Musician’s Toolbox Christina Lipson ‘14 Advisor: Professor John Ridgway
... (Train, Create, Analyze, Reference) act as categories and each contain different musical functions. The application was built using Ruby on Rails and other assisting web development languages (HTML, CSS, JavaScript). I utilized open source code for the sound and visual components of my application i ...
... (Train, Create, Analyze, Reference) act as categories and each contain different musical functions. The application was built using Ruby on Rails and other assisting web development languages (HTML, CSS, JavaScript). I utilized open source code for the sound and visual components of my application i ...
Chapter outlines - Mommas-Lil-Girl
... Mozart's Eine kleine Nachtmusik modulates in the first minute from G major to D Major (iMusic) o Transposition: shifting all the tones of a piece to a new pitch level The pattern of whole and half steps does not change ...
... Mozart's Eine kleine Nachtmusik modulates in the first minute from G major to D Major (iMusic) o Transposition: shifting all the tones of a piece to a new pitch level The pattern of whole and half steps does not change ...
Frivolity Considered one of history`s greatest xylophone players
... “Choro” is originally scored for vibraphone and marimba, however this version adds several traditional Brazilian percussion instruments including pandeiro, tamborim, surdo, triangle, and shaker. All instruments are played by Gene Koshinski. Staying the Course (after Rzewski) David Macbride (b. 1951) ...
... “Choro” is originally scored for vibraphone and marimba, however this version adds several traditional Brazilian percussion instruments including pandeiro, tamborim, surdo, triangle, and shaker. All instruments are played by Gene Koshinski. Staying the Course (after Rzewski) David Macbride (b. 1951) ...
Music Rubric-Instrumental Performance Individual
... conductor. Most style markings were played well and accurately. May have missed one or two, but did not distract from overall style. ...
... conductor. Most style markings were played well and accurately. May have missed one or two, but did not distract from overall style. ...
The Physics of Music - Florida State University
... octaves of the notes in the chord. The three notes are A, E, and C#. These are what make up and A major chord. I found this very interesting when I noticed this. Although I’m not sure if it’s true, I think that maybe when musicians initially thought up chords they took this into consideration when ...
... octaves of the notes in the chord. The three notes are A, E, and C#. These are what make up and A major chord. I found this very interesting when I noticed this. Although I’m not sure if it’s true, I think that maybe when musicians initially thought up chords they took this into consideration when ...
Benward Chapter 6
... order that does not lay particular emphasis on any one pitch in the composition as a whole. This method of composing is based on a twelvetone row rather than on a scale. Music that avoids the feelings of a tonal center by this means or by any other means is said to be atonal. Most electronic music d ...
... order that does not lay particular emphasis on any one pitch in the composition as a whole. This method of composing is based on a twelvetone row rather than on a scale. Music that avoids the feelings of a tonal center by this means or by any other means is said to be atonal. Most electronic music d ...
Project In - Milarianne
... Whatever the specific note-range of a saxophone is, all of them have a range of about 3 and a half octaves. The saxophone is not an instrument that many orchestral scores have been written for, but it is an important instrument in jazz bands. ...
... Whatever the specific note-range of a saxophone is, all of them have a range of about 3 and a half octaves. The saxophone is not an instrument that many orchestral scores have been written for, but it is an important instrument in jazz bands. ...
John Cage: Sonatas and Interludes: Sonatas I-III
... divided into 1, 1, 3¼, 3¼). These figures would then govern the length of the whole movement, its sections and phrases, and therefore each level of duration related to all the others. ...
... divided into 1, 1, 3¼, 3¼). These figures would then govern the length of the whole movement, its sections and phrases, and therefore each level of duration related to all the others. ...
