LABBS Harmony College 2003: Understanding the Barbershop Style
... LABBS Harmony College 2003: Understanding the Barbershop Style Definition of the Barbershop Style Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. The melody is consistently sung by the ...
... LABBS Harmony College 2003: Understanding the Barbershop Style Definition of the Barbershop Style Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. The melody is consistently sung by the ...
Variation
... Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
... Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
Concept Book
... for solo singers, chorus & orchestra. A large scale work without acting or stage design ...
... for solo singers, chorus & orchestra. A large scale work without acting or stage design ...
modern jazz techniques
... reducing the texture either by eliminating homophonic instruments like piano and guitar, or limiting what they played to occasional chords and monophonic solo lines. In this context, the absence of chords de-emphasizes harmony, allowing contrapuntal freedom between the bass line and solo improvisati ...
... reducing the texture either by eliminating homophonic instruments like piano and guitar, or limiting what they played to occasional chords and monophonic solo lines. In this context, the absence of chords de-emphasizes harmony, allowing contrapuntal freedom between the bass line and solo improvisati ...
Music Study Guide - Moore Public Schools
... Thin: few voices or instruments playing at the same time. ...
... Thin: few voices or instruments playing at the same time. ...
Musical Forms glossary - Bay Area Music Association
... extended works (especially dance suites). Motet: (1) to ca. 1400, a piece with one or more voices, often with different but related sacred or secular texts, singing over a fragment of chant in longer note-values; (2) after 1400, a polyphonic setting of a short sacred text. Nocturne: a moderately slo ...
... extended works (especially dance suites). Motet: (1) to ca. 1400, a piece with one or more voices, often with different but related sacred or secular texts, singing over a fragment of chant in longer note-values; (2) after 1400, a polyphonic setting of a short sacred text. Nocturne: a moderately slo ...
and print
... Born and raised in Greece, Spiros studied clasical guitar and music composition at the Athens Conservatory of Music, where he obtained his master's degrees. A great explorer on his instrument, he always liked to perform different styles such as jazz, rock and world music. Spiros became the lead guit ...
... Born and raised in Greece, Spiros studied clasical guitar and music composition at the Athens Conservatory of Music, where he obtained his master's degrees. A great explorer on his instrument, he always liked to perform different styles such as jazz, rock and world music. Spiros became the lead guit ...
to view Amir`s full bio
... concerts and the annual Maqam Fest. In 2013, he collaborated with the Metropolitan Museum to create a festival of Iraqi culture in 2013. He also teaches maqam classes at Alwan, and is the director of the Middle Eastern Music Ensemble at Columbia University, where he also teaches jazz ensembles. Born ...
... concerts and the annual Maqam Fest. In 2013, he collaborated with the Metropolitan Museum to create a festival of Iraqi culture in 2013. He also teaches maqam classes at Alwan, and is the director of the Middle Eastern Music Ensemble at Columbia University, where he also teaches jazz ensembles. Born ...
Choir Terms List
... strong note on a weak beat silent, not to be performed rate of speed to hold the note for its full value the general "lie" of a vocal part, an average pitch level how the music is put together a curved line connecting notes of the same pitch tone color of the singing voice top number - how many beat ...
... strong note on a weak beat silent, not to be performed rate of speed to hold the note for its full value the general "lie" of a vocal part, an average pitch level how the music is put together a curved line connecting notes of the same pitch tone color of the singing voice top number - how many beat ...
Blues and the Pentatonic Scale
... the tonic chord (I), then a restatement with more emphasis on the subdominant chord (IV), then a closing statement moving to the dominant chord (V) and finishing on the tonic chord, but typically returning to the beginning using a turnaround progression. A turnaround progression is designed to end a ...
... the tonic chord (I), then a restatement with more emphasis on the subdominant chord (IV), then a closing statement moving to the dominant chord (V) and finishing on the tonic chord, but typically returning to the beginning using a turnaround progression. A turnaround progression is designed to end a ...
Document
... Father was a schoolmaster Showed great aptitude for music Gathered for “Schubertiads” (music parties) Wanted to write a successful opera Known as a songwriter ...
... Father was a schoolmaster Showed great aptitude for music Gathered for “Schubertiads” (music parties) Wanted to write a successful opera Known as a songwriter ...
Elements of music - Texture, Tone Color
... Texture refers to the manner in which musical sounds/chords/lines/melodies are combined in a piece of music, and the relationship these parts have to one another. Monophony or Monophonic Texture Music with one note sounding at a time; a melody with no harmony or accompaniment Homophony - Homophonic ...
... Texture refers to the manner in which musical sounds/chords/lines/melodies are combined in a piece of music, and the relationship these parts have to one another. Monophony or Monophonic Texture Music with one note sounding at a time; a melody with no harmony or accompaniment Homophony - Homophonic ...
GRADE: 6 – 8 MUSIC – BEGINNING PIANO A. Skills and
... c. Use the following skills to perform appropriate music literature: dynamic expression, appropriate phrasing and articulation, style, balance, steady tempo, and rhythmic accuracy. d. Use context cues to sight-read music literature one level below performance level. MMSAP.3 - Reading and notating mu ...
... c. Use the following skills to perform appropriate music literature: dynamic expression, appropriate phrasing and articulation, style, balance, steady tempo, and rhythmic accuracy. d. Use context cues to sight-read music literature one level below performance level. MMSAP.3 - Reading and notating mu ...
Music_Progression_of_Skills DOC File
... with accurate pitch and in tune. Show control in voice and pronounce the words in a song clearly (diction). Maintain a simple part within an ensemble. Play notes on instruments clearly and including steps/ leaps in pitch. Improvise (including call and response) within a group using 1 or 2 notes. ...
