example - davenantperformingarts
... ‘Chariot’ by Gavin Degraw uses the piano the guitar, the drum kit and the voice which is similar to my piece however mine also uses a bass guitar. The piano part plays chords with use of ad libbing also which I also do in my composition. Chariot also begins with a short piano introduction before th ...
... ‘Chariot’ by Gavin Degraw uses the piano the guitar, the drum kit and the voice which is similar to my piece however mine also uses a bass guitar. The piano part plays chords with use of ad libbing also which I also do in my composition. Chariot also begins with a short piano introduction before th ...
The Modern Double Bass.org.uk Composer Pack – An Introduction
... The orchestral bass is often a larger instrument than the solo bass. Orchestral players most often use a 4/4 sized instrument for a greater depth of sound in the lower register. As much orchestral repertoire does not venture into the extreme high register of the instrument, playability in these posi ...
... The orchestral bass is often a larger instrument than the solo bass. Orchestral players most often use a 4/4 sized instrument for a greater depth of sound in the lower register. As much orchestral repertoire does not venture into the extreme high register of the instrument, playability in these posi ...
expressionist - davenantperformingarts
... To be able to define some of the compositional techniques used in Peripetie. (Knowledge – Grade D) To be able to explain the context of Peripetie and the Expressionist movement. (Understanding – Grade C) To be able to analyse the music and give examples of where specific compositional techniques ar ...
... To be able to define some of the compositional techniques used in Peripetie. (Knowledge – Grade D) To be able to explain the context of Peripetie and the Expressionist movement. (Understanding – Grade C) To be able to analyse the music and give examples of where specific compositional techniques ar ...
`Modality` and other short articles for EPMOW
... by guitarists plucking the low strings, often when adjusted to open-chord tuning (e.g. Hooker 1995; Cooder 1974). Drone effects of a more continuous rhythmic character are often heard in the open-fifth guitar or banjo arpeggiations of artists steeped in European and North American folk traditions (e ...
... by guitarists plucking the low strings, often when adjusted to open-chord tuning (e.g. Hooker 1995; Cooder 1974). Drone effects of a more continuous rhythmic character are often heard in the open-fifth guitar or banjo arpeggiations of artists steeped in European and North American folk traditions (e ...
Chapter 3 Melody and Harmony
... Is the simultaneous sounding of two or more pitches ►They can be consonant (pleasant, restful) ►They can be dissonant (harsh, tense) ►Usually they are somewhere between very ...
... Is the simultaneous sounding of two or more pitches ►They can be consonant (pleasant, restful) ►They can be dissonant (harsh, tense) ►Usually they are somewhere between very ...
Elementary Curriculum Map
... /tharp/orchestra/note-readingpractice This website allows students to identify the notes and their names on the staff ...
... /tharp/orchestra/note-readingpractice This website allows students to identify the notes and their names on the staff ...
Popular Music Theory - The Academy Of Popular Music
... However there are also other dynamics used wich are more subtle and are in between soft and loud. These are mp and mf. Mezzo Piano* (mp) : moderately quiet- louder than piano (p) Mezzo Forté* (mf) : moderately loudly- louder than mp but softer than forté (f) Hairpin* dynamics (shown below) are a way ...
... However there are also other dynamics used wich are more subtle and are in between soft and loud. These are mp and mf. Mezzo Piano* (mp) : moderately quiet- louder than piano (p) Mezzo Forté* (mf) : moderately loudly- louder than mp but softer than forté (f) Hairpin* dynamics (shown below) are a way ...
There are three basic musical textures: monophony, polyphony, and
... Texture Introduction In the sections on melody and harmony, music was described as comprising horizontal (melody) and vertical (harmony) strands. Musical texture refers to how these strands relate to one another. There are three basic musical textures: monophony, polyphony, and homophony. ...
... Texture Introduction In the sections on melody and harmony, music was described as comprising horizontal (melody) and vertical (harmony) strands. Musical texture refers to how these strands relate to one another. There are three basic musical textures: monophony, polyphony, and homophony. ...
Benward Chapter 3
... Descending: Three Blind Mice, Mary Had a Little Lamb, Deck the Halls, Away in a Manger, The ...
... Descending: Three Blind Mice, Mary Had a Little Lamb, Deck the Halls, Away in a Manger, The ...
Article: Phrasing...Speaking in Musical Sentences.Blue Grass News
... Like a craftsman sizing up the job before starting to work, the musician must first study the music before performing it. After our analysis is complete, we are much better prepared to create a convincing execution of the phrases. However, there is a fundamental difference between a craftsman and a ...
... Like a craftsman sizing up the job before starting to work, the musician must first study the music before performing it. After our analysis is complete, we are much better prepared to create a convincing execution of the phrases. However, there is a fundamental difference between a craftsman and a ...
Higher Music Concepts
... Often in Modern or rhythmically based ethnic music, groupings of notes change, but the underlying pulse remains constant. Grouping of two and three produce irregular accents and metres. Sometimes 20 th century composers tried to destroy the feeling of a regular down-beat by frequently changing the t ...
