International Baccalaureate Music and Advanced Placement Music
... This time period was a time of change and adventure. The conquest of the new World began, as the middle classes gathered wealth and power in their struggle against the aristocracy. Different empires clashed for the mastery of the world. It was an era of absolute monarchy. Courts maintained musical e ...
... This time period was a time of change and adventure. The conquest of the new World began, as the middle classes gathered wealth and power in their struggle against the aristocracy. Different empires clashed for the mastery of the world. It was an era of absolute monarchy. Courts maintained musical e ...
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... the combination of quarter notes, eighth notes, whole notes, half notes, quarter rests, etc… Pitch - The highness or lowness of sound. Pitch defines the location of a tone in relation to others, thus giving it a sense of being high or low. The Pitch of a note can be written in music notation on a “s ...
... the combination of quarter notes, eighth notes, whole notes, half notes, quarter rests, etc… Pitch - The highness or lowness of sound. Pitch defines the location of a tone in relation to others, thus giving it a sense of being high or low. The Pitch of a note can be written in music notation on a “s ...
Calculus Quiz week 37.1 - Personal Web pages at the Department
... Department of Mathematical Sciences ...
... Department of Mathematical Sciences ...
Introducing MANTRA
... arise? We know that Sacher was personally interested in the symmetries of Italian music from Monteverdi to Vivaldi, which is one thread. There are others. The 1930s was a decade of rapid technical advance in sound recording. The record industry was in a depression, but radio was thriving and in 1930 ...
... arise? We know that Sacher was personally interested in the symmetries of Italian music from Monteverdi to Vivaldi, which is one thread. There are others. The 1930s was a decade of rapid technical advance in sound recording. The record industry was in a depression, but radio was thriving and in 1930 ...
Elements of Music Overview
... “The tone color or quality of a particular instrument, voice, sound, or combination of sounds” ...
... “The tone color or quality of a particular instrument, voice, sound, or combination of sounds” ...
Title: Perception of pitch and time in music Description: Music is
... pairs and had listeners rate how similar they were. In Experiment 1, 34 participants (varied musical training) rated the perceived similarity of melody pairs transposed to new starting pitches. Rhythm was the largest contributor to perceived similarity, then contour, metre, and tonality. Experiment ...
... pairs and had listeners rate how similar they were. In Experiment 1, 34 participants (varied musical training) rated the perceived similarity of melody pairs transposed to new starting pitches. Rhythm was the largest contributor to perceived similarity, then contour, metre, and tonality. Experiment ...
“Along with backtracking, statistical feedback is probably the most
... “Along with backtracking, statistical feedback is probably the most pervasive technique used by my composing programs. As contrasted with random procedures which seek to create unpredictability or lack of pattern, statistical feedback actively seeks to bring a population of elements into conformity ...
... “Along with backtracking, statistical feedback is probably the most pervasive technique used by my composing programs. As contrasted with random procedures which seek to create unpredictability or lack of pattern, statistical feedback actively seeks to bring a population of elements into conformity ...
Lesson 7 Solutions - Full
... Notice that each row of beads contains one more bead than the row below it. The exercises below involve counting the number of beads in the design. 1. Count the number of beads in Rows 1 – 10. SOLUTION: There are j beads in row j. Summing for j = 1, 2, 3, …, 10, we find that the total number of bead ...
... Notice that each row of beads contains one more bead than the row below it. The exercises below involve counting the number of beads in the design. 1. Count the number of beads in Rows 1 – 10. SOLUTION: There are j beads in row j. Summing for j = 1, 2, 3, …, 10, we find that the total number of bead ...
Jennifer Lancaster
... memory for different pitch heights/levels, or from some other quality in pitches that helps you differentiate between them? ...
... memory for different pitch heights/levels, or from some other quality in pitches that helps you differentiate between them? ...
Music Glossary
... rock music – a combination of African-American rhythms, urban blues, folk and country music of the rural South, developed since the early 1950s into hundreds of subgenres Romantic (1820-1910) – time period where music was based on emotion, adventure, and imagination rondo – a composition consisting ...
... rock music – a combination of African-American rhythms, urban blues, folk and country music of the rural South, developed since the early 1950s into hundreds of subgenres Romantic (1820-1910) – time period where music was based on emotion, adventure, and imagination rondo – a composition consisting ...
Handout on Set Theory: Intervals and Atonality
... allows chords to be expressed compactly. For instance the C-major triad (C-E-G) can be called (047) — go ahead and verify this labeling from the chart above. The D♯-minor triad (D♯-F♯-A♯) could be called (36T). These labels might not seem much of a shorthand so far, since we already have good names ...
... allows chords to be expressed compactly. For instance the C-major triad (C-E-G) can be called (047) — go ahead and verify this labeling from the chart above. The D♯-minor triad (D♯-F♯-A♯) could be called (36T). These labels might not seem much of a shorthand so far, since we already have good names ...
Lecture 2
... When pitches on the piano are played in succession 1after another from low to high or visa versa. You will eventually duplicate the starting pitch at a higher level, thus you have the octave. ...
... When pitches on the piano are played in succession 1after another from low to high or visa versa. You will eventually duplicate the starting pitch at a higher level, thus you have the octave. ...
Chapter 3 - SCHOOLinSITES
... Elements used to create it Scale – 12 major scales on which most music is based Intervals – combination using notes of a scale create melody ...
