Music Fundamentals 1: Pitch and Major Scales and Keys
... Music is principally written with symbols specifying pitch and symbols specifying timing. Symbols indicating pitch give instructions on whether sounds are high or low or anywhere in between. Symbols indicating timing provide instructions on when and how long to play or sing a sound. These symbols ar ...
... Music is principally written with symbols specifying pitch and symbols specifying timing. Symbols indicating pitch give instructions on whether sounds are high or low or anywhere in between. Symbols indicating timing provide instructions on when and how long to play or sing a sound. These symbols ar ...
The Artist`s Refuge: Idiosyncratic Properties of the
... imbues the piece with a large-scale arc that reflects the A-B-A micro structure: the fourth statement of the progression is given a new tempo feel, senza rigore, as well as a unique triplet melody. It is also the only one to employ a notably different registration, pointing to Alain’s use of timbre ...
... imbues the piece with a large-scale arc that reflects the A-B-A micro structure: the fourth statement of the progression is given a new tempo feel, senza rigore, as well as a unique triplet melody. It is also the only one to employ a notably different registration, pointing to Alain’s use of timbre ...
PowerPoint Presentation - Music: An Appreciation by Roger
... Time signature indicates the meter of a piece of music – Appears at beginning of piece - Appears again later if meter changes ...
... Time signature indicates the meter of a piece of music – Appears at beginning of piece - Appears again later if meter changes ...
Finding Alternative Musical Scales
... scale has a frequency ratio of 2(k−1)/12 with the first pitch. Table 1 shows tuning errors that result for the major diatonic scale. For example, the fifth note of the scale is slightly flat when played on a tempered scale, and the third note is sharp. None of the errors is greater than 0.9%, or abo ...
... scale has a frequency ratio of 2(k−1)/12 with the first pitch. Table 1 shows tuning errors that result for the major diatonic scale. For example, the fifth note of the scale is slightly flat when played on a tempered scale, and the third note is sharp. None of the errors is greater than 0.9%, or abo ...
recenzii
... At one point, a whistling sound punctuates the texture. Circuit II opens and concludes with sustained pitches that evolve coloristically before fading away. Pointillistic and melismatic material, tinged with modality, flow into breathy gestures. Dinescu isolates intervals to create tremolos and repe ...
... At one point, a whistling sound punctuates the texture. Circuit II opens and concludes with sustained pitches that evolve coloristically before fading away. Pointillistic and melismatic material, tinged with modality, flow into breathy gestures. Dinescu isolates intervals to create tremolos and repe ...
Yet Another 72-Noter - Masters Program in Digital Musics
... which seems to escape those same drawbacks, so I have kept to my own. First came the quarter-tone. Since its increment is the square root of the half-step's, and since the square-root radical (square root sign) has a hook that points downward, it seemed inevitable that the two should be associated a ...
... which seems to escape those same drawbacks, so I have kept to my own. First came the quarter-tone. Since its increment is the square root of the half-step's, and since the square-root radical (square root sign) has a hook that points downward, it seemed inevitable that the two should be associated a ...
- University of Missouri School of Law Scholarship
... to review a 400-year old scientific theory, similar to that posed here, that music is at the core of world harmony, both acoustically and relationally. 5 A little known fact is that mathematician and astronomer Johannes Kepler, widely acclaimed for discovering the three laws of planetary motion in t ...
... to review a 400-year old scientific theory, similar to that posed here, that music is at the core of world harmony, both acoustically and relationally. 5 A little known fact is that mathematician and astronomer Johannes Kepler, widely acclaimed for discovering the three laws of planetary motion in t ...
also available on signumvision
... by Bach at the memorial service for the Queen of Poland, Christiana Eberhardine, who died in 1727. The intricate lines, grandeur and elegance define perfectly the stately magnificence of such a high-Baroque royal service. The fugue’s final theme appears at the end, almost as if to ‘crown’ the whole ...
... by Bach at the memorial service for the Queen of Poland, Christiana Eberhardine, who died in 1727. The intricate lines, grandeur and elegance define perfectly the stately magnificence of such a high-Baroque royal service. The fugue’s final theme appears at the end, almost as if to ‘crown’ the whole ...
