Facultad orgánica
... The interest and affection towards early music which have been present since my childhood and which gave direction to my music studies from the very beginning have provided the background for this study. However, I did not have any contact with early Spanish keyboard music until the early 1980’s nor ...
... The interest and affection towards early music which have been present since my childhood and which gave direction to my music studies from the very beginning have provided the background for this study. However, I did not have any contact with early Spanish keyboard music until the early 1980’s nor ...
Nota Bene-- J:\VEROLD\NB\DISS\TEST05.NB Job 1
... It is in this context that the lute solos of John Dowland must be viewed. Dowland was primarily a composer of finely-crafted lute songs and consort music, and wrote some of the most influential pieces in these genres. His most famous multipurpose piece, Lachrimae, survives as a set of pieces for vio ...
... It is in this context that the lute solos of John Dowland must be viewed. Dowland was primarily a composer of finely-crafted lute songs and consort music, and wrote some of the most influential pieces in these genres. His most famous multipurpose piece, Lachrimae, survives as a set of pieces for vio ...
The Influence of Renaissance Music in Ernst Krenek`s Lamentatio
... eschewed sacred texts in favor of those of modern writers. Krenek had himself written the texts for most of his previous vocal and choral works, or selected texts of other modern writers. Examples of liturgical works of other modern composers exist, but most were composed after Lamentatio. Krenek’s ...
... eschewed sacred texts in favor of those of modern writers. Krenek had himself written the texts for most of his previous vocal and choral works, or selected texts of other modern writers. Examples of liturgical works of other modern composers exist, but most were composed after Lamentatio. Krenek’s ...
historical and analytical studies
... Although neither thematic unit is present in its entirety, the material in voice 2 is a melodic sequence based on the opening motif of the subject, and voice 1 contains scalar passages reminiscent (although in contrary motion) of the countersubject. The final voice enters with the subject (in its o ...
... Although neither thematic unit is present in its entirety, the material in voice 2 is a melodic sequence based on the opening motif of the subject, and voice 1 contains scalar passages reminiscent (although in contrary motion) of the countersubject. The final voice enters with the subject (in its o ...
The Devil`s Horn and the Music of the Brothel
... The saxophone has, by necessity, adapted a body of repertoire that was originally written for other instruments from a variety of genres since its invention in 1844. These adaptations, conceived as transcriptions and arrangements, have formed an integral part of sculpting the saxophone’s repertoire ...
... The saxophone has, by necessity, adapted a body of repertoire that was originally written for other instruments from a variety of genres since its invention in 1844. These adaptations, conceived as transcriptions and arrangements, have formed an integral part of sculpting the saxophone’s repertoire ...
A Performance Guide to Etüden für Flöte(n) solo by Isang Yun
... György Ligeti, and Karlheinz Stockhausen.9 Their petition on Yun’s behalf read, in part, Isang Yun has been recognized as a prominent composer not only in Europe but also in the world. His goal is to combine the excellent tradition of Korean music with the trends of Western music. Therefore, we must ...
... György Ligeti, and Karlheinz Stockhausen.9 Their petition on Yun’s behalf read, in part, Isang Yun has been recognized as a prominent composer not only in Europe but also in the world. His goal is to combine the excellent tradition of Korean music with the trends of Western music. Therefore, we must ...
Nicola Vicentino and the Enharmonic Diesis
... compositions may not be considered as musically sophisticated as those of his contemporaries, they nonetheless demonstrate Vicentino‟s revolutionary musical ideas and novel 31-tone tuning system. Vicentino claims in his 1555 treatise, Ancient Music Adapted to Modern Practice, that the microtonal inf ...
... compositions may not be considered as musically sophisticated as those of his contemporaries, they nonetheless demonstrate Vicentino‟s revolutionary musical ideas and novel 31-tone tuning system. Vicentino claims in his 1555 treatise, Ancient Music Adapted to Modern Practice, that the microtonal inf ...
Russian Pitch-Class Set Analysis and the Music of Webern
... GAMUT 6/1 (2013) SPECIAL FEATURE—A MUSIC-THEORETICAL MATRIX: ESSAYS IN HONOR OF ALLEN FORTE (PART IV) ...
... GAMUT 6/1 (2013) SPECIAL FEATURE—A MUSIC-THEORETICAL MATRIX: ESSAYS IN HONOR OF ALLEN FORTE (PART IV) ...
Complete Dissertation and Appendix Final
... approaches to analysis, formal approaches as well as techniques of comparative analysis in his contents page. (Cook, 1987) There are many different ways to approach music analysis, but I have approached the analysis of Norton's music in a systematic, analytical manner using contemporary language. My ...
