Glossary - Theory Essentials Home Page
... cut time (noun) a time signature equivalent to 2/2, in which there are two beats per measure and the half note is the beat; usually abbreviated as a c with a slash through it; also known as alla breve cyclic variation (noun) a manipulation of group of notes in pitch class set theory to determine the ...
... cut time (noun) a time signature equivalent to 2/2, in which there are two beats per measure and the half note is the beat; usually abbreviated as a c with a slash through it; also known as alla breve cyclic variation (noun) a manipulation of group of notes in pitch class set theory to determine the ...
Sibelius XML status report
... While they can be optionally specified in XML for printing, they are always given and the key signature is not considered. The converter gives a message to the effect that an accidental is precautionary. Lines Lines occur in music to indicate slides and for many other meanings. There are no lines ge ...
... While they can be optionally specified in XML for printing, they are always given and the key signature is not considered. The converter gives a message to the effect that an accidental is precautionary. Lines Lines occur in music to indicate slides and for many other meanings. There are no lines ge ...
Adding New Pitches
... do create audible beats, and in isolation from any musical context they could be interpreted as dissonant, even though traditionally thirds and sixths function as consonant in diatonic piano music. (This could explain why the perfect fourth would in some contexts sound dissonantbecause of the relati ...
... do create audible beats, and in isolation from any musical context they could be interpreted as dissonant, even though traditionally thirds and sixths function as consonant in diatonic piano music. (This could explain why the perfect fourth would in some contexts sound dissonantbecause of the relati ...
Choral Scope and Sequence
... Rondo, Theme and Variations) Identify sounds of various choirs Aurally identify simple musical forms and styles Visually identify simple musical forms Spell major scales Correctly label key signatures Describe the harmonic functions of tonic, subdominant, and dominant chords Evaluate mus ...
... Rondo, Theme and Variations) Identify sounds of various choirs Aurally identify simple musical forms and styles Visually identify simple musical forms Spell major scales Correctly label key signatures Describe the harmonic functions of tonic, subdominant, and dominant chords Evaluate mus ...
Cross-cultural hybridity in music composition
... simultaneously, each in its own style, as in mm. 1:2:6–7 (Figure 5), or in measures 2:1:4 through 2:2:3 (2:1:4–6 are shown in Figure 6), where in both cases the cello and piano elaborate a simpler melody stated in the vibraphone. More often, however, Ung superimposes melodic fragments, non-functiona ...
... simultaneously, each in its own style, as in mm. 1:2:6–7 (Figure 5), or in measures 2:1:4 through 2:2:3 (2:1:4–6 are shown in Figure 6), where in both cases the cello and piano elaborate a simpler melody stated in the vibraphone. More often, however, Ung superimposes melodic fragments, non-functiona ...
a performer`s analysis of liszt`s sonetto 47 del petrarca a creative
... was dedicated to progress in music. Liszt’s pedagogical activities remain an important part of his musical legacy. Although Liszt himself wrote no piano method books or textbooks, a number of his pupils wrote eyewitness accounts of his teaching. From these accounts, it is possible to deduce somethin ...
... was dedicated to progress in music. Liszt’s pedagogical activities remain an important part of his musical legacy. Although Liszt himself wrote no piano method books or textbooks, a number of his pupils wrote eyewitness accounts of his teaching. From these accounts, it is possible to deduce somethin ...
AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA
... meend gives continuity in both time and frequency. In another grace known as krintan, four notes are produced in rapid succession on a single stroke of the string of the sitar by a complex sequence of plucking the string and pressing on different frets. The general term used to describe such effects ...
... meend gives continuity in both time and frequency. In another grace known as krintan, four notes are produced in rapid succession on a single stroke of the string of the sitar by a complex sequence of plucking the string and pressing on different frets. The general term used to describe such effects ...
Beyer Clarinet Suites
... The fourth movements of these suites are especially intriguing and historically important. They are among the earliest and most salient examples of what Cowell calls, in New Musical Resources, “tempo melody” [Cowell, pp. 98–108].2 Beyer’s notation of this technique, however, comes directly from Seeg ...
... The fourth movements of these suites are especially intriguing and historically important. They are among the earliest and most salient examples of what Cowell calls, in New Musical Resources, “tempo melody” [Cowell, pp. 98–108].2 Beyer’s notation of this technique, however, comes directly from Seeg ...
