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File - The Whole Schools Initiative
File - The Whole Schools Initiative

... ● Dymnamics are abbreviations or symbols used to signify the degree of loudness or softness of a piece of music. 3. Harmony ● Harmony refers to the combination of notes played together and the relationship between a series of chords. ● Melody-refers to the tune of a song or piece of music. Harmony a ...
Elements of Music - Form
Elements of Music - Form

... The 12-bar Blues Defined by text and/or harmonic pattern The 32-bar song form (AABA) Defined by the text and/or melodic phrases and harmonic pattern Binary form Two-part form: two sections of music (A and B) with each section repeated (AA BB). This form is focused around the idea of contrast. Ternar ...
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Wynton Marsalis File - Galena Park ISD Moodle

... ...
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MUSIC APPRECIATION CHAPTER ONE

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Chapter 8 - Petal School District

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Power Point presentation: basics of music
Power Point presentation: basics of music

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a cappella Choral music performed without instrumental

... melody Succession of single tones or pitches perceived by the mind as a unity. monophonic Single-line texture, or melody without accompaniment. ostinato A short melodic, rhythmic, or harmonic pattern that is repeated throughout a work or a section of one. piano The Italian term for "soft", indicated ...
Ostinato - violinsection
Ostinato - violinsection

... listener). The riff/continuo is brought to the forefront of the musical piece and often is the primary melody that remains in the listener's ears. A call and response often holds the song together, creating a "circular" rather than linear feel.[13] A few well-known examples of riff-driven songs are ...
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Ostinato



In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.
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