... approaches to analysis, formal approaches as well as techniques of comparative analysis in his contents page. (Cook, 1987) There are many different ways to approach music analysis, but I have approached the analysis of Norton's music in a systematic, analytical manner using contemporary language. My ...
Transcribing for the Harp - OhioLINK Electronic Theses and
... Debussy’s Clair de lune is one of the most transcribed pieces in harp literature. It is an ideal piece for the study of music transcribed from piano to harp, because of the similarities between the two instruments and because of the style, tempo, and tonalities of the piece. Although Clair de lune i ...
... Debussy’s Clair de lune is one of the most transcribed pieces in harp literature. It is an ideal piece for the study of music transcribed from piano to harp, because of the similarities between the two instruments and because of the style, tempo, and tonalities of the piece. Although Clair de lune i ...
The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its
... be viewed in a variety of ways. It is the combination of any three augmented triads. It is also the collection created by combining a hexatonic scale (the collection of pitches formed by alternating three semitones with one semitone) and its inversion TnI such that n = any even integer. In addition, ...
... be viewed in a variety of ways. It is the combination of any three augmented triads. It is also the collection created by combining a hexatonic scale (the collection of pitches formed by alternating three semitones with one semitone) and its inversion TnI such that n = any even integer. In addition, ...
An analysis of and conductor`s guide to Vincent Persichetti`s
... will provide the first significant and complete study of the composition since its creation in 1965. Specifically, the analysis will examine the means by which Persichetti achieves motivic and harmonic unity within the Masquerade. The formal structure is considered a theme and variations, however, i ...
... will provide the first significant and complete study of the composition since its creation in 1965. Specifically, the analysis will examine the means by which Persichetti achieves motivic and harmonic unity within the Masquerade. The formal structure is considered a theme and variations, however, i ...
scale networks and debussy
... Similarly, two notes form a “scalar second” or are “separated by one scale step,” if they are adjacent in the ordering; they form a “scalar third,” or are separated by two scale steps, if they are adjacent but for one note, and so on. Note that “scales” in this sense do not have tonic notes, pitch p ...
... Similarly, two notes form a “scalar second” or are “separated by one scale step,” if they are adjacent in the ordering; they form a “scalar third,” or are separated by two scale steps, if they are adjacent but for one note, and so on. Note that “scales” in this sense do not have tonic notes, pitch p ...
Microtones - Matt Swallow Saxophone
... expression… I use them mostly during moments of greatest intimate expression. The half step is already expressive, but if it is divided by two, it becomes as expressive therefore more intimate.” - ...
... expression… I use them mostly during moments of greatest intimate expression. The half step is already expressive, but if it is divided by two, it becomes as expressive therefore more intimate.” - ...
avisonensemble.com reviews Charles Avison Concerti Grossi after
... in fact a combination of menuet and trio - one of the most popular forms of the emerging classical style. The way this theme with variations should be played is a bit of a problem. Mark Kroll sees performance on a harpsichord as a possibility, but considering the scoring of these concertos this seem ...
... in fact a combination of menuet and trio - one of the most popular forms of the emerging classical style. The way this theme with variations should be played is a bit of a problem. Mark Kroll sees performance on a harpsichord as a possibility, but considering the scoring of these concertos this seem ...
music-10th-edition-kamien-test-bank
... D. natural 86. Western music uses ____________ letters of the alphabet to indicate pitch. A. the first five B. the first seven C. a wide variety D. the last three 87. In musical notation, pitches are written on a set of five horizontal lines called a A. clef. B. bar. C. staff. D. stem. 88. A _______ ...
... D. natural 86. Western music uses ____________ letters of the alphabet to indicate pitch. A. the first five B. the first seven C. a wide variety D. the last three 87. In musical notation, pitches are written on a set of five horizontal lines called a A. clef. B. bar. C. staff. D. stem. 88. A _______ ...
Pentatonic Scales
... scales (step – wise). Major scales are diatonic scales. Also the modes are diatonic scales. • The black keys on a piano are a pentatonic scale. It is hard to play a bad note using the black keys only on a piano. • Pentatonic scales used properly will produce a consonant line but if over used can be ...
... scales (step – wise). Major scales are diatonic scales. Also the modes are diatonic scales. • The black keys on a piano are a pentatonic scale. It is hard to play a bad note using the black keys only on a piano. • Pentatonic scales used properly will produce a consonant line but if over used can be ...