... Often in Modern or rhythmically based ethnic music, groupings of notes change, but the underlying pulse remains constant. Grouping of two and three produce irregular accents and metres. Sometimes 20 th century composers tried to destroy the feeling of a regular down-beat by frequently changing the t ...
VIEW THIS PAGE
... a complex and more ascetic 1940s reaction — bebop. Bop is a fast-moving small-group music of intricate melodies and subtle chords — and saxophonist Charlie Parker is its hipster JS Bach. Because bop is a cerebral music, jazz begins to be displaced as a pop music by rock in the 1950s. Trumpeter Miles ...
... a complex and more ascetic 1940s reaction — bebop. Bop is a fast-moving small-group music of intricate melodies and subtle chords — and saxophonist Charlie Parker is its hipster JS Bach. Because bop is a cerebral music, jazz begins to be displaced as a pop music by rock in the 1950s. Trumpeter Miles ...
File
... instrument. Extremes in range are sometimes cause tone to be less controlled. Tone quality typically does not detract from the performance. ...
... instrument. Extremes in range are sometimes cause tone to be less controlled. Tone quality typically does not detract from the performance. ...
CHI 2002
... MIDI data. Sequencing programs allow composers to edit out mistakes, play music in various tempos, change keys without replaying parts, rearrange an entire song, draw volume graphs, and more. ...
... MIDI data. Sequencing programs allow composers to edit out mistakes, play music in various tempos, change keys without replaying parts, rearrange an entire song, draw volume graphs, and more. ...
Tier 3 unit 1 power point
... Definition: Two pitches of the same name where one is sounding eight tones higher than the other. ...
... Definition: Two pitches of the same name where one is sounding eight tones higher than the other. ...
Harmony Rules - Jeanie`s Online Music Studio
... Parts move to the nearest note possible. No part may move in parallel or consecutive 5 ths or octaves. No part may overlap or cross another part. Contrary motion is desirable where possible. ...
... Parts move to the nearest note possible. No part may move in parallel or consecutive 5 ths or octaves. No part may overlap or cross another part. Contrary motion is desirable where possible. ...
9.2-jacobs
... during the listening process. For each new note, the set of current inferences makes up a context, which in turn induces constraints upon the candidates for new inferences. …irrelevant references are thus avoided ...
... during the listening process. For each new note, the set of current inferences makes up a context, which in turn induces constraints upon the candidates for new inferences. …irrelevant references are thus avoided ...
transcription - grfia - Universidad de Alicante
... Onset-based transcription: Signal Rate of change of pitched energy Threshold Onsets Segmentation Segment transcription Set of pitches by segment ...
... Onset-based transcription: Signal Rate of change of pitched energy Threshold Onsets Segmentation Segment transcription Set of pitches by segment ...
African Drums Long term Plan
... Associate changes in djembe; muted on pitch between voice djundjun) and drumming Develop Develop polyphonic understanding of playing to include harmony (e.g. three or four parts teacher singing a third lower) Introduce different instruments into the ensemble (e.g. bells, shakers, djundjuns) ...
... Associate changes in djembe; muted on pitch between voice djundjun) and drumming Develop Develop polyphonic understanding of playing to include harmony (e.g. three or four parts teacher singing a third lower) Introduce different instruments into the ensemble (e.g. bells, shakers, djundjuns) ...
WORLD OF THE STRING QUARTET Glossary
... Alessandro Scarlatti (1660-1725) – Italian composer of the Baroque era. Composed a set of works entitled Sonate a Quattro per due violini, violetta, e violoncello senza cembalo, which is an early prototype for the string quartet.~ Scherzo – An Italian word deriving from the German Scherz (“to joke”) ...
... Alessandro Scarlatti (1660-1725) – Italian composer of the Baroque era. Composed a set of works entitled Sonate a Quattro per due violini, violetta, e violoncello senza cembalo, which is an early prototype for the string quartet.~ Scherzo – An Italian word deriving from the German Scherz (“to joke”) ...
National 5 - Musical Periods and Styles
... 15. Using the information from the PowerPoint, write down three concepts which characterise the Minimalist style. ______________ ...
... 15. Using the information from the PowerPoint, write down three concepts which characterise the Minimalist style. ______________ ...
Greg Stepanich - Lara St. John
... The Hindson, on the other hand, is something of a mixed bag. Its three movements are designed to evoke some aspect of Australian life — the first, the wind turbine at Kooragang; the second, economic downturn in a Tasmanian village called Westerway; the third, Grand Final Day, the biggest Australian ...
... The Hindson, on the other hand, is something of a mixed bag. Its three movements are designed to evoke some aspect of Australian life — the first, the wind turbine at Kooragang; the second, economic downturn in a Tasmanian village called Westerway; the third, Grand Final Day, the biggest Australian ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.