Middleton
... 3. Try pitch bending exercises to enhance flexibility. Start on C in the staff and bend it down to B, then Bb, then A if possible. Then bend C in the staff up to C#--It’s difficult to bend C higher than C#. Try to do this without rolling the flute much, but by lowering/raising the jaw and air stream ...
... 3. Try pitch bending exercises to enhance flexibility. Start on C in the staff and bend it down to B, then Bb, then A if possible. Then bend C in the staff up to C#--It’s difficult to bend C higher than C#. Try to do this without rolling the flute much, but by lowering/raising the jaw and air stream ...
Lecture 5
... This style of music makes for a more interesting listening experience, with greater depth of chord structures and plays more into dissonance listening. Yet we have greater pleaser when the chords resolve or become consonant. ...
... This style of music makes for a more interesting listening experience, with greater depth of chord structures and plays more into dissonance listening. Yet we have greater pleaser when the chords resolve or become consonant. ...
music notes - classesonline.mobi
... There are many different mnemonic devices and songs to help you remember the lines and the spaces on the staff. For the treble clef staff, the lines are (from bottom to top) E G B D F and the spaces are F A C E. A chant to remember these is: E G B D F are the names of the lines on the treble clef. F ...
... There are many different mnemonic devices and songs to help you remember the lines and the spaces on the staff. For the treble clef staff, the lines are (from bottom to top) E G B D F and the spaces are F A C E. A chant to remember these is: E G B D F are the names of the lines on the treble clef. F ...
music notes - classesonline.mobi
... There are many different mnemonic devices and songs to help you remember the lines and the spaces on the staff. For the treble clef staff, the lines are (from bottom to top) E G B D F and the spaces are F A C E. A chant to remember these is: E G B D F are the names of the lines on the treble clef. F ...
... There are many different mnemonic devices and songs to help you remember the lines and the spaces on the staff. For the treble clef staff, the lines are (from bottom to top) E G B D F and the spaces are F A C E. A chant to remember these is: E G B D F are the names of the lines on the treble clef. F ...
Music Chapter 7 new whole chapter New edit 2014sp
... Touched in different proportions gave different pitches Established a series of notes based on mathematical proportions which became the basis for our modern scale ...
... Touched in different proportions gave different pitches Established a series of notes based on mathematical proportions which became the basis for our modern scale ...
Music 11, 7/24/06 Fundamental of harmony Melodies are often built
... can easily understand the harmony that it expresses. A harmony will often emerge in melody as an “outline” that fills in the space of the triad. For example, a melody C-D-EF-G might imply a C-major triad by the way it visits all its members. Some notes, though, do not fit into the triad this example ...
... can easily understand the harmony that it expresses. A harmony will often emerge in melody as an “outline” that fills in the space of the triad. For example, a melody C-D-EF-G might imply a C-major triad by the way it visits all its members. Some notes, though, do not fit into the triad this example ...
This Worldes Joie Part 3 analysis
... seemingly disparate musical ideas contained within this movement are integrated. A recurring musical motif in this movement – both melodic and harmonic – is one that consists of three notes formed from a perfect 4th and an augmented 4th above the same “root”, e.g., B-E-F; sometimes a fourth note is ...
... seemingly disparate musical ideas contained within this movement are integrated. A recurring musical motif in this movement – both melodic and harmonic – is one that consists of three notes formed from a perfect 4th and an augmented 4th above the same “root”, e.g., B-E-F; sometimes a fourth note is ...
Category 5 4 3 2 1 Tone Quality Tone is consistently focused, clear
... and note accuracy is correct and secure. The beat is secure and the rhythms are mostly accurate. There are a few duration errors and instances or rushing but these do not detract from the performance. Ensemble is aware of balance and blend. A few inconsistencies in tone quality and registers, but do ...
... and note accuracy is correct and secure. The beat is secure and the rhythms are mostly accurate. There are a few duration errors and instances or rushing but these do not detract from the performance. Ensemble is aware of balance and blend. A few inconsistencies in tone quality and registers, but do ...
Figured Bass and Tonality Recognition
... The quantization of the measure is simply the computation of the duration of the shortest note in the measure. For each quantization, we store the result of a vertical aggregation as a cluster. We use this term here to designate an aggregate of notes which has not yet reached the status of a chord; ...
... The quantization of the measure is simply the computation of the duration of the shortest note in the measure. For each quantization, we store the result of a vertical aggregation as a cluster. We use this term here to designate an aggregate of notes which has not yet reached the status of a chord; ...
Aalborg Universitet Automatic Phrase Continuation from Guitar and Bass guitar Melodies
... in a variety of contexts (Ames 1987). In one of the more recent approaches (Allan 2002), HMMs are employed for harmonizing Bach chorales. Here, the visible states are melody notes and the hidden states are a sequence of chords that would suggest possible harmonizations. The model predicts up to thr ...
... in a variety of contexts (Ames 1987). In one of the more recent approaches (Allan 2002), HMMs are employed for harmonizing Bach chorales. Here, the visible states are melody notes and the hidden states are a sequence of chords that would suggest possible harmonizations. The model predicts up to thr ...
what is harmony
... The number of times per second that the string or column of air vibrates is called its “frequency”. For example, the note A (in the middle of the piano keyboard) vibrates 440 times (or cycles) per second. It is this note (at what is called “concert pitch”) to which an orchestra normally tunes. The A ...