PDF - UNT Digital Library
... discusses ricercare by thematic device and structure.15 Included in his discussion are the real and tonal imitation of the subject, and stretto. However, he does not discuss the way that a subject works in the exposition. Nor does he discuss how the treatment of the subjects in the ricercar is simil ...
... discusses ricercare by thematic device and structure.15 Included in his discussion are the real and tonal imitation of the subject, and stretto. However, he does not discuss the way that a subject works in the exposition. Nor does he discuss how the treatment of the subjects in the ricercar is simil ...
Recondite Harmony
... Baron Fassini Camossi, a former diplomat in China whom Puccini met at Bagni di Lucca in August 1920.31 The other was a book, Chinese Music by. J.A. Van Aalst,32 which had been sent to him by Carlo Clausetti.33 The specific uses of these tunes have been well documented many times over and will not be ...
... Baron Fassini Camossi, a former diplomat in China whom Puccini met at Bagni di Lucca in August 1920.31 The other was a book, Chinese Music by. J.A. Van Aalst,32 which had been sent to him by Carlo Clausetti.33 The specific uses of these tunes have been well documented many times over and will not be ...
A Study in Performance Practice of George
... Op.41 (1830) became highly popular. It was publicly admired by Cherubini and performed abroad in Austria and Germany. Only the first page of the autograph has survived, and this mystery is explained in an account by Halévy (1799-1862): It came time for the performance of one of Onslow’s symphonies a ...
... Op.41 (1830) became highly popular. It was publicly admired by Cherubini and performed abroad in Austria and Germany. Only the first page of the autograph has survived, and this mystery is explained in an account by Halévy (1799-1862): It came time for the performance of one of Onslow’s symphonies a ...
Fine Arts Curriculum - battlecreekschools.net
... 1.1 Demonstrate the ability to read an instrumental of vocal score of up to four staves by describing how the elements of music are used. Outcome 5: Listen to, analyze and describe music. 1.1 Identify and explain compositional devices and techniques used to provide unity and variety and tension and ...
... 1.1 Demonstrate the ability to read an instrumental of vocal score of up to four staves by describing how the elements of music are used. Outcome 5: Listen to, analyze and describe music. 1.1 Identify and explain compositional devices and techniques used to provide unity and variety and tension and ...
PDF - UNT Digital Library
... baritone saxophonists in recent jazz history, including Ronnie Cuber, Gary Smulyan, Scott Robinson, Glenn Wilson, and Nick Brignola. Through his associations with Benny Goodman (1958-1959), Charles Mingus (1959-1963), Donald Byrd (1958-1962), and his longtime membership in the Thad Jones/Mel Lewis O ...
... baritone saxophonists in recent jazz history, including Ronnie Cuber, Gary Smulyan, Scott Robinson, Glenn Wilson, and Nick Brignola. Through his associations with Benny Goodman (1958-1959), Charles Mingus (1959-1963), Donald Byrd (1958-1962), and his longtime membership in the Thad Jones/Mel Lewis O ...
Dissonant Harmony and “Seed-Tones”
... almost a century. Even though Rudhyar’s importance in the development of American music has been increasingly acknowledged by historians in the past two decades, his compositions have still received only the most superficial attention. Some of this neglect may result from Rudhyar's musical language ...
... almost a century. Even though Rudhyar’s importance in the development of American music has been increasingly acknowledged by historians in the past two decades, his compositions have still received only the most superficial attention. Some of this neglect may result from Rudhyar's musical language ...
Intonation Variables in the Performance of Twelve
... representative of actual practice, thirds and tenths beginning to approach their just or natural values only when long-held.10 Pythagorean and Just Intonation Contrasted with Equal Temperament Two systems of intonation have been mentioned in these studies: Pythagorean and just. The Pythagorean syste ...
... representative of actual practice, thirds and tenths beginning to approach their just or natural values only when long-held.10 Pythagorean and Just Intonation Contrasted with Equal Temperament Two systems of intonation have been mentioned in these studies: Pythagorean and just. The Pythagorean syste ...
in Music Glossary
... ?, FI: ?. [Italian: ‘on the breve’] Twice as fast as the notation indicates. Also called in cut time. The name derives from mensural notation, where the tactus (or beat) is counted on the semibreve (the modern whole note). Counting ‘on the breve’ shifts the tactus to the next longest note value, whi ...
... ?, FI: ?. [Italian: ‘on the breve’] Twice as fast as the notation indicates. Also called in cut time. The name derives from mensural notation, where the tactus (or beat) is counted on the semibreve (the modern whole note). Counting ‘on the breve’ shifts the tactus to the next longest note value, whi ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.