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20th Century Music National 5
20th Century Music National 5

... 4 (a) What is meant by the term ‘reverb?’ _____________________________ ______________________________________________________________ ______________________________________________________________ (b) State the names of two instruments which can perform with reverb during a live performance (i.e. n ...
Basic Music Theory
Basic Music Theory

... scale. The notes in the chromatic A scale are A, A# (Bb), B, C, C#(Db), D, D# (Eb), E, F, F# (Gb), G, and G# (Ab). Most of the music we play is based on the major scale, which consists of only 7 notes out of the chromatic scale (the 8th note shown below is the same as the first note, which is an "oc ...
Definitions List
Definitions List

... a melody, an instrument, or a voice. This span can be generally described as narrow, medium, or wide in range. Shape. The shape of a melody is determined by the direction a melody takes as it turns upward or downward or remains static. On a line graph, a melody might be charted as an ascending line, ...
Pitch- the relative “highness” or “lowness” of a sound
Pitch- the relative “highness” or “lowness” of a sound

... rules for pitch organization are entirely different). Let’s put all this craziness into a practical application: Let’s say our tuning system has 12 pitches in the octave (like in the WEAM model) and we’ll number them 1,2,3,4,5,6,7,8,9,x,y,z (so that 10-12 only take up one character…). This is our Tu ...
Document
Document

... ...
Math 215 HW #1 Solutions
Math 215 HW #1 Solutions

... or b = 4. However, the system will still be solvable if the right hand side of the second row is also zero, meaning g − 32 = 0 or g = 32. If we set b = 4 and g = 32, then the above elimination process tells us that 2x + 4y = 16. We can easily find one solution by setting x = 0 and another by setting ...
Musical Intervals and Scales
Musical Intervals and Scales

... together this is known as consonance • When they sound harsh, jarring, or unpleasant this is known as dissonance ...
Consonance Dissonance
Consonance Dissonance

... Date: ...
Lecture Set 07
Lecture Set 07

... Like Plato and Pythagoras, Kepler believed that the world was ruled by number. He tried hard to prove that the distances of the planets from the sun were given by an arrangement of Eucid's five regular solids; by doing so, he believed, he could demonstrate something of the order of the mind of God. ...
Music Periods, Styles, Composers
Music Periods, Styles, Composers

... expressive elements, many based on emotion and feeling, along with spiritual aspects. Thus, variety in sound, instrumentation and expression prevailed. The following characterize the development: ...
Advanced_HS_Band_Benchmarks
Advanced_HS_Band_Benchmarks

... Execute refined tone on their primary instrument (A.ML.1.1) Execute consistent pitch individually and within ensembles of various sizes and instrumentations (A.ML.1.1) Illustrate appropriate posture, breath support, hand position, and fingerings or stick control while performing an 8 measure musical ...
Musical Terms and Expressions Definitions
Musical Terms and Expressions Definitions

... alto, tenor and bass. (The teacher told the students to play the recorder by blowing more softly.) Refrain - the melody of a song that is repeated after each verse. (After singing the second verse of the song, the chorus sang the refrain.) Repeat Sign - a sign that indicates a section of music to be ...
MUSC 1000 Intro to Music
MUSC 1000 Intro to Music

... interwoven – or how they interact with one another creates the TEXTURE of the piece – There are many different possible textures of music – similar to different fabric types ...
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Solutions

... 2, or 3. After all numbers are filled in, if a row, column, or any diagonal has a number of cells equal to a multiple of 3, then it must have the same amount of 1’s, 2’s, and 3’s. (There are 10 such diagonals, and they are all marked in the grid by a gray dashed line.) Some numbers have been given t ...
Contrapuntal Techniques in Schoenberg`s Fourth String
Contrapuntal Techniques in Schoenberg`s Fourth String

... phrase. The effect is a non-rhythmic imitative counterpoint between the melody and the accompaniment, and within the accompaniment itself. The lines drawn in example 3 illustrate the repetition of these particular chords. Another row form presentation (I7: G-A-C-B-E-F-F-A-C-D-E-B) appears betwe ...
Pitch Collections, Scales, and Major Keys
Pitch Collections, Scales, and Major Keys

