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Basic Music Theory - Jessamine County Schools
... • Ledger lines are short lines which are added to extend the range of the staff when the notes are too low or too high to be written on the staff. ...
... • Ledger lines are short lines which are added to extend the range of the staff when the notes are too low or too high to be written on the staff. ...
Paige Studlack Malone Middle School Ms
... Mathematics and Music Your Algebra teacher may have said to your class, "Math is everywhere." The way I see it, there is two reactions to this sentence; you roll your eyes and continue doodling in your notebook or your eyes may have truly opened and started to see (and hear) it, too. Mathematics is ...
... Mathematics and Music Your Algebra teacher may have said to your class, "Math is everywhere." The way I see it, there is two reactions to this sentence; you roll your eyes and continue doodling in your notebook or your eyes may have truly opened and started to see (and hear) it, too. Mathematics is ...
5th Grade - Mercer Island School District
... Bass Clef pitches use Animal Sayings H. INTERVALS: Know how to identify intervals by number and whether it is melodic or harmonic. An interval in music is the distance between two notes in regard to pitch (how high or low the note sounds). The interval is counted from the lower note to the upper, in ...
... Bass Clef pitches use Animal Sayings H. INTERVALS: Know how to identify intervals by number and whether it is melodic or harmonic. An interval in music is the distance between two notes in regard to pitch (how high or low the note sounds). The interval is counted from the lower note to the upper, in ...
File
... The closing of the poco piu lento section slightly alters the phrasing. A breath is clearly signaled by a rest on beat 3 of the final measure of the phrase. In the allegro section, with the exception of m.76-84, all breaths are clearly marked by the use of rest. Although there are rests in the solo ...
... The closing of the poco piu lento section slightly alters the phrasing. A breath is clearly signaled by a rest on beat 3 of the final measure of the phrase. In the allegro section, with the exception of m.76-84, all breaths are clearly marked by the use of rest. Although there are rests in the solo ...
Music 231 Second Species Counterpoint, Two Parts
... B. The two half notes create a strong beat (first) and a weak beat (second) II. Uses of the second half note A. Passing tone 1. Moves stepwise in the same direction between two consonant verticals 2. May be consonant (CPT) or dissonant (DPT) B. Neighbor (auxiliary) tone 1. Moves stepwise away from a ...
... B. The two half notes create a strong beat (first) and a weak beat (second) II. Uses of the second half note A. Passing tone 1. Moves stepwise in the same direction between two consonant verticals 2. May be consonant (CPT) or dissonant (DPT) B. Neighbor (auxiliary) tone 1. Moves stepwise away from a ...
Paul E. Shoremount, Band Director Telephone: (540) 338-0800
... The distance from the first note to the last note is an octave. There are 8 notes from C to C Sforzando – strongly accented with cresendo Sharp - a symbol written to the left of a note that raises the pitch by a half step. ...
... The distance from the first note to the last note is an octave. There are 8 notes from C to C Sforzando – strongly accented with cresendo Sharp - a symbol written to the left of a note that raises the pitch by a half step. ...
My analysis and thoughts on Gershwin – An American in Paris
... fragmentation, augmentation, imitation, sequence, ostinato, layering of countermelodies above or below the melody, rhythmic displacement, etc . is dominant throughout. In terms of structure or hierarchy of the texture, Gershwin use of counterpoint makes it clear as to what role an instrument(s) is p ...
... fragmentation, augmentation, imitation, sequence, ostinato, layering of countermelodies above or below the melody, rhythmic displacement, etc . is dominant throughout. In terms of structure or hierarchy of the texture, Gershwin use of counterpoint makes it clear as to what role an instrument(s) is p ...
Band 8 - I Know How To
... o Read all of the notes in my target range when written on a music staff. o Figure out new notes by counting up or down from notes I know. o Organize the seven notes of the musical alphabet in order. o What to do when there are two notes written in the same place on a staff. o Correctly transcribe m ...
... o Read all of the notes in my target range when written on a music staff. o Figure out new notes by counting up or down from notes I know. o Organize the seven notes of the musical alphabet in order. o What to do when there are two notes written in the same place on a staff. o Correctly transcribe m ...
Non-Linear Piano Deluxe
... the other, usually at the beginning of sheet music, indicating how a musician is to count that piece of music. The top number represents how many beats are in each measure; the bottom number indicates what kind of note gets one beat. Tonality—same as ‘key’; a predetermined set of notes to be used fo ...
... the other, usually at the beginning of sheet music, indicating how a musician is to count that piece of music. The top number represents how many beats are in each measure; the bottom number indicates what kind of note gets one beat. Tonality—same as ‘key’; a predetermined set of notes to be used fo ...
MUSICAL NOTATION Music is notated on a staff
... The curl of the treble clef circles the line that is G on the staff. The dots of bass clef are around the line that is F. The middle of C-clef is at the line that is middle C. The other lines and spaces represent other notes and always follow in order of the alphabet using only the first seven lette ...
... The curl of the treble clef circles the line that is G on the staff. The dots of bass clef are around the line that is F. The middle of C-clef is at the line that is middle C. The other lines and spaces represent other notes and always follow in order of the alphabet using only the first seven lette ...
Unit 1 - Carroll County Schools
... harmony, form, timbre, dynamics) using musical terminology *AH-P-SA-S-Mu2: use the elements of music while performing, singing, playing instruments, moving, listening, reading music, writing music, and creating music independently and with others *AH-P-PA-S-Mu1: be actively involved in creating and ...