![`The Minóre Dhrómos [Popular Mode] in the Songs of Vasilis](http://s1.studyres.com/store/data/007753900_1-d4a47c601d6a2de9c01d03e9090ab75c-300x300.png)
`The Minóre Dhrómos [Popular Mode] in the Songs of Vasilis
... chromatically raised seventh degree. There are, however, some problematic issues regarding this nomenclature, for unavoidably, these modes did not derive from the Western classical music tradition, but from the makams. On the other hand, there are songs, especially within Tsitsánis’s repertoire, who ...
... chromatically raised seventh degree. There are, however, some problematic issues regarding this nomenclature, for unavoidably, these modes did not derive from the Western classical music tradition, but from the makams. On the other hand, there are songs, especially within Tsitsánis’s repertoire, who ...
Math and Music Worksheet - The Saga of Mathematics: A Brief History
... in order to introduce an element of chance over which he would have no control. He used it, for example, in the Music of Changes for solo piano in 1951, to determine which notes should be used and when they should sound. 14. What is twelve-tone music or dodecaphony? What is the fundamental rule of 1 ...
... in order to introduce an element of chance over which he would have no control. He used it, for example, in the Music of Changes for solo piano in 1951, to determine which notes should be used and when they should sound. 14. What is twelve-tone music or dodecaphony? What is the fundamental rule of 1 ...
LISTEN!
... Divides into phrases • Phrases often correspond to lines in the text • Phrases are often 2, 4, or 8 measures long, about as long as you can comfortably sing ...
... Divides into phrases • Phrases often correspond to lines in the text • Phrases are often 2, 4, or 8 measures long, about as long as you can comfortably sing ...
Sonos Handbell Choir
... Ask students to compose a four-measure rhythmic composition. First, have the students draw two parallel lines across a plain piece of paper in a landscape position. Show them how to divide these two lines into 4 measures (Note: Since this exercise deals only with rhythmic elements, it is not necessa ...
... Ask students to compose a four-measure rhythmic composition. First, have the students draw two parallel lines across a plain piece of paper in a landscape position. Show them how to divide these two lines into 4 measures (Note: Since this exercise deals only with rhythmic elements, it is not necessa ...
Blues Chords and Scales in E Minor (G Major)
... Blues Chords and Scales in E Minor (G Major) The blues is a very influential style of music. It is the principal inspiration for what eventually became rock music. The basic blues chord progression is based on a repeated 12 bar pattern. This is called the 12-Bar Blues. The diagram below illustrating ...
... Blues Chords and Scales in E Minor (G Major) The blues is a very influential style of music. It is the principal inspiration for what eventually became rock music. The basic blues chord progression is based on a repeated 12 bar pattern. This is called the 12-Bar Blues. The diagram below illustrating ...
A short introduction to Indian Classical Music
... Its roots can be traced back thousands of years and, although it has evolved over time, the musical style may well be close to that experienced by Portuguese settlers in Goa. ...
... Its roots can be traced back thousands of years and, although it has evolved over time, the musical style may well be close to that experienced by Portuguese settlers in Goa. ...
On Interpreting Bach - Engineering Class s
... – 1 to determine harmonic relationships between notes • Both programs require rules to account for 2 fundamental problems in musical dictation: – Identification of the primary organizational strategy metrical units = time signature harmonic relationships = key signature – Criterion for a perceiv ...
... – 1 to determine harmonic relationships between notes • Both programs require rules to account for 2 fundamental problems in musical dictation: – Identification of the primary organizational strategy metrical units = time signature harmonic relationships = key signature – Criterion for a perceiv ...
Music Composition
... It searches for patterns (aka signatures) in different works of a composer It takes these signatures and inserts motives between signatures These are determined by analyzing the directions and repeated notes in the composer’s other works Insertion is done using augmented transition network ...
... It searches for patterns (aka signatures) in different works of a composer It takes these signatures and inserts motives between signatures These are determined by analyzing the directions and repeated notes in the composer’s other works Insertion is done using augmented transition network ...
van tech music
... tells us how many beats are in a single bar or measure. The bottom number (denominator) tells us what note value gets one beat. To easily read a time signature, simply say it like a fraction. For example, a measure with a time signature of 3/8 consists of three eighths. The key signatures you will b ...
