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The term "blue.“ Performance or interaction with the music can be seen as a means of ridding oneself of "the blues." Many jazz players of all schools have held that a musician’s ability to play the blues expressively is a measure of his or her quality. "rough" or "unrefined" timbres "blue" notes such as the b3 or b5, or deviations from "standard" pitch improvisation, including variations of the melody and solos Strophic – repetition of one or more sections of a piece, such as in a song with multiple verses or choruses Typical form of a blues chorus › 2 identical lines of text followed by a single contrasting line › melody follows the lyric form › form described as AAB fixed harmonic progression Work songs › call & response › group participation “Field hollers” › ‘long, loud, musical shout, rising and falling and breaking into falsetto’ › solo › improvised › inflections similar to blues