Elements of Music
... The Elements of Music - the Basic Building Blocks of Music Rhythm - The combinations of long and short, even and uneven sounds that convey a sense of movement. It is the movement of sound through time. Concepts contributing to an understanding of rhythm are o o o o o o o o o o ...
... The Elements of Music - the Basic Building Blocks of Music Rhythm - The combinations of long and short, even and uneven sounds that convey a sense of movement. It is the movement of sound through time. Concepts contributing to an understanding of rhythm are o o o o o o o o o o ...
Notes - Higher Music
... A dotted rhythm is a long note followed by a shorter one or a short note followed by a longer one as in a Scots snap often used in a Strathspey ...
... A dotted rhythm is a long note followed by a shorter one or a short note followed by a longer one as in a Scots snap often used in a Strathspey ...
12 the lamb 2015 - My Music Classroom
... - To review the elements of music and use them to identify key points in a set work -To apply improved knowledge of the elements of music to set work studies ...
... - To review the elements of music and use them to identify key points in a set work -To apply improved knowledge of the elements of music to set work studies ...
THE KEYBOARD MUSIC OF JEAN-PHILIPPE RAMEAU: IS THIS
... seventeenth and eighteenth centuries, and involves the rhythmic alteration of (sometimes slurred) pairs of notes that are notated equally. There are basically two sorts of inequality; long-short, or short-long (the latter sometimes referred to as lombardic), applicable under certain circumstances th ...
... seventeenth and eighteenth centuries, and involves the rhythmic alteration of (sometimes slurred) pairs of notes that are notated equally. There are basically two sorts of inequality; long-short, or short-long (the latter sometimes referred to as lombardic), applicable under certain circumstances th ...
Learning Outcome
... The concepts of whole, half and quarter note rests. The concept of sharp and flat notes. Identify and play the notes F# and C# within the first 4 frets. How to play a simple melody with eighth notes at a steady tempo (example: Frere Jacques, Minuet in G) How to play a chord progression with the chor ...
... The concepts of whole, half and quarter note rests. The concept of sharp and flat notes. Identify and play the notes F# and C# within the first 4 frets. How to play a simple melody with eighth notes at a steady tempo (example: Frere Jacques, Minuet in G) How to play a chord progression with the chor ...
Music Theory Notes and Test
... Composers and performers find it helpful to 'parcel up' groups of notes into bars. The end of each bar is marked usually with a single vertical line drawn from the top line to the bottom line of the stave. This is called a bar line. Usually, each bar in a piece will contain the same number of beats. ...
... Composers and performers find it helpful to 'parcel up' groups of notes into bars. The end of each bar is marked usually with a single vertical line drawn from the top line to the bottom line of the stave. This is called a bar line. Usually, each bar in a piece will contain the same number of beats. ...
Study Sheet for Keyboards Resource on the wiki
... Resource on the wiki: USMusic Theory Workbook 2 Levels-You are expected to know the information in the wiki chapters. If you have any questions bring them to class. ALL: Treble and Bass Clefs - Know how to read notes in both clefs. Know where to locate any specific note on the keyboard Rhythm-unders ...
... Resource on the wiki: USMusic Theory Workbook 2 Levels-You are expected to know the information in the wiki chapters. If you have any questions bring them to class. ALL: Treble and Bass Clefs - Know how to read notes in both clefs. Know where to locate any specific note on the keyboard Rhythm-unders ...
Music Vocabulary Lists Year 1
... Polyphony - Combining a number of individual but harmonizing melodies. Also known as counterpoint. ...
... Polyphony - Combining a number of individual but harmonizing melodies. Also known as counterpoint. ...
Music Notes Beginners Class 1 :
... "a" as in "America". This is called "akaaram" and it is a very integral part of Carnatic music, with particular reference to vocal music. Thus, exposure to akarams is very essential at this stage, albeit in a simple form. Varishais - Sequences: The great composer Purandara Dasa, hailed as the Father ...
... "a" as in "America". This is called "akaaram" and it is a very integral part of Carnatic music, with particular reference to vocal music. Thus, exposure to akarams is very essential at this stage, albeit in a simple form. Varishais - Sequences: The great composer Purandara Dasa, hailed as the Father ...
Basic Music Theory
... The music commonly played in our part of the world has twelve different notes: A, B, C, D, E, F, and G with a sharp (#) or flat (b) note between all the notes except B and C and E and F. The notes between the letters can be called either sharp or flat. A sharp (#) note is one fret higher than the le ...
... The music commonly played in our part of the world has twelve different notes: A, B, C, D, E, F, and G with a sharp (#) or flat (b) note between all the notes except B and C and E and F. The notes between the letters can be called either sharp or flat. A sharp (#) note is one fret higher than the le ...
MusicTheory Crossword - Music Express Magazine
... 2. Distance between two bar lines. [measure] 3. A special, separate ending. [Coda] 4. The line that connects two eighth notes. [beam] 6. The ________ signature shows us the meter of a piece. [time] 10. Major or minor [scale] 11. The term for performing a detached, short note is called ______________ ...
... 2. Distance between two bar lines. [measure] 3. A special, separate ending. [Coda] 4. The line that connects two eighth notes. [beam] 6. The ________ signature shows us the meter of a piece. [time] 10. Major or minor [scale] 11. The term for performing a detached, short note is called ______________ ...
Prof
... As we have discussed in class, a Voice is a sequence of Notes. For those who are not familiar with musical notation, this tutorial provides a brief explanation for the naming and numbering of Notes, which describes their Pitch. ...