... tells us how many beats are in a single bar or measure. The bottom number (denominator) tells us what note value gets one beat. To easily read a time signature, simply say it like a fraction. For example, a measure with a time signature of 3/8 consists of three eighths. The key signatures you will b ...
File - Oak Bay Band
... musicians understand rhythmic relationships, patterns, and values. This skill is useful for identifying the music you are hearing. If a musician should ever become ‘lost’ in the music and unsure of when to jump back in, the ability to identify the rhythm being heard will provide a means for getting ...
... musicians understand rhythmic relationships, patterns, and values. This skill is useful for identifying the music you are hearing. If a musician should ever become ‘lost’ in the music and unsure of when to jump back in, the ability to identify the rhythm being heard will provide a means for getting ...
Elementary Music Outcomes
... a. identify proper singing posture b. identify soprano and alto parts in a vocal score c. perform soprano and alto parts together by reading the vocal score 2. identify good posture and breathing. a. identify proper singing posture b. demonstrate proper singing posture c. identify quality breathing ...
... a. identify proper singing posture b. identify soprano and alto parts in a vocal score c. perform soprano and alto parts together by reading the vocal score 2. identify good posture and breathing. a. identify proper singing posture b. demonstrate proper singing posture c. identify quality breathing ...
Semester Exam Study Guide This is a Treble Clef: The bottom part of
... At least 1 or 2 questions will ask you to identify a note outside of the staff. Count your way up or down the musical alphabet to determine the note name. (If you go up the staff, you go forward in the musical alphabet. If you go down the staff, you go backward in the musical alphabet.) This is a fl ...
... At least 1 or 2 questions will ask you to identify a note outside of the staff. Count your way up or down the musical alphabet to determine the note name. (If you go up the staff, you go forward in the musical alphabet. If you go down the staff, you go backward in the musical alphabet.) This is a fl ...
LISTEN!
... • Composers may use homophonic texture for contrast (cf. ritornellos or chorales) • But this texture appears in pieces that feature ...
... • Composers may use homophonic texture for contrast (cf. ritornellos or chorales) • But this texture appears in pieces that feature ...
VAN TECH MUSIC MUSIC THEORY LEARNING GUIDE Level IIA
... by the accidental (i.e. B-flat or F-sharp). However, when written on the staff, the accidental will always appear before the actual note. (i.e. ♭♩) C: Clefs - Each pitch has a place on the staff. A staff must include a clef to indicate the range in which the pitches should sound. Placing a note on t ...
... by the accidental (i.e. B-flat or F-sharp). However, when written on the staff, the accidental will always appear before the actual note. (i.e. ♭♩) C: Clefs - Each pitch has a place on the staff. A staff must include a clef to indicate the range in which the pitches should sound. Placing a note on t ...
The Beat Spectrum: A new approach to rhythm analysis
... works surprisingly well across a range of musical genres, tempos, and rhythmic structures. Figure 3 shows the beat spectrum computed from the first 10 seconds of the jazz composition Take 5 by the Dave Brubeck Quartet. Besides being in the unusual 5/4 time signature, this rhythmically sophisticated ...
... works surprisingly well across a range of musical genres, tempos, and rhythmic structures. Figure 3 shows the beat spectrum computed from the first 10 seconds of the jazz composition Take 5 by the Dave Brubeck Quartet. Besides being in the unusual 5/4 time signature, this rhythmically sophisticated ...
How to Represent Texture of a Musical
... Monophonic music has only one melodic line, with no harmony or counterpoint. There may be rhythmic accompaniment, but only one line that has specific pitches. Monophonic music can also be called monophony. Examples of Monophony ...
... Monophonic music has only one melodic line, with no harmony or counterpoint. There may be rhythmic accompaniment, but only one line that has specific pitches. Monophonic music can also be called monophony. Examples of Monophony ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.