Topic #18 - Unlocking the Mystery in Ligeti`s Lux Aeterna
... o Furthermore, the Lord (in his “{025}ness” permeates and is the essence of every manifestation of that eternal light. o SOURCE: Perhaps Ligeti’s choice not to portray a finished version of eternal light i ...
... o Furthermore, the Lord (in his “{025}ness” permeates and is the essence of every manifestation of that eternal light. o SOURCE: Perhaps Ligeti’s choice not to portray a finished version of eternal light i ...
Orchestral Innovations in the Early 20th Century
... listen to music—especially twentieth-century music, where other dimensions take on new compositional importance—in terms of timbre, texture, and form. As Howell argues, a pitch-oriented analytical approach can obscure what is actually most interesting and modern in some music, including Sibelius’: U ...
... listen to music—especially twentieth-century music, where other dimensions take on new compositional importance—in terms of timbre, texture, and form. As Howell argues, a pitch-oriented analytical approach can obscure what is actually most interesting and modern in some music, including Sibelius’: U ...
If you can sing “Joy to the World” you can learn to
... To learn to read and sing Gregorian Chant we are going to deconstruct modern music and strip it down to its bare bones, abandoning many of the things you worked hard to learn to understand and use. This may frustrate you at first - for example, removing two sharps from the key signature, as we are g ...
... To learn to read and sing Gregorian Chant we are going to deconstruct modern music and strip it down to its bare bones, abandoning many of the things you worked hard to learn to understand and use. This may frustrate you at first - for example, removing two sharps from the key signature, as we are g ...
Music Theory Combination Tones
... simply listened to, over and over, with no predicted outcome, and any additional pitches ( with the exception of 8ves and P5ths rationalized as 2nd, 3rd, and 4th harmonics) notated in music notation. Note, in many cases the perceived additional tones were quarter tones out from equal tempered pitche ...
... simply listened to, over and over, with no predicted outcome, and any additional pitches ( with the exception of 8ves and P5ths rationalized as 2nd, 3rd, and 4th harmonics) notated in music notation. Note, in many cases the perceived additional tones were quarter tones out from equal tempered pitche ...
Jazz Scale Theory - mo` better blues
... something to keep in mind if you are a singer or a fretless stringed instrument player. Also note that the C7 chord with the C blues scale does not need to resolve to an F chord but functions as a tonal center itself. It is also possible to add a major second to the scale, or to add a major third wh ...
... something to keep in mind if you are a singer or a fretless stringed instrument player. Also note that the C7 chord with the C blues scale does not need to resolve to an F chord but functions as a tonal center itself. It is also possible to add a major second to the scale, or to add a major third wh ...
Signal Processing for Melody Transcription
... and weak harmonics. More recently, Kuhn [8] described a system that transcribes singing by displaying the evolution of pitch as a thick horizontal line on a musical staff to show users the notes they are producing. No attempt is made to identify the boundary between one note and the next: the only w ...
... and weak harmonics. More recently, Kuhn [8] described a system that transcribes singing by displaying the evolution of pitch as a thick horizontal line on a musical staff to show users the notes they are producing. No attempt is made to identify the boundary between one note and the next: the only w ...
Fully restored X66 1
... designed to be used specifically with TC-1277 Hammond tone cabinet. However, to my opinion, the 'doppler effect simulation' generated by TC-1277 cabinet is not at all comparable with the real Leslie effect provided by an original Leslie cabinet such as Leslie 122 or Leslie 147. That is the reason wh ...
... designed to be used specifically with TC-1277 Hammond tone cabinet. However, to my opinion, the 'doppler effect simulation' generated by TC-1277 cabinet is not at all comparable with the real Leslie effect provided by an original Leslie cabinet such as Leslie 122 or Leslie 147. That is the reason wh ...
Two Chinese Contemporary piano works "Combination of Long and
... motive B the legato slurs appear over every two dotted quarter notes in the left hand. It imitates people dancing to instrumental accompaniment. The melodic shape zigzags up and down around the tonal center F and dominant pitch C. These melodic dyads mostly are in diminished 5th or augmented 4th int ...
... motive B the legato slurs appear over every two dotted quarter notes in the left hand. It imitates people dancing to instrumental accompaniment. The melodic shape zigzags up and down around the tonal center F and dominant pitch C. These melodic dyads mostly are in diminished 5th or augmented 4th int ...
