Download Music Theory in a Minute BILL CARLSON MUSIC INFORMATICS AND COMPUTING DR. CHUAN

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Transcript
Music Theory in a Minute
BILL CARLSON
MUSIC INFORMATICS AND COMPUTING
DR. CHUAN
U.N.F. SPRING 2011
Musical ABCs
‰Notes are named after the first seven letters of the
alphabet.
‰A,B,C,D,E,F,G,A,B,C,etc..
‰Each note is referred to as a Pitch.
‰Going from one C through all of the notes to the
next C is an Octave. (i.e. C,D,E,F,G,A,B,C)
‰All the notes contained between are in the same
register.
‰All musical instruments can produce pitches
The Piano Keyboard
The Guitar Neck
‰ Notes
are separated by Whole Steps
and Half Steps
‰ All natural notes are a Whole Step
apart except E-F and B-C
‰ White keys are Natural Notes, not
sharp or flat. (i.e. C,D,E,F,G,A,B,C)
‰ Black keys are Accidental Notes
(sharp/flat)
‰ Each fret of the guitar is a Half Step
‰ Enharmonic Notes share the same
position (i.e. A#/Bb)
The Grand Staff
‰ The Grand Staff contains two clefs: Bass Clef and Treble Clef
‰ Each Ledger Line represents a Pitch.
‰ Ledger Lines can be added above or below either staff to continue the
notes
The Major Scale
‰ The Major Scale is the
foundation of Western
Music
‰ The Major Scale Step
Pattern is
(W,W,H,W,W,W,H)
‰ Each Pitch can be made into
a Major Scale
‰ Each note must be
represented in the scale
‰ There can not be doubles
(i.e. A, A#)
‰ Major Scales are organized
into Circles of 4ths and 5ths
Intervals
‰ Each pitch in the Major Scale has a name
‰ An Interval is Perfect if the Root Note and the Interval are both in the
scale of each note
‰ C-F is a Perfect 4th in the C Scale, F-C is a Perfect 5th in the F Scale
‰ C-G is a Perfect 5th in the C Scale, G-C is a Perfect 4th in the G Scale
Circle of 4ths and 5ths
‰ Circle of 5ths deals with
Sharps
‰ Start on C and move to G
the 5th
‰ Fat,Cats,Go,Down,And,
Eat,Birds
‰ Circle of 4ths deals with
Flats
‰ Start on C and move to F
the 4th
‰ BEAD Goats Can Fly
Note Values
Counting Notes
Counting and Time Signatures
‰ A Time Signature is placed at the beginning of every musical piece
‰ The Top Value tells how many beats per measure
‰ The Bottom Value what type of note recieves one beat
‰ 4/4 Traditional Straight Beat
‰ 3/4 Ballad
‰ 6/8 Waltz
Triads/Basic Chords
‰ Consist of a Root Note and two Intervals, each a 3rd apart
‰ Major: Root, Maj 3rd, Min 3rd (Major 3rd is 2 steps, Minor 3rd is 1.5 steps)
‰ Minor: Root, Min 3rd, Maj 3rd
‰ Diminished: Root, Min 3rd, Min 3rd
‰ Augmented: Root, Maj 3r, Maj 3rd
Relative Minor Scale
Every Major Scale has a Relative
Minor Scale
‰ It is the based on the Major 6th
‰ The Relative Minor will have the
exact same notes/key as the Major
Scale
‰ The Major Scale can be turned into
the Parallel Minor flatting
the 3rd, 6th & 7th pitches
‰ The Major and Relative Minor
Scales are interchangeable
but the Major and Parallel ARE NOT!!
‰
Diatonic Triads
‰
‰
‰
‰
‰
Every tone in the Major Scale
makes a Triad or Chord
I, IV, V are always MAJOR
ii, iii, vi are always MINOR
vii is half-diminished
The chords are the same in the
relative minor as the major,
the order is changed
7th Chords
7th Chords are extensions of
Triads
‰ The 7th pitch from the Root
is added to the triad
‰ The 7th is in the same scale
as the I chord
‰