dotted eighth notes - Introduction to Music Theory
... Dotted half note (3) --- usually followed by a quarter note/rest Dotted quarter note (1½) --- usually followed by an eighth note Dotted eighth note (¾) --- usually followed by a sixteenth note ...
... Dotted half note (3) --- usually followed by a quarter note/rest Dotted quarter note (1½) --- usually followed by an eighth note Dotted eighth note (¾) --- usually followed by a sixteenth note ...
dotted eighth notes - Introduction to Music Theory
... Dotted half note (3) --- usually followed by a quarter note/rest Dotted quarter note (1½) --- usually followed by an eighth note Dotted eighth note (¾) --- usually followed by a sixteenth note ...
... Dotted half note (3) --- usually followed by a quarter note/rest Dotted quarter note (1½) --- usually followed by an eighth note Dotted eighth note (¾) --- usually followed by a sixteenth note ...
Second Trimester Music Report
... added the quarter note tie, the half rest and the whole rest. They are using rhythmic ostinati which are patterns that are repeated performed along with a melody. We also sing many seasonal songs that support our skills. ...
... added the quarter note tie, the half rest and the whole rest. They are using rhythmic ostinati which are patterns that are repeated performed along with a melody. We also sing many seasonal songs that support our skills. ...
File
... 9a - perform, listen, move and/or distinguish between music from various historical periods, styles, and cultures from the Civil War to present (e.g., jazz, musical theater, rock-n-roll, country, gospel, new age, rap, heavy metal, pop) 9b - describe the role of music and musicians in various histori ...
... 9a - perform, listen, move and/or distinguish between music from various historical periods, styles, and cultures from the Civil War to present (e.g., jazz, musical theater, rock-n-roll, country, gospel, new age, rap, heavy metal, pop) 9b - describe the role of music and musicians in various histori ...
Unit 2: The Staff, Notes, and Pitches
... Draw a staff by connecting the dots. Number the lines, then the spaces, from low to high: ...
... Draw a staff by connecting the dots. Number the lines, then the spaces, from low to high: ...
playing the organ works of mendelssohn
... was only codified by his successor Widor (and adopted as a kind of Eternal Truth by Dupré). But the idea that common notes in a legato context are best tied over was neither invented by Widor, nor by his teacher Lemmens (whose fame is infinitely greater than his achievements). In the beautiful Final ...
... was only codified by his successor Widor (and adopted as a kind of Eternal Truth by Dupré). But the idea that common notes in a legato context are best tied over was neither invented by Widor, nor by his teacher Lemmens (whose fame is infinitely greater than his achievements). In the beautiful Final ...
Music Fundamentals Primer Lesson 1 – Clefs and Pitch Notation
... from very low piano, tuba, or bass notes to very high piano, flute, or soprano notes. The two most common clefs are treble and bass, which must be mastered before the study of music can really begin. ...
... from very low piano, tuba, or bass notes to very high piano, flute, or soprano notes. The two most common clefs are treble and bass, which must be mastered before the study of music can really begin. ...
Notation
... • A whole note equals two half notes; a half note equals two quarter notes; and so on • Names based on fractions of whole note (half, quarter, eighth, etc.) • Actual duration depends on tempo ...
... • A whole note equals two half notes; a half note equals two quarter notes; and so on • Names based on fractions of whole note (half, quarter, eighth, etc.) • Actual duration depends on tempo ...
Music Music Functions: Physical
... Consonance-Groups of Tones that are harmonious when sounded together as in a chord ...
... Consonance-Groups of Tones that are harmonious when sounded together as in a chord ...
Area of Study 03
... • Conjunct – notes in the melody move mainly by step (they are mostly next to each other in pitch) • Disjunct – moves mainly by leaps (big intervals between the notes) • Triadic – the melody begins by using notes that belong to the triad (of chord) e.g. C E G (C Chord) • Scalic – melody that is made ...
... • Conjunct – notes in the melody move mainly by step (they are mostly next to each other in pitch) • Disjunct – moves mainly by leaps (big intervals between the notes) • Triadic – the melody begins by using notes that belong to the triad (of chord) e.g. C E G (C Chord) • Scalic – melody that is made ...
Transcribing the Gamba Music of Marin Marais to the
... usually played held downwards between the legs –hence the name viola da gamba, literally leg viol. At first it had six strings with intervals similar to that of a lute (4th, 4th, major 3rd, 4th, 4th). In France, a bass string was added to obtain the tuning A’—D—G—c—e—a—d’, an innovation attributed t ...
... usually played held downwards between the legs –hence the name viola da gamba, literally leg viol. At first it had six strings with intervals similar to that of a lute (4th, 4th, major 3rd, 4th, 4th). In France, a bass string was added to obtain the tuning A’—D—G—c—e—a—d’, an innovation attributed t ...
Tones and Semitones
... On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to use? In fact, what we need to know is the distance between each of the notes in the scale. The distance between any t ...
... On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to use? In fact, what we need to know is the distance between each of the notes in the scale. The distance between any t ...
File
... triad with an added seventh Inversions – changing the order of notes in the chord by changing what note is in the bass Cluster chords – a chord with at least three notes adjacent in the scale A sequence of tones that are all perfect fifths above each other. C maj – no sharps. G maj – one sharp. D ma ...
... triad with an added seventh Inversions – changing the order of notes in the chord by changing what note is in the bass Cluster chords – a chord with at least three notes adjacent in the scale A sequence of tones that are all perfect fifths above each other. C maj – no sharps. G maj – one sharp. D ma ...
