POPULAR MUSIC IN AMERICA: Unit 1 Test
... consonance - combining tones to create relaxation (sounds good) Swing Era - the most popular period for jazz; characterized by dance orchestras (big bands) Fletcher Henderson - led the 1st significant big band; used rather complex written arrangements homophonic - block writing, instruments play cho ...
... consonance - combining tones to create relaxation (sounds good) Swing Era - the most popular period for jazz; characterized by dance orchestras (big bands) Fletcher Henderson - led the 1st significant big band; used rather complex written arrangements homophonic - block writing, instruments play cho ...
A Feast for the Ears
... of jazz, Armstrong was also the first well-known male jazz singer. Another major jazz leader of the same generation was Duke Ellington (1899-1974). A pianist bandleader, composer and arranger, Ellington had a major impact on jazz composition and playing. For most people around the world the sound of ...
... of jazz, Armstrong was also the first well-known male jazz singer. Another major jazz leader of the same generation was Duke Ellington (1899-1974). A pianist bandleader, composer and arranger, Ellington had a major impact on jazz composition and playing. For most people around the world the sound of ...
- Anything Goes
... chord in the “ready to fly” section (as if ascending to heaven), whereas “Night” modulates freely from bar to bar, giving a more modern “jazz” sound. • Compositional devices: Porter used Western compositional techniques when setting out the harmonic structure to his songs, as well as employin ...
... chord in the “ready to fly” section (as if ascending to heaven), whereas “Night” modulates freely from bar to bar, giving a more modern “jazz” sound. • Compositional devices: Porter used Western compositional techniques when setting out the harmonic structure to his songs, as well as employin ...
Music
... in Europe. This corresponds to the Baroque period. It was popular among Classical and Romantic composer and is still used in contemporary symphonic music. Vivaldi’s “Winter Concerto,” Baroque Gidon Kremer Beethoven Concerto for Violin, Cello, Piano, Romantic ...
... in Europe. This corresponds to the Baroque period. It was popular among Classical and Romantic composer and is still used in contemporary symphonic music. Vivaldi’s “Winter Concerto,” Baroque Gidon Kremer Beethoven Concerto for Violin, Cello, Piano, Romantic ...
The Rise and fall of Swing
... • Known for his orchestral works, conducted concerts, musical theater and music education through television • Music director of the New York Philharmonic beginning in 1958 • Taught at Brandeis University near Boston, Massachusetts Institute of Technology and gave lectures at Harvard, his alma mater ...
... • Known for his orchestral works, conducted concerts, musical theater and music education through television • Music director of the New York Philharmonic beginning in 1958 • Taught at Brandeis University near Boston, Massachusetts Institute of Technology and gave lectures at Harvard, his alma mater ...
Music-1
... in Europe. This corresponds to the Baroque period. It was popular among Classical and Romantic composer and is still used in contemporary symphonic music. Vivaldi’s “Winter Concerto,” Baroque Gidon Kremer Beethoven Concerto for Violin, Cello, Piano, Romantic ...
... in Europe. This corresponds to the Baroque period. It was popular among Classical and Romantic composer and is still used in contemporary symphonic music. Vivaldi’s “Winter Concerto,” Baroque Gidon Kremer Beethoven Concerto for Violin, Cello, Piano, Romantic ...
Music
... in Europe. This corresponds to the Baroque period. It was popular among Classical and Romantic composer and is still used in contemporary symphonic music. Vivaldi’s “Winter Concerto,” Baroque Gidon Kremer Beethoven Concerto for Violin, Cello, Piano, Romantic ...
... in Europe. This corresponds to the Baroque period. It was popular among Classical and Romantic composer and is still used in contemporary symphonic music. Vivaldi’s “Winter Concerto,” Baroque Gidon Kremer Beethoven Concerto for Violin, Cello, Piano, Romantic ...
EXERCISE 29
... 1. Electronic instruments are prevalent in jazz. They are also prevalent in rock music. They are less common in classical music. 2. Jazz and rock change rapidly. They nourish experimentation. They nourish improvisation. 3. Traditional classical music does not change. Its notes and instrumentation we ...
