Music Ecademy Music Theory Curriculum CONTENTS
... ✓ Tonic triads (root position) for the keys of the grade ✓ Dominant triads ✓ Second inversions ✓ Arpeggios and broken chords Intervals ✓ Intervals above the tonic ✓ Interval qualities (major, minor, perfect) Instruments of the Orchestra ✓ Identifying common instruments of the orchestra and their i ...
... ✓ Tonic triads (root position) for the keys of the grade ✓ Dominant triads ✓ Second inversions ✓ Arpeggios and broken chords Intervals ✓ Intervals above the tonic ✓ Interval qualities (major, minor, perfect) Instruments of the Orchestra ✓ Identifying common instruments of the orchestra and their i ...
Tippett - Concerto for Double String Orchestra movement I (Harmony)
... When a group of instruments are all playing the same notes together - like the first violins in an orchestra, they are all playing the same part. The second violins are playing another part, the violas are playing yet another part, etc. ...
... When a group of instruments are all playing the same notes together - like the first violins in an orchestra, they are all playing the same part. The second violins are playing another part, the violas are playing yet another part, etc. ...
2013-04-25
... Boulevard, nothing much to do. I stopped and looked in the window of a stationary shop. A mechanized pen was suspended in space in such a way that, as a mechanized roll of paper passed by it, the pen went through the motions of the same penmanship exercises I had learned as a child in the third grad ...
... Boulevard, nothing much to do. I stopped and looked in the window of a stationary shop. A mechanized pen was suspended in space in such a way that, as a mechanized roll of paper passed by it, the pen went through the motions of the same penmanship exercises I had learned as a child in the third grad ...
Grade 9 Band Playing Test #3 (March 2017) /32 Name: Date
... Tone quality is generally quite good. A few instances where tone quality is not ideal. Usually plays with a good sense of style. ...
... Tone quality is generally quite good. A few instances where tone quality is not ideal. Usually plays with a good sense of style. ...
js bach`s english suites - Academy of Ancient Music
... In all three major sets of keyboard suites — the English, the French, and the Partitas — Bach firmly adheres to the traditional movement sequence Allemande-Courante-Sarabande as it emerged in mid-17th century France, with a concluding Gigue as it emerged as the norm established in late-17th century ...
... In all three major sets of keyboard suites — the English, the French, and the Partitas — Bach firmly adheres to the traditional movement sequence Allemande-Courante-Sarabande as it emerged in mid-17th century France, with a concluding Gigue as it emerged as the norm established in late-17th century ...
A player`s handbook
... instruments are played together, with these slightly different pitches competing with each other to produce a pulsating sound. Balinese gamelan orchestras are not tuned to a standard frequency (or ‘concert pitch’ in the Western sense). The instruments in a gamelan ensemble are carefully tuned to ...
... instruments are played together, with these slightly different pitches competing with each other to produce a pulsating sound. Balinese gamelan orchestras are not tuned to a standard frequency (or ‘concert pitch’ in the Western sense). The instruments in a gamelan ensemble are carefully tuned to ...
non-serial criteria in the pitch organization of webern`s twelve
... influence on the function of each respective passage in the movement as a whole: opening, transition, conclusion. ...
... influence on the function of each respective passage in the movement as a whole: opening, transition, conclusion. ...
Cyclical Structures and the Organisation of Time Bryn Harrison
... My commentary will consider how I have attempted, in the music written over the last five years, to deal with musical time on a moment to moment basis and how this aesthetic concern has led to a largely non-goal orientated approach to form and structure. In order to do so and by using specific examp ...
... My commentary will consider how I have attempted, in the music written over the last five years, to deal with musical time on a moment to moment basis and how this aesthetic concern has led to a largely non-goal orientated approach to form and structure. In order to do so and by using specific examp ...
Highlife Jazz: A Stylistic Analysis of the Music of Felá Anikulapo Kuti
... evolved from brass band music played by regimental bands during the second decade of the 20th century and reached the heights of its development in the 60’s after which it declined as a result of the ascendance of rock music and the emergence of other popular music forms like Jùjú, Fuji and Afrobeat ...
... evolved from brass band music played by regimental bands during the second decade of the 20th century and reached the heights of its development in the 60’s after which it declined as a result of the ascendance of rock music and the emergence of other popular music forms like Jùjú, Fuji and Afrobeat ...
Chapter 2 ELEMENTS AND CONCEPTS OF MUSIC
... feature of a performance of that piece. Instead, it is often the improvisation that is the focus of attention, and by definition, the improvisations will vary from performance to performance of the same piece. A typical performance of a jazz composition may last for ten minutes, of which only two mi ...
... feature of a performance of that piece. Instead, it is often the improvisation that is the focus of attention, and by definition, the improvisations will vary from performance to performance of the same piece. A typical performance of a jazz composition may last for ten minutes, of which only two mi ...
Beat Tracking of Musical Performances Using Low
... file. The pulse finding technique of [13] tracks the temporal position of quarter notes, half notes and measures, and incorporates a multi-agent expert system. Each agent predicts (using a windowed autocorrelation) when the next beat will occur based on onset time vectors that are derived from a fre ...
... file. The pulse finding technique of [13] tracks the temporal position of quarter notes, half notes and measures, and incorporates a multi-agent expert system. Each agent predicts (using a windowed autocorrelation) when the next beat will occur based on onset time vectors that are derived from a fre ...
Master Lesson on Paul Creston`s SONATA - Faculty
... Another important dynamic aspect is the use of accents. Creston loved to change meters without notating meter changes. He often did so through his use of accents to displace the metric pulse. One example occurs in movement one, from bar 44-51. Creston uses accents to help shift the meter from 4 beat ...
... Another important dynamic aspect is the use of accents. Creston loved to change meters without notating meter changes. He often did so through his use of accents to displace the metric pulse. One example occurs in movement one, from bar 44-51. Creston uses accents to help shift the meter from 4 beat ...
Stiff-string theory: Richard Feynman on piano tuning
... 4.40; etc. by some formula and then set the 1st “octave” of this organ so that its fundamental is 2.10 (1st harmonic 4.40, etc.) [times] the note below, etc. Just as a “piano with an extreme error for string stiffness” and see what it sounds like. For consonant intervals like “octave,” “fifth,” etc. ...
... 4.40; etc. by some formula and then set the 1st “octave” of this organ so that its fundamental is 2.10 (1st harmonic 4.40, etc.) [times] the note below, etc. Just as a “piano with an extreme error for string stiffness” and see what it sounds like. For consonant intervals like “octave,” “fifth,” etc. ...
Word Doc
... Some passages usage of the usage of the include incorrect or articulation articulation unclear demands of the demands of the ...
... Some passages usage of the usage of the include incorrect or articulation articulation unclear demands of the demands of the ...
Keyboard FUNdamentals
... Josh Gottry earned a BM in Percussion Performance at Northern Arizona University and is currently pursuing his MM in Composition at Arizona State University. He has also successfully established himself as a percussion instructor and performer throughout Arizona, and as a nationally recognized compo ...
... Josh Gottry earned a BM in Percussion Performance at Northern Arizona University and is currently pursuing his MM in Composition at Arizona State University. He has also successfully established himself as a percussion instructor and performer throughout Arizona, and as a nationally recognized compo ...
Non-Traditional Notation And Techniques In Student Piano Repertoire
... Both the thirds and the clusters move stepwise symmetrically with the thumbs meeting on middle C. The two single pitches, on the highest and lowest keys of the keyboard, alternate throughout the piece and provide an excellent exercise in huge leaps. Seashore includes fivenote clusters on white keys ...
... Both the thirds and the clusters move stepwise symmetrically with the thumbs meeting on middle C. The two single pitches, on the highest and lowest keys of the keyboard, alternate throughout the piece and provide an excellent exercise in huge leaps. Seashore includes fivenote clusters on white keys ...
Concert Band Week 9 Map Connections 3PP.1.b Describe the uses
... SWBAT develop a list of 5 items that they should be thinking about while playing SW write a list of 5 items telling what they should think about while playing, elaborating on each point to show understanding Do Now: Key Signature review ...
... SWBAT develop a list of 5 items that they should be thinking about while playing SW write a list of 5 items telling what they should think about while playing, elaborating on each point to show understanding Do Now: Key Signature review ...
COMPOSER`S HANDBOOK FOR THE CLASSICAL ACCORDION
... The classical accordion evolved during the early part of the 20th Century and was developed and standardized in the early 1950’s. It is also known as the free-bass accordion, accordéon de concert, accordéon classique, klassische akkordeon, bajan and modern concert accordion amongst other more exotic ...
... The classical accordion evolved during the early part of the 20th Century and was developed and standardized in the early 1950’s. It is also known as the free-bass accordion, accordéon de concert, accordéon classique, klassische akkordeon, bajan and modern concert accordion amongst other more exotic ...
dreams and trance - UCI Social Sciences
... shown below.) It is based on the western staff notation but modified to function as a tablature. Minute irregularities in rhythm, in part the result of individual or the general style, as well as the subtleties of melodic variation, are beyond the scope of this work. For the present, we may think of ...
... shown below.) It is based on the western staff notation but modified to function as a tablature. Minute irregularities in rhythm, in part the result of individual or the general style, as well as the subtleties of melodic variation, are beyond the scope of this work. For the present, we may think of ...
Texture_and_Melody
... A melodic phrase is repeated. Usually exactly the same but can have slight changes such as starting at a different pitch. ...
... A melodic phrase is repeated. Usually exactly the same but can have slight changes such as starting at a different pitch. ...
Georgian Court University © 2006 The McGraw
... Movement = A section of a complete work that has its own form and degree of independence, conceived as part of the whole; usually separated from other movements by a pause ...
... Movement = A section of a complete work that has its own form and degree of independence, conceived as part of the whole; usually separated from other movements by a pause ...
Music for Small Ensemble
... Galliard is rhythmically more complex, especially in the opening section, with its syncopations (see line 4) Texture Contrapuntal – somewhat like a civilised conversation between the five players: each part has a melodic line of its own Imitation between the parts Lines cross over each other ...
... Galliard is rhythmically more complex, especially in the opening section, with its syncopations (see line 4) Texture Contrapuntal – somewhat like a civilised conversation between the five players: each part has a melodic line of its own Imitation between the parts Lines cross over each other ...
Music Theory Vocabulary - Trinity Bend Performing Arts
... Common-tone modulation uses a sustained or repeated pitch from the old key as a bridge to the new key. Often this pitch will be held alone before the music continues in the new key. ...
... Common-tone modulation uses a sustained or repeated pitch from the old key as a bridge to the new key. Often this pitch will be held alone before the music continues in the new key. ...
Preparatory Band Performance Groups
... Course Name: Preparatory Band Prerequisites: Teacher recommendation/audition Preparatory Band provides an opportunity for students with limited band experience to receive additional help developing one or more fundamental concepts or skills. Emphasis in this course is on improving performance ...
... Course Name: Preparatory Band Prerequisites: Teacher recommendation/audition Preparatory Band provides an opportunity for students with limited band experience to receive additional help developing one or more fundamental concepts or skills. Emphasis in this course is on improving performance ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.