here
... doubling value of the original rhythm – slows the piece - Diminution; repetition of a phrase, using notes that are of shorter duration than in the original phrase – halves the value of the original rhythm – quickens the piece - Anacrusis; 1 or more accented notes immediately before the first downbea ...
... doubling value of the original rhythm – slows the piece - Diminution; repetition of a phrase, using notes that are of shorter duration than in the original phrase – halves the value of the original rhythm – quickens the piece - Anacrusis; 1 or more accented notes immediately before the first downbea ...
Proceedings of the 14th International Computer Music Conference
... Notation for human apprehension of music can never provide all the immense amount of information contained in the physics of sound. Thus, every notation system must be some shorthand comoromise. emphasizing only the aspects considered important to its users. As is weH known, even · the CMN is a sho ...
... Notation for human apprehension of music can never provide all the immense amount of information contained in the physics of sound. Thus, every notation system must be some shorthand comoromise. emphasizing only the aspects considered important to its users. As is weH known, even · the CMN is a sho ...
NOTE - Big Lake Schools
... • The STAFF is a place where musical notes are written. • It is composted of FIVE lines and FOUR spaces. • Lower-pitched notes are written LOWER on the staff. o Higher-pitched notes are written HIGHER. • Sometimes notes are so high or so low they need to be written with LEDGER lines. • Ledger lines ...
... • The STAFF is a place where musical notes are written. • It is composted of FIVE lines and FOUR spaces. • Lower-pitched notes are written LOWER on the staff. o Higher-pitched notes are written HIGHER. • Sometimes notes are so high or so low they need to be written with LEDGER lines. • Ledger lines ...
Week 1-Review
... A register denotes which octave a letter named pitch falls in. The first C on the (full size) piano is C1, the second C2, the third C3, middle C in C4, etc. The rest of the notes are named after C. So the D directly beside middle C is D4. The B directly under middle C is B3. To extend the staff, led ...
... A register denotes which octave a letter named pitch falls in. The first C on the (full size) piano is C1, the second C2, the third C3, middle C in C4, etc. The rest of the notes are named after C. So the D directly beside middle C is D4. The B directly under middle C is B3. To extend the staff, led ...
Musical Elements and Compositional Devices
... A high, clear, pure sound produced on a string instrument by lightly stopping the string at its halfway (or other fractional) point Harmonics produced on the open G string (violin) ...
... A high, clear, pure sound produced on a string instrument by lightly stopping the string at its halfway (or other fractional) point Harmonics produced on the open G string (violin) ...
More than noise - Cambridge University Press
... (called a jack) that has a plectrum attached, like those used by guitarists. The plectrum plucks the string that matches the key, creating a sound, and then comes back down without touching the string. When the key comes to rest, the string’s vibrations are muffled by a piece of felt on top of the j ...
... (called a jack) that has a plectrum attached, like those used by guitarists. The plectrum plucks the string that matches the key, creating a sound, and then comes back down without touching the string. When the key comes to rest, the string’s vibrations are muffled by a piece of felt on top of the j ...
L 8-‐9 Musical Scales, Chords , and Intervals, The Pythagorean and
... To fill out the Pythagorean scale, we need F. If we take 2C to be the 5th above F, then 2C= 3/2F, or F = 4/3 C ...
... To fill out the Pythagorean scale, we need F. If we take 2C to be the 5th above F, then 2C= 3/2F, or F = 4/3 C ...
Behind The Guitar Chords 1. Tempered Notes Plucking a string will
... The mentioned addition of the sus = s main value as 4 can be obtained by replacing s with s/4. Placing our imaginary capo or cape anywhere, will create a possible key choice on the guitar. The rule for basic chords is to use only three kinds from the seven basic notes above. Namely, having black and ...
... The mentioned addition of the sus = s main value as 4 can be obtained by replacing s with s/4. Placing our imaginary capo or cape anywhere, will create a possible key choice on the guitar. The rule for basic chords is to use only three kinds from the seven basic notes above. Namely, having black and ...
meter
... To divide a group of notes into an abnormal grouping, you use a number over the grouping indicating the number of notes in that group. ...
... To divide a group of notes into an abnormal grouping, you use a number over the grouping indicating the number of notes in that group. ...
A Statistical Analysis of Raga Ahir Bhairav
... progress in computer technology and the avaibility of digitized scores (musical notation). Unlike Western classical music where the scores are fixed, Indian classical music is quite extempore. This means we can only analyze such a performance provided it is recorded first (so that the score can be f ...
... progress in computer technology and the avaibility of digitized scores (musical notation). Unlike Western classical music where the scores are fixed, Indian classical music is quite extempore. This means we can only analyze such a performance provided it is recorded first (so that the score can be f ...
