Slides - UMD Physics
... C, C#/Db, D, D#/Eb, E, E#, Fb, F, F#/Gb, G, G#/Ab, A, A#/Bb, B or do, do#/re b, re, re#/mi b, mi, mi#/fa b, fa, fa#, sol, sol#/la b, la, la#/sib, si ...
... C, C#/Db, D, D#/Eb, E, E#, Fb, F, F#/Gb, G, G#/Ab, A, A#/Bb, B or do, do#/re b, re, re#/mi b, mi, mi#/fa b, fa, fa#, sol, sol#/la b, la, la#/sib, si ...
Written Vs. Sounding Pitch
... NB: according to the article "Transposing instruments" in Arnold (1983), this usage of bass clef in old editions applies also to basset horn and occasionally trumpet. 2. The article "Bass clarinet" in Sadie (2001) describes "several current conventions regarding notation for the bass clarinet." In ...
... NB: according to the article "Transposing instruments" in Arnold (1983), this usage of bass clef in old editions applies also to basset horn and occasionally trumpet. 2. The article "Bass clarinet" in Sadie (2001) describes "several current conventions regarding notation for the bass clarinet." In ...
C:\Documents and Settings\Borys Medicky\My Documents\Basso
... 7. When the bass ascends a fourth or descends a fifth, the first of the two bass notes involved always has a major third, even if it is not indicated (resolution of third to octave from rule 6c above). This is the equivalent of the modern “authentic” or “perfect” cadence. 8a. When the bass ascends ...
... 7. When the bass ascends a fourth or descends a fifth, the first of the two bass notes involved always has a major third, even if it is not indicated (resolution of third to octave from rule 6c above). This is the equivalent of the modern “authentic” or “perfect” cadence. 8a. When the bass ascends ...
“Something`s Coming” from West Side Story
... Theme A (Bars 40-51) – simplest form of theme A - 2 bar motif – heard 4 times with rising or falling ending – syncopated 3rd note (urgency) Theme B (Bars 52-62) – four accented crotchets, then syncopated – the melody of theme B only uses different pitches in total - allows the words to be expressed ...
... Theme A (Bars 40-51) – simplest form of theme A - 2 bar motif – heard 4 times with rising or falling ending – syncopated 3rd note (urgency) Theme B (Bars 52-62) – four accented crotchets, then syncopated – the melody of theme B only uses different pitches in total - allows the words to be expressed ...
Octaves and the Major-Minor Tonal System
... The word "octave" comes from a Latin root meaning "eight". It seems an odd name for a frequency that is two times, not eight times, higher. The octave was named by musicians who were more interested in how octaves are divided into scales, than in how their frequencies are related. Octaves aren't the ...
... The word "octave" comes from a Latin root meaning "eight". It seems an odd name for a frequency that is two times, not eight times, higher. The octave was named by musicians who were more interested in how octaves are divided into scales, than in how their frequencies are related. Octaves aren't the ...
Concerts can be found at www.MIStreamnet.org/cmsd or www
... repeats. After that, the speed quadruples and only a beat is spent on each chord. The duration of the time spent on each chord is what gives the piece its motion, rather than variety of cho ...
... repeats. After that, the speed quadruples and only a beat is spent on each chord. The duration of the time spent on each chord is what gives the piece its motion, rather than variety of cho ...
IGCSE Music Prescribed Works Wolfgang Amadeus Mozart Piano
... London in 1764. The concertos were written 8 years later in 1772. In all seven of these concertos the piano part is the original sonata movement. Mozart added his own orchestral accompaniment and wrote his own orchestral ritornellos. The first movements (binary form) have four ritornellos: One at ...
... London in 1764. The concertos were written 8 years later in 1772. In all seven of these concertos the piano part is the original sonata movement. Mozart added his own orchestral accompaniment and wrote his own orchestral ritornellos. The first movements (binary form) have four ritornellos: One at ...
“Chromatic Pitch Instrument”.
... Blow very gently into each hole so the actual note sounded will be true to pitch and sound good (rather than bent from blowing hard). This may take some trial and error. Then play “Happy Birthday” on your piano! The B-Flat is a special note, a black key, played twice in a row like the C’s. Try more ...
... Blow very gently into each hole so the actual note sounded will be true to pitch and sound good (rather than bent from blowing hard). This may take some trial and error. Then play “Happy Birthday” on your piano! The B-Flat is a special note, a black key, played twice in a row like the C’s. Try more ...
Glossary of Common Musical Terms and Concepts
... composition - the act of creating a new piece of music and/or notating it form - a description of how a piece of music is constructed motive - a short melodic or rhythmic phrase which is used to construct a theme sequence - a short musical phrase repeated either a step above or below ostinato - a re ...
... composition - the act of creating a new piece of music and/or notating it form - a description of how a piece of music is constructed motive - a short melodic or rhythmic phrase which is used to construct a theme sequence - a short musical phrase repeated either a step above or below ostinato - a re ...
Proceedings of the 14th International Computer Music Conference
... horizontallinc segmcnt, which ts drown from thc icon or1gion to the r1ght directton, os shown in Ftgure 3. Agoin, the note durotion excludes the release part of the ADSR amplitude envelope. The time interval between notes can be also noted on the some line section os an extension of the note durotto ...
... horizontallinc segmcnt, which ts drown from thc icon or1gion to the r1ght directton, os shown in Ftgure 3. Agoin, the note durotion excludes the release part of the ADSR amplitude envelope. The time interval between notes can be also noted on the some line section os an extension of the note durotto ...
PITCH AND PITCH CLASS - Mr. Deininger`s Page
... Accidentals - sharp or flat changing a pitch from its “natural” state Flat - lower the pitch by one half-step; key below (to the left) Sharp - raises the pitch by one half-step; key above (to the right) Natural - no sharp or flats (white keys of the piano) ...