... 1. Electronic instruments are prevalent in jazz. They are also prevalent in rock music. They are less common in classical music. 2. Jazz and rock change rapidly. They nourish experimentation. They nourish improvisation. 3. Traditional classical music does not change. Its notes and instrumentation we ...
Modern Music 1844-2000
... Two trumpets, a clarinet, and trombone—frontline (played the melody) Trumpet was main player Clarinet—obbligato or counter melody Trombone-tailgating (another from of counter melody) ...
... Two trumpets, a clarinet, and trombone—frontline (played the melody) Trumpet was main player Clarinet—obbligato or counter melody Trombone-tailgating (another from of counter melody) ...
Music Appreciation Class Fall 2014 Chapter 1
... Harmony occurs when two different notes are played simultaneously. Three or more pitches at the same time produce a chord. The first, third and fifth notes of a scale form a chord. Same for the 2nd, 4th, 6th, etc. Tonic chord- based on the first scale degree. Dominant chord- based on the fifth scale ...
... Harmony occurs when two different notes are played simultaneously. Three or more pitches at the same time produce a chord. The first, third and fifth notes of a scale form a chord. Same for the 2nd, 4th, 6th, etc. Tonic chord- based on the first scale degree. Dominant chord- based on the fifth scale ...
Elements of Music
... accented – emphasis is placed on a given beat or beats strong vs. weak beats long vs. short notes equal vs. unequal emphasis complex vs. simple syncopated – accents on beats that would not normally have emphasis (often found in jazz) Time signature (simple or compound) eg. ¾ , 4/4, 6/8, etc. Non-met ...
... accented – emphasis is placed on a given beat or beats strong vs. weak beats long vs. short notes equal vs. unequal emphasis complex vs. simple syncopated – accents on beats that would not normally have emphasis (often found in jazz) Time signature (simple or compound) eg. ¾ , 4/4, 6/8, etc. Non-met ...
Music Theory IV Dr. Feezell Midterm Review Sheet
... bebop scale ID/notation on the test. Instead, know the following: Why did the bebop jazz artists add extra chromatic notes so often? 3. Define “avoid note” (or more accurately, “handle with care note”). In other words, what is the one dissonance left in jazz? A “handle with care note” is a note that ...
... bebop scale ID/notation on the test. Instead, know the following: Why did the bebop jazz artists add extra chromatic notes so often? 3. Define “avoid note” (or more accurately, “handle with care note”). In other words, what is the one dissonance left in jazz? A “handle with care note” is a note that ...
Listening
... “Name the musical device used in the bass part at the beginning of the extract.” There are only FOUR possible answers in the exam: • Sequence - A repeating pattern which is transposed (moved up or down) a scale or round a cycle. • Imitation - A musical idea being passed around instruments or instrum ...
... “Name the musical device used in the bass part at the beginning of the extract.” There are only FOUR possible answers in the exam: • Sequence - A repeating pattern which is transposed (moved up or down) a scale or round a cycle. • Imitation - A musical idea being passed around instruments or instrum ...
Alona Sagee is a pianist, composer and educator holding M
... first one in Israel in the field of Jazz. Moreover, her M.A. thesis is entitled: “Changing Conceptions of the Role of the Double Bass in Jazz, from its Beginnings to the Present.” She teaches historical, theoretical and performance courses in jazz at the Music department of Bar-Ilan University and h ...
... first one in Israel in the field of Jazz. Moreover, her M.A. thesis is entitled: “Changing Conceptions of the Role of the Double Bass in Jazz, from its Beginnings to the Present.” She teaches historical, theoretical and performance courses in jazz at the Music department of Bar-Ilan University and h ...
Early American music influences
... of the slave owners. Over time, these work songs integrated with Early American songs and church music and developed into a style of music called Spirituals. These spirituals were sacred and was a way for them to ease the burden of their hard life (they sang about hope for a better life). Follow the ...
... of the slave owners. Over time, these work songs integrated with Early American songs and church music and developed into a style of music called Spirituals. These spirituals were sacred and was a way for them to ease the burden of their hard life (they sang about hope for a better life). Follow the ...
