20th Cent Definitions
... Inclusion of folk songs, dances, legends, and other national material in a composition to associate it with the composer’s homeland Musical style marked by emotional restraint, balance, and clarity, inspired by the forms and style of 18th century music, found in many works from 19201950 A higher or ...
... Inclusion of folk songs, dances, legends, and other national material in a composition to associate it with the composer’s homeland Musical style marked by emotional restraint, balance, and clarity, inspired by the forms and style of 18th century music, found in many works from 19201950 A higher or ...
Hindustani -Location: North Indian countries like Pakistan, Nepal
... and the sarod, both of which owe their origin to Persian influences. Other plucked/struck string instruments include the surbahar, sursringar, santoor, and various versions of the slide guitar. Among bowed instruments, the sarangi, esraj (or dilruba) and violin are popular. The bansuri (bamboo flute ...
... and the sarod, both of which owe their origin to Persian influences. Other plucked/struck string instruments include the surbahar, sursringar, santoor, and various versions of the slide guitar. Among bowed instruments, the sarangi, esraj (or dilruba) and violin are popular. The bansuri (bamboo flute ...
MUSICAL
... Adapted by Adapted by Leslie Wessman from the work of Howard Gardner, Thomas Armstrong, Linda Campbell, and David Lazaer. DEFINITION Music is undoubtedly one of the oldest art forms, utilizing the human voice and body as natural instruments and means of self expression. It is an art form that comes ...
... Adapted by Adapted by Leslie Wessman from the work of Howard Gardner, Thomas Armstrong, Linda Campbell, and David Lazaer. DEFINITION Music is undoubtedly one of the oldest art forms, utilizing the human voice and body as natural instruments and means of self expression. It is an art form that comes ...
Medieval Music (early music)
... the ancient greek style using symbols. The symbols were known as neumes and related to the pitches of a melody only, not the rhythmic elements of the song. Other musical notation, such as rhythm didn't begin until the 12th or 13th centuries. During this period only non-secular music was written and ...
... the ancient greek style using symbols. The symbols were known as neumes and related to the pitches of a melody only, not the rhythmic elements of the song. Other musical notation, such as rhythm didn't begin until the 12th or 13th centuries. During this period only non-secular music was written and ...
Document
... In looking at form, the contrast of mood in the middle instrumental section could lead to discussion on how musical features combine to create mood. Little solo for a whistle or recorder player. Use of ornamentation could lead to discussion on that. ...
... In looking at form, the contrast of mood in the middle instrumental section could lead to discussion on how musical features combine to create mood. Little solo for a whistle or recorder player. Use of ornamentation could lead to discussion on that. ...
Arturo`s Bio
... ARTURO O’FARRILL, pianist, composer, educator, and founder and Artistic Director of the nonprofit Afro Latin Jazz Alliance, was born in Mexico and grew up in New York City. His debut album with the ...
... ARTURO O’FARRILL, pianist, composer, educator, and founder and Artistic Director of the nonprofit Afro Latin Jazz Alliance, was born in Mexico and grew up in New York City. His debut album with the ...
Document
... which indicate how many beats there are in a bar. Dorian Mode – a scale running from D to D on the keyboard using only white notes Jig – an Irish Dance ...
... which indicate how many beats there are in a bar. Dorian Mode – a scale running from D to D on the keyboard using only white notes Jig – an Irish Dance ...
Year-9-Music
... o A repeated musical pattern in the bass part upon which chords and melodies can be performed and varied. This variety often gets more complex as the piece proceeds o A unifying feature in much music of the Baroque period and popular songs. o This makes Ground Bass a particular type of variation for ...
... o A repeated musical pattern in the bass part upon which chords and melodies can be performed and varied. This variety often gets more complex as the piece proceeds o A unifying feature in much music of the Baroque period and popular songs. o This makes Ground Bass a particular type of variation for ...
Wells Cathedral School Jazz Saxophone Programme Personnel
... Scale and chord theory Levels In general terms the teacher would work with the pupil to reach these guideline targets at the end of each level. These are not meant to be prescriptive as each pupil is different and may have different needs at different ages. Elementary Typically Lower School age. Bas ...
... Scale and chord theory Levels In general terms the teacher would work with the pupil to reach these guideline targets at the end of each level. These are not meant to be prescriptive as each pupil is different and may have different needs at different ages. Elementary Typically Lower School age. Bas ...
CFE Fifth Grade Study Guide
... intonation (how in tune a singer/instrument is) balance/blend (how well the voices fit together to create one sound) tone (quality of sound: is the voice pinched or open sounding?) diction (words are spoken clearly) posture (sitting/standing straight and tall) breathing ...
... intonation (how in tune a singer/instrument is) balance/blend (how well the voices fit together to create one sound) tone (quality of sound: is the voice pinched or open sounding?) diction (words are spoken clearly) posture (sitting/standing straight and tall) breathing ...
