The Influence of Renaissance Music in Ernst Krenek`s Lamentatio
... ejus 24,” meaning “sunk to the ground are his gates.” This setting uses a three-voice texture, with each voice descending throughout the passage. Another example of text-painting is the setting of the text “Haeccine est urbs, dicentes, perfecti decoris, gaudium universae terrae, 25” meaning “this is ...
... ejus 24,” meaning “sunk to the ground are his gates.” This setting uses a three-voice texture, with each voice descending throughout the passage. Another example of text-painting is the setting of the text “Haeccine est urbs, dicentes, perfecti decoris, gaudium universae terrae, 25” meaning “this is ...
Russian Pitch-Class Set Analysis and the Music of Webern
... notes became more and more reified. This period, of course, overlaps with the musical one often called “free atonality” in the United States (i.e., roughly 1908 to 1922). It is worth noting that neither Bernard nor Schuijer discusses the work of the European authors I mentioned above with respect to ...
... notes became more and more reified. This period, of course, overlaps with the musical one often called “free atonality” in the United States (i.e., roughly 1908 to 1922). It is worth noting that neither Bernard nor Schuijer discusses the work of the European authors I mentioned above with respect to ...
Fine Arts Curriculum - battlecreekschools.net
... vocal literature with a level of difficulty of four on a scale of 1 to 6 including songs performed for memory. Outcome 2: TLW performing on instruments, alone and with others, a varied repertoire of music. 1.1 Perform with expression and technical accuracy a large and varied repertoire of instrument ...
... vocal literature with a level of difficulty of four on a scale of 1 to 6 including songs performed for memory. Outcome 2: TLW performing on instruments, alone and with others, a varied repertoire of music. 1.1 Perform with expression and technical accuracy a large and varied repertoire of instrument ...
PDF - UNT Digital Library
... tonal imitation of the subject, and stretto. However, he does not discuss the way that a subject works in the exposition. Nor does he discuss how the treatment of the subjects in the ricercar is similar to their usage in the fugue. Willi Apel discusses all nine composers‟ ricercare analytically and ...
... tonal imitation of the subject, and stretto. However, he does not discuss the way that a subject works in the exposition. Nor does he discuss how the treatment of the subjects in the ricercar is similar to their usage in the fugue. Willi Apel discusses all nine composers‟ ricercare analytically and ...
08_chapter - ii
... keerthanam, kriti, padam, javali, tillana, daru and even mangalam are composed by eminent musicians including trinities. Dr. Durga briefly presents the use of the raga in other cultures. She also gives a minute analysis of the use of the phrases and notes while mohana scale is played or sung as foll ...
... keerthanam, kriti, padam, javali, tillana, daru and even mangalam are composed by eminent musicians including trinities. Dr. Durga briefly presents the use of the raga in other cultures. She also gives a minute analysis of the use of the phrases and notes while mohana scale is played or sung as foll ...
Pitch Notation
... You will also notice that a short line segment appears in the middle of the note in Figure 4. This short line is called a ledger line. These added lines are a bit similar to ladders. They are extensions of the sta, either above or below, so that additional pitches may be given in the music. Figur ...
... You will also notice that a short line segment appears in the middle of the note in Figure 4. This short line is called a ledger line. These added lines are a bit similar to ladders. They are extensions of the sta, either above or below, so that additional pitches may be given in the music. Figur ...
Extended performance techniques and compositional style in the
... “establishing the vibraphone as a serious concert instrument.”13 While Milhaud had scored for vibraphone in an earlier work, L’annonce faite à Marie (Claudel), op.117 (1932),14 his Concerto for Marimba, Vibraphone and Orchestra was the first concerto written for the instrument. Many scholars cite o ...
... “establishing the vibraphone as a serious concert instrument.”13 While Milhaud had scored for vibraphone in an earlier work, L’annonce faite à Marie (Claudel), op.117 (1932),14 his Concerto for Marimba, Vibraphone and Orchestra was the first concerto written for the instrument. Many scholars cite o ...
Musical allusion to The Rite of Spring in four contemporary works for
... solo. So, when I was thinking about writing a work for solo bassoon, I wanted to see what could be done with this wonderful beginning used as a fantasy for an entire movement. … [A]s you will see the entire melody acts as a climax of the movement and is not heard in its entirety until close to the e ...
