PANZERBALLETT
... Martin Schmitt, Wencke Myhre, The Croonettes, etc. Zehrfeld formed Panzerballett in 2004 driven by a desire to combine his hard rock roots with his deep understanding of and extensive experience with jazz and thereby find the common denominator within the two essentially different sound aesthetics. ...
... Martin Schmitt, Wencke Myhre, The Croonettes, etc. Zehrfeld formed Panzerballett in 2004 driven by a desire to combine his hard rock roots with his deep understanding of and extensive experience with jazz and thereby find the common denominator within the two essentially different sound aesthetics. ...
Terms cont`d. - La Salle University
... accompaniment (most common texture) • Polyphonic - two or more melodies at the same time.May be with or without accompaniment. This is "the crowning achievement of Western Music". ...
... accompaniment (most common texture) • Polyphonic - two or more melodies at the same time.May be with or without accompaniment. This is "the crowning achievement of Western Music". ...
2009 HSC Music 1 Aural Skills Sample Answers
... • Use of falsetto with voice as an effect that is used to build tension and therefore musical interest. • Jungle type sounds from lower drums (Toms) at the beginning provides a driving intensity and introduction that gives an aural hint as to the musical content and music intent • Call and respon ...
... • Use of falsetto with voice as an effect that is used to build tension and therefore musical interest. • Jungle type sounds from lower drums (Toms) at the beginning provides a driving intensity and introduction that gives an aural hint as to the musical content and music intent • Call and respon ...
Listening Notes
... Has a cool folk vibe with a modern feel. “Folk Music” is defined as older music usually passed down one musician to another, not written. ...
... Has a cool folk vibe with a modern feel. “Folk Music” is defined as older music usually passed down one musician to another, not written. ...
Third Grade LOS
... a. Two pitches played at the same time on an Orff instrument are a (blocked) bordun accompaniment. b. Two pitches played separately on an Orff instrument are a (broken) bordun accompaniment. c. An accompaniment where the player’s left hand crosses over the top of the right hand, which is playing so, ...
... a. Two pitches played at the same time on an Orff instrument are a (blocked) bordun accompaniment. b. Two pitches played separately on an Orff instrument are a (broken) bordun accompaniment. c. An accompaniment where the player’s left hand crosses over the top of the right hand, which is playing so, ...
Jazz_ part 1 Ragtime
... In the African tradition, they had a single-line melody and a call-and-response pattern, but without the European concept of harmony. In the early 19th century an increasing number of African-American musicians learned to play European instruments. Another influence came from AfricanAmerican s ...
... In the African tradition, they had a single-line melody and a call-and-response pattern, but without the European concept of harmony. In the early 19th century an increasing number of African-American musicians learned to play European instruments. Another influence came from AfricanAmerican s ...
Study Guide MUS 139
... (A) song form composed from beginning to end without repetitions of whole sections, the music follows the story line changing with each stanza according to the text. ...
... (A) song form composed from beginning to end without repetitions of whole sections, the music follows the story line changing with each stanza according to the text. ...
Roots of Rock Music - McGraw Hill Higher Education
... Performers lip sync to recordings on television in 1950s Technological developments in 1948, more available by mid-50s: Transistor radios, light and easy to carry ...
... Performers lip sync to recordings on television in 1950s Technological developments in 1948, more available by mid-50s: Transistor radios, light and easy to carry ...
GRADE FOUR Expectations in Class Active Participation with
... Begin altered sounds using “#”, “b” and natural accidentals; Begin introduction of Melodic and Harmonic minor scales; Introduce orchestra instruments; Introduce treble & bass clef; Letter names of notes Harmony Intervals of chords within the major scale using syllables and note names; Identify caden ...
... Begin altered sounds using “#”, “b” and natural accidentals; Begin introduction of Melodic and Harmonic minor scales; Introduce orchestra instruments; Introduce treble & bass clef; Letter names of notes Harmony Intervals of chords within the major scale using syllables and note names; Identify caden ...
Introduction to Music
... A consonance is a combination of tones that a. Is considered harsh and/or tense b. Is considered stable, soothing and/or restful c. Are sounded one after the other d. Form a melody ...
... A consonance is a combination of tones that a. Is considered harsh and/or tense b. Is considered stable, soothing and/or restful c. Are sounded one after the other d. Form a melody ...
Unit 3 The Foundations of Modern Music
... Combination of African Work Songs, field hollers, and shouts. Slaves and their descendents turned these into passionate solo songs. Developed in rural south in the early part 20th century. During the 1920’s white Americans were first introduced to the style through female blues singers like Ma ...
... Combination of African Work Songs, field hollers, and shouts. Slaves and their descendents turned these into passionate solo songs. Developed in rural south in the early part 20th century. During the 1920’s white Americans were first introduced to the style through female blues singers like Ma ...
HIGH FREQUENCY VOCABULARY AND DEFINITIONS 5TH
... Interval of eight notes, either up or down A short repeated rhythmic or melodic pattern Music based on a five tone scale Very soft Soft The highest pitched instrument in the woodwind family , ; in 4/4 time, receives one beat Single-reed instrument in the woodwind family The notation of the entire ...
... Interval of eight notes, either up or down A short repeated rhythmic or melodic pattern Music based on a five tone scale Very soft Soft The highest pitched instrument in the woodwind family , ; in 4/4 time, receives one beat Single-reed instrument in the woodwind family The notation of the entire ...
