Tyrone`s Short Bio - A Sign of the Times of the Carolinas
... mission: to promote the rich and diverse history of those in the African Diaspora through music, dance and the spoken word. Dexterous and inventive as a player and creator, his solid foundation in music theory and knack for the nuances of rhythm and melody shine through in his vibrant performances, ...
... mission: to promote the rich and diverse history of those in the African Diaspora through music, dance and the spoken word. Dexterous and inventive as a player and creator, his solid foundation in music theory and knack for the nuances of rhythm and melody shine through in his vibrant performances, ...
Choral Works of Dave Brubeck
... southern United States in the late 19th century and first sprang into notice in the vicinity of New Orleans at the turn of the 20th century, spreading rapidly along the Mississippi River, north to Chicago and fanning out quickly. As a musical style, jazz owes its origins to the social milieu of the ...
... southern United States in the late 19th century and first sprang into notice in the vicinity of New Orleans at the turn of the 20th century, spreading rapidly along the Mississippi River, north to Chicago and fanning out quickly. As a musical style, jazz owes its origins to the social milieu of the ...
41. George Gershwin Summertime from Porgy and Bess
... In verse 1 (7-24) the melody is supported by block chords, with contrasting melodic movement in the accompaniment being lines used to fill in underneath long notes in the vocal part, in bars 14-15, 19-20 and 22-23. There is a limited form of imitation between orchestral parts in bars 14-15 and in 22 ...
... In verse 1 (7-24) the melody is supported by block chords, with contrasting melodic movement in the accompaniment being lines used to fill in underneath long notes in the vocal part, in bars 14-15, 19-20 and 22-23. There is a limited form of imitation between orchestral parts in bars 14-15 and in 22 ...
World Music - Digital Portfolio of Myron Marchell Karijawan
... Call and response: It is a form of music composition where the a vocalist or instrumentalist will sing or play a phrase and another vocalist or instrumentalist will answer with another phrase creating a lively exchange. ...
... Call and response: It is a form of music composition where the a vocalist or instrumentalist will sing or play a phrase and another vocalist or instrumentalist will answer with another phrase creating a lively exchange. ...
What is a Music Arrangement
... There are many kind of styles in music such as rock, pop, jazz, funk, classical, country and western, reggae, etc. Often, when done in the right way, changing the style of an existing song can lead to interesting results. “Melody” A melody is a group of notes played one after the other. A melody in ...
... There are many kind of styles in music such as rock, pop, jazz, funk, classical, country and western, reggae, etc. Often, when done in the right way, changing the style of an existing song can lead to interesting results. “Melody” A melody is a group of notes played one after the other. A melody in ...
Harmonic Structure
... Why do chords have specific relationships and functions in music that determine how they should be used in musical compositions? How does octave manipulation of different parts of a chord affect the spelling, function of the chord, and aural perception of its harmony? ...
... Why do chords have specific relationships and functions in music that determine how they should be used in musical compositions? How does octave manipulation of different parts of a chord affect the spelling, function of the chord, and aural perception of its harmony? ...
music notes
... Binary form: refers to a composition with two main sections, called Section A and Section B. Ternary form: Has three sections, Section A, Section B, then a return to Section A. Rondo form: has many sections. The form is A B A C A D etc. Theme and Variation: is similar to rondo form. This is differen ...
... Binary form: refers to a composition with two main sections, called Section A and Section B. Ternary form: Has three sections, Section A, Section B, then a return to Section A. Rondo form: has many sections. The form is A B A C A D etc. Theme and Variation: is similar to rondo form. This is differen ...
Everybody`s Got The Blues Musical Elements of
... This is the act of creating music on the spot, as opposed to writing it down before one begins to play. 4. Riff: This is a musical phrase repeated over and over, usually as a background to the main melody. Most blues melodies are riffs. It probably began in the 19th century, an improvised solo cry o ...
... This is the act of creating music on the spot, as opposed to writing it down before one begins to play. 4. Riff: This is a musical phrase repeated over and over, usually as a background to the main melody. Most blues melodies are riffs. It probably began in the 19th century, an improvised solo cry o ...
3rd Grade Music Curriculum SY1213
... Students improvise musical responses that sound similar to the rhythmic and melodic phrases given by the instructor. They improvise simple melodies and rhythmic and melodic ostinato accompaniments, using traditional sounds, sounds from the classroom, body sounds such as clapping, or electronic sound ...
... Students improvise musical responses that sound similar to the rhythmic and melodic phrases given by the instructor. They improvise simple melodies and rhythmic and melodic ostinato accompaniments, using traditional sounds, sounds from the classroom, body sounds such as clapping, or electronic sound ...
Stage 1: Desired Results Stage 2 : Assessment Evidence Stage 3
... Compose music in several distinct styles, demonstrating creativity in using the elements of music for expressive effect Arrange simple pieces for acoustic or electronic instruments Use computer and electronic te ...
... Compose music in several distinct styles, demonstrating creativity in using the elements of music for expressive effect Arrange simple pieces for acoustic or electronic instruments Use computer and electronic te ...
Music for Voices - misswardmusic.com
... Music is made up of different layers of sound, which are all important in adding to the rich texture of the music e.g. African music ...
... Music is made up of different layers of sound, which are all important in adding to the rich texture of the music e.g. African music ...
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... styles of only improvising over recycling chordpatterns. Modal jazz is based on sequences of scales more than chords, and seeks to make improvisers more melodically creative. Check out Miles Davis: Kind of Blue ...