... solo. So, when I was thinking about writing a work for solo bassoon, I wanted to see what could be done with this wonderful beginning used as a fantasy for an entire movement. … [A]s you will see the entire melody acts as a climax of the movement and is not heard in its entirety until close to the e ...
abstract - eThesis
... The studies that compose this dissertation analyze a selection of pieces of early post-tonal music (by Debussy, Scriabin, Schoenberg, Berg, and Webern) on the basis of the notion of prolongation. They also discuss extensively the theoretical principles of post-tonal prolongation and, to some extent, ...
... The studies that compose this dissertation analyze a selection of pieces of early post-tonal music (by Debussy, Scriabin, Schoenberg, Berg, and Webern) on the basis of the notion of prolongation. They also discuss extensively the theoretical principles of post-tonal prolongation and, to some extent, ...
Ornamentation in Giuseppe Tartini`s Traité des
... themselves to gurations, whether a full stop is made or the melody is unnished. Tartini compares these cadential points with punctuation in writing. Cadential formulae are given at length, but composite gures may occur naturally, as the primary cells are simple and few in number. In contrast, art ...
... themselves to gurations, whether a full stop is made or the melody is unnished. Tartini compares these cadential points with punctuation in writing. Cadential formulae are given at length, but composite gures may occur naturally, as the primary cells are simple and few in number. In contrast, art ...
Selected Clarinet, Cello and Piano Trios: Unknown or
... The clarinet, violoncello, and piano trio, as an important and viable chamber music genre deserves more exposure and prominence. We can all name at least one performing piano trio (e.g., Beaux Arts) but could we name a clarinet trio counterpart? While many people are familiar with the Ludwig van Bee ...
... The clarinet, violoncello, and piano trio, as an important and viable chamber music genre deserves more exposure and prominence. We can all name at least one performing piano trio (e.g., Beaux Arts) but could we name a clarinet trio counterpart? While many people are familiar with the Ludwig van Bee ...
Write like Mozart – lecture notes Table of Contents
... Chromatic substitutions: augmented sixth chords..............................................................................52 Types of augmented sixth..............................................................................................................53 Voice leading...................... ...
... Chromatic substitutions: augmented sixth chords..............................................................................52 Types of augmented sixth..............................................................................................................53 Voice leading...................... ...
A Theory of Tonal Hierarchies in Music
... described in basic music texts (e.g., Piston 1987). The notion of a tonal hierarchy incorporates relations among all these units in a stable, abstract frame of reference. In this frame of reference all tones and chords are described with respect to the tone that gives the key its name. For example, ...
... described in basic music texts (e.g., Piston 1987). The notion of a tonal hierarchy incorporates relations among all these units in a stable, abstract frame of reference. In this frame of reference all tones and chords are described with respect to the tone that gives the key its name. For example, ...
Transcribing for the Harp - OhioLINK Electronic Theses and
... is an ideal piece for the study of music transcribed from piano to harp, because of the similarities between the two instruments and because of the style, tempo, and tonalities of the piece. Although Clair de lune is an appropriate choice for transcription, one must take into account the distinction ...
... is an ideal piece for the study of music transcribed from piano to harp, because of the similarities between the two instruments and because of the style, tempo, and tonalities of the piece. Although Clair de lune is an appropriate choice for transcription, one must take into account the distinction ...
music-10th-edition-kamien-test-bank
... 86. Western music uses ____________ letters of the alphabet to indicate pitch. A. the first five B. the first seven C. a wide variety D. the last three 87. In musical notation, pitches are written on a set of five horizontal lines called a A. clef. B. bar. C. staff. D. stem. 88. A _______ is placed ...
... 86. Western music uses ____________ letters of the alphabet to indicate pitch. A. the first five B. the first seven C. a wide variety D. the last three 87. In musical notation, pitches are written on a set of five horizontal lines called a A. clef. B. bar. C. staff. D. stem. 88. A _______ is placed ...
Intonation Variables in the Performance of Twelve
... pattern of intonation appear dominant over both ensemble (harmonic) demands and the often assumed ‘cultural conditioning’ from the equi-tempered intonation.”9 Charles Shackford directed his study specifically to measurement of the sizes of harmonic intervals in ensemble performance, and he found tha ...
... pattern of intonation appear dominant over both ensemble (harmonic) demands and the often assumed ‘cultural conditioning’ from the equi-tempered intonation.”9 Charles Shackford directed his study specifically to measurement of the sizes of harmonic intervals in ensemble performance, and he found tha ...