Music Notation Guide - Delta Academies Trust Arts
... Key signatures A key signature is a series of sharp or flat symbols placed on the staff, that are to be consistently played one semitone higher or lower than the equivalent natural notes unless otherwise altered with an accidental. Key signatures are generally written immediately after the clef at t ...
... Key signatures A key signature is a series of sharp or flat symbols placed on the staff, that are to be consistently played one semitone higher or lower than the equivalent natural notes unless otherwise altered with an accidental. Key signatures are generally written immediately after the clef at t ...
Theory Exercise 1.1
... The staff is essentially a plane where graphic elements provide instructions to the performer. If you can read a line graph you can read music. In this case, the horizontal lines (the x-axis, so to speak) give information about when notes occur in time and in relationship to one another. We will loo ...
... The staff is essentially a plane where graphic elements provide instructions to the performer. If you can read a line graph you can read music. In this case, the horizontal lines (the x-axis, so to speak) give information about when notes occur in time and in relationship to one another. We will loo ...
Reading Music: Getting the Rhythm Right
... Count it as you would triplets, “1 a 2 a” Since this type of rhythm is common in jazz-related music, it's obvious that we can have syncopation with this rhythm as well. ...
... Count it as you would triplets, “1 a 2 a” Since this type of rhythm is common in jazz-related music, it's obvious that we can have syncopation with this rhythm as well. ...
Elements of Music
... The Elements of Music - the Basic Building Blocks of Music Rhythm - The combinations of long and short, even and uneven sounds that convey a sense of movement. It is the movement of sound through time. Concepts contributing to an understanding of rhythm are o o o o o o o o o o ...
... The Elements of Music - the Basic Building Blocks of Music Rhythm - The combinations of long and short, even and uneven sounds that convey a sense of movement. It is the movement of sound through time. Concepts contributing to an understanding of rhythm are o o o o o o o o o o ...
abrsm 2 - ISAS Portal
... interval of an octave. r) Complete. Bar 6 has the same rhythm as bar ________ s) Draw square around any pair of notes that make a semitone. t) What is the letter name of the last note in bar 3? _________ u) What is the letter name of the highest note? _________ v) How many pairs of notes are tied? _ ...
... interval of an octave. r) Complete. Bar 6 has the same rhythm as bar ________ s) Draw square around any pair of notes that make a semitone. t) What is the letter name of the last note in bar 3? _________ u) What is the letter name of the highest note? _________ v) How many pairs of notes are tied? _ ...
File - Music with Mrs. Fash
... M5GM.9 – Understanding music in relation to history and culture 9.a - Perform, listen, move and/or distinguish between music from various historical periods and cultures from the Civil War to present (e.g., jazz, musical theater, rock-n-roll, country, gospel, new age, rap, heavy metal, pop). 9.b - D ...
... M5GM.9 – Understanding music in relation to history and culture 9.a - Perform, listen, move and/or distinguish between music from various historical periods and cultures from the Civil War to present (e.g., jazz, musical theater, rock-n-roll, country, gospel, new age, rap, heavy metal, pop). 9.b - D ...
Music Vocabulary Accelerando – gradually increase the tempo
... Soli – Whole section plays Solo – One person plays Sostenuto – Sustained Staccato – a dot placed above or below note meaning to play short and detached Staff – Lines and spaces on which music is written Syncopation – a rhythmic effect, which places emphasis on a weak or unaccented part of the ...
... Soli – Whole section plays Solo – One person plays Sostenuto – Sustained Staccato – a dot placed above or below note meaning to play short and detached Staff – Lines and spaces on which music is written Syncopation – a rhythmic effect, which places emphasis on a weak or unaccented part of the ...
Introduction to Scales
... work out the relationship between each of the notes with the class. When you get to the E – F they will say the relationship is a semi-tone, where it should be (according to the formula) a tone. Describe the necessity for a # in order to make this formula true. Let the class write down G Major scale ...
... work out the relationship between each of the notes with the class. When you get to the E – F they will say the relationship is a semi-tone, where it should be (according to the formula) a tone. Describe the necessity for a # in order to make this formula true. Let the class write down G Major scale ...
6th Grade Choir NAME__________________________ Quarter 1
... 3. Barline = those vertical lines that go through the staff to separate them into measures. ...
... 3. Barline = those vertical lines that go through the staff to separate them into measures. ...
Chapter 1 summary
... 7. Unaccented passing tone: In half notes, UPTs are found on beats 2 and 4. In quarter notes, UPTs may be on the second half of any beat, and in eighth notes in unstressed locations. UPTs may be ascending or descending. 8. Accented passing tone: Occurs in quarter notes only on beats 2 and 4. In 4/2 ...
... 7. Unaccented passing tone: In half notes, UPTs are found on beats 2 and 4. In quarter notes, UPTs may be on the second half of any beat, and in eighth notes in unstressed locations. UPTs may be ascending or descending. 8. Accented passing tone: Occurs in quarter notes only on beats 2 and 4. In 4/2 ...
Notes inégales
In music, notes inégales (French: unequal notes) refers to a performance practice, mainly from the Baroque and Classical music eras, in which some notes with equal written time values are performed with unequal durations, usually as alternating long and short. The practice was especially prevalent in France in the 17th and 18th centuries, with appearances in other European countries at the same time; and it reappeared as the standard performance practice in the 20th century in jazz.