Word - asboa
... Resting point at the end of a phrase, section, or complete composition Simultaneous combination of three or more different pitches Movement from one chord to another A series of half steps A musical period around 1750 - 1830 Five or more beats per measure Beat divisible by three rather than two The ...
... Resting point at the end of a phrase, section, or complete composition Simultaneous combination of three or more different pitches Movement from one chord to another A series of half steps A musical period around 1750 - 1830 Five or more beats per measure Beat divisible by three rather than two The ...
Dhrupad - Dagarvani.org
... percussion drum. The bandish (poetic lyrics) is set to one the distinctive dhrupad taals (rhythm). A bandish in ten or twelve beat taal is called the dhrupad, whereas one in a faster fourteen beat taal is called the dhamar. This composition rendition begins with a straightforward recital of the fixe ...
... percussion drum. The bandish (poetic lyrics) is set to one the distinctive dhrupad taals (rhythm). A bandish in ten or twelve beat taal is called the dhrupad, whereas one in a faster fourteen beat taal is called the dhamar. This composition rendition begins with a straightforward recital of the fixe ...
Guitar Long Term Plan
... Awareness of relationship to all other parts in ensemble playing Play more advanced pieces by ear and / or from memory Able to identify time signatures and rhythms when listening to music, both in simple and compound time ...
... Awareness of relationship to all other parts in ensemble playing Play more advanced pieces by ear and / or from memory Able to identify time signatures and rhythms when listening to music, both in simple and compound time ...
UNVIERSIDAD NACIONAL DE QUILMES
... Another scale you hear frequently is the minor scale. Since the minor scale has a different tonality than the Major scale, it has a different pattern. There are actually three types of minor scales, but we'll start with the most……………………………., the natural minor scale. The natural minor scale pattern i ...
... Another scale you hear frequently is the minor scale. Since the minor scale has a different tonality than the Major scale, it has a different pattern. There are actually three types of minor scales, but we'll start with the most……………………………., the natural minor scale. The natural minor scale pattern i ...
The Blues - bYTEBoss
... Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. ...
... Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. ...
Music Of India
... discernable melodic form underlying all classical Indian music. These raga , which are based on the ancient Vedas ( religious chants), are highly ornamented by intricate glissandi or slides called Gamaka. This practice of sliding between notes in a Raga is what gives Indian music its unique sound. M ...
... discernable melodic form underlying all classical Indian music. These raga , which are based on the ancient Vedas ( religious chants), are highly ornamented by intricate glissandi or slides called Gamaka. This practice of sliding between notes in a Raga is what gives Indian music its unique sound. M ...
Music
... and combine to form a new wave. • The new wave formed by interference can have a different frequency, wavelength, and amplitude than the two original waves. ...
... and combine to form a new wave. • The new wave formed by interference can have a different frequency, wavelength, and amplitude than the two original waves. ...
17-2
... and combine to form a new wave. • The new wave formed by interference can have a different frequency, wavelength, and amplitude than the two original waves. ...
... and combine to form a new wave. • The new wave formed by interference can have a different frequency, wavelength, and amplitude than the two original waves. ...
Year-9-Music
... Listen to the musical examples named below. These musical examples can be found, along with these revision notes, in Shared Work > Music > Year 9 > 00Revision, or they can be played from music streaming or sharing sites such as Youtube. Piano Music in the Romantic Period Listen to Chopin Prelude in ...
... Listen to the musical examples named below. These musical examples can be found, along with these revision notes, in Shared Work > Music > Year 9 > 00Revision, or they can be played from music streaming or sharing sites such as Youtube. Piano Music in the Romantic Period Listen to Chopin Prelude in ...
List of musical symbols - paulandersonguitar.com
... phrase as if played in a single breath. In certain contexts, a slur may only indicate to play the notes legato. Slurs and ties are similar in appearance. A tie is distinguishable because it always joins exactly two immediately adjacent notes of the same pitch, whereas a slur may join any number of n ...
... phrase as if played in a single breath. In certain contexts, a slur may only indicate to play the notes legato. Slurs and ties are similar in appearance. A tie is distinguishable because it always joins exactly two immediately adjacent notes of the same pitch, whereas a slur may join any number of n ...
rhythm and bowing - Ponca City Public Schools
... Understand applications of basic bow strokes to various musical styles Demonstrates rhythms using: dotted quarters, 8th and 16th notes triplets 6/8 meter Understands Eastman Counting System ...
... Understand applications of basic bow strokes to various musical styles Demonstrates rhythms using: dotted quarters, 8th and 16th notes triplets 6/8 meter Understands Eastman Counting System ...
modern jazz techniques
... context of a standard AABA song form. This performance from a live recording demonstrates Hancock’s skill at moving from “inside” to “outside” and back again within the space of three choruses. While the first chorus is both inventive and swinging, it stays within the context of the harmonic framewo ...
... context of a standard AABA song form. This performance from a live recording demonstrates Hancock’s skill at moving from “inside” to “outside” and back again within the space of three choruses. While the first chorus is both inventive and swinging, it stays within the context of the harmonic framewo ...
Slide 1
... functions or glissandos/accelerandos/decrescendos. Various key parameters (both parts of the key signature, duration of notes) could be stored as a double, but more exactness can be had by storing them in a Rational class that was written for this project, involving adding and multiplying with store ...
