Level 9 - The Music Makers
... whole tone scale: a six-note scale consisting entirely of whole steps (Major 2nds) ...
... whole tone scale: a six-note scale consisting entirely of whole steps (Major 2nds) ...
Elements of Music
... Such as D/F#. Usually this note is already in the chord, but they want you to highlight it as a bass note. Bass players can usually stick to going with the second note. Another popular chord is a suspended chord. It would be written like Asus, Dsus, Esus A suspended chord is when the 3rd is raised. ...
... Such as D/F#. Usually this note is already in the chord, but they want you to highlight it as a bass note. Bass players can usually stick to going with the second note. Another popular chord is a suspended chord. It would be written like Asus, Dsus, Esus A suspended chord is when the 3rd is raised. ...
More than noise - Cambridge University Press
... individual notes smoothly so that we hear the whole sequence as a single piece of music. Melodies often consist of musical phrases or motifs, which may be repeated throughout a piece in various ways. Melody is shaped by characteristics such as pitch, tone quality (timbre) and loudness (intensity). D ...
... individual notes smoothly so that we hear the whole sequence as a single piece of music. Melodies often consist of musical phrases or motifs, which may be repeated throughout a piece in various ways. Melody is shaped by characteristics such as pitch, tone quality (timbre) and loudness (intensity). D ...
0410 music - PastPapers.Co
... between string instruments/violins [1] and the arpeggios are played by flutes [1]. The melody is also accompanied homophonically [1]. There is a pizzicato bass line/walking/scalic bass line [1]; bassoon [1]. Cymbal crash on the last beat [1] ...
... between string instruments/violins [1] and the arpeggios are played by flutes [1]. The melody is also accompanied homophonically [1]. There is a pizzicato bass line/walking/scalic bass line [1]; bassoon [1]. Cymbal crash on the last beat [1] ...
Orchestral Texture and Unison Composition
... Brass combinations often employ unison and octave tutti to dramatic effect. Less bombastic couplings are also used. It is common to hear deep, resonant, and sometimes romantic passages with the melody played by the horns and the cello. Similarly, the trumpet and oboe are coupled to produce very clea ...
... Brass combinations often employ unison and octave tutti to dramatic effect. Less bombastic couplings are also used. It is common to hear deep, resonant, and sometimes romantic passages with the melody played by the horns and the cello. Similarly, the trumpet and oboe are coupled to produce very clea ...
Chapter II Rhythm and Accent
... In the longer melismas, a five-beat stretch seems to be the usual limit of a line “floating” without accents. Lassus nearly always provides some feature of stress on the sixth beat which can be touched lightly so as not to obstruct the flow: ...
... In the longer melismas, a five-beat stretch seems to be the usual limit of a line “floating” without accents. Lassus nearly always provides some feature of stress on the sixth beat which can be touched lightly so as not to obstruct the flow: ...
Voice-Leading Guidelines:
... chord progression is specifically I 6-4, V, I (with respect to the bass notes). The I 6-4 chord occurs on a strong beat or strong portion of a beat. This chord is really an embellishment of the dominant chord at a cadence. Passing: The bass steps up (or down) over the three notes. Therefore, the 6-4 ...
... chord progression is specifically I 6-4, V, I (with respect to the bass notes). The I 6-4 chord occurs on a strong beat or strong portion of a beat. This chord is really an embellishment of the dominant chord at a cadence. Passing: The bass steps up (or down) over the three notes. Therefore, the 6-4 ...
Elements of Music - Harmony
... Elements of Music Terms HARMONY Harmony is created when two or more notes (pitches) sound at the same time. Another way to think of it is the combination of a melody and its accompaniment. Harmony is often thought of as the art of combining pitches into chords (several notes played simultaneously as ...
... Elements of Music Terms HARMONY Harmony is created when two or more notes (pitches) sound at the same time. Another way to think of it is the combination of a melody and its accompaniment. Harmony is often thought of as the art of combining pitches into chords (several notes played simultaneously as ...
Elements of music - Texture, Tone Color
... combined in a piece of music, and the relationship these parts have to one another. Monophony or Monophonic Texture Music with one note sounding at a time; a melody with no harmony or accompaniment Homophony - Homophonic or “Song” Texture Music featuring a prominent melody in the upper part supporte ...
... combined in a piece of music, and the relationship these parts have to one another. Monophony or Monophonic Texture Music with one note sounding at a time; a melody with no harmony or accompaniment Homophony - Homophonic or “Song” Texture Music featuring a prominent melody in the upper part supporte ...
national 5 concepts list az jyhs music department
... Melismatic word setting – Vocal music in which several notes are sung to one syllable. Compare Syllabic word setting. ...
... Melismatic word setting – Vocal music in which several notes are sung to one syllable. Compare Syllabic word setting. ...