Semantic manual - Semantic Daniélou
... An electronic book and different musical pieces are in progress. They will detail the microtonal applications of the system presented by Alain Daniélou, and will guide the Semantic users through the instrument's tunings, as well as several tools and analyses. Just Intonation workshops on the Semanti ...
... An electronic book and different musical pieces are in progress. They will detail the microtonal applications of the system presented by Alain Daniélou, and will guide the Semantic users through the instrument's tunings, as well as several tools and analyses. Just Intonation workshops on the Semanti ...
Estimating Resemblance of MIDI Documents
... a very low resemblance between A and B, though musically they are all but identical. C3 notes in A are compared to C3 notes in B, but this group of notes really corresponds to C#3 notes in B. If we were to account for this by comparing C#3 notes in B to C3 notes in A, and so forth, we would correctl ...
... a very low resemblance between A and B, though musically they are all but identical. C3 notes in A are compared to C3 notes in B, but this group of notes really corresponds to C#3 notes in B. If we were to account for this by comparing C#3 notes in B to C3 notes in A, and so forth, we would correctl ...
Music: An Appreciation by Roger Kamien
... © 2006 The McGraw-Hill Companies, Inc. All rights reserved. ...
... © 2006 The McGraw-Hill Companies, Inc. All rights reserved. ...
PowerPoint Presentation - Music: An Appreciation by Roger
... © 2006 The McGraw-Hill Companies, Inc. All rights reserved. ...
... © 2006 The McGraw-Hill Companies, Inc. All rights reserved. ...
the use of traditional japanese music
... the shakuhachi was his Improvisation I, which was composed in 1972 for Jean-Marie Londeix and premiered at the Third World Saxophone Congress in Toronto the same year.7 Improvisation I utilizes many of the non-Western performance techniques that will be discussed in further detail later in this docu ...
... the shakuhachi was his Improvisation I, which was composed in 1972 for Jean-Marie Londeix and premiered at the Third World Saxophone Congress in Toronto the same year.7 Improvisation I utilizes many of the non-Western performance techniques that will be discussed in further detail later in this docu ...
Lesson XXX: Major Keys and Key Signatures
... the most stable and grounding degree of the scale. A piece in G major, for example, will use pitch classes from the G major scale and will treat the pitch class G as the most important. Other scale degrees will be treated accordingly, relative to the tonic. A key signature is symbol—a collection of ...
... the most stable and grounding degree of the scale. A piece in G major, for example, will use pitch classes from the G major scale and will treat the pitch class G as the most important. Other scale degrees will be treated accordingly, relative to the tonic. A key signature is symbol—a collection of ...
10 Loudspeaker Reviews – Wilson Maxx to Quad 989
... “Mr. Holt must never have heard a modern stereo system” or “He must have a season ticket in the brass section,” but what do I know about his life? To answer Mr. Holt’s ignorant insults, let me first say that I did mention I am a professional classical musician. I have vast experience with different ...
... “Mr. Holt must never have heard a modern stereo system” or “He must have a season ticket in the brass section,” but what do I know about his life? To answer Mr. Holt’s ignorant insults, let me first say that I did mention I am a professional classical musician. I have vast experience with different ...
The Motive - AState.edu
... logic, comprehensibility, and fluency to a musical fabric." 1A motive must be repeated. While repetition produces motivic identity and clarity, it also produces monotony. Therefore, variation or change must be introduced. It is important that the variation of a motive take a course that is coherent ...
... logic, comprehensibility, and fluency to a musical fabric." 1A motive must be repeated. While repetition produces motivic identity and clarity, it also produces monotony. Therefore, variation or change must be introduced. It is important that the variation of a motive take a course that is coherent ...
Beethoven Symphony No 1, Movements 1 and 2
... natural (violas and basses – bar 45). While other composers might have gone on to modulate to the dominant’s dominant here (in this case, D major) so as to reinforce the second subject key (dominant) with a perfect cadence, Beethoven adopts a different approach, arriving at G octaves in bar 52 via G ...
... natural (violas and basses – bar 45). While other composers might have gone on to modulate to the dominant’s dominant here (in this case, D major) so as to reinforce the second subject key (dominant) with a perfect cadence, Beethoven adopts a different approach, arriving at G octaves in bar 52 via G ...