... functions or glissandos/accelerandos/decrescendos. Various key parameters (both parts of the key signature, duration of notes) could be stored as a double, but more exactness can be had by storing them in a Rational class that was written for this project, involving adding and multiplying with store ...
lesson 1 - john p birchall
... because they have the semitone steps In DIFFERENT PLACES their characteristic sound is different. These modes all have Greek names and were used extensively in early period music to create a variety of different ‘moods’. The major scale is just one of these modes, the 'Ionian' mode. The only other m ...
... because they have the semitone steps In DIFFERENT PLACES their characteristic sound is different. These modes all have Greek names and were used extensively in early period music to create a variety of different ‘moods’. The major scale is just one of these modes, the 'Ionian' mode. The only other m ...
20th Century Music
... The piano was modified and improved during the 19th century which gave it a wider pitch range (the number of notes/ keys was increased), a rounder and richer tone (felt was used over the hammers instead of leather) and volume (the frame was now made of metal not wood which enabled greater tension of ...
... The piano was modified and improved during the 19th century which gave it a wider pitch range (the number of notes/ keys was increased), a rounder and richer tone (felt was used over the hammers instead of leather) and volume (the frame was now made of metal not wood which enabled greater tension of ...
Document
... The composers used all twelve pitches of the series before going on to use the series in any of its forms again. There is such a thing as ‘Total Serialism’ where it is not just the twelve tones which are the same but the duration, timbre and texture. ...
... The composers used all twelve pitches of the series before going on to use the series in any of its forms again. There is such a thing as ‘Total Serialism’ where it is not just the twelve tones which are the same but the duration, timbre and texture. ...
8.6 Sample Performance Test Rubric
... The tone is characteristic in some registers, uncharacteristic in other registers, and is often any of the following: thin, shrill, weak, blatty, spread, or unfocused ...
... The tone is characteristic in some registers, uncharacteristic in other registers, and is often any of the following: thin, shrill, weak, blatty, spread, or unfocused ...
The Rehearsal Techniques of Robert Shaw
... he above statement was written during a series of workshops conducted by Robert Shaw, who was, at the time, only 37 years old. The insecurity evident in his words—insecurity certainly shared by many of us—is surprising when one considers the towering musical figure who wrote it. Thankfully, however, ...
... he above statement was written during a series of workshops conducted by Robert Shaw, who was, at the time, only 37 years old. The insecurity evident in his words—insecurity certainly shared by many of us—is surprising when one considers the towering musical figure who wrote it. Thankfully, however, ...
Modern Music, 1900-1950 By Michelle Miller
... Igor Stravinsky (1882-1971) cont Neo-Classical refers to the reduced size and/or instrumental make-up of a chosen ensemble, a return to the use of simpler formal structures, consciously altered melodic and/or harmonic concepts, or any combination of the above elements. Stravinsky was never cont ...
... Igor Stravinsky (1882-1971) cont Neo-Classical refers to the reduced size and/or instrumental make-up of a chosen ensemble, a return to the use of simpler formal structures, consciously altered melodic and/or harmonic concepts, or any combination of the above elements. Stravinsky was never cont ...
Voicings for YWIH - Young Women In Harmony
... For our Young Women in Harmony, the effective bass range (with extended range in small notes) is shown below: ...
... For our Young Women in Harmony, the effective bass range (with extended range in small notes) is shown below: ...
Program notes (Word file)
... killed – the story arose that he never stopped singing throughout the process, as they broke his bones and finally left him to die. His tomb lies in an inconspicuous wall in a cemetery in Santiago. Interestingly enough, the date in 1973 on which that coup took place was Sept 11th. ...
... killed – the story arose that he never stopped singing throughout the process, as they broke his bones and finally left him to die. His tomb lies in an inconspicuous wall in a cemetery in Santiago. Interestingly enough, the date in 1973 on which that coup took place was Sept 11th. ...
File - Miss Ausman`s Classroom
... How many beats does a quarter note get? How many beats does a half note get? How many beats does a dotted half note get? How many beats does a whole note get? If there are 2 beats per measure, how many quarter notes ...
... How many beats does a quarter note get? How many beats does a half note get? How many beats does a dotted half note get? How many beats does a whole note get? If there are 2 beats per measure, how many quarter notes ...
Supporting Materials - Melody, Rhythm, Accompaniment
... In Orff Schulwerk, participants are introduced to the basic elements of music, rhythm, melody, harmony, form, timbre, texture, and dynamics through developmental exercises in speech, singing, movement, and playing instruments. Students are led to conscious awareness and understanding of an element o ...
... In Orff Schulwerk, participants are introduced to the basic elements of music, rhythm, melody, harmony, form, timbre, texture, and dynamics through developmental exercises in speech, singing, movement, and playing instruments. Students are led to conscious awareness and understanding of an element o ...
Musical Form - Fur Elise
... dramatic, with a different melody than either the “A” section or the “B” section. It has fast repeated chords in the low pitches of the piano that drive the rhythm forward. This section of ...
... dramatic, with a different melody than either the “A” section or the “B” section. It has fast repeated chords in the low pitches of the piano that drive the rhythm forward. This section of ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.