Musical Rhetoric in Three Praeludia of Dietrich Buxtehude
... Christoph Bernhard (1627-1692) was cantor for Johanneum in Hamburg from 1664-74 and co-director of the famous Collegium Musicum there with Matthias Weckmann. Later, Bernhard returned to Dresden where he had studied and worked with Schütz for many years. In the Tractatus (c. 1660), Bernhard describes ...
... Christoph Bernhard (1627-1692) was cantor for Johanneum in Hamburg from 1664-74 and co-director of the famous Collegium Musicum there with Matthias Weckmann. Later, Bernhard returned to Dresden where he had studied and worked with Schütz for many years. In the Tractatus (c. 1660), Bernhard describes ...
rhythm clef
... What’s a Clef? A clef is a symbol used at the beginning of a musical staff to tell the reader which letter name goes with which line or space. The word clef didn’t show up until around the middle 1500s. Clef is a French word that means key, as in, “Hey man, what key are we in?” In early music, a le ...
... What’s a Clef? A clef is a symbol used at the beginning of a musical staff to tell the reader which letter name goes with which line or space. The word clef didn’t show up until around the middle 1500s. Clef is a French word that means key, as in, “Hey man, what key are we in?” In early music, a le ...
Expanded tonality - Scholar Commons
... emphasizing the tonic and dominant with the upper/lower leading tones is the placement of chromatic pitches in a sequential setting, thus emphasizing other pitches and further creating harmonic ambiguity through the structural placement of these non-diatonic pitches. The concept of the upper/lower l ...
... emphasizing the tonic and dominant with the upper/lower leading tones is the placement of chromatic pitches in a sequential setting, thus emphasizing other pitches and further creating harmonic ambiguity through the structural placement of these non-diatonic pitches. The concept of the upper/lower l ...
Confirma hoc
... In order to fully understand the origins of plainsong or chant one must go back to the ancient Greeks. In approximately 500 B.C. Pythagoras, perhaps history’s first music theorist, and other ancient Greek scientists developed a system of scales (modes) and division of the octave still in use to this ...
... In order to fully understand the origins of plainsong or chant one must go back to the ancient Greeks. In approximately 500 B.C. Pythagoras, perhaps history’s first music theorist, and other ancient Greek scientists developed a system of scales (modes) and division of the octave still in use to this ...
... There is a sequence of weekly listening assignments (see below, Listening Schedule) l for which the mark is calculated as an average AFTER dropping the lowest three scores. Assignments are due in electronic copy through D2L by the prescribed time given below. Please note: instructions associated wit ...
At The Cutting Edge: Three American Theorists at The End of The
... systems from musical practice and directly applying them to logically-derived pedagogical constructs. Here again they responded, as a group, well in advance of European theorists to the prevailing situation.14 ignored for these reasons. Vincent's tonal system, based on symmetrical major- and minor-t ...
... systems from musical practice and directly applying them to logically-derived pedagogical constructs. Here again they responded, as a group, well in advance of European theorists to the prevailing situation.14 ignored for these reasons. Vincent's tonal system, based on symmetrical major- and minor-t ...
FREE Sample Here
... D) staccato. Ans: A 29. A resting point for a melody is called a A) phrase. B) meter. C) cadence. D) sequence. Ans: C 30. A group of three or more notes that are played or sung together is called a(n) A) progression. B) chord. C) arpeggio. D) theme. Ans: B 31. A series of chords is called a/an A) pr ...
... D) staccato. Ans: A 29. A resting point for a melody is called a A) phrase. B) meter. C) cadence. D) sequence. Ans: C 30. A group of three or more notes that are played or sung together is called a(n) A) progression. B) chord. C) arpeggio. D) theme. Ans: B 31. A series of chords is called a/an A) pr ...
A short introduction to Indian Classical Music
... that. A rag can use five, six or all seven of the pitches of the mode. A five-pitch jati is called audhav, a six-pitch jati is a shadav jati and a sevenpitch jati is a sampurna jati. Some rags use a different number of notes on the way up from the number used on the way down. One which has five ...
... that. A rag can use five, six or all seven of the pitches of the mode. A five-pitch jati is called audhav, a six-pitch jati is a shadav jati and a sevenpitch jati is a sampurna jati. Some rags use a different number of notes on the way up from the number used on the way down. One which has five ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.