Extended performance techniques and compositional style in the
... characteristics, another unique feature of the vibraphone concerns the motor operated paddles, or revolving-disc pulsators, located in the top of each resonator. When engaged, these paddles spin in the open areas at the top each resonator, thereby, constantly changing the size of the opening. This r ...
... characteristics, another unique feature of the vibraphone concerns the motor operated paddles, or revolving-disc pulsators, located in the top of each resonator. When engaged, these paddles spin in the open areas at the top each resonator, thereby, constantly changing the size of the opening. This r ...
Schulenberg: Clavichord, p. 1 When Did the Clavichord Become
... “renewed” or “revived” at Berlin during the mid-1740s. But surviving sources of these pieces rarely indicate which version they transmit: the original Leipzig and Frankfurt versions or the “renewed” ones from Berlin. Moreover, it has become clear that after the 1740s Bach continued to revise these p ...
... “renewed” or “revived” at Berlin during the mid-1740s. But surviving sources of these pieces rarely indicate which version they transmit: the original Leipzig and Frankfurt versions or the “renewed” ones from Berlin. Moreover, it has become clear that after the 1740s Bach continued to revise these p ...
Guitar Method I
... If you are choosing an electric guitar, your sound is made up of many factors. This includes the pickups in the guitar, the amplifier you're plugged into and any signal processing you may be using. While it helps to have a great guitar, your sound is only as good as the total quality of the equipmen ...
... If you are choosing an electric guitar, your sound is made up of many factors. This includes the pickups in the guitar, the amplifier you're plugged into and any signal processing you may be using. While it helps to have a great guitar, your sound is only as good as the total quality of the equipmen ...
08_chapter - ii
... came into existence. The references from Chilappathikaram proves that Mohana was widely used during the period as early as the 2 nd century A.D. The phrases of the raga was used right from the time of or even before the present system of raga classification which came into existence. Mohana or scale ...
... came into existence. The references from Chilappathikaram proves that Mohana was widely used during the period as early as the 2 nd century A.D. The phrases of the raga was used right from the time of or even before the present system of raga classification which came into existence. Mohana or scale ...
Expression and Discrétion: Froberger, Bach, and Performance
... Romantic era, the nineteenth century. The type of rhythmic freedom appropriate to earlier music might be different. [I will argue that “discretion” is directly related to an approach to notation that is especially prominent in Froberger’s keyboard music and which continues to the end of the Baroque, ...
... Romantic era, the nineteenth century. The type of rhythmic freedom appropriate to earlier music might be different. [I will argue that “discretion” is directly related to an approach to notation that is especially prominent in Froberger’s keyboard music and which continues to the end of the Baroque, ...
Ornamentation in Giuseppe Tartini`s Traité des
... theories of baroque ornamentation,[2] (p. 6) the upper note start of the trill was given with monotonous regularity from the middle of the 17th century; it is to be found in the works of Playford, d'Angelbert, Muat, Purcell, Hottenterre, Couperin, Tosi, Rameau, Quantz, C.P.E. Bach, Marpurg, and Tü ...
... theories of baroque ornamentation,[2] (p. 6) the upper note start of the trill was given with monotonous regularity from the middle of the 17th century; it is to be found in the works of Playford, d'Angelbert, Muat, Purcell, Hottenterre, Couperin, Tosi, Rameau, Quantz, C.P.E. Bach, Marpurg, and Tü ...
Chords and Ragas based on the Melodic minor scale
... This scale is similar to the Lydian mode (Raga Kalyani). The Lydian mode has a 5th note, while this mode has a #5th note – the minor 6th interval. This mode, the 3rd mode of the Melodic minor scale can be called the Lydian augmented scale because it has the notes of the Lydian scale, with the 5th no ...
... This scale is similar to the Lydian mode (Raga Kalyani). The Lydian mode has a 5th note, while this mode has a #5th note – the minor 6th interval. This mode, the 3rd mode of the Melodic minor scale can be called the Lydian augmented scale because it has the notes of the Lydian scale, with the 5th no ...
also available on signumvision
... lets their dear God rule) 642: Ich ruf zu dir by Bach’s pupil, J. L. Krebs is very similar and was probably based on 642. It is marked organo pleno, and so this is used as a model for the registration here. Both pieces are march-like, and staccato, and reflect the confidence of trust in God outlined ...
... lets their dear God rule) 642: Ich ruf zu dir by Bach’s pupil, J. L. Krebs is very similar and was probably based on 642. It is marked organo pleno, and so this is used as a model for the registration here. Both pieces are march-like, and staccato, and reflect the confidence of trust in God outlined ...
Estimating Resemblance of MIDI Documents
... considering one pitch, simultaneous events are exact duplicates, and one can be ignored. One may ask why we do not group notes from two or three adjacent pitches together, or group notes across all 128 pitches together into a single sequence. Our initial experimental results indicate that this hurts ...
... considering one pitch, simultaneous events are exact duplicates, and one can be ignored. One may ask why we do not group notes from two or three adjacent pitches together, or group notes across all 128 pitches together into a single sequence. Our initial experimental results indicate that this hurts ...
Basic Music Theory - 547 Canuck Squadron
... The notes will always be placed in a line/space sequence in whatever form. If however, we want to add a stem to the notes, it is important to place them correctly. If the note is placed below the third line, the stem is placed on the right side pointing upwards. If the note is placed above the third ...
... The notes will always be placed in a line/space sequence in whatever form. If however, we want to add a stem to the notes, it is important to place them correctly. If the note is placed below the third line, the stem is placed on the right side pointing upwards. If the note is placed above the third ...
Chords symbols and their chords
... gives just the melody and chord symbols (plus maybe lyrics) is called a lead sheet. With an understanding of chord symbols and a little bit of talent, a pianist or guitarist or other instrumentalist can construct an acceptable accompaniment from a lead sheet. ...
... gives just the melody and chord symbols (plus maybe lyrics) is called a lead sheet. With an understanding of chord symbols and a little bit of talent, a pianist or guitarist or other instrumentalist can construct an acceptable accompaniment from a lead sheet. ...
Principles of Counterpoint
... a major European conservatory, and discovered that his experience of counterpoint was limited to three years of exercises in 4/4 time with canti in whole notes. While this sort of work may be appropriate for a beginner, it hardly constitutes a complete preparation for most of the real life applicati ...
... a major European conservatory, and discovered that his experience of counterpoint was limited to three years of exercises in 4/4 time with canti in whole notes. While this sort of work may be appropriate for a beginner, it hardly constitutes a complete preparation for most of the real life applicati ...
Glossary - terms used in music analysis
... Resolution - a consonance which follows a dissonance, with the dissonant notes usually moving by step (semitone or tone). The resolution releases the tension created by the dissonance. Retrograde - reversing the order of pitches or rhythms. Hence C - D - E would become E - D - C . An early example c ...
... Resolution - a consonance which follows a dissonance, with the dissonant notes usually moving by step (semitone or tone). The resolution releases the tension created by the dissonance. Retrograde - reversing the order of pitches or rhythms. Hence C - D - E would become E - D - C . An early example c ...
The Classical Indian Just Intonation Tuning System
... suddha = 'pure', tivra = sharp, komal = flat ('soft'), chyuta = 'fallen'. Note that the perfect forth (ma) consists of 9 Sruti-s, the perfect fifth (Pa) of 13, and the octave of 22, as related in the ancient 'NATYA-SASTRA', which also defined the size of Pramana-Sruti as the difference between four ...
... suddha = 'pure', tivra = sharp, komal = flat ('soft'), chyuta = 'fallen'. Note that the perfect forth (ma) consists of 9 Sruti-s, the perfect fifth (Pa) of 13, and the octave of 22, as related in the ancient 'NATYA-SASTRA', which also defined the size of Pramana-Sruti as the difference between four ...
If you can sing “Joy to the World” you can learn to
... modern music and strip it down to its bare bones, abandoning many of the things you worked hard to learn to understand and use. This may frustrate you at first - for example, removing two sharps from the key signature, as we are going to do shortly, would normally change the pitches we sing. But in ...
... modern music and strip it down to its bare bones, abandoning many of the things you worked hard to learn to understand and use. This may frustrate you at first - for example, removing two sharps from the key signature, as we are going to do shortly, would normally change the pitches we sing. But in ...
Masterworks Press PDF Reproduction Policy
... Counting Rhythm One of the most important concepts to teach ensemble musicians is rhythm. If students do not truly understand rhythm, they will never achieve accurate articulation—particularly with plosive consonants such as s, t, and p. Because it’s not always feasible to listen to each student pe ...
... Counting Rhythm One of the most important concepts to teach ensemble musicians is rhythm. If students do not truly understand rhythm, they will never achieve accurate articulation—particularly with plosive consonants such as s, t, and p. Because it’s not always feasible to listen to each student pe ...
Chapter 3: Alto Clef
... Basic notes range as long as a whole note (which lasts 4 beats) or as short as a 16th note (which lasts ¼ of a beat). These symbols are placed in various combinations to give us the sounds we all commonly enjoy. (Graphic 2) ...
... Basic notes range as long as a whole note (which lasts 4 beats) or as short as a 16th note (which lasts ¼ of a beat). These symbols are placed in various combinations to give us the sounds we all commonly enjoy. (Graphic 2) ...
Aaron Copland`s Piano Variations: A Study in Character
... marches in tripled octaves down the whole length of the keyboard from the highest G to the lowest E. It ends in a strangely melodic sforzando E major chord. V. 8 continues the use of quarter notes, but this time the motion is much more subdued. It seems to be at war with itself, the increased tempo ...
... marches in tripled octaves down the whole length of the keyboard from the highest G to the lowest E. It ends in a strangely melodic sforzando E major chord. V. 8 continues the use of quarter notes, but this time the motion is much more subdued. It seems to be at war with itself, the increased tempo ...
Dictionary of Musical Terms
... swing rhythm......... Eighth notes played in a long-short pattern; dotted eighth notes connected to 16th notes...................... ________ ________ (Eng.) SWING rithm ...
... swing rhythm......... Eighth notes played in a long-short pattern; dotted eighth notes connected to 16th notes...................... ________ ________ (Eng.) SWING rithm ...
File - Miss Ausman`s Classroom
... Directions: Draw a line from the meter signature to the correct beats on the staff. ...
... Directions: Draw a line from the meter signature to the correct beats on the staff. ...
Semantic manual - Semantic Daniélou
... arabian, greek, turkish and persian music, but also in Eastern Europe, Africa, and Asia. They were also used in a tempered way by a few western microtonal composers of the last XXth century. In traditional world music, quartertones originate from more or less equal divisions of the minor thirds, fou ...
... arabian, greek, turkish and persian music, but also in Eastern Europe, Africa, and Asia. They were also used in a tempered way by a few western microtonal composers of the last XXth century. In traditional world music, quartertones originate from more or less equal divisions of the minor thirds, fou ...
Automatic Chord Detection - People Pages
... As a second example, we loaded a sound recording of the first three measures of Beethoven’s Moonlight Sonata into AUDACITY.2 The score is shown at the top of Figure 4. We have put chord notations directly below the score. These chords are marked in terms of pitch classes only. For example, the first ...
... As a second example, we loaded a sound recording of the first three measures of Beethoven’s Moonlight Sonata into AUDACITY.2 The score is shown at the top of Figure 4. We have put chord notations directly below the score. These chords are marked in terms of pitch classes only. For example, the first ...
Tonal Function in Harmonic Scales
... they cannot be improved by alteration and they are inherently well-related. Therefore, all non-prototypical triad progressions (with the exception of the ‘difficult’ eighth progression c ↔ D, or iii ↔ IV) are heard as alterations of these seven prototypes.11 Normalisation of alterations All interva ...
... they cannot be improved by alteration and they are inherently well-related. Therefore, all non-prototypical triad progressions (with the exception of the ‘difficult’ eighth progression c ↔ D, or iii ↔ IV) are heard as alterations of these seven prototypes.11 Normalisation of alterations All interva ...
Texture_and_Melody
... A texture where the parts play different notes and different rhythms. Often described as ...
... A texture where the parts play different notes and different rhythms. Often described as ...
Notes inégales
In music, notes inégales (French: unequal notes) refers to a performance practice, mainly from the Baroque and Classical music eras, in which some notes with equal written time values are performed with unequal durations, usually as alternating long and short. The practice was especially prevalent in France in the 17th and 18th centuries, with appearances in other European countries at the same time; and it reappeared as the standard performance practice in the 20th century in jazz.