Instrumental Music Beg 4th 9 weeks
... I demonstrate my ability to read music in the keys of Bb, Eb and F in band or D, G and C in strings by performing beginning music. I can demonstrate rhythmic accuracy on whole, dotted half, half, quarter and eighth notes at a more advanced level. ...
... I demonstrate my ability to read music in the keys of Bb, Eb and F in band or D, G and C in strings by performing beginning music. I can demonstrate rhythmic accuracy on whole, dotted half, half, quarter and eighth notes at a more advanced level. ...
20th Century
... 20th Century features • Irregular metre: changing time signatures or unusual time signatures • CROSS RHYTHMS playing conflicting rhythms against each other to create excitement • Smaller orchestra using percussion and wind instruments more than the more lush and expressive strings. 20th Century ...
... 20th Century features • Irregular metre: changing time signatures or unusual time signatures • CROSS RHYTHMS playing conflicting rhythms against each other to create excitement • Smaller orchestra using percussion and wind instruments more than the more lush and expressive strings. 20th Century ...
Intro to Figured Bass
... Like jazz piano, figured bass combines music notation with chord symbols. Figured bass uses numbers and a bass line to represent intervals above the given bass notes. The bass is played by the left hand, and chords are built up in the right from the intervals supplied. The following numbers are empl ...
... Like jazz piano, figured bass combines music notation with chord symbols. Figured bass uses numbers and a bass line to represent intervals above the given bass notes. The bass is played by the left hand, and chords are built up in the right from the intervals supplied. The following numbers are empl ...
Grade: K - Kenosha Unified School District
... • Recognizes simple musical forms AB and ABA, and Rondo • Recognizes vocal tone color by sound and various tone colors of keyboard, folk and orchestra instruments by sight and sound Standard: 6. Understands the relationship of music to history and cultures Benchmarks: • Knows songs representing genr ...
... • Recognizes simple musical forms AB and ABA, and Rondo • Recognizes vocal tone color by sound and various tone colors of keyboard, folk and orchestra instruments by sight and sound Standard: 6. Understands the relationship of music to history and cultures Benchmarks: • Knows songs representing genr ...
Gamelan Questions
... changes in the music convey the story? Give an example. 2 MARKS The mood of the story is reflected in the music, for example a fight might have loud dynamics, a fast tempo, and a thick texture. (Notice that the words in bold are the elements of music. Try to use them in questions like this one.) ...
... changes in the music convey the story? Give an example. 2 MARKS The mood of the story is reflected in the music, for example a fight might have loud dynamics, a fast tempo, and a thick texture. (Notice that the words in bold are the elements of music. Try to use them in questions like this one.) ...
Music Terms and Symbols Music Terms and Symbols
... Key signatures define the prevailing key of the music that follows, thus avoiding the use of accidentals for many notes. If no key signature appears, the key is assumed to be C major/A minor, but can also signify a neutral key, employing individual accidentals as required for each note. The key sign ...
... Key signatures define the prevailing key of the music that follows, thus avoiding the use of accidentals for many notes. If no key signature appears, the key is assumed to be C major/A minor, but can also signify a neutral key, employing individual accidentals as required for each note. The key sign ...
Music K-8 - Aspen Academy
... Melodic pitches low la, low so, Whole note Single eighth note, quarter, single eight note patterns (syncopation) La pentatonic and so pentatonic scales Identify timbre of specific orchestral instruments Introduction to Soprano Recorder ...
... Melodic pitches low la, low so, Whole note Single eighth note, quarter, single eight note patterns (syncopation) La pentatonic and so pentatonic scales Identify timbre of specific orchestral instruments Introduction to Soprano Recorder ...
A technical look at swing rhythm in music
... time scale may differ from those played at a slower or faster time scale. We show examples of different instruments playing swing differently from each other, locking together at certain canonical time locations representing standard counting and subdivision of the musical meter. This latter phenome ...
... time scale may differ from those played at a slower or faster time scale. We show examples of different instruments playing swing differently from each other, locking together at certain canonical time locations representing standard counting and subdivision of the musical meter. This latter phenome ...
C on C ertorganist | organt U tor
... applied only on notes moving by step, it should not sound formulaic or rigid and it should be subtle. You might consider varying the dots (e.g. relaxed dots when mid-phrase, more taut dots or even over-dotted at phrase ends) as a possible response to the inégales traditions. 3. Practice tips A sensi ...
... applied only on notes moving by step, it should not sound formulaic or rigid and it should be subtle. You might consider varying the dots (e.g. relaxed dots when mid-phrase, more taut dots or even over-dotted at phrase ends) as a possible response to the inégales traditions. 3. Practice tips A sensi ...
Diatonic Autoharps Explained
... The big advantage is that since there are no accidentals, you have strings ‘left over’. These extra strings are doubled with the notes in the seven-tone scale. Except for the bass and the very high notes, there are many notes which will have doubled strings. The sound of an acoustic diatonic autohar ...
... The big advantage is that since there are no accidentals, you have strings ‘left over’. These extra strings are doubled with the notes in the seven-tone scale. Except for the bass and the very high notes, there are many notes which will have doubled strings. The sound of an acoustic diatonic autohar ...
MUL 2010 “Enjoyment of Music
... • Meter – measurement of time in regular groupings of beats (textbook, p. 12) • Measure or Bar – one group in a Meter - can be Duple, Triple, or Quadruple • Division of beats can be Simple (2) or Compound (3) • Tempo – speed of the beat ...
... • Meter – measurement of time in regular groupings of beats (textbook, p. 12) • Measure or Bar – one group in a Meter - can be Duple, Triple, or Quadruple • Division of beats can be Simple (2) or Compound (3) • Tempo – speed of the beat ...