Masterworks Press PDF Reproduction Policy
... For the past five years, I have been the theory teacher in a performing arts magnet vocal program at a high school outside of Atlanta. During my first year of teaching, although we used a popular theory method with our choirs, there were many problems. The pacing of the book was completely wrong for ...
... For the past five years, I have been the theory teacher in a performing arts magnet vocal program at a high school outside of Atlanta. During my first year of teaching, although we used a popular theory method with our choirs, there were many problems. The pacing of the book was completely wrong for ...
The 23 Greatest Solo Piano Works
... The Well-Tempered Clavier and the Goldberg Variations—were originally performed on the harpsichord. However, for more than 200 years, these works have been, much more often than not, played on the piano. Given their performance history, it can be asserted that Bach’s The Well-Tempered Clavier and Go ...
... The Well-Tempered Clavier and the Goldberg Variations—were originally performed on the harpsichord. However, for more than 200 years, these works have been, much more often than not, played on the piano. Given their performance history, it can be asserted that Bach’s The Well-Tempered Clavier and Go ...
What Is a CadenCe?
... all-encompassing definition. As Robert Gjerdingen polemically points out, a chordcentered definition of the cadence is dubious, as it “highlights only what Locatelli has in common with Rimsky-Korsakov.”6 This type of “lowest common denominator” approach adopted by many theorists may single out V–I a ...
... all-encompassing definition. As Robert Gjerdingen polemically points out, a chordcentered definition of the cadence is dubious, as it “highlights only what Locatelli has in common with Rimsky-Korsakov.”6 This type of “lowest common denominator” approach adopted by many theorists may single out V–I a ...
Kathleen Cronin MHL 564 Trombone In the Middle Ages and the
... Despite the fact that there are few references to the slide trumpet, it is widely believed that it was a common instrument in the fourteenth and early fifteenth centuries. The lack of references to it could be explained a few ways, either it was primarily used in dance and not used as much in sacre ...
... Despite the fact that there are few references to the slide trumpet, it is widely believed that it was a common instrument in the fourteenth and early fifteenth centuries. The lack of references to it could be explained a few ways, either it was primarily used in dance and not used as much in sacre ...
Harmonic innovations in the piano works of Debussy and Ravel
... octaves separately. 2a. Other successions of equal structures appealed to Debussy as strongly as consecutive fifths and octaves. ...
... octaves separately. 2a. Other successions of equal structures appealed to Debussy as strongly as consecutive fifths and octaves. ...
Synthesis of Divergent Early and Twentieth
... and twentieth-century music.1 This article identifies these early and new elements and discovers how they are synthesized into a twentieth-century idiom. Most significantly, this mass reveals a disparate harmonic language that includes modality, octatonicism, pentatonicism, and functional harmony. F ...
... and twentieth-century music.1 This article identifies these early and new elements and discovers how they are synthesized into a twentieth-century idiom. Most significantly, this mass reveals a disparate harmonic language that includes modality, octatonicism, pentatonicism, and functional harmony. F ...
A master`s recital in flute - UNI ScholarWorks
... utilizes the strength of the lowest notes on the transverse flute. The second and final Presto section is only eleven measures long, beginning with an exact statement of the main theme and quickly returning to tonic. The thematic interest in the Presto sections comes from the colorful progression of ...
... utilizes the strength of the lowest notes on the transverse flute. The second and final Presto section is only eleven measures long, beginning with an exact statement of the main theme and quickly returning to tonic. The thematic interest in the Presto sections comes from the colorful progression of ...
Generalized Interval System and Its Applications
... an octave of the C Major scale in treble clef. These steps and scales play an integral role in naming intervals. In Table 1 all possible interval names are shown. However, augmented and diminished intervals are not used as often as major and minor intervals are used. Moreover, augmented fourth and d ...
... an octave of the C Major scale in treble clef. These steps and scales play an integral role in naming intervals. In Table 1 all possible interval names are shown. However, augmented and diminished intervals are not used as often as major and minor intervals are used. Moreover, augmented fourth and d ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.