... styles of only improvising over recycling chordpatterns. Modal jazz is based on sequences of scales more than chords, and seeks to make improvisers more melodically creative. Check out Miles Davis: Kind of Blue ...
igcse music notes
... Call and Response: usually used in African music where there are two distinct phrases played by different groups- the secondary phrase is usually a response or an echo. In African Music: it could be seen as the master drummer (solo) playing the first phrase and the other people playing the second. M ...
... Call and Response: usually used in African music where there are two distinct phrases played by different groups- the secondary phrase is usually a response or an echo. In African Music: it could be seen as the master drummer (solo) playing the first phrase and the other people playing the second. M ...
LUCA BRAGALINI (Short resume) [Updated to July 2012]
... Ellingon”) and a text of high popularization ("Twelve standard stories... plus one" - foreword by PaoloFresu). - As a lecturer was invited to as a speaker of African-American music throughout Italy and in several international meetings including the March 2006 "Conference on Black Music Research", w ...
... Ellingon”) and a text of high popularization ("Twelve standard stories... plus one" - foreword by PaoloFresu). - As a lecturer was invited to as a speaker of African-American music throughout Italy and in several international meetings including the March 2006 "Conference on Black Music Research", w ...
Curriculum Vitae - University of Utah
... 2003-2012: I performed regularly with Double Helix (original jazz compositions; five CD’s currently available). Information is available at: http://www.johnflanders.com/recordings.html. Purdy Mouth, W.V. 2001-2004 (bluegrass; three CD’s available). Mambo Jumbo 1996-2000 (Latin jazz, salsa, mer ...
... 2003-2012: I performed regularly with Double Helix (original jazz compositions; five CD’s currently available). Information is available at: http://www.johnflanders.com/recordings.html. Purdy Mouth, W.V. 2001-2004 (bluegrass; three CD’s available). Mambo Jumbo 1996-2000 (Latin jazz, salsa, mer ...
Concepts of music overview
... 1. Pitch: the relative highness or lowness of sounds Pitch can be organised into melody and harmony. Melody: the ‘horizontal’, linear arrangement of pitch (the ‘tune’) ...
... 1. Pitch: the relative highness or lowness of sounds Pitch can be organised into melody and harmony. Melody: the ‘horizontal’, linear arrangement of pitch (the ‘tune’) ...
Four-Part Harmony
... Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share a staff. Each voice or part contributes to a note in the chord, with one note in the chord doubled (since most chords only need three ...
... Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share a staff. Each voice or part contributes to a note in the chord, with one note in the chord doubled (since most chords only need three ...
Harmony, Key, and Texture from 11/13/14 and
... Form • Form can be followed by identifying repetition, variation, and contrast. • Repetition - literal repeats of the same material. • Contrast - completely new material from the first musical idea • Variation - when the original material is slightly changed to create interest • The above three met ...
... Form • Form can be followed by identifying repetition, variation, and contrast. • Repetition - literal repeats of the same material. • Contrast - completely new material from the first musical idea • Variation - when the original material is slightly changed to create interest • The above three met ...
Pavan and Galliard - 8 Key Facts
... 36. polyphony (texture)– this is where many different melodies are played at the same time. This is used a lot in very old music. 37. Layered texture – this is where different sounds are layered on top of each other. 38. homophony – this is the where you hear a main tune accompany by backing music ...
... 36. polyphony (texture)– this is where many different melodies are played at the same time. This is used a lot in very old music. 37. Layered texture – this is where different sounds are layered on top of each other. 38. homophony – this is the where you hear a main tune accompany by backing music ...
! Unit 2 STUDY GUIDE! Musicianship! melody
... recorded history. Country music often consists of ballads and dance tunes with generally simple forms and harmonies accompanied by mostly string instruments such as banjos, electric and acoustic guitars, fiddles, and harmonicas.”! ...
... recorded history. Country music often consists of ballads and dance tunes with generally simple forms and harmonies accompanied by mostly string instruments such as banjos, electric and acoustic guitars, fiddles, and harmonicas.”! ...
Language of Jazz pdf
... performer to make rhythmic choices. Generally speaking, the rhythms should be syncopated, and notes played on the last 8th note of the measure should anticipate the chord that follows. One exercise for young comping musicians is to play on the “and” of a particular beat throughout. ...
... performer to make rhythmic choices. Generally speaking, the rhythms should be syncopated, and notes played on the last 8th note of the measure should anticipate the chord that follows. One exercise for young comping musicians is to play on the “and” of a particular beat throughout. ...
BIOS Doug Wieselman - clarinet, bass clarinet
... avant-garde helmsman Henry Threadgill, and the Liberty Ellman Sextet led by guitarist, composer Liberty Ellman (Liberty Ellman Sextet – Ophiccius Butterfly). His work with both Threadgill and Ellman have landmarked once again the innovative use of the tuba providing multiple roles as a rhythm sectio ...
... avant-garde helmsman Henry Threadgill, and the Liberty Ellman Sextet led by guitarist, composer Liberty Ellman (Liberty Ellman Sextet – Ophiccius Butterfly). His work with both Threadgill and Ellman have landmarked once again the innovative use of the tuba providing multiple roles as a rhythm sectio ...
Area of Study 1: Musical Forms and Devices Dance of the Reed
... Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960’s and is now performed by countless ballet companies all around the world, primarily during the Christmas season. ...
... Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960’s and is now performed by countless ballet companies all around the world, primarily during the Christmas season. ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.