... As we have discussed in class, a Voice is a sequence of Notes. For those who are not familiar with musical notation, this tutorial provides a brief explanation for the naming and numbering of Notes, which describes their Pitch. ...
Grade 9 Music Exam Review
... The layers of musical lines. Texture describes the complexity and number of musical lines occurring simultaneously The sound that results when two or more pitches are performed simultaneously. It is the vertical aspect of music, produced by the combination of the components of the horizontal aspect ...
... The layers of musical lines. Texture describes the complexity and number of musical lines occurring simultaneously The sound that results when two or more pitches are performed simultaneously. It is the vertical aspect of music, produced by the combination of the components of the horizontal aspect ...
(Answers and Exam Piece).
... The layers of musical lines. Texture describes the complexity and number of musical lines occurring simultaneously The sound that results when two or more pitches are performed simultaneously. It is the vertical aspect of music, produced by the combination of the components of the horizontal aspect ...
... The layers of musical lines. Texture describes the complexity and number of musical lines occurring simultaneously The sound that results when two or more pitches are performed simultaneously. It is the vertical aspect of music, produced by the combination of the components of the horizontal aspect ...
MUSIC 111 Class Notes 2
... - moves together or apart • Phrases and Cadence • Rhythm and meter - 8th notes 16th notes - 2 and 4 quarter notes gets the beat - 16 measures - 60 beats per minute • each beat a second - Americans 4 count - other countries • 3 beat count - syncopation • off beat note • weak beats between stronger be ...
... - moves together or apart • Phrases and Cadence • Rhythm and meter - 8th notes 16th notes - 2 and 4 quarter notes gets the beat - 16 measures - 60 beats per minute • each beat a second - Americans 4 count - other countries • 3 beat count - syncopation • off beat note • weak beats between stronger be ...
Music for Voices - misswardmusic.com
... Texture describes how much is going on in the music at any one time ...
... Texture describes how much is going on in the music at any one time ...
Chorus 1 Exam Review
... • STEMS EXTEND DOWNWARD ON THE LEFT SIDE WHEN THE NOTE APPEARS ON OR ABOVE THE 3RD LINE • STEMS EXTEND UPWARD ON THE RIGHT SIDE WHEN THE NOTE APPEARS BELOW THE 3RD LINE • STEMS EXTEND TO F ABOVE AND F BELOW ...
... • STEMS EXTEND DOWNWARD ON THE LEFT SIDE WHEN THE NOTE APPEARS ON OR ABOVE THE 3RD LINE • STEMS EXTEND UPWARD ON THE RIGHT SIDE WHEN THE NOTE APPEARS BELOW THE 3RD LINE • STEMS EXTEND TO F ABOVE AND F BELOW ...
Basic Musical Notation: Help Sheet
... Eighth notes (left) and sixteenth notes (right) may also look like this. ...
... Eighth notes (left) and sixteenth notes (right) may also look like this. ...
Poetic Conceits for solo piano A conceit, in literary terms, is an
... and harmonic material. The literary definitions of the titles indicate the movements’ role within the work. The other movements (2, 4, and 5) are independent thematically but were also conceived as focal points for specific areas of pianistic technique and musicality: 1 - Epigram (literary definitio ...
... and harmonic material. The literary definitions of the titles indicate the movements’ role within the work. The other movements (2, 4, and 5) are independent thematically but were also conceived as focal points for specific areas of pianistic technique and musicality: 1 - Epigram (literary definitio ...
Orchestra Final Exam Study Sheet
... Pizzicato- pluck the strings/ (+) above or below note= left hand pizzicato Presto- play very fast Quartet- four ‘solo’ players Renaissance Period- 1430-1650 (Pachelbel) Repeat Sign- go back and play previous section again Rests- notation used to show periods of silence Ritard- slow down Romantic Per ...
... Pizzicato- pluck the strings/ (+) above or below note= left hand pizzicato Presto- play very fast Quartet- four ‘solo’ players Renaissance Period- 1430-1650 (Pachelbel) Repeat Sign- go back and play previous section again Rests- notation used to show periods of silence Ritard- slow down Romantic Per ...
MUSC 1000 Intro to Music
... Some notes happen for the duration of one of these beats – and some are for longer, or shorter LISTENING In the same example – notice that some of the beats are stronger than others – this divides music up into what are called MEASURES – in this example – groups of three 123123123123123 etc Notes th ...
... Some notes happen for the duration of one of these beats – and some are for longer, or shorter LISTENING In the same example – notice that some of the beats are stronger than others – this divides music up into what are called MEASURES – in this example – groups of three 123123123123123 etc Notes th ...
notes from guest lecturer from the
... is talking in italian. music notation is a universal language. the notation- is a short hand for writing music ; that can be read by musicians in any country. the notation stays the same. conductors conduct from a score. the history of music reflects its time, environment, feeling, even racial/ cult ...
... is talking in italian. music notation is a universal language. the notation- is a short hand for writing music ; that can be read by musicians in any country. the notation stays the same. conductors conduct from a score. the history of music reflects its time, environment, feeling, even racial/ cult ...
Notes inégales
In music, notes inégales (French: unequal notes) refers to a performance practice, mainly from the Baroque and Classical music eras, in which some notes with equal written time values are performed with unequal durations, usually as alternating long and short. The practice was especially prevalent in France in the 17th and 18th centuries, with appearances in other European countries at the same time; and it reappeared as the standard performance practice in the 20th century in jazz.