Preparing for Music
... • The inclusion of a symphony marks the creation of the symphony in the Classical Period – Unlike Romantic symphonies, Classical symphonies are light-hearted concert music, typically in major – Although the symphony is associated with the Classical period, opera persisted as the most popular genre ...
... • The inclusion of a symphony marks the creation of the symphony in the Classical Period – Unlike Romantic symphonies, Classical symphonies are light-hearted concert music, typically in major – Although the symphony is associated with the Classical period, opera persisted as the most popular genre ...
musical texture
... The word “mono” means one or single.Therefore we hear monophonic texture when a person sings alone without accompaniment or background music. So we can say that monophonic texture is heard when a single melodic line is performed without accompaniment. That single melody could be played or sung by on ...
... The word “mono” means one or single.Therefore we hear monophonic texture when a person sings alone without accompaniment or background music. So we can say that monophonic texture is heard when a single melodic line is performed without accompaniment. That single melody could be played or sung by on ...
Rhythm Machine - Wisconsin Music Educators Association
... It may sound simplistic to say the piece is based on the Concert Bb scale, but in effect the first 4 measures of the opening A theme lies within a one octave Bb diatonic scale with strictly tonic, subdominant and dominant harmonization. It is this seeming simplicity of the recurring theme that sets ...
... It may sound simplistic to say the piece is based on the Concert Bb scale, but in effect the first 4 measures of the opening A theme lies within a one octave Bb diatonic scale with strictly tonic, subdominant and dominant harmonization. It is this seeming simplicity of the recurring theme that sets ...
The Appraisal - musicgcse.com
... It then breaks into the chorus, and a heavy distorted chord progression of B, F#, G# and E enters. A harmonic riff is played over the top of it with a delay effect. Also, a string section is introduced giving the chorus a ‘padding’. The bass, like before, follows the root note of the chord progressi ...
... It then breaks into the chorus, and a heavy distorted chord progression of B, F#, G# and E enters. A harmonic riff is played over the top of it with a delay effect. Also, a string section is introduced giving the chorus a ‘padding’. The bass, like before, follows the root note of the chord progressi ...
A2 2, Part 2: Written Examination (MS)
... • modelled on the Italian balletto/influenced by Italian composers, e.g. Gastoldi • strophic in form – two or more verses set to the same music • mainly homophonic texture with melody in the top part • regular, simple, dance-like rhythms • syllabic fa-la-la refrain at the end which fo ...
... • modelled on the Italian balletto/influenced by Italian composers, e.g. Gastoldi • strophic in form – two or more verses set to the same music • mainly homophonic texture with melody in the top part • regular, simple, dance-like rhythms • syllabic fa-la-la refrain at the end which fo ...
Voice & Vocal Concepts - Deans Community High School
... STROPHIC – a vocal/choral composition where the same music is repeated throughout (verse-chorusverse-chorus) THROUGH-COMPOSED – a vocal/choral composition in which there is little or no repetition of the music SCAT SINGING – nonsense words, syllables and sounds are improvised by the singer (d ...
... STROPHIC – a vocal/choral composition where the same music is repeated throughout (verse-chorusverse-chorus) THROUGH-COMPOSED – a vocal/choral composition in which there is little or no repetition of the music SCAT SINGING – nonsense words, syllables and sounds are improvised by the singer (d ...
example - davenantperformingarts
... which is similar to my piece however mine also uses a bass guitar. The piano part plays chords with use of ad libbing also which I also do in my composition. Chariot also begins with a short piano introduction before the other instruments join in however when all the instruments begin to play the ...
... which is similar to my piece however mine also uses a bass guitar. The piano part plays chords with use of ad libbing also which I also do in my composition. Chariot also begins with a short piano introduction before the other instruments join in however when all the instruments begin to play the ...
here
... - Ostinato/Riff; rhythmic ostinato; utilisation of same phrase repeatedly as basis o Is there variation, development or is it unchanging? - Motivic development; is the motif expanded, and how is this achieved? Eg; ‘Kanon’ - