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... development of instrumental/vocal music. PO 203 Playing/singing a varied repertoire of music utilizing appropriate stylistic elements reflective of history and ...
Music as a means of connecting, understanding, and being
Music as a means of connecting, understanding, and being

... piano arrangement is used in its place. There are several large differences between the two. The exposition is repeated in the piano version to take advantage of the unique resonance of the lower register of that instrument; the repeated notes in the harp version are given shorter note values in the ...
World Music
World Music

... Indian music is not written down; it is taught by listening and playing by ear ...
Intro to Figured Bass
Intro to Figured Bass

... The bass is the foundation of harmonic structure. Figured bass symbols are used to indicate the bass positions of chords. The practice is derived from Baroque keyboard music where the player read from a part consisting of a bass line and some numerical symbols that indicated what chord was to be pla ...
The Four Main Musical Style Periods
The Four Main Musical Style Periods

... Major and Minor scales. (Music before this style period was not based on Major and Minor Scales) Polyphonic approaches to composition: 2 or more melodies combined. Harmony – results from the combination of different melodies. ...
Week 1-Review
Week 1-Review

... Pitch: A tone sounding in a particular octave (scientifically refers to the specific sound wave frequencies that occur to create that sound) Pitches are named with the first seven letters in the alphabet- A, B, C, D, E, F, G Forward in the alphabet=moving upward in pitch; backward in the alphabet=mo ...
Master Lesson on Bozza`s Aria
Master Lesson on Bozza`s Aria

... Bach and is very similar to Bach’s third-movement aria from the organ Pastorale in F, BWV 590. These two arias share the same mood, meter and accompanimental style. In fact, Bozza quotes Bach’s aria exactly in his four bars before rehearsal number 3. Below are some ideas and suggestions that I share ...
Articulation - OpenStax CNX
Articulation - OpenStax CNX

... bar line. Like a note that crosses bar lines, the two-and-a-half-beat "note" in the fourth bar would be dicult to write without using a tie. ...
Fundamentals of Music G9-12
Fundamentals of Music G9-12

... Meters can be classified by counting the number of beats from one strong beat to the next. To learn to recognize meter, you are basically listening for a running, even pulse underlying the rhythms of the music. Meters are not the same as time signature. Some music does not have a meter. Meters can b ...
4th 9 weeks
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... IM.3.2.3 Create a minimum of two variations on a given melody. Accompaniment IM.3.3.1 Create a simple rhythmic or chordal accompaniment for an eight-measure melody. IM.3.3.2 Create a simple rhythmic and chordal accompaniment for an eight-measure melody. IM.3.3.3 Create a simple chordal and rhythmic ...
Lesson I: Applications with Music
Lesson I: Applications with Music

... You can use periodic motion, proportions, and geometric transformations to describe mathematical patterns in music. ...
DD Manual
DD Manual

... While Cyclophonic Controls are largely aimed at musical structure, they are every bit as useful for audio control and Holistic Tonality theory requires that the many levels of music have no artificial boundaries between them. Therefor waves can and should be used to control the sound and spacial pla ...
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... Mark Snow-Threnody in X ...
Piano Study in Mixed Accents
Piano Study in Mixed Accents

... because the melody should have proceeded to a fresh note instead of to a note already in the consciousness of the listener. Therefore Ruggles writes at least seven or eight different notes in a melody before allowing himself to repeat the same note, even in the octave.” Henry Cowell, NMR, pp. 41-42 ...
Musical Intervals and Scales
Musical Intervals and Scales

... The Pythagorean Scale • Step 2 - bring into the range of a single octave by descending in whole octave steps ...
Khaen: Notes for Composers
Khaen: Notes for Composers

... khaen music, the best reference is Terry Miller, Khaen Playing and Mawlum Singing in Northeast Thailand (Greenwood Press, 1985). An additional useful reference is The Garland Encyclopedia of World Music, vol. 4.: Southeast Asia (see “Laos”). drones If drones are used, they may be held by one of the ...
musical texture
musical texture

... The word “mono” means one or single.Therefore we hear monophonic texture when a person sings alone without accompaniment or background music. So we can say that monophonic texture is heard when a single melodic line is performed without accompaniment. That single melody could be played or sung by on ...
doc Art of Listening Midterm Notes
doc Art of Listening Midterm Notes

... - In polyphony, the melodies are felt to be independent and of approximate equal interest. The whole is more than the sum of the parts, however; the way the melodies play off against one another makes for the possibility of greater rick=hness and interest than if they were played singly. - Polyphoni ...
rosser-elementary-school-music-program-course-preview-2016-17
rosser-elementary-school-music-program-course-preview-2016-17

... Reason and Reflect and to Communicate and Document their music. Music is organized sound and can be described in terms of Meter, Pitch, Expression, Rhythm and Timbre. Developing technical skills on an instrument requires consistent, mindful practice. Music is the creative expression of human emotion ...
Music Lettering Test
Music Lettering Test

... Two counts to a measure 4 Four counts to a measure A half note (REST) gets one count 8 An eighth note gets one count ...
44. Jerry Goldsmith Planet of the Apes: The Hunt (opening)
44. Jerry Goldsmith Planet of the Apes: The Hunt (opening)

... drum at Bar 16. The three-note motif’s rhythm is at the end of Bar 17 and then in a new triplet form at the end of Bar 21. 23-37: The riff is now taken over by woodwind, while the long notes move to the trombones. The tonal centre is now E flat. There is a new bass line in lower woodwind and double ...
D:\EIGENE~1\CHOROI~1\PROSPE~1\BORDUN~1\Bordunleier GB
D:\EIGENE~1\CHOROI~1\PROSPE~1\BORDUN~1\Bordunleier GB

... higher than the second. Through this, a rich variety of sound effects, including ‘beat tones’ will be made possibble, with the second player playing a constant ‘drone’- bass (German: Generalbass). The practising of small motives, repetition and pauses works back again on the subsequent development o ...
Music of the Caribbean - Pan
Music of the Caribbean - Pan

... musical instrument originating from Trinidad and Tobago. Steel pan musicians are called pannists. The pan is a chromatically pitched percussion instrument (although some toy or novelty steelpans are tuned diatonically, made from 55 gallon drums that usually store oil. In fact, drum refers to the ste ...
Physics of Music PHY103 Worksheet #4 Setup for fretted monochord
Physics of Music PHY103 Worksheet #4 Setup for fretted monochord

... Pitches are commonly measured with respect to the frequencies of the tempered scale with a concert A of 440Hz. These frequencies are listed in the table below. Tuners usually give the nearest note on the tempered scale and the difference between this not and the one you played. This difference is gi ...
16 באוקטובר, 2005
16 באוקטובר, 2005

... 3. Adding an option of changing the scale of a musical sheet produced by the system. Background: Western music includes sounds which defer from each other by at least semitone. This gives rise to 12 basic different sounds, as seen here: ...
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Polyrhythm



Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.
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