Shostakovich 1
... melodic movement (what sort of music has he stolen this idea from?) Don’t forget to state the obvious: The melody of the fugue is based on a subject, which consists entirely of the notes of an A major chord, and two countersubjects… ...
... melodic movement (what sort of music has he stolen this idea from?) Don’t forget to state the obvious: The melody of the fugue is based on a subject, which consists entirely of the notes of an A major chord, and two countersubjects… ...
powerpoint - davenantperformingarts
... 59-73: The riff returns, now based on G, with a new semiquaver repeated note accompanying motif in the violas. At Bar 63, the long notes appear on muted trumpet which also plays the rapid three-note figure returns much as it occurred first, but now on the trumpet as well (Bar 64-5). ...
... 59-73: The riff returns, now based on G, with a new semiquaver repeated note accompanying motif in the violas. At Bar 63, the long notes appear on muted trumpet which also plays the rapid three-note figure returns much as it occurred first, but now on the trumpet as well (Bar 64-5). ...
about Barbershop style music.
... For singers who come from a traditional choral music background, the world of barbershop harmony can be confusing at first. In simple terms, barbershop harmony is vocal harmony produced by four parts: lead, tenor, baritone and bass. It is sung a cappella (without instrumental accompaniment) and is o ...
... For singers who come from a traditional choral music background, the world of barbershop harmony can be confusing at first. In simple terms, barbershop harmony is vocal harmony produced by four parts: lead, tenor, baritone and bass. It is sung a cappella (without instrumental accompaniment) and is o ...
Ostinato - violinsection
... the crescendo underlying a persistent musical pattern, which usually culminates in a solo vocal cadenza. This style was emulated by other bel canto composers, especially Bellini; and later by Wagner (in pure instrumental terms, discarding the closing vocal cadenza). ...
... the crescendo underlying a persistent musical pattern, which usually culminates in a solo vocal cadenza. This style was emulated by other bel canto composers, especially Bellini; and later by Wagner (in pure instrumental terms, discarding the closing vocal cadenza). ...
Ask Hohner`s Harmonica Tech
... The Golden Melody, first produced in the mid 1970s, is the exception in the group of 10-hole single reed models. It is tuned to “Equal Temperament.” All notes match the notes on a piano. According to its name, it was designed for melody playing. ...
... The Golden Melody, first produced in the mid 1970s, is the exception in the group of 10-hole single reed models. It is tuned to “Equal Temperament.” All notes match the notes on a piano. According to its name, it was designed for melody playing. ...
LABBS Harmony College 2003: Understanding the Barbershop Style
... by consonant four-part chords for every melody note in a predominantly homophonic texture. The melody is consistently sung by the lead, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord. The melody is not sung by the ten ...
... by consonant four-part chords for every melody note in a predominantly homophonic texture. The melody is consistently sung by the lead, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord. The melody is not sung by the ten ...
Montana High School Association Official Adjudication Form
... Duet balance good, some lines lose clarity in difficult passages ...
... Duet balance good, some lines lose clarity in difficult passages ...
Appendix 1 Musical Terms
... Root position A chord position with the root of the chord in the lowest note; for example, GBD, with G as the lowest note of the G triad. Scale A pattern of notes consisting of a variety of intervals, usually whole steps and half steps. Some examples include the major, three forms of minor, whole to ...
... Root position A chord position with the root of the chord in the lowest note; for example, GBD, with G as the lowest note of the G triad. Scale A pattern of notes consisting of a variety of intervals, usually whole steps and half steps. Some examples include the major, three forms of minor, whole to ...
4/4 TIME - Introduction to Music Theory
... The dots on dotted notes, which are located to the right of the note, are not to be confused with the dots which indicate staccato articulation, which are located above or below the note. Theoretically, any note value can be dotted, as can rests of any value. If the rest is in its normal position, d ...
... The dots on dotted notes, which are located to the right of the note, are not to be confused with the dots which indicate staccato articulation, which are located above or below the note. Theoretically, any note value can be dotted, as can rests of any value. If the rest is in its normal position, d ...
! Unit 2 STUDY GUIDE! Musicianship! melody
... four times. It was only in the first decades of the 20th century that the most common current structure became standard: the so-called AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Two of the ...
... four times. It was only in the first decades of the 20th century that the most common current structure became standard: the so-called AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Two of the ...
Classroom instruments
... Children are instantly intrigued and delighted by a glockenspiel, by a woodblock or any other classroom instrument. The instruments are child sized and easy to handle, a pleasant sound can be produced immediately, and its versatility ensures that no-one gets bored. Tunned percussion instrument with ...
... Children are instantly intrigued and delighted by a glockenspiel, by a woodblock or any other classroom instrument. The instruments are child sized and easy to handle, a pleasant sound can be produced immediately, and its versatility ensures that no-one gets bored. Tunned percussion instrument with ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.