Amanda Tiffin
... Amanda Tiffin belongs to a new crop of artists: musicians who are not only passionate and ambitious about their music, but who go the extra mile to polish their talent through formal training. Amanda graduated from the University of Cape Town in 1999 with a Masters Degree in jazz composition and voc ...
... Amanda Tiffin belongs to a new crop of artists: musicians who are not only passionate and ambitious about their music, but who go the extra mile to polish their talent through formal training. Amanda graduated from the University of Cape Town in 1999 with a Masters Degree in jazz composition and voc ...
Chapter Overview - HCC Learning Web
... Texas, Arkansas, Missouri, and Oklahoma. In boogiewoogie performances, the pianist typically plays a repeated pattern with his left hand, down in the low range of the piano, while improvising polyrhythmic patterns with his right hand. ...
... Texas, Arkansas, Missouri, and Oklahoma. In boogiewoogie performances, the pianist typically plays a repeated pattern with his left hand, down in the low range of the piano, while improvising polyrhythmic patterns with his right hand. ...
Document
... MELODY IN A COMPOSITION INCLUDES 1. THE PROMINENT MELODIC LINES AND THE REPETION AND VARIATION OF THES MELODIC LINES THROUGHOUT THE COMPOSITION. 2. THE RANGE AND CONTOUR OF MELODIC MATERIAL. 3. THE PHRASE STRUCTURE OF THE MELODIC LINES. 4. THE SCALE BASIS FOR MELODIC MATERIALS. 5. THE RELATIONSHIP A ...
... MELODY IN A COMPOSITION INCLUDES 1. THE PROMINENT MELODIC LINES AND THE REPETION AND VARIATION OF THES MELODIC LINES THROUGHOUT THE COMPOSITION. 2. THE RANGE AND CONTOUR OF MELODIC MATERIAL. 3. THE PHRASE STRUCTURE OF THE MELODIC LINES. 4. THE SCALE BASIS FOR MELODIC MATERIALS. 5. THE RELATIONSHIP A ...
Doc 2
... (octave) or more) or “small” (less than an octave) Phrase: a complete musical idea with a beginning and end. Usually between 4-8 measures. Texture: how the different melodies are put together. Can be described as “thick” (lots of notes on top of each other) or “thin” (unison (all doing the same thin ...
... (octave) or more) or “small” (less than an octave) Phrase: a complete musical idea with a beginning and end. Usually between 4-8 measures. Texture: how the different melodies are put together. Can be described as “thick” (lots of notes on top of each other) or “thin” (unison (all doing the same thin ...
Context - Fulford School : VLE
... George Gershwin became famous in the 1920s and 30s as a composer of songs for musicals and films. He did not want to be pigeonholed as a popular composer, though, and also wrote concert pieces, such as Rhapsody in Blue, An American in Paris and a Piano Concerto, which are all heavily influenced by j ...
... George Gershwin became famous in the 1920s and 30s as a composer of songs for musicals and films. He did not want to be pigeonholed as a popular composer, though, and also wrote concert pieces, such as Rhapsody in Blue, An American in Paris and a Piano Concerto, which are all heavily influenced by j ...
From the Second Half of the Twentieth Century
... • Cool jazz – less intense than bebop – mellower, ensemble-based sound ...
... • Cool jazz – less intense than bebop – mellower, ensemble-based sound ...
File
... Count along- can you hear the 12 Bars? With a Shoulder Partner, answer the following questions: 1. Is it Major or Minor? 2. How many beats are in the bar? 3. Is it played in Unison or Harmony? ...
... Count along- can you hear the 12 Bars? With a Shoulder Partner, answer the following questions: 1. Is it Major or Minor? 2. How many beats are in the bar? 3. Is it played in Unison or Harmony? ...
Pitch - AceHSC
... - Wide narrow range? - Describe contour (smooth, jagged, ascending, descending, sequence) - Draw contour - Phrases are long or short? (count number of bars in each phrase) - Ornamentation or improvisation? ...
... - Wide narrow range? - Describe contour (smooth, jagged, ascending, descending, sequence) - Draw contour - Phrases are long or short? (count number of bars in each phrase) - Ornamentation or improvisation? ...
9. NEO-CLASSICISM and JAZZ
... This took different forms in the music of different composers, but usually involved returning to older forms (like the sonatina and suite of dances) and creating thinner textures, with simple rhythms and harmonies. It allowed composers to blend a classical logic and clarity with romantic melody and ...
... This took different forms in the music of different composers, but usually involved returning to older forms (like the sonatina and suite of dances) and creating thinner textures, with simple rhythms and harmonies. It allowed composers to blend a classical logic and clarity with romantic melody and ...
theatre powerpoint
... Production Number • A large-scale musical number involving many performers ...
... Production Number • A large-scale musical number involving many performers ...
GCSE Music Revision - The Hazeley Academy
... Turnaround = Chords change twice per bar (bar 10 of All Blues) Comping = short for ‘accompanying’. The piano ‘comps’ throughout until it’s solo 12 bar blues and alterations ...
... Turnaround = Chords change twice per bar (bar 10 of All Blues) Comping = short for ‘accompanying’. The piano ‘comps’ throughout until it’s solo 12 bar blues and alterations ...
Chapter 2 How Music Lives: A Musicultural Approach
... and repeated in a performance – either once or many times. Repetitions may be exact, or may change through subsequent repetitions. This is known as varied repetition. Repetitions and patterns are often intuitive, even when one is not familiar with the musical style. For example, you can often tell w ...