... The number of times per second that the string or column of air vibrates is called its “frequency”. For example, the note A (in the middle of the piano keyboard) vibrates 440 times (or cycles) per second. It is this note (at what is called “concert pitch”) to which an orchestra normally tunes. The A ...
A Statistical Analysis of Raga Ahir Bhairav
... for rising and falling cases, it suggests possible use of meend, i.e. a continuous transition, in the form of a glide, from one note to another. The exact musical interpretation of concave and convex rising and falling transitions is under investigation, and further study requires a fairly large dat ...
... for rising and falling cases, it suggests possible use of meend, i.e. a continuous transition, in the form of a glide, from one note to another. The exact musical interpretation of concave and convex rising and falling transitions is under investigation, and further study requires a fairly large dat ...
The Baroque 1/4
... •Baroque composers soon realised the potential of the repeated pattern (varied in pitch) as a means of extending a single musical line: the sequence became a favourite feature •It could be either an exact (real) sequence, or one in which the intervals were slightly altered ...
... •Baroque composers soon realised the potential of the repeated pattern (varied in pitch) as a means of extending a single musical line: the sequence became a favourite feature •It could be either an exact (real) sequence, or one in which the intervals were slightly altered ...
AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA
... pradhan or uttaranga pradhan, depending upon the dominant usage of the lower tetrachord and lower octave, or the upper tetrachord and upper octave respectively. Some of the basic requirements of a raga are: (a) A raga must use at least five notes of an octave in both ascent and descent; (b) There ca ...
... pradhan or uttaranga pradhan, depending upon the dominant usage of the lower tetrachord and lower octave, or the upper tetrachord and upper octave respectively. Some of the basic requirements of a raga are: (a) A raga must use at least five notes of an octave in both ascent and descent; (b) There ca ...
L 8-‐9 Musical Scales, Chords , and Intervals, The Pythagorean and
... playing strings whose lengths were related by the raIo of 3/2 to 1 (demo). Let’s call the longer string C, and the shorter G, and the interval between G and C a 5th Denote the frequency ...
... playing strings whose lengths were related by the raIo of 3/2 to 1 (demo). Let’s call the longer string C, and the shorter G, and the interval between G and C a 5th Denote the frequency ...
An Investigation of Music Genres and Their Rhythmic Motifs Debora C. Correa
... their melodies, either in tonal or rhythmic aspects. Both genres receive annotations like complex, sophisticated, sentimental and stylish. Country and blues share similar themes and songs, since blues was a stylistic origin of country. The melodies of both genres are characterized by the selection o ...
... their melodies, either in tonal or rhythmic aspects. Both genres receive annotations like complex, sophisticated, sentimental and stylish. Country and blues share similar themes and songs, since blues was a stylistic origin of country. The melodies of both genres are characterized by the selection o ...
GLOSSARY
... Chimes fall between the notes of the piano which is tuned to a modern system called equal temperament. This makes our products not only authentic when we tune to ancient scales, but also gives the sound its beautiful and unique quality for which we are known. Each and every tube or rod used in our s ...
... Chimes fall between the notes of the piano which is tuned to a modern system called equal temperament. This makes our products not only authentic when we tune to ancient scales, but also gives the sound its beautiful and unique quality for which we are known. Each and every tube or rod used in our s ...
How to Construct Modes
... G Ionian is the G major scale. G dorian uses the notes of an F major scale (G is the 2nd degree of the scale). G Phyrgian uses the notes of an Eb major scale (3rd degree). G Lydian uses the notes of a D major scale (4 th degree). G m i x o l y d i a n u s e s t h e n o t e s o f a C major scale (5th ...
... G Ionian is the G major scale. G dorian uses the notes of an F major scale (G is the 2nd degree of the scale). G Phyrgian uses the notes of an Eb major scale (3rd degree). G Lydian uses the notes of a D major scale (4 th degree). G m i x o l y d i a n u s e s t h e n o t e s o f a C major scale (5th ...
ANALYSIS AND ANALYTIC TECHNIQUES IN AFRICAN MUSIC A
... In order to arrive at a fair assessment of the vital inner functions of the notes in a scale, certain features of the melody have to be considered. Shape: The shape of the song is important. Western melodies (if one can generalise) tend to start at a comfortable (low) pitch and meander more or less ...
... In order to arrive at a fair assessment of the vital inner functions of the notes in a scale, certain features of the melody have to be considered. Shape: The shape of the song is important. Western melodies (if one can generalise) tend to start at a comfortable (low) pitch and meander more or less ...
Tuning and Temperament
... It is an obvious necessity that, when more than one instrument is to be played simultaneously, the players must adjust their instruments to the same basic pitch. This is the “tuning up” process that we all do very frequently. “Tuning up” is usually done with reference to a single note. The internati ...
... It is an obvious necessity that, when more than one instrument is to be played simultaneously, the players must adjust their instruments to the same basic pitch. This is the “tuning up” process that we all do very frequently. “Tuning up” is usually done with reference to a single note. The internati ...
Test Review - The OCD Musician
... 40. The term musical ______________ (or musical architecture) refers to the overall structure or plan of a piece of music, and it describes the layout of a composition as divided into sections, "a series of strategies designed to find a successful mean between the opposite extremes of unrelieved rep ...
... 40. The term musical ______________ (or musical architecture) refers to the overall structure or plan of a piece of music, and it describes the layout of a composition as divided into sections, "a series of strategies designed to find a successful mean between the opposite extremes of unrelieved rep ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.