GEMNOTES: A REALTIME MUSIC NOTATION SYSTEM FOR PURE
... Objects for rendering notes and other notation elements are instances of PD abstractions created within a subpatch of the [makevoice] abstraction. This object sends object-creation commands (figure 1) to a [$0voice] subwindow within a [$0-canvas] subwindow, whereby notation abstractions may be linke ...
... Objects for rendering notes and other notation elements are instances of PD abstractions created within a subpatch of the [makevoice] abstraction. This object sends object-creation commands (figure 1) to a [$0voice] subwindow within a [$0-canvas] subwindow, whereby notation abstractions may be linke ...
38. Schubert Der Doppelgänger Background information and performance circumstances 1
... The harmony is functional, but with some unusual aspects for the 1820s: 1. Prominent ‘incomplete’ chords, notably: • The very first chord, which lacks a third. It sounds bare and desolate, but at this point is ambiguous too – major or minor? • The second chord: B minor Vb without C sharp. • The thir ...
... The harmony is functional, but with some unusual aspects for the 1820s: 1. Prominent ‘incomplete’ chords, notably: • The very first chord, which lacks a third. It sounds bare and desolate, but at this point is ambiguous too – major or minor? • The second chord: B minor Vb without C sharp. • The thir ...
Music 170 Homework problem set 6 (due Nov. 3) 1. Two pipes, both
... pitched one is 1/2 meter long, how long must the other (higher pitched) one be? 2. Three alpenhorns are tuned so that the second one is a perfect fifth above the first, and the third one is a perfect fifth above the second one. If the first one sounds at 100 Hz, at what frequency does the third, hig ...
... pitched one is 1/2 meter long, how long must the other (higher pitched) one be? 2. Three alpenhorns are tuned so that the second one is a perfect fifth above the first, and the third one is a perfect fifth above the second one. If the first one sounds at 100 Hz, at what frequency does the third, hig ...
Advanced - Georgia Standards
... and cadences in given aural and written examples from the standard literature. D. ...
... and cadences in given aural and written examples from the standard literature. D. ...
FREE - James Buckham
... You’ll notice you arrive back at the note (C) that you started with. This is the full extension of the chord of C major. Pretty intense. It would be rare that you would play all of these notes in response to a C∆ chord symbol. It is more usual to use this as a set of possible notes and choose from a ...
... You’ll notice you arrive back at the note (C) that you started with. This is the full extension of the chord of C major. Pretty intense. It would be rare that you would play all of these notes in response to a C∆ chord symbol. It is more usual to use this as a set of possible notes and choose from a ...
Stuart Greenbaum: Natural Satellite Background I: The gravitational
... signals a deliberate attempt to exploit sounds and combinations that would not be possible on one guitar alone. The combined voicing produces a resultant chord of Emin7 (add 11): ...
... signals a deliberate attempt to exploit sounds and combinations that would not be possible on one guitar alone. The combined voicing produces a resultant chord of Emin7 (add 11): ...
Music Fundamentals Primer Lesson 4
... B, and D. There are three possible arrangements of these three notes within a single octave (shown in step 2). The one arrangement in which all of the adjacent intervals are thirds is the most compact form, which is called “root position” (marked with the asterisk). Once root position is found, we ...
... B, and D. There are three possible arrangements of these three notes within a single octave (shown in step 2). The one arrangement in which all of the adjacent intervals are thirds is the most compact form, which is called “root position” (marked with the asterisk). Once root position is found, we ...
Lindsey Stirling
... A large ‘dubstep’ drop can be heard as Theme C begins and it continues with a warping sound on each 8th note. The violin comes into this section playing 32nd notes. This piece could be considered a counterpoint as the violin has increased its rhythm while the electronica music slows down and plays l ...
... A large ‘dubstep’ drop can be heard as Theme C begins and it continues with a warping sound on each 8th note. The violin comes into this section playing 32nd notes. This piece could be considered a counterpoint as the violin has increased its rhythm while the electronica music slows down and plays l ...