Woodwind Long term Plan
... Play at a reliable mf (without overblowing) Singing - songs - aural skills ...
... Play at a reliable mf (without overblowing) Singing - songs - aural skills ...
File - Jerry Carson ePortfolio
... • Music is all around the world (Culture) • Music is a part of something you do everyday • Key elements of music are how music is ...
... • Music is all around the world (Culture) • Music is a part of something you do everyday • Key elements of music are how music is ...
Musical Terms and Definitions
... a musical style in which all voices or instruments move at the same (or very similar) rhythmic patterns on different notes of the harmonic chords. a musical extension at the end of a piece which "wraps up" the composition with spirit; suggests a faster tempo, such as moderato or allegro with express ...
... a musical style in which all voices or instruments move at the same (or very similar) rhythmic patterns on different notes of the harmonic chords. a musical extension at the end of a piece which "wraps up" the composition with spirit; suggests a faster tempo, such as moderato or allegro with express ...
Twelve Tone Serialism - Mathematics and Computer Science
... incorporation of three, four, or even six voices. Eventually instruments were included as well. Although, they were originally used as a background noise, a drone that would enhance certain notes but not add anything on its own (Forney, 75). As more instruments were used in composition, music gained ...
... incorporation of three, four, or even six voices. Eventually instruments were included as well. Although, they were originally used as a background noise, a drone that would enhance certain notes but not add anything on its own (Forney, 75). As more instruments were used in composition, music gained ...
The Staff Notes
... Music notes are named after the first _______________ letters of the alphabet, A B C D E F G. By their ______________________ on the staff, they can represent the entire ___________________ of musical sound. _______________ signs help us _____________________ the staff so notes can be easily _______ ...
... Music notes are named after the first _______________ letters of the alphabet, A B C D E F G. By their ______________________ on the staff, they can represent the entire ___________________ of musical sound. _______________ signs help us _____________________ the staff so notes can be easily _______ ...
Johann Pachelbel - Me llama Brittany
... scale are still being played in the background but at a much more piano level. 8:56: The music becomes more simplified as the violins and violas are playing the same notes in perfect harmony. The pizzicato continues in softer tones in the background. 9:26: The violins have ceased, allowing for the h ...
... scale are still being played in the background but at a much more piano level. 8:56: The music becomes more simplified as the violins and violas are playing the same notes in perfect harmony. The pizzicato continues in softer tones in the background. 9:26: The violins have ceased, allowing for the h ...
HERE - NWSS Music
... 17. arpeggio: like a harp; i.e., the notes of the chords are to be played quickly one after another instead of simultaneously. 18. a tempo: in time; i.e., the performer should return to the main tempo of the piece 19. capo: head; i.e. the beginning (of a movement, normally) 20. coda: a tail; i.e. ...
... 17. arpeggio: like a harp; i.e., the notes of the chords are to be played quickly one after another instead of simultaneously. 18. a tempo: in time; i.e., the performer should return to the main tempo of the piece 19. capo: head; i.e. the beginning (of a movement, normally) 20. coda: a tail; i.e. ...
Studio Performance Rubric
... understanding correct style, of correct style, interpretation, interpretation, phrasing, and phrasing, and dynamics as it dynamics as it relates to the relates to the style and period style and of the piece. period of the piece. Student has Student has learned entire learned partial piece fully. pie ...
... understanding correct style, of correct style, interpretation, interpretation, phrasing, and phrasing, and dynamics as it dynamics as it relates to the relates to the style and period style and of the piece. period of the piece. Student has Student has learned entire learned partial piece fully. pie ...
Second Inversion Triads
... 1. For 2-beat measures, they occur on beat 1 only, resolving on beat 2. 2. For 3-beat measures, they can occur on beats 1 or 2. If they occur on beat 2, the resolution dominant chord will be on beat 3. 3. For 4-beat measures, they can occur on beats 1 or 3. If they occur on beat 3, the resolution do ...
... 1. For 2-beat measures, they occur on beat 1 only, resolving on beat 2. 2. For 3-beat measures, they can occur on beats 1 or 2. If they occur on beat 2, the resolution dominant chord will be on beat 3. 3. For 4-beat measures, they can occur on beats 1 or 3. If they occur on beat 3, the resolution do ...
Song leaders tools
... There are only a couple more basic things you will need to know before you begin to attempt to read sheet music. First you need to know the names of the notes. Notes are named according to their pitch. In the key of C major (the scale which has only the white keys on the piano on it), the scale cons ...
... There are only a couple more basic things you will need to know before you begin to attempt to read sheet music. First you need to know the names of the notes. Notes are named according to their pitch. In the key of C major (the scale which has only the white keys on the piano on it), the scale cons ...
Computational Models of the Pitch-Rhythm Correspondence
... “The idea of Form is not adequately conceived as something ‘spatial,’ something that can be dissociated from the ways in which our impressions build and change during the passage of time for a listener or a performer. The matter can be studied effectively in connection with intensions and perception ...
... “The idea of Form is not adequately conceived as something ‘spatial,’ something that can be dissociated from the ways in which our impressions build and change during the passage of time for a listener or a performer. The matter can be studied effectively in connection with intensions and perception ...
Guidelines for Style Analysis, by Jan LaRue. Expanded second
... the text and its unique insights, elegantly simple yet powerful in their efficacy as the basis for a style-analytical method. Proceeding from an understanding of music as sound in motion, with temporal imperatives to be recognized at every juncture, the method proposes that we can account for the in ...
... the text and its unique insights, elegantly simple yet powerful in their efficacy as the basis for a style-analytical method. Proceeding from an understanding of music as sound in motion, with temporal imperatives to be recognized at every juncture, the method proposes that we can account for the in ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.