Music - Wheelock Primary School
... accompany songs. Experiment with digital technologies to create sound. ...
... accompany songs. Experiment with digital technologies to create sound. ...
Music is made up of many different things called elements
... Degrees of loudness or softness in music are called…… When the same melody is played by one instrument and then by another, it takes on different expressive effects because of each instruments tone colour. ...
... Degrees of loudness or softness in music are called…… When the same melody is played by one instrument and then by another, it takes on different expressive effects because of each instruments tone colour. ...
Improvisation and Composition
... minutes 17 seconds piece over and over again for almost two hours. I also included two classical examples of composition so dynamic that it seemed improvised. The first was the final movement of Beethoven's Razumovsky Quartet opus 59 number 3. This anticipated Gershwin's "I Got Rhythm" with dazzling ...
... minutes 17 seconds piece over and over again for almost two hours. I also included two classical examples of composition so dynamic that it seemed improvised. The first was the final movement of Beethoven's Razumovsky Quartet opus 59 number 3. This anticipated Gershwin's "I Got Rhythm" with dazzling ...
Figure 1 - WordPress.com
... The [a] sub-section is significantly more harmonically complex than the [b] section. Already in the third measure, the g minor melody is accompanied the dissonant ii˚7 chord and gives an impression of dark emotional intensity. Harmonies move between a plethora of diatonic chords (i, ii˚, III, iv, V ...
... The [a] sub-section is significantly more harmonically complex than the [b] section. Already in the third measure, the g minor melody is accompanied the dissonant ii˚7 chord and gives an impression of dark emotional intensity. Harmonies move between a plethora of diatonic chords (i, ii˚, III, iv, V ...
20th Century
... Copland's teacher and mentor Nadia Boulanger was a French composer, conductor and teacher who taught many composers and performers of the 20th century, she was his most important influence. Another inspiration was jazz. "The impression of jazz one receives in a foreign country is totally unlike the ...
... Copland's teacher and mentor Nadia Boulanger was a French composer, conductor and teacher who taught many composers and performers of the 20th century, she was his most important influence. Another inspiration was jazz. "The impression of jazz one receives in a foreign country is totally unlike the ...
0410 music - PastPapers.Co
... between string instruments/violins [1] and the arpeggios are played by flutes [1]. The melody is also accompanied homophonically [1]. There is a pizzicato bass line/walking/scalic bass line [1]; bassoon [1]. Cymbal crash on the last beat [1] ...
... between string instruments/violins [1] and the arpeggios are played by flutes [1]. The melody is also accompanied homophonically [1]. There is a pizzicato bass line/walking/scalic bass line [1]; bassoon [1]. Cymbal crash on the last beat [1] ...
EuroMed Music Festival 2010
... between civilizations and cultures, when the individuals have to face with a society that becomes more and more multicultural. The musicians – whose origins roots back to twelve different countries and cultures – will spend 5 days in Budapest sharing their experiences in a variety of traditional and ...
... between civilizations and cultures, when the individuals have to face with a society that becomes more and more multicultural. The musicians – whose origins roots back to twelve different countries and cultures – will spend 5 days in Budapest sharing their experiences in a variety of traditional and ...
Music Glossary
... fugue – a type of contrapuntal composition that generally opens with one main theme (subject), which then sounds successively in each voice in imitation fundamentals – the basic components or principles from which other truths can be derived Funk – a type of popular music combining elements of jazz, ...
... fugue – a type of contrapuntal composition that generally opens with one main theme (subject), which then sounds successively in each voice in imitation fundamentals – the basic components or principles from which other truths can be derived Funk – a type of popular music combining elements of jazz, ...
Musical Form - The Music Room 2
... The structures or musical forms of songs in popular music are generally repeating forms such as the strophic form. Other common forms include thirty-two-bar form, verse-chorus form and the twelve bar blues. This form can be used in any structural difference in melodies. The foundation of popular mus ...
... The structures or musical forms of songs in popular music are generally repeating forms such as the strophic form. Other common forms include thirty-two-bar form, verse-chorus form and the twelve bar blues. This form can be used in any structural difference in melodies. The foundation of popular mus ...
American Music: Aaron Copland Unit Organizer
... - Use information gained from illustrations (e.g., maps, photographs) and the words in a text to demonstrate understanding of the text (e.g., where, when, why, and how key events occur). - Describe the relationship between a series of historical events, scientific ideas or concepts, or steps in tech ...