... and repeated in a performance – either once or many times. Repetitions may be exact, or may change through subsequent repetitions. This is known as varied repetition. Repetitions and patterns are often intuitive, even when one is not familiar with the musical style. For example, you can often tell w ...
Jazz music
... jazz. Since New Orleans is a port city, people from all over the world came by boat every day, and began bringing musical traditions from their home countries into New Orleans’ nightclubs and entertainment venues. These forms of music blended together to become a lively blend known as jazz. “The Jaz ...
... jazz. Since New Orleans is a port city, people from all over the world came by boat every day, and began bringing musical traditions from their home countries into New Orleans’ nightclubs and entertainment venues. These forms of music blended together to become a lively blend known as jazz. “The Jaz ...
AH exit Exam Review PPT
... • Fugue- An imitative style of composition developed during this period ...
... • Fugue- An imitative style of composition developed during this period ...
NAC2006
... ~ covers everything pertaining to the time aspect of music ~ Beat – a unit of time (a regular pulse) Meter – the recurrent pattern of beats at an interval in groups of 2, 3, 4, etc. Tempo – the speed of the beats ...
... ~ covers everything pertaining to the time aspect of music ~ Beat – a unit of time (a regular pulse) Meter – the recurrent pattern of beats at an interval in groups of 2, 3, 4, etc. Tempo – the speed of the beats ...
7 The Future of Chan..
... blended Renaissance music with jazz. (Garbarek. 1993) The first was called Officium and was a best seller, this work was followed by a sequel called Mnemosyne in 1999. "What is this music?" Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is pl ...
... blended Renaissance music with jazz. (Garbarek. 1993) The first was called Officium and was a best seller, this work was followed by a sequel called Mnemosyne in 1999. "What is this music?" Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is pl ...
Chapter 8
... Variation technique may employ a theme, chord progressions, or even a bass line as its basis. Variation technique is used frequently in jazz music. o The variations are usually improvised by the performer rather than composed. o Performers will read the music from a “fake book” which provides the th ...
... Variation technique may employ a theme, chord progressions, or even a bass line as its basis. Variation technique is used frequently in jazz music. o The variations are usually improvised by the performer rather than composed. o Performers will read the music from a “fake book” which provides the th ...
UsefulVocabulary
... -a beat (in musical meter, one unit, e.g. one count or tap of the foot) -meter: how the beat is organized within larger patterns, with strong beats and weak beats. A “triple meter” has a repeating pattern of one strong beat and two weak beats; a “duple meter” has a pattern of alternating strong beat ...
... -a beat (in musical meter, one unit, e.g. one count or tap of the foot) -meter: how the beat is organized within larger patterns, with strong beats and weak beats. A “triple meter” has a repeating pattern of one strong beat and two weak beats; a “duple meter” has a pattern of alternating strong beat ...
• Melody = a succession of pitches at specific durations that begins
... Lecture Notes -‐ Music 110 -‐ Owen J. Lee -‐ day 5-‐2 ...
... Lecture Notes -‐ Music 110 -‐ Owen J. Lee -‐ day 5-‐2 ...
Glossary of Musical Terms
... MELODY -- The aspect of music having to do with the succession of pitches; also applied ("a melody") to any particular succession of pitches Interval: The difference or distance between two pitches Key: A tonal center and mode that characterize an entire piece of music, or a section of a piece of mu ...
... MELODY -- The aspect of music having to do with the succession of pitches; also applied ("a melody") to any particular succession of pitches Interval: The difference or distance between two pitches Key: A tonal center and mode that characterize an entire piece of music, or a section of a piece of mu ...
Kendra Simmons 11/29/11 Chapter 11 Aboriginals
... Conjunct- a melody formed by successive pitches of the scale Disjunct- a melody formed by intervals larger than a second Mass- liturgy Chorale- hymn tune Chorale Preludes- compositions that served as introductions to the singing by the congregation Cantata- an accompanied vocal work in a number of m ...
... Conjunct- a melody formed by successive pitches of the scale Disjunct- a melody formed by intervals larger than a second Mass- liturgy Chorale- hymn tune Chorale Preludes- compositions that served as introductions to the singing by the congregation Cantata- an accompanied vocal work in a number of m ...
Guide to Analysis of Music
... Guide to the Analysis of Music Describe what you hear in this extract in terms of relevant: Musical features: such as (but not limited to) harmony, melody, and rhythm Structural features: such as (but not limited to) form, phrases, motifs and texture Contextual features: such as (but not limit ...
... Guide to the Analysis of Music Describe what you hear in this extract in terms of relevant: Musical features: such as (but not limited to) harmony, melody, and rhythm Structural features: such as (but not limited to) form, phrases, motifs and texture Contextual features: such as (but not limit ...
here - Saffron Hall
... and has co-led his own groups for a number of years, amongst them Samburá, Ohayo-Samba, Saravah Soul and London Latin Jazz Ensemble, performing throughout the UK and Europe at festivals such as North Sea Jazz Festival, Montreal Jazz Festival, Kaunas Jazz Festival, Montreux Jazz Festival, Umea Jazz ...
... and has co-led his own groups for a number of years, amongst them Samburá, Ohayo-Samba, Saravah Soul and London Latin Jazz Ensemble, performing throughout the UK and Europe at festivals such as North Sea Jazz Festival, Montreal Jazz Festival, Kaunas Jazz Festival, Montreux Jazz Festival, Umea Jazz ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.