Music Terminology Articulation: How specific notes or passages are
... Harmony: Pleasing combination of two or three tones played together in the background while a melody is being played. ...
... Harmony: Pleasing combination of two or three tones played together in the background while a melody is being played. ...
Miles Davis
... his idol, Charlie Parker. He joined Parker in live appearances and recording sessions (1945-8), at the same time playing in other groups and touring in the big bands led by Benny Carter and Billy Eckstine. ...
... his idol, Charlie Parker. He joined Parker in live appearances and recording sessions (1945-8), at the same time playing in other groups and touring in the big bands led by Benny Carter and Billy Eckstine. ...
Vita-short - Gunter Wehinger
... 1982, subsequently moved to the USA in 1987 to study with the great James Newton in Los Angeles. After a two year period in San Francisco he returned to Europe. He dove into a musical career that has included both jazz and classical performances as well as intensive teaching duties (Music Universiti ...
... 1982, subsequently moved to the USA in 1987 to study with the great James Newton in Los Angeles. After a two year period in San Francisco he returned to Europe. He dove into a musical career that has included both jazz and classical performances as well as intensive teaching duties (Music Universiti ...
Renate Reich Fivetett Liner notes CD „Devil May Care“ Born in a
... fantasy language of my own that - somehow - sounded like real English. One day, I heard this song on the radio that moved me in a special way: "Dream A Little Dream Of Me" sung by Ella Fitzgerald and Louis Armstrong. This was my first encounter with jazz music. Many years later, I had a related expe ...
... fantasy language of my own that - somehow - sounded like real English. One day, I heard this song on the radio that moved me in a special way: "Dream A Little Dream Of Me" sung by Ella Fitzgerald and Louis Armstrong. This was my first encounter with jazz music. Many years later, I had a related expe ...
Teaching Improvisation in the School Orchestra
... A. Goal: Soloists improvise while accompanied by a rhythmic ostinato. Three steps: 1. Orchestra pizzicatos a simple rhythmic ostinato pattern using the tonic and third and/or fifth pitches of a chord, e.g. 2. Students improvise short melodies based on the chord tones and/or scales 3. One section or ...
... A. Goal: Soloists improvise while accompanied by a rhythmic ostinato. Three steps: 1. Orchestra pizzicatos a simple rhythmic ostinato pattern using the tonic and third and/or fifth pitches of a chord, e.g. 2. Students improvise short melodies based on the chord tones and/or scales 3. One section or ...
Elements of rock styles - KU Information Technology
... • In popular music, usually the vocal line • Contains main musical ideas of piece – Motive = short, distinct figure – Riff = motive with a distinct rhythm that repeats throughout piece – Hook – text phrase or musical idea that “grabs you” – repeated frequently ...
... • In popular music, usually the vocal line • Contains main musical ideas of piece – Motive = short, distinct figure – Riff = motive with a distinct rhythm that repeats throughout piece – Hook – text phrase or musical idea that “grabs you” – repeated frequently ...
Elements of Music
... compound (can be divided into three beats) vs. simple (can be divided into two beats) syncopated – accents on beats that would not normally have emphasis (often found in jazz) Time signature (simple or compound) eg. ¾ , 4/4, 6/8, etc. Non-metrical – no specific pattern of accented or unaccented beat ...
... compound (can be divided into three beats) vs. simple (can be divided into two beats) syncopated – accents on beats that would not normally have emphasis (often found in jazz) Time signature (simple or compound) eg. ¾ , 4/4, 6/8, etc. Non-metrical – no specific pattern of accented or unaccented beat ...
Overview of American Music - Harlan Independent Schools
... "Western" musical genre spreads through western states, features steel guitars and large bands; singing ...
... "Western" musical genre spreads through western states, features steel guitars and large bands; singing ...
yiri 2
... TONE LANGUAGES ie, the Pitch level determines actual meaning. This is useful as melodies can be made to fit to match meanings and speech rhythms of song lyrics. ...
... TONE LANGUAGES ie, the Pitch level determines actual meaning. This is useful as melodies can be made to fit to match meanings and speech rhythms of song lyrics. ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.