... - Use information gained from illustrations (e.g., maps, photographs) and the words in a text to demonstrate understanding of the text (e.g., where, when, why, and how key events occur). - Describe the relationship between a series of historical events, scientific ideas or concepts, or steps in tech ...
SSMC Teachers` Bios
... Seoul. Private study of her new passion for jazz led her to the Berklee College of Music, where she graduated Summa Cum Laude in 2009 with a degree in Film Scoring and Jazz Composition. While at Berklee, her musical palette expanded to include South American, Afro-Cuban, and Brazilian styles under t ...
... Seoul. Private study of her new passion for jazz led her to the Berklee College of Music, where she graduated Summa Cum Laude in 2009 with a degree in Film Scoring and Jazz Composition. While at Berklee, her musical palette expanded to include South American, Afro-Cuban, and Brazilian styles under t ...
level 11 - Hlubek Piano Studio
... Root position triads (chords) including Tonic (I), Subdominant (IV), and Dominant (V or V7) of all Major keys Root position triads (chords) including tonic (i), subdominant (iv), and Dominant (V or V7) of all harmonic minor keys up to and including 5 sharps and 5 flats Progression for cadences: auth ...
... Root position triads (chords) including Tonic (I), Subdominant (IV), and Dominant (V or V7) of all Major keys Root position triads (chords) including tonic (i), subdominant (iv), and Dominant (V or V7) of all harmonic minor keys up to and including 5 sharps and 5 flats Progression for cadences: auth ...
African Origins and Acculturation in the New World
... • Can be “dirtied” by adding bottlecaps to produce a buzzing sound. ...
... • Can be “dirtied” by adding bottlecaps to produce a buzzing sound. ...
7th Grade Elements Test
... 21. When there is more than one rhythm played at the same time it is: a. polyphony b. polyrhythm c. solo d. melody 22. When there are two or more melodies played together it is a: a.polyphony b. polyrhythm c. solo d. melody 23. A simple pattern of notes that keeps the melody company is the: a. polyp ...
... 21. When there is more than one rhythm played at the same time it is: a. polyphony b. polyrhythm c. solo d. melody 22. When there are two or more melodies played together it is a: a.polyphony b. polyrhythm c. solo d. melody 23. A simple pattern of notes that keeps the melody company is the: a. polyp ...
Music Elements Test PDF
... 21. When there is more than one rhythm played at the same time it is: a. polyphony b. polyrhythm c. solo d. melody 22. When there are two or more melodies played together it is a: a.polyphony b. polyrhythm c. solo d. melody 23. A simple pattern of notes that keeps the melody company is the: a. polyp ...
... 21. When there is more than one rhythm played at the same time it is: a. polyphony b. polyrhythm c. solo d. melody 22. When there are two or more melodies played together it is a: a.polyphony b. polyrhythm c. solo d. melody 23. A simple pattern of notes that keeps the melody company is the: a. polyp ...
“I have many Yamaha guitars: steel-strings, nylon
... suave, melodic style that combines Brazilian grooves with warm-toned guitar lines. “Brazil is a musical country,” notes Albert, “but it doesn’t have that much to offer instrumental musicians. Brazil has a great understanding of the melodic and harmonic aspects of music, but I always liked the way Am ...
... suave, melodic style that combines Brazilian grooves with warm-toned guitar lines. “Brazil is a musical country,” notes Albert, “but it doesn’t have that much to offer instrumental musicians. Brazil has a great understanding of the melodic and harmonic aspects of music, but I always liked the way Am ...
Took up jazz as part of her discovery of the bass…
... Chamber Music Society of Oregon, a community orchestra that was open to both children and adult musicians. She stayed with the group for ten years, and by age 15, she had been elevated to a concertmaster position. But by then, she had also discovered the bass, and all of the non-classical avenues th ...
... Chamber Music Society of Oregon, a community orchestra that was open to both children and adult musicians. She stayed with the group for ten years, and by age 15, she had been elevated to a concertmaster position. But by then, she had also discovered the bass, and all of the non-classical avenues th ...
View - Ross Hamilton`s Music Education Resources
... Chorus, all in G major, consisting of four 4-bar phrases. The melody has a playful character, with a mixture of steps and leaps. The rhythm is mostly unsyncopated. The first phrase begins and ends on the dominant note. The harmony consists mostly of tonic and dominant chords, with added 6ths or 7ths ...