Book 3 - Advanced
... features which give major and minor scales their distinctive characteristics. Major music may be generally described as bright, light hearted or extroverted. Minor music may be similarly described as dark, sad or introverted. These are extreme comparisons as composers have indentified new qualities ...
... features which give major and minor scales their distinctive characteristics. Major music may be generally described as bright, light hearted or extroverted. Minor music may be similarly described as dark, sad or introverted. These are extreme comparisons as composers have indentified new qualities ...
Understanding Basic Music Theory
... and spelling and point out the relationships between words. Those rules are only guidelines based on patterns discovered by the theoreticians, which is why there are usually plenty of "exceptions" to every rule. Attempts to develop a new language by rst inventing the grammar and spelling never seem ...
... and spelling and point out the relationships between words. Those rules are only guidelines based on patterns discovered by the theoreticians, which is why there are usually plenty of "exceptions" to every rule. Attempts to develop a new language by rst inventing the grammar and spelling never seem ...
Lam_ku_0099D_14771_DATA_1 - KU ScholarWorks
... It is challenging for modern pianists to integrate contemporary compositions into their recitals and programs. Pianists have such a vast repertoire list to program a concert or recital without even considering a piece from modern time. While teaching piano music from the seventeenth to eighteenth ce ...
... It is challenging for modern pianists to integrate contemporary compositions into their recitals and programs. Pianists have such a vast repertoire list to program a concert or recital without even considering a piece from modern time. While teaching piano music from the seventeenth to eighteenth ce ...
Stravinsky and the Octatonic: A Reconsideration
... as well as passages that alternate between harmonic and melodic minor collections. (The harmonic minor scale is not part of my collection of four scales, but it is part of a related seven-scale collection: see p. 88 below.) In these respects, the early ballets wear their Impressionist in uences on ...
... as well as passages that alternate between harmonic and melodic minor collections. (The harmonic minor scale is not part of my collection of four scales, but it is part of a related seven-scale collection: see p. 88 below.) In these respects, the early ballets wear their Impressionist in uences on ...
Maqam - MoroccanMusicMiniterm
... A maqam can have microtonal variations. Each maqam has a different character that conveys mood, similar to the mood created by major and minor scales of Western music. Maqam rast envokes a feeling of pride Maqam sikah envokes a feeling of joy ...
... A maqam can have microtonal variations. Each maqam has a different character that conveys mood, similar to the mood created by major and minor scales of Western music. Maqam rast envokes a feeling of pride Maqam sikah envokes a feeling of joy ...
Theory of Music-Stravinsky
... Ivan and Tsarevna in the conclusion. [Watch scenes 4 & 5 of the DVD] FRAGMENTATION A melodic theme or idea is segmented and adjoins contrasting material. This technique sounds like the score has been written out and then the composer has used “cut and paste” to create a new version. {See “Stratifica ...
... Ivan and Tsarevna in the conclusion. [Watch scenes 4 & 5 of the DVD] FRAGMENTATION A melodic theme or idea is segmented and adjoins contrasting material. This technique sounds like the score has been written out and then the composer has used “cut and paste” to create a new version. {See “Stratifica ...
Dissertation MUSI591 – 10C (HAM)
... been “vogue” for pianists to record complete sets of works — all 27 Etudes, all 24 Préludes, the four Ballades, and so forth.7 This may be the consequence of the commercialization and commodification of music, especially in the latter half of the twentieth century; it is surely easier to market a re ...
... been “vogue” for pianists to record complete sets of works — all 27 Etudes, all 24 Préludes, the four Ballades, and so forth.7 This may be the consequence of the commercialization and commodification of music, especially in the latter half of the twentieth century; it is surely easier to market a re ...
The History of Tuning
... Euclid’s comments are from the Math Department: Pythagoras studied in Babylonia when it was part of Chaldean Empire and returned home to Samos, a Greek Island and started a school. This first school was not successful; it attracted only one student, which Pythagoras had to pay to attend. Next, Pytha ...
... Euclid’s comments are from the Math Department: Pythagoras studied in Babylonia when it was part of Chaldean Empire and returned home to Samos, a Greek Island and started a school. This first school was not successful; it attracted only one student, which Pythagoras had to pay to attend. Next, Pytha ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.