AOSA Curriculum Glossary - American Orff
... 1. A composition consisting of a clash of component parts such as key, timbre, texture, meter, tempo or unrelated melody fragments which are juxtaposed by layering or moving quickly between the components as in a film montage. 2. A dance form that creates a unified effect by juxtaposing different po ...
... 1. A composition consisting of a clash of component parts such as key, timbre, texture, meter, tempo or unrelated melody fragments which are juxtaposed by layering or moving quickly between the components as in a film montage. 2. A dance form that creates a unified effect by juxtaposing different po ...
RECITAL and CONCERTO IN PIANO BY HANDEL, BEETHOVEN
... hand part contains vivid and flowing broken chords of sixteenth notes. These broken chords are transferred to the right hand in the Variation Twenty, while the left hand plays broken octaves at the first and the second beats in each measure. The final variation is a very powerful ending, in which si ...
... hand part contains vivid and flowing broken chords of sixteenth notes. These broken chords are transferred to the right hand in the Variation Twenty, while the left hand plays broken octaves at the first and the second beats in each measure. The final variation is a very powerful ending, in which si ...
Introduction to Reading Music Homework 5 15-212, Fall 2006
... At a very low-level, any piece of music is just a sequence of sounds that vary in pitch and duration. Each continuous sound of fixed pitch is called a note. Music is a sequence of notes. Each note has two defining characteristics: pitch and duration. For practical reasons, pitches and durations allo ...
... At a very low-level, any piece of music is just a sequence of sounds that vary in pitch and duration. Each continuous sound of fixed pitch is called a note. Music is a sequence of notes. Each note has two defining characteristics: pitch and duration. For practical reasons, pitches and durations allo ...
Why are pianos out of tune?
... Now let's put them together. If your age is an even number, clap rhythm 1, and if your age is an odd number, clap rhythm 2. [Audience combines them] As you saw, we got a pleasant cross-rhythm emerging, the sort of cross-rhythm clapping you get in Spanish flamenco music. More relevant to today is the ...
... Now let's put them together. If your age is an even number, clap rhythm 1, and if your age is an odd number, clap rhythm 2. [Audience combines them] As you saw, we got a pleasant cross-rhythm emerging, the sort of cross-rhythm clapping you get in Spanish flamenco music. More relevant to today is the ...
Students can
... (a) Echo simple rhythms (b) Follow a steady pulse (c) Play crotchets and crotchet rests (d) Play in duple time (a) Name and play open strings (b) Use fingers to change the pitch of the D string (a) Recognise bars, bar lines, 4/4 time signature (b) Read treble/alto clef staff notation for open string ...
... (a) Echo simple rhythms (b) Follow a steady pulse (c) Play crotchets and crotchet rests (d) Play in duple time (a) Name and play open strings (b) Use fingers to change the pitch of the D string (a) Recognise bars, bar lines, 4/4 time signature (b) Read treble/alto clef staff notation for open string ...
No 6: Tonality
... loud and soft sounds. Tempo is fast and slow speeds. Together they form a powerful, persuasive music medium. And we’ve only looked at five out of fourteen elements! This article covers one of the lesser known elements, tonality, which does not have opposites like the above. The essence of tonality i ...
... loud and soft sounds. Tempo is fast and slow speeds. Together they form a powerful, persuasive music medium. And we’ve only looked at five out of fourteen elements! This article covers one of the lesser known elements, tonality, which does not have opposites like the above. The essence of tonality i ...
Strings Long term Plan
... (using crotchets, quavers, minims and semibreves) Recognize simple rhythms from standard notation Play pieces in 4/4 and 3/4 time Play with a steady pulse at a moderate tempo ...
... (using crotchets, quavers, minims and semibreves) Recognize simple rhythms from standard notation Play pieces in 4/4 and 3/4 time Play with a steady pulse at a moderate tempo ...
3rd Grade Rubrics and Assessments
... DISTRICT ASSESSMENT: From a set of three prepared, simple 4-beat rhythm patterns, which would include quarter notes, paired eight notes and quarter rests, students will choose 2 patterns to create and perform a short AB piece. Students will be given the opportunity to practice before performing. Car ...