... Chorus, all in G major, consisting of four 4-bar phrases. The melody has a playful character, with a mixture of steps and leaps. The rhythm is mostly unsyncopated. The first phrase begins and ends on the dominant note. The harmony consists mostly of tonic and dominant chords, with added 6ths or 7ths ...
to PDF
... Hidalgo, Miguel Zenon as well as with the Caribbean Jazz Project and the Philadelphia Symphony Orchestra, where he accompanied pianist Peter Nero. Today a resident of the Bronx, he serves as an endorser of and clinician for Latin Percussion ...
... Hidalgo, Miguel Zenon as well as with the Caribbean Jazz Project and the Philadelphia Symphony Orchestra, where he accompanied pianist Peter Nero. Today a resident of the Bronx, he serves as an endorser of and clinician for Latin Percussion ...
Jɛnkuno Overview Phrase Duration
... At the completion of this introduction, the ensemble booms out the response theme. From here on out, the lead luŋa just plays short phrases that fit into the four-beat slot between the responses. Alhaji presents three "talks." Ideas stated in the "call" reappear. The "zahan gridediyan zadaden dedada ...
... At the completion of this introduction, the ensemble booms out the response theme. From here on out, the lead luŋa just plays short phrases that fit into the four-beat slot between the responses. Alhaji presents three "talks." Ideas stated in the "call" reappear. The "zahan gridediyan zadaden dedada ...
Music Structure
... varying the rhythmic accents of their word syllables, so may they also create harmonious counter melodies by varying the tones or pitches related to the basic melody. Sub-elements of music: Tempo – Best described as the number of beats per minute. Generally, we dance comfortably between 124 – 132 BP ...
... varying the rhythmic accents of their word syllables, so may they also create harmonious counter melodies by varying the tones or pitches related to the basic melody. Sub-elements of music: Tempo – Best described as the number of beats per minute. Generally, we dance comfortably between 124 – 132 BP ...
Artist Directory 2014 - Chapeltown Arts Festival
... Performance piece about accents, identity, migration and always being told you’re not from the place that you say you're from ‘Nine Lives’. Ishmael is an asylum seeker who is living in limbo. He's been dispersed by the Home Office to place that isn't his home. He fled Zimbabwe because being who he w ...
... Performance piece about accents, identity, migration and always being told you’re not from the place that you say you're from ‘Nine Lives’. Ishmael is an asylum seeker who is living in limbo. He's been dispersed by the Home Office to place that isn't his home. He fled Zimbabwe because being who he w ...
program notes - ClarinetMike
... Solo by Don Ellis (1934-1978) Don Ellis was a jazz trumpeter, drummer, bandleader, touring performer, recording artist, composer, and arranger. Ellis played with a variety of prestigious big bands and jazz groups, including those of Charlie Barnet, Maynard Ferguson, Lionel Hampton, Woody Herman, and ...
... Solo by Don Ellis (1934-1978) Don Ellis was a jazz trumpeter, drummer, bandleader, touring performer, recording artist, composer, and arranger. Ellis played with a variety of prestigious big bands and jazz groups, including those of Charlie Barnet, Maynard Ferguson, Lionel Hampton, Woody Herman, and ...
GCSE set works condensed info
... Changes according to the different sections (slow/meditative; regular pulse established; fast pace with exciting rhythms; moderate to fast pace) Sitar has sympathetic strings that are below the main 7 strings and therefore vibrate when the 7 strings are plucked; creates a ‘twangy’ sound. Tabla has 2 ...
... Changes according to the different sections (slow/meditative; regular pulse established; fast pace with exciting rhythms; moderate to fast pace) Sitar has sympathetic strings that are below the main 7 strings and therefore vibrate when the 7 strings are plucked; creates a ‘twangy’ sound. Tabla has 2 ...
Guide to analysis of music with questions
... character of the melody? Aggressive? Placid? Mournful? Jubilant? What makes you think so? Use an example from the music. Is there ever more than one melody playing at once? Does the melody ever exist without accompaniment (is it monophonic)? Could the accompaniment parts be referred to as melodies? ...
... character of the melody? Aggressive? Placid? Mournful? Jubilant? What makes you think so? Use an example from the music. Is there ever more than one melody playing at once? Does the melody ever exist without accompaniment (is it monophonic)? Could the accompaniment parts be referred to as melodies? ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.