... Elements used to create it Scale – 12 major scales on which most music is based Intervals – combination using notes of a scale create melody ...
Musicianship notes - University High School 2014
... # sharp- raises pitch one half step x double sharp- raises pitch two half steps, or one full step b flat- lowers pitch one half step bb double flat- lowers pitch two half steps, or one full step natural- cancels out all sharps and flats, including key signature Enharmonic Equivalence Two pitches tha ...
... # sharp- raises pitch one half step x double sharp- raises pitch two half steps, or one full step b flat- lowers pitch one half step bb double flat- lowers pitch two half steps, or one full step natural- cancels out all sharps and flats, including key signature Enharmonic Equivalence Two pitches tha ...
vocabulary - Berkner AP Music Theory
... Binary Form – A compositional form in which an initial section is followed by a contrasting section (AB) Cadence – The melodic or harmonic ending of a piece or the sections or phrases therein. A chord progression that ‘feels’ like the conclusion. Authentic (AC), Deceptive (DC), Half (HC), Imperfect ...
... Binary Form – A compositional form in which an initial section is followed by a contrasting section (AB) Cadence – The melodic or harmonic ending of a piece or the sections or phrases therein. A chord progression that ‘feels’ like the conclusion. Authentic (AC), Deceptive (DC), Half (HC), Imperfect ...
vocabulary - AP Music Theory
... Binary Form – A compositional form in which an initial section is followed by a contrasting section (AB) Cadence – The melodic or harmonic ending of a piece or the sections or phrases therein. A chord progression that ‘feels’ like the conclusion. Authentic (AC), Deceptive (DC), Half (HC), Imperfect ...
... Binary Form – A compositional form in which an initial section is followed by a contrasting section (AB) Cadence – The melodic or harmonic ending of a piece or the sections or phrases therein. A chord progression that ‘feels’ like the conclusion. Authentic (AC), Deceptive (DC), Half (HC), Imperfect ...
Elements of Music
... Motif (like a ‘riff’ in guitar) – small building block of a melodic phrase Phrase – a musical sentence; usually 4 to 8 bars in length Ostinato - a short melody or pattern that is constantly repeated, usually in the same part at the same pitch (i.e., drum pattern for “We Will Rock You) ...
... Motif (like a ‘riff’ in guitar) – small building block of a melodic phrase Phrase – a musical sentence; usually 4 to 8 bars in length Ostinato - a short melody or pattern that is constantly repeated, usually in the same part at the same pitch (i.e., drum pattern for “We Will Rock You) ...
Music Vocabulary Lists Year 1
... Allegro - A direction to play lively and fast. Atonal - Music that is written and performed without regard to any specific key. Baroque - Time in music history ranging from the middle of the 16th to the middle of the 17th centuries. Characterized by emotional, flowery music; written in strict form. ...
... Allegro - A direction to play lively and fast. Atonal - Music that is written and performed without regard to any specific key. Baroque - Time in music history ranging from the middle of the 16th to the middle of the 17th centuries. Characterized by emotional, flowery music; written in strict form. ...
Baroque Music and the Doctrine of Affections
... Affections governed musical composition through the musical elements of intervals, key, and tempo. ...
... Affections governed musical composition through the musical elements of intervals, key, and tempo. ...
music and solfege lesson
... Matching pitch exercise: Ss should identify whether pitch is ascending/descending/steps/leaps by choosing card to match teacher’s example ...
... Matching pitch exercise: Ss should identify whether pitch is ascending/descending/steps/leaps by choosing card to match teacher’s example ...
CHAPTER I: Elements of Music: Sound, Melody, Rhythm, and
... The elements studied in Chapter 1 interact to create structure. Chapter 2 begins by explaining the concept of tonality. It also explores how composers combine melodies to create denser textures. The chapter investigates how harmony and melody combine to create the concept of key or tonal center. It ...
... The elements studied in Chapter 1 interact to create structure. Chapter 2 begins by explaining the concept of tonality. It also explores how composers combine melodies to create denser textures. The chapter investigates how harmony and melody combine to create the concept of key or tonal center. It ...
Solving a Dependent System Application
... It is almost as if there was a third row in the matrix, but it is all zeros. Converting this back to a system of equations, we get K – 2S = -9 F + 3S = 49 With a little algebra, we can see that the solution to the system is K = 2S – 9 F = 49 – 3S And S can be any value that makes sense for the probl ...
... It is almost as if there was a third row in the matrix, but it is all zeros. Converting this back to a system of equations, we get K – 2S = -9 F + 3S = 49 With a little algebra, we can see that the solution to the system is K = 2S – 9 F = 49 – 3S And S can be any value that makes sense for the probl ...
Music Fundamentals Primer Lesson 1 – Clefs and Pitch Notation
... the top and bottom lines, and count by letter name up or down to find the pitch. Notes outside of the range of the clefs can be accommodated with ledger lines, which are drawn above or below the staff only when needed for a high or low note. Accidentals are applied to notes to raise or lower natural ...
... the top and bottom lines, and count by letter name up or down to find the pitch. Notes outside of the range of the clefs can be accommodated with ledger lines, which are drawn above or below the staff only when needed for a high or low note. Accidentals are applied to notes to raise or lower natural ...