... harmony, form, timbre, dynamics) using musical terminology *AH-P-SA-S-Mu2: use the elements of music while performing, singing, playing instruments, moving, listening, reading music, writing music, and creating music independently and with others *AH-P-PA-S-Mu1: be actively involved in creating and ...
Music - Manchester HEP
... exactly. For an expert musician, A♭ and G♯ are different. Some keyboards have different keys (split black notes). But they’re rare. Usually the corresponding sharp and flat are playable as the same note. 5. Consistency In the early days this was fine. Some scales could be adjusted, others were just ...
... exactly. For an expert musician, A♭ and G♯ are different. Some keyboards have different keys (split black notes). But they’re rare. Usually the corresponding sharp and flat are playable as the same note. 5. Consistency In the early days this was fine. Some scales could be adjusted, others were just ...
UsefulVocabulary
... -a beat (in musical meter, one unit, e.g. one count or tap of the foot) -meter: how the beat is organized within larger patterns, with strong beats and weak beats. A “triple meter” has a repeating pattern of one strong beat and two weak beats; a “duple meter” has a pattern of alternating strong beat ...
... -a beat (in musical meter, one unit, e.g. one count or tap of the foot) -meter: how the beat is organized within larger patterns, with strong beats and weak beats. A “triple meter” has a repeating pattern of one strong beat and two weak beats; a “duple meter” has a pattern of alternating strong beat ...
notes and scales
... music, you have to write notes. Also, related to pitches and notes there are the different kinds of frequencies that would be represented by the sound waves. To write notes, you need the staff lines and there you can show the pitch of any sound. Notes can be called in two ways: C, D, E, F, G, A and ...
... music, you have to write notes. Also, related to pitches and notes there are the different kinds of frequencies that would be represented by the sound waves. To write notes, you need the staff lines and there you can show the pitch of any sound. Notes can be called in two ways: C, D, E, F, G, A and ...
Quick Reference Guide to Music Notation
... beats. Similarly, rests have duration. Rests indicate space in the music where there is no note being sung or played. All this counting and measuring is called the metre of the music. Music is very mathematical in nature. Here are the durations of notes and rests. Whenever you see a dot ( · ) after ...
... beats. Similarly, rests have duration. Rests indicate space in the music where there is no note being sung or played. All this counting and measuring is called the metre of the music. Music is very mathematical in nature. Here are the durations of notes and rests. Whenever you see a dot ( · ) after ...
Teacher Notes - Kokoda Track Memorial Walkway
... Why was it difficult for the Anzacs to get out of the boats? The water was deep in some places, ...
... Why was it difficult for the Anzacs to get out of the boats? The water was deep in some places, ...
Vocabulary Guide - Heath Vocal Music
... Chromatic Scale - a scale built entirely on half-steps Sharp Sign (#) - raises a note a half-step Flat Sign (b) - lowers a note a half-step Natural Sign - cancels out a sharp or flat Fermata - hold the note or rest until conductor cuts you off Tenuto - hold note for full value Accent – a note with a ...
... Chromatic Scale - a scale built entirely on half-steps Sharp Sign (#) - raises a note a half-step Flat Sign (b) - lowers a note a half-step Natural Sign - cancels out a sharp or flat Fermata - hold the note or rest until conductor cuts you off Tenuto - hold note for full value Accent – a note with a ...
6th Grade Planned Course Guide - Penn
... Perform major and minor scale patterns using solfege. Perform rounds in multiple parts. Demonstrate correct posture. Demonstrate correct breathing technique. Develop and strengthen the vocal mechanism. Demonstrate appropriate diction, dynamics, and articulation within concert repertoire. Perform mus ...
... Perform major and minor scale patterns using solfege. Perform rounds in multiple parts. Demonstrate correct posture. Demonstrate correct breathing technique. Develop and strengthen the vocal mechanism. Demonstrate appropriate diction, dynamics, and articulation within concert repertoire. Perform mus ...
Sample Grade 1 Theory Paper
... Circle five different mistakes in the following music, then write it out correctly. ...
... Circle five different mistakes in the following music, then write it out correctly. ...
Sample Grade 1 Theory Paper
... Circle five different mistakes in the following music, then write it out correctly. ...
... Circle five different mistakes in the following music, then write it out correctly. ...
scottish - Gryffe Music
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
supplementaryMaterial_08Dec15
... hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than unstable notes; Aarden, 2003; Krumhansl, 1990). Notes function according to their relationship t ...
... hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than unstable notes; Aarden, 2003; Krumhansl, 1990). Notes function according to their relationship t ...
musicianship project - 2011
... last 46 measure is where it starts to get soft, or piano. Almost all the notes are played in intervals and most of them are major or perfect. 7. In measure 80 in the first grand staff the soprano and alto voices are perfect 5th. The tenor and bass voices are also perfect 5th intervals and they are t ...
... last 46 measure is where it starts to get soft, or piano. Almost all the notes are played in intervals and most of them are major or perfect. 7. In measure 80 in the first grand staff the soprano and alto voices are perfect 5th. The tenor and bass voices are also perfect 5th intervals and they are t ...
Notes inégales
![](https://commons.wikimedia.org/wiki/Special:FilePath/Shuffle_feel_straight.png?width=300)
In music, notes inégales (French: unequal notes) refers to a performance practice, mainly from the Baroque and Classical music eras, in which some notes with equal written time values are performed with unequal durations, usually as alternating long and short. The practice was especially prevalent in France in the 17th and 18th centuries, with appearances in other European countries at the same time; and it reappeared as the standard performance practice in the 20th century in jazz.