... with accurate pitch and in tune. Show control in voice and pronounce the words in a song clearly (diction). Maintain a simple part within an ensemble. Play notes on instruments clearly and including steps/ leaps in pitch. Improvise (including call and response) within a group using 1 or 2 notes. ...
Aural Revision Grade 6
... Any Baroque or early Classical music had to make do without a sustain pedal, as it was written for the Harpsichord or Clavichord. Therefore we often have highly decorated cadences, and often there is ornamentation to fill out the gaps. Though you cannot presume that a piece with ornamentation is aut ...
... Any Baroque or early Classical music had to make do without a sustain pedal, as it was written for the Harpsichord or Clavichord. Therefore we often have highly decorated cadences, and often there is ornamentation to fill out the gaps. Though you cannot presume that a piece with ornamentation is aut ...
Lesson Plan 1
... Project audio timeline, take notes on peer suggestions on back of Entry Document. ...
... Project audio timeline, take notes on peer suggestions on back of Entry Document. ...
Study Guide for Music 1000 1 Music Organization of Sound and
... Combined music with lyrics o Lied: Love poems with music R. Schumann (1810- 1856) traditionalist early Character pieces Wrote many Lieds for his wife Strauss Mendelssohn (1809 – 47) Created program music Berlioz (1803- 1847) Created the transformation from one motif (Music a short ...
... Combined music with lyrics o Lied: Love poems with music R. Schumann (1810- 1856) traditionalist early Character pieces Wrote many Lieds for his wife Strauss Mendelssohn (1809 – 47) Created program music Berlioz (1803- 1847) Created the transformation from one motif (Music a short ...
NCEA Level 3 Making Music (90777) 2012 Assessment
... Percussion (tambourine) plays on the crotchet beats A one-bar riff / ostinato / rhythmic motif begins in the bass in bar 3 (heard four times) The last part of the bass riff is a diminution of the opening motif Other responses possible (b) Extract 2 Development of the opening motif, and the u ...
... Percussion (tambourine) plays on the crotchet beats A one-bar riff / ostinato / rhythmic motif begins in the bass in bar 3 (heard four times) The last part of the bass riff is a diminution of the opening motif Other responses possible (b) Extract 2 Development of the opening motif, and the u ...
Schedule
... • A (tonic pedal) note is sustained / held through the whole introduction • Percussion (tambourine) plays on the crotchet beats • A one-bar riff / ostinato / rhythmic motif begins in the bass in bar 3 (heard four times) • The last part of the bass riff is a diminution of the opening motif • Other re ...
... • A (tonic pedal) note is sustained / held through the whole introduction • Percussion (tambourine) plays on the crotchet beats • A one-bar riff / ostinato / rhythmic motif begins in the bass in bar 3 (heard four times) • The last part of the bass riff is a diminution of the opening motif • Other re ...
“Passion”
... and family from across the globe came together to commemorate Seifert and reconstruct his musical legacy. Now, inspired by this life changing journey, Brock performs and prepares for a recording with his new band, “Arrival/Departure”, which includes Polish vocal sensation Grazyna Auguscik and legend ...
... and family from across the globe came together to commemorate Seifert and reconstruct his musical legacy. Now, inspired by this life changing journey, Brock performs and prepares for a recording with his new band, “Arrival/Departure”, which includes Polish vocal sensation Grazyna Auguscik and legend ...
SAMUS Vol 13
... factors that affected a breakdown of the Indian joint-family system favored English as a home language and created a demand for a rationally understandable religion, a situation was created in which earlier forms of ritual Hinduism declined and in which there was an increase in neoHinduism with a me ...
... factors that affected a breakdown of the Indian joint-family system favored English as a home language and created a demand for a rationally understandable religion, a situation was created in which earlier forms of ritual Hinduism declined and in which there was an increase in neoHinduism with a me ...
http://www.jass.com/ http://www.pbs.org/jazz/biography
... April is Jazz Appreciation Month. Who are the great jazz musicians of our time? What is jazz music? Where did it come from? Jazz is one of America’s original music styles. You will ...
... April is Jazz Appreciation Month. Who are the great jazz musicians of our time? What is jazz music? Where did it come from? Jazz is one of America’s original music styles. You will ...
Article: Phrasing...Speaking in Musical Sentences.Blue Grass News
... Like a craftsman sizing up the job before starting to work, the musician must first study the music before performing it. After our analysis is complete, we are much better prepared to create a convincing execution of the phrases. However, there is a fundamental difference between a craftsman and a ...
... Like a craftsman sizing up the job before starting to work, the musician must first study the music before performing it. After our analysis is complete, we are much better prepared to create a convincing execution of the phrases. However, there is a fundamental difference between a craftsman and a ...
The Science of Music
... Musical notes are arranged into octaves, a series of eight notes of increasing frequency (Do-Re-Mi-Fa-Sol-La- Ti-Do). The frequency doubles from the first to last note of the octave. The last note of an octave is the first note of the next octave. ...
... Musical notes are arranged into octaves, a series of eight notes of increasing frequency (Do-Re-Mi-Fa-Sol-La- Ti-Do). The frequency doubles from the first to last note of the octave. The last note of an octave is the first note of the next octave. ...
Asen Bio - Doykin Music
... Year award, and the Jesse Stone Scholarship. He continued to further develop his personal musical style and to diversify his repertoire with Bulgarian Folk, Jazz and 20th Century Classical music. During this time, he studied with jazz legends such as George Garzone, Hal Crook, Joanne Brackeen, Billy ...
... Year award, and the Jesse Stone Scholarship. He continued to further develop his personal musical style and to diversify his repertoire with Bulgarian Folk, Jazz and 20th Century Classical music. During this time, he studied with jazz legends such as George Garzone, Hal Crook, Joanne Brackeen, Billy ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.