Program Notes
... my travels there I have discovered several tradi7onal songs that Aurora o@en sings to my wife Maria (or along with her). I also quickly discovered the importance of bagpipes in tradi7onal Galician s ...
... my travels there I have discovered several tradi7onal songs that Aurora o@en sings to my wife Maria (or along with her). I also quickly discovered the importance of bagpipes in tradi7onal Galician s ...
Instrumental Music Eighth Grade
... and harmonic classroom instruments. Echo short rhythms and melodic patterns. Improvise “answers” in the same style to given rhythmic and melodic phrases Improvise simple rhythmic and melodic ostinato accompaniments. Improvise simple rhythmic variations and simple melodic embellishments on familiar m ...
... and harmonic classroom instruments. Echo short rhythms and melodic patterns. Improvise “answers” in the same style to given rhythmic and melodic phrases Improvise simple rhythmic and melodic ostinato accompaniments. Improvise simple rhythmic variations and simple melodic embellishments on familiar m ...
Aaron Copeland
... • “It Don’t Mean a Thing (If It Ain’t Got That Swing)” • “Satin Doll” • “Take the A Train” • “In a Sentimental Mood” ...
... • “It Don’t Mean a Thing (If It Ain’t Got That Swing)” • “Satin Doll” • “Take the A Train” • “In a Sentimental Mood” ...
CHAPTER 30
... whole mark of composers working at St. Mark's, where separate ensembles would perform in the two choir lofts to the left and right of the main isle (see Fig. 31-1). • Stile concertato: Italian for "corcerted style," it is a term broadly used to identify Baroque music marked by grand scale and strong ...
... whole mark of composers working at St. Mark's, where separate ensembles would perform in the two choir lofts to the left and right of the main isle (see Fig. 31-1). • Stile concertato: Italian for "corcerted style," it is a term broadly used to identify Baroque music marked by grand scale and strong ...
Jazz Music, Modern Drama & Dance
... in which one voice or instrument is answered by another voice, instrument, or group of instruments • bar – another term for measure, often used in jazz • chorus – in jazz, a statement of the basic harmonic pattern or melody ...
... in which one voice or instrument is answered by another voice, instrument, or group of instruments • bar – another term for measure, often used in jazz • chorus – in jazz, a statement of the basic harmonic pattern or melody ...
Sequential Chorus Curriculum for grades 6-8
... Music History and Interdisciplinary Application 6th grade Discuss the historical and cultural background of the works performed by the ensemble. Identify similarities and differences in the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and d ...
... Music History and Interdisciplinary Application 6th grade Discuss the historical and cultural background of the works performed by the ensemble. Identify similarities and differences in the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and d ...
Musical Terms - Rogers State University
... • So, a I, IV, V chord progression would be C, F, G or D, A, G. ...
... • So, a I, IV, V chord progression would be C, F, G or D, A, G. ...
Fourth Grade Music Vocabulary
... Largest instrument in the string department Distinctive type of music Rhythm pattern in which important tones are placed on weak beats or weak parts of beats The speed of the beat in music A recurring musical idea that occurs several times in a piece of music Large tunable drums in the percussion fa ...
... Largest instrument in the string department Distinctive type of music Rhythm pattern in which important tones are placed on weak beats or weak parts of beats The speed of the beat in music A recurring musical idea that occurs several times in a piece of music Large tunable drums in the percussion fa ...
play bill evans
... One could easily base a musical on the music of Bill Evans. Much of his music has the sweetness of a good musical tune. None of his melodies however, have the saccharine sweetness of a real musical hit, so it would probably not be a Broadway show. In this first big band project based on Evans’ compo ...
... One could easily base a musical on the music of Bill Evans. Much of his music has the sweetness of a good musical tune. None of his melodies however, have the saccharine sweetness of a real musical hit, so it would probably not be a Broadway show. In this first big band project based on Evans’ compo ...
Elements of Music
... • The range of a piece is the distance between the lowest and highest notes. • A piece that has a narrow range is one in which the melody centers around a few given notes. • A piece that has a wide range takes the musician or singer from low to high pitches. ...
... • The range of a piece is the distance between the lowest and highest notes. • A piece that has a narrow range is one in which the melody centers around a few given notes. • A piece that has a wide range takes the musician or singer from low to high pitches. ...
Baroque era - John Mindeman
... To generalize, Renaissance composers tried to express celestial harmony, Baroque composers tried to depict human emotion. Compositionally, Renaissance music is a congruence of equal parts. Baroque music is built hierarchically above a bass line (continuo). In Baroque music: ...
... To generalize, Renaissance composers tried to express celestial harmony, Baroque composers tried to depict human emotion. Compositionally, Renaissance music is a congruence of equal parts. Baroque music is built hierarchically above a bass line (continuo). In Baroque music: ...
Learning Outcome
... How to play simple eighth note strumming patterns with chord pairs. More power chords ...
... How to play simple eighth note strumming patterns with chord pairs. More power chords ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.