their own scales/modes ...
Major (our most common scale)
... weeks later: "You have no idea yourself how well you play the violin; if you only do yourself justice and play with fire, heartiness, and spirit, you may become the first violinist in Europe." Mozart had other plans, but he was obviously trying to please his father when he wrote from Munich: "They a ...
... weeks later: "You have no idea yourself how well you play the violin; if you only do yourself justice and play with fire, heartiness, and spirit, you may become the first violinist in Europe." Mozart had other plans, but he was obviously trying to please his father when he wrote from Munich: "They a ...
lecture15
... B. Pitch depends on duration and on envelope of sound, and is effected by interfering sounds: • The perceived pitch of a short exponentially decaying sinusoidal tone is found to be higher than a simple sine tone with the same frequency and energy • The same is true for sinusoidal tones rising expon ...
... B. Pitch depends on duration and on envelope of sound, and is effected by interfering sounds: • The perceived pitch of a short exponentially decaying sinusoidal tone is found to be higher than a simple sine tone with the same frequency and energy • The same is true for sinusoidal tones rising expon ...
Statistical analysis of a music database to investigate historical
... dissonance (C/D). Assuming that consonant tone combinations generally occur more often than dissonant, we evaluated C/D by analyzing a representative database of unaccompanied vocal polyphony from seven centuries (13th to 19th). Method: We found electronic scores in the internet, assigned all pitche ...
... dissonance (C/D). Assuming that consonant tone combinations generally occur more often than dissonant, we evaluated C/D by analyzing a representative database of unaccompanied vocal polyphony from seven centuries (13th to 19th). Method: We found electronic scores in the internet, assigned all pitche ...
Word - asboa
... A style of composition that has many voices, each with its own melody, thus creating a rich texture of sound Keys that share the same key signature European music written during the Renaissance, approximately 1400-1600 Silence in music; symbol used to indicate the duration of silence The pattern of ...
... A style of composition that has many voices, each with its own melody, thus creating a rich texture of sound Keys that share the same key signature European music written during the Renaissance, approximately 1400-1600 Silence in music; symbol used to indicate the duration of silence The pattern of ...
Read More About Melody - Seycove Music Composition
... A melody is a sequence of notes or pitches, one after the other, which create the “tune” of a piece. Most times, when you sing a song, you are singing its melody. ...
... A melody is a sequence of notes or pitches, one after the other, which create the “tune” of a piece. Most times, when you sing a song, you are singing its melody. ...
A Musical Scale Generated from the Ratio of Consecutive Primes
... The Music of the Primes is an electronic musical composition by the author [1] that was inspired by mathematician Marcus du Sautoy’s book of the same title [2]. It is a computer-generated algorithmic composition encoded in Cycling ‘74’s Max visual programming language [3]. All of the composition’s m ...
... The Music of the Primes is an electronic musical composition by the author [1] that was inspired by mathematician Marcus du Sautoy’s book of the same title [2]. It is a computer-generated algorithmic composition encoded in Cycling ‘74’s Max visual programming language [3]. All of the composition’s m ...
CHROMATIC SCALES 0 0
... ajor and minor scales are diatonic. That is, they are made up of tones and semitones, and they contain only notes that belo ng to the scale. A chromatic scale is made up of only semitones and contains all twelve notes in the octave. There are two types of chromatic scale s: the chromatic scale that ...
... ajor and minor scales are diatonic. That is, they are made up of tones and semitones, and they contain only notes that belo ng to the scale. A chromatic scale is made up of only semitones and contains all twelve notes in the octave. There are two types of chromatic scale s: the chromatic scale that ...