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KEY TERMINOLOGY AT GCSE Texture A simple texture with all instruments or voices playing the same note. Unison A simple texture with all instruments or voices singing a pitch note in different octaves. Octaves A texture where there is one clear melodic line with a distinct accompaniment. Melody and Accompaniment A texture where two or more parts move at the same time usually creating harmony. Homophonic A texture in which two or more lines are weaved together but do not necessarily move at the same time. Polyphonic Textural Devices The performance of musical phrases in alternation by different voices or distinct groups. Call and Response Harmony and Harmonic Devices Cadence A point of rest at the end of a phrase: Perfect V-I Imperfect I-V Interrupted V - ? (VI is the most common) Plagal IV - I Pedal A held note under changing harmonies, a pedal is usually named after the degree of the scale it is held on eg. Tonic or Dominant. Drone A held note usually the Tonic held throughout a piece or a large section to form a very simple accompaniment. Tonality Major Music based on a Major scale for its melody and harmony. Minor Music based on a Minor scale for its melody and harmony. Modal Music characterised by the use of modes. Usually found in ancient, medieval and renaissance music. Modulation The gradual change from one key to another in a composition. Melody, Melodic Devices and Ornamentation Sequence The immediate repetition of a melodic pattern up or down a pitch. Melody in 3rds or 6ths A melodic line harmonised in 3rds or 6ths by another voice or instrument. Conjunct A melody that moves mainly by steps. Disjunct A melody that moves mainly by leaps. Triadic A melody that moves mainly in thirds outlining a chord or arpeggio. Passing Note An unessential (not harmonically important) note that fills the gap between two notes a third apart. Acciaccatura An ornament that is crushed in before a main melody note. Appoggiatura A dissonant note, usually approached by a leap and resolved by step. Trill An ornament created by a rapid alternation between two notes a step apart. Turn A four note ornament comprising the note a step above the written note, the written note, the note below the written note and the written note again. Mordent Lower mordent: An ornament where you hear the written note, the note below the written note and the written note again. Upper mordent: An ornament where you hear the written note, the note above the written note and the written note again. Glissando A slide between two different pitch notes. Instrumental Techniques Pizzicato The technique where you pluck the string. Con Arco The technique where you bow the string. A Capella Unaccompanied singing. Muted Technique where the sound is softened by adding a mute. On brass instruments this is out in the bell and on string instruments this is clipped on to the bridge. This changes the volume but also the sound. Vibrato Sung or played with a wobble in pitch, this is done for expression. Staccato Sung or played in a detached manner. Legato Sung or played in a smooth manner. Rhythm and Metre Hemiola A temporary change of meter from 3 to 2 without changing the time signature. Polyrhythm The use of different rhythms in separate parts of the musical texture at the same time. Accentuation The use of accents to emphasise certain notes above others. Syncopation An offbeat rhythm. Simple Time A musical meter whose main beats are devisable by two e.g. 2/4 and 4/4. Compound Time A musical meter whose main beats are devisable by three e.g. 6/8 and 9/8. Structure and Form Binary A two part structure with two contrasting ideas AB. Ternary A three part structure represented as ABA where the first idea is revisited at the end. Rondo A structure with a returning idea represented as ABACAD etc. Theme and Variations A form in which a theme is repeated and changed someway with each repeat. Strophic Form of a song in which the same music is repeated, perhaps with a very minor change for each verse or stanza of a poem. Through Composed Any composition that does not rely on repeating sections for its form. Usually applied to a song in which the music for each verse or stanza is different. Verse - Chorus The most common song structure in which there are two main melodic ideas which alternate one for the verse and one for the chorus. Dynamics pp Stands for pianissimo which means very quiet. p Stands for piano which means quiet. mp Stands for mezzo piano which means fairly quiet. mf Stands for mezzo forte which means fairly loud. f Stands for forte which means loud. ff Stands for fortissimo which means very loud. Crescendo A gradual increase of volume. Diminuendo A gradual decrease of volume. Sforzando (sfz) A strongly accented note