Area of Study 1: Musical Forms and Devices Dance of the Reed
... Area of Study 1: Musical Forms and Devices Dance of the Reed Pipes – Teacher Sheet 8) What type of bass line accompanies the main melody during Section B? A walking bass (notes on the beat moving in small steps) An ostinato (a repeating musical idea) A drone (a single note, played continuously) ...
... Area of Study 1: Musical Forms and Devices Dance of the Reed Pipes – Teacher Sheet 8) What type of bass line accompanies the main melody during Section B? A walking bass (notes on the beat moving in small steps) An ostinato (a repeating musical idea) A drone (a single note, played continuously) ...
Chapters 10-11 Power Point
... Performer – brings to life printed symbols laid out by a composer Much is left to the performer Improvisation – music created at the same time it’s performed ...
... Performer – brings to life printed symbols laid out by a composer Much is left to the performer Improvisation – music created at the same time it’s performed ...
Fourth Grade LOS
... a. When counting rhythm a (dotted quarter note) gets one and a half beats of sound. b. An (upbeat) is one or more notes that occur before the first bar line of a phrase. c. When counting rhythm a single (eighth note) gets half a beat of sound. ...
... a. When counting rhythm a (dotted quarter note) gets one and a half beats of sound. b. An (upbeat) is one or more notes that occur before the first bar line of a phrase. c. When counting rhythm a single (eighth note) gets half a beat of sound. ...
Purcell 1
... Dynamics: not usually indicated, and if so usually only forte or piano, not crescendo or diminuendo. Terraced dynamics ...
... Dynamics: not usually indicated, and if so usually only forte or piano, not crescendo or diminuendo. Terraced dynamics ...
BOBBY READ AND IGNITER
... This new local ‘supergroup’ is made up of Bobby Read on saxes and windsynth, Robert Jospe on the drums, Adam Larabee on the guitar, Randall Pharr on the bass, and when his busy schedule allows, Nate Brown on percussion and vocals. Igniter plays original and cover jazz/rock ala Scofield, MMW, Josh Re ...
... This new local ‘supergroup’ is made up of Bobby Read on saxes and windsynth, Robert Jospe on the drums, Adam Larabee on the guitar, Randall Pharr on the bass, and when his busy schedule allows, Nate Brown on percussion and vocals. Igniter plays original and cover jazz/rock ala Scofield, MMW, Josh Re ...
Terms and Definitions – Jan
... Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a scale, the use of notes not part of the diatoni ...
... Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a scale, the use of notes not part of the diatoni ...
1 Terms and Definitions Characteristics of Romantic Music (Lecture 9)
... Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a scale, the use of notes not part of the diatoni ...
... Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a scale, the use of notes not part of the diatoni ...
Style - Sonya Jason
... Eric’s performances are the kind that jazz lovers crave: the emphasis is on mellow sounds, but, at the same time, he swings. He has enjoyed extensive engagements at Ivey's Solomon Grundy's, and Pasand's in San Francisco CA. In addition to critical acclaim for his solo work, Eric is also in demand as ...
... Eric’s performances are the kind that jazz lovers crave: the emphasis is on mellow sounds, but, at the same time, he swings. He has enjoyed extensive engagements at Ivey's Solomon Grundy's, and Pasand's in San Francisco CA. In addition to critical acclaim for his solo work, Eric is also in demand as ...
MHST 309 History of Rock Lecture 3 – Roots of Rock
... a. Ballads – lyrical songs that relate a narrative b. Instrumental music for fiddle, accordion, or guitar c. story songs 2. In verse/chorus or strophic form – verses, but no chorus 3. simple melodies with narrow ranges 4. Often use pentatonic (five note) scale i. First, second, third, fifth, and six ...
... a. Ballads – lyrical songs that relate a narrative b. Instrumental music for fiddle, accordion, or guitar c. story songs 2. In verse/chorus or strophic form – verses, but no chorus 3. simple melodies with narrow ranges 4. Often use pentatonic (five note) scale i. First, second, third, fifth, and six ...
HIGH FREQUENCY VOCABULARY WORDS AND DEFINITIONS
... ; in 4/4 time, receives two beats Two or more pitches sounding at the same time Many-stringed instrument that is plucked in the string family Musical instrument with keys laid out in a row A special stick with a ball on one end to play a percussion instrument A line of pitches that move up, down, o ...
... ; in 4/4 time, receives two beats Two or more pitches sounding at the same time Many-stringed instrument that is plucked in the string family Musical instrument with keys laid out in a row A special stick with a ball on one end to play a percussion instrument A line of pitches that move up, down, o ...
MUSIC 3RD TRIMESTER Texture Thinness or thickness of sounds
... transitional passages and a conclusion. The length of the pieces may be altered depending upon the performer’s choice of section to repeat. a. BINALIG – played to express different feelings like love, joy and anger b. SINULOG – relates to loneliness and sentimental feelings. It is said that these pi ...
... transitional passages and a conclusion. The length of the pieces may be altered depending upon the performer’s choice of section to repeat. a. BINALIG – played to express different feelings like love, joy and anger b. SINULOG – relates to loneliness and sentimental feelings. It is said that these pi ...
Copland
... Jazz Jazz music originated with slaves. In the African tradition, they had a single-line melody and a call-and-response pattern, but without the European concept of harmony. In the early 19th century an increasing number of black musicians learned to play European instruments. Another influence came ...
... Jazz Jazz music originated with slaves. In the African tradition, they had a single-line melody and a call-and-response pattern, but without the European concept of harmony. In the early 19th century an increasing number of black musicians learned to play European instruments. Another influence came ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.