... DISTRICT ASSESSMENT: From a set of three prepared, simple 4-beat rhythm patterns, which would include quarter notes, paired eight notes and quarter rests, students will choose 2 patterns to create and perform a short AB piece. Students will be given the opportunity to practice before performing. Car ...
Solfege - Practice - 101
... • To directly relate the scale degrees to the Solfege syllables • To directly relate the Solfege syllables to the scale degrees • To relate the pitch relative to the tonic to the Solfege syllable • To relate the notes within each major scale pattern to the Solfege syllable and the sounds they repres ...
... • To directly relate the scale degrees to the Solfege syllables • To directly relate the Solfege syllables to the scale degrees • To relate the pitch relative to the tonic to the Solfege syllable • To relate the notes within each major scale pattern to the Solfege syllable and the sounds they repres ...
Melody In Carnatic Music
... of the saying, Srutir mata, or the melodic aspects. Any lover of Indian music would have definitely come across the word Raga. Needless to say, this concept is a very ancient one. But what exactly is it and how did it evolve? Before we go into it, we need to know some basic stuff. Let's start with t ...
... of the saying, Srutir mata, or the melodic aspects. Any lover of Indian music would have definitely come across the word Raga. Needless to say, this concept is a very ancient one. But what exactly is it and how did it evolve? Before we go into it, we need to know some basic stuff. Let's start with t ...
Composing for Japanese Instruments
... on a melodic idea, only to come to the conclusion that the first idea you had was the best…so keep all your notes as you go along. You may also find that rejected ideas can be used in later pieces. It's a good idea to start this workbook notebook by making a list of the instruments, their pitch rang ...
... on a melodic idea, only to come to the conclusion that the first idea you had was the best…so keep all your notes as you go along. You may also find that rejected ideas can be used in later pieces. It's a good idea to start this workbook notebook by making a list of the instruments, their pitch rang ...
Physics of Music
... and its total length was always a nice and easy fraction such as a half, two-thirds, three-quarters and so on. Since medieval times, the notes formed by these ratios have been called respectively the octave, fifth and forth. They are collectively known as the perfect consonances. More on these in a ...
... and its total length was always a nice and easy fraction such as a half, two-thirds, three-quarters and so on. Since medieval times, the notes formed by these ratios have been called respectively the octave, fifth and forth. They are collectively known as the perfect consonances. More on these in a ...
The Very Beginning: Reading the Staves ABCDEFG
... des cles (Practical Manual for Learning The Clefs). Ill post some PDFs from it on this website. Whats great about the Dandelot book is that it starts with a few important pitches and rolls out the rest in a slow, systematic manner. The text is in French, but as long as you understand how to use th ...
... des cles (Practical Manual for Learning The Clefs). Ill post some PDFs from it on this website. Whats great about the Dandelot book is that it starts with a few important pitches and rolls out the rest in a slow, systematic manner. The text is in French, but as long as you understand how to use th ...
S3 Theory Matters Workbook
... Using the example, this would be C, D and E. So, C and E are a 3rd apart. Another example… What is the distance between G and C? Count G, A, B and C. There are 4 notes named so the distance between G and C is a 4th. The easiest way to do this is counting on your fingers, or using a diagram like the ...
... Using the example, this would be C, D and E. So, C and E are a 3rd apart. Another example… What is the distance between G and C? Count G, A, B and C. There are 4 notes named so the distance between G and C is a 4th. The easiest way to do this is counting on your fingers, or using a diagram like the ...
Baladi, Classical and Folk – the Music
... Kanoun (dulcimer – a „table of strings‟ plucked with metal thimbles) Western instruments such as organ, maracas, banjo (as composers searched for new sounds to include in their compositions) ...
... Kanoun (dulcimer – a „table of strings‟ plucked with metal thimbles) Western instruments such as organ, maracas, banjo (as composers searched for new sounds to include in their compositions) ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.