... Accidentals - sharp or flat changing a pitch from its “natural” state Flat - lower the pitch by one half-step; key below (to the left) Sharp - raises the pitch by one half-step; key above (to the right) Natural - no sharp or flats (white keys of the piano) ...
CURRICULUM GUIDE VISUAL/PERFORMING ARTS DEPT
... SWBAT properly construct Students will complete notes and rests exercises for Lessons 6-9 in Unit 2: SWBAT identify note and rest durations according Lesson 6 – Draw whole, to their mathematical half and quarter notes; relationships compare whole, half and quarter notes SWBAT organize rhythmic eleme ...
... SWBAT properly construct Students will complete notes and rests exercises for Lessons 6-9 in Unit 2: SWBAT identify note and rest durations according Lesson 6 – Draw whole, to their mathematical half and quarter notes; relationships compare whole, half and quarter notes SWBAT organize rhythmic eleme ...
Chapter 5
... b. Sing “Oluyimba Lwe’eggwanga” on neutral syllables or solfege syllables. Listen to “Oluyimba Lwe’eggwanga” on CD Track 23 again, this time focusing upon pronunciation of the lyrics. Practice saying lyrics in rhythm repeating listening to CD as necessary to correct pronunciation. c. Sing “Oluyimba ...
... b. Sing “Oluyimba Lwe’eggwanga” on neutral syllables or solfege syllables. Listen to “Oluyimba Lwe’eggwanga” on CD Track 23 again, this time focusing upon pronunciation of the lyrics. Practice saying lyrics in rhythm repeating listening to CD as necessary to correct pronunciation. c. Sing “Oluyimba ...
Behind The Guitar Chords 1. Tempered Notes Plucking a string will
... The basic three chords in any key, are the major, minor and suspended. These have three notes. Capital key letters denote major, lower case ones denote minor and sus denotes suspended. Only the four important added notes will be used : 7# , 7 , 6 , 9. The 4 and 9b are not. Empty circles mean notes t ...
... The basic three chords in any key, are the major, minor and suspended. These have three notes. Capital key letters denote major, lower case ones denote minor and sus denotes suspended. Only the four important added notes will be used : 7# , 7 , 6 , 9. The 4 and 9b are not. Empty circles mean notes t ...
Descriptions and playing technique of the instruments
... background of other instruments. The refined steel STUDIO 49 bars last longer in sound than the wooden bars of a xylophone and are therefore less well suited for very fast passages. As with all bar instruments the sound quality can be varied by using different textures of mallets. As a rule the gloc ...
... background of other instruments. The refined steel STUDIO 49 bars last longer in sound than the wooden bars of a xylophone and are therefore less well suited for very fast passages. As with all bar instruments the sound quality can be varied by using different textures of mallets. As a rule the gloc ...
Notation of Pitch - Kendall/Hunt Higher Education
... and that the notes of octave 6 use a ridiculous number of ledger lines above the treble staff, making them harder to recognize. Imagine the number of ledger lines that would be necessary for octaves 7 and 8 or octave 1 in the bass staff! Given this difficulty and since reading music requires musicia ...
... and that the notes of octave 6 use a ridiculous number of ledger lines above the treble staff, making them harder to recognize. Imagine the number of ledger lines that would be necessary for octaves 7 and 8 or octave 1 in the bass staff! Given this difficulty and since reading music requires musicia ...
250KB - NZQA
... • the first time, a slow-moving countermelody is played by the upper strings above the melody • the second time, a pizzicato / scale passage countermelody is played by the lower strings / a second flute plays below the melody ...
... • the first time, a slow-moving countermelody is played by the upper strings above the melody • the second time, a pizzicato / scale passage countermelody is played by the lower strings / a second flute plays below the melody ...
the Curriculum Map
... matter of other disciplines of other disciplines taught in materials of each art (that creators, performers, and a. explain how elements, taught in the school are the school are interrelated with is, sound in music, visual others involved in the artistic processes (such as interrelated with those of ...
... matter of other disciplines of other disciplines taught in materials of each art (that creators, performers, and a. explain how elements, taught in the school are the school are interrelated with is, sound in music, visual others involved in the artistic processes (such as interrelated with those of ...
NCEA Level 2 Music (91275) 2015 Assessment Schedule
... the first time, a slow-moving countermelody is played by the upper strings above the melody the second time, a pizzicato / scale passage countermelody is played by the lower strings / a second flute plays below the melody ...
... the first time, a slow-moving countermelody is played by the upper strings above the melody the second time, a pizzicato / scale passage countermelody is played by the lower strings / a second flute plays below the melody ...
A Comparison between Genetic and Memetic Algorithm
... randomly, depending on a double-type input. This value controls the weight of the probability for calling function. Once adjustNoteToScale() function is called, all notes in a chromosome will correct out of scale note to the scale. For example to compose a C Major song, the note C# does not belong t ...
... randomly, depending on a double-type input. This value controls the weight of the probability for calling function. Once adjustNoteToScale() function is called, all notes in a chromosome will correct out of scale note to the scale. For example to compose a C Major song, the note C# does not belong t ...
Basic Pop Guitar Notation
... twelve-string guitar is also notated in the standard six-line TAB staff because each of the instrument’s six normal strings is doubled by another lighter string tuned an octave higher. In TAB, open strings are represented by the number 0 (zero). Chords are depicted by placing numbers vertically on t ...
... twelve-string guitar is also notated in the standard six-line TAB staff because each of the instrument’s six normal strings is doubled by another lighter string tuned an octave higher. In TAB, open strings are represented by the number 0 (zero). Chords are depicted by placing numbers vertically on t ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.