... What’s the key? Check the key signature. Check the first and last note. Check beginning and end of piece for note patterns suggested by the key signatures (5-1, or 7-1) Compare ex 3.13 and 3.14 ...
Here - WordPress.com
Here - WordPress.com

... Efforts Towards a Computational Method of Automatic Generation For Milton Babbitt (1916–2011), twelve-tone techniques were indispensable forms of musical composition because they are fundamentally derived from mathematical constructs. Perhaps his most complex form of composition is the all-partition ...
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Math-a-thon Puzzles Rules and Examples NUMBER GRIDS

... There are several ways to continue solving this puzzle, but the simplest is to remember the rule that each number must appear once and only once in each column and row. This column already has two numbers in it. What is the missing number? ...
van tech music
van tech music

... It is important to note that when written in text, we say the pitch name first, followed by the accidental (i.e. B-flat or F-sharp). However, when written on the staff, the accidental will always appear before the actual note. (i.e. ♭♩) C: Clefs - Each pitch has a place on the staff. A staff must in ...
your name - Julianne Baird
your name - Julianne Baird

... b. music created at the same time it is performed c. the addition of ornaments not indicated in the printed music d. all of the above 36. A song in which several people sing the exact same melody but each signer starts at a different time is an example of: a. homophonic texture b. monophonic texture ...
1 - Julianne Baird
1 - Julianne Baird

... b. music created at the same time it is performed c. the addition of ornaments not indicated in the printed music d. all of the above 36. A song in which several people sing the exact same melody but each signer starts at a different time is an example of: a. homophonic texture b. monophonic texture ...
1 - Julianne Baird
1 - Julianne Baird

... b. music created at the same time it is performed c. the addition of ornaments not indicated in the printed music d. all of the above 36. A song in which several people sing the exact same melody but each signer starts at a different time is an example of: a. homophonic texture b. monophonic texture ...
16 באוקטובר, 2005
16 באוקטובר, 2005

... 3. Adding an option of changing the scale of a musical sheet produced by the system. Background: Western music includes sounds which defer from each other by at least semitone. This gives rise to 12 basic different sounds, as seen here: ...
Music Theory in a Minute BILL CARLSON MUSIC INFORMATICS AND COMPUTING DR. CHUAN
Music Theory in a Minute BILL CARLSON MUSIC INFORMATICS AND COMPUTING DR. CHUAN

... Music Theory in a Minute BILL CARLSON MUSIC INFORMATICS AND COMPUTING DR. CHUAN U.N.F. SPRING 2011 ...
Different scales
Different scales

... • Has an oriental, Chinese flavour to the music and used a lot in Celtic and Scottish folk music e.g. Auld Lang Syne ...
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Serialism

In music, serialism is a method or technique of composition that uses a series of values to manipulate different musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations. Other types of serialism also work with sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called ""parameters""), such as duration, dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architecture (Bandur 2001, 5, 12, 74; Gerstner 1964, passim), and the musical concept has also been adopted in literature (Collot 2008, 81; Leray 2008, 217–19; Waelti-Walters 1992, 37, 64, 81, 95).Integral serialism or total serialism is the use of series for aspects such as duration, dynamics, and register as well as pitch (Whittall 2008, 273). Other terms, used especially in Europe to distinguish post–World War II serial music from twelve-tone music and its American extensions, are general serialism and multiple serialism (Grant 2001, 5–6).Composers such as Arnold Schoenberg, Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono, Milton Babbitt, Charles Wuorinen and Jean Barraqué used serial techniques of one sort or another in most of their music. Other composers such as Béla Bartók, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiaen, Arvo Pärt, Walter Piston, Ned Rorem, Alfred Schnittke, Dmitri Shostakovich, and Igor Stravinsky used serialism only for some of their compositions or only for some sections of pieces, as did some jazz composers such as Yusef Lateef and Bill Evans.
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