Writing for the Pedal Harp
... 24. Put rehearsal marks at the beginning of phrases, not every five or ten bars. Put in lots of recognizable cues, such as oboes or horns, so that the harpist can hear them and enter correctly. It is very good to have bar numbers marked in the part at every multi-rest. 25. Solo or exposed passages s ...
... 24. Put rehearsal marks at the beginning of phrases, not every five or ten bars. Put in lots of recognizable cues, such as oboes or horns, so that the harpist can hear them and enter correctly. It is very good to have bar numbers marked in the part at every multi-rest. 25. Solo or exposed passages s ...
Level One Benchmarks for Strings
... By the end of Level 1, the cello/bass student will have accomplished the following categories. Proper Posture and Position Display proper posture- both sitting and standing. Display proper positioning of the cello/bass and correct bow hold. Knowledge and Maintenance of Instrument Name the part ...
... By the end of Level 1, the cello/bass student will have accomplished the following categories. Proper Posture and Position Display proper posture- both sitting and standing. Display proper positioning of the cello/bass and correct bow hold. Knowledge and Maintenance of Instrument Name the part ...
List of musical symbols - paulandersonguitar.com
... This indicates the musician should play the note shorter than notated, usually half the value, the rest of the metric value is then silent. Staccato marks may appear on notes of any value, shortening their performed duration without speeding the music itself. Staccatissimo or Spiccato Indicates a lo ...
... This indicates the musician should play the note shorter than notated, usually half the value, the rest of the metric value is then silent. Staccato marks may appear on notes of any value, shortening their performed duration without speeding the music itself. Staccatissimo or Spiccato Indicates a lo ...
Sarod Glossary - WordPress.com
... different bol patterns. Gamak: technique by which each note is sounded with adjacent upper and lower notes. One of the principal musical embellishments, with many traditional varieties, used in both vocal and instrumental music. Gayaki: style of singing. It is used to distinguish the styles appropri ...
... different bol patterns. Gamak: technique by which each note is sounded with adjacent upper and lower notes. One of the principal musical embellishments, with many traditional varieties, used in both vocal and instrumental music. Gayaki: style of singing. It is used to distinguish the styles appropri ...
Kievan notation
... “key signature”. (Other regional varieties of Kievan chant sometimes move the position of “DO” around, requiring a couple key signatures, but this is not encountered in the official chant books and won’t be discussed here.) The next thing that follows in modern music is a “time signature”, but becau ...
... “key signature”. (Other regional varieties of Kievan chant sometimes move the position of “DO” around, requiring a couple key signatures, but this is not encountered in the official chant books and won’t be discussed here.) The next thing that follows in modern music is a “time signature”, but becau ...
musical texture
... a person sings alone without accompaniment or background music. So we can say that monophonic texture is heard when a single melodic line is performed without accompaniment. That single melody could be played or sung by one or many instruments or voices. ...
... a person sings alone without accompaniment or background music. So we can say that monophonic texture is heard when a single melodic line is performed without accompaniment. That single melody could be played or sung by one or many instruments or voices. ...
Introduction to Reading Music Homework 5 15-212, Fall 2006
... musicians, or in the case of piano, by a single musician with two hands. In such cases, there are multiple sequences of notes that must be played simultaneously independent of each other. Such music is typeset by writing several staffs one below the other, one for each instrument or hand. Note that ...
... musicians, or in the case of piano, by a single musician with two hands. In such cases, there are multiple sequences of notes that must be played simultaneously independent of each other. Such music is typeset by writing several staffs one below the other, one for each instrument or hand. Note that ...
Elements of Music
... Pitches (notes): Pitch is the word used to describe the highness or lowness of a musical sound. Intervals: An interval is the distance between two pitches (notes). ...
... Pitches (notes): Pitch is the word used to describe the highness or lowness of a musical sound. Intervals: An interval is the distance between two pitches (notes). ...
Document
... which indicate how many beats there are in a bar. Dorian Mode – a scale running from D to D on the keyboard using only white notes Jig – an Irish Dance ...
... which indicate how many beats there are in a bar. Dorian Mode – a scale running from D to D on the keyboard using only white notes Jig – an Irish Dance ...
Music Lettering Test
... Scales are the basis of almost all the music that is played or sung. They consist of eight notes using whole & half steps in a specific order. Every time a different note is picked the order of whole and half steps has to change in order to maintain the same desired sound for either a minor scale or ...
... Scales are the basis of almost all the music that is played or sung. They consist of eight notes using whole & half steps in a specific order. Every time a different note is picked the order of whole and half steps has to change in order to maintain the same desired sound for either a minor scale or ...
Notes inégales
In music, notes inégales (French: unequal notes) refers to a performance practice, mainly from the Baroque and Classical music eras, in which some notes with equal written time values are performed with unequal durations, usually as alternating long and short. The practice was especially prevalent in France in the 17th and 18th centuries, with appearances in other European countries at the same time; and it reappeared as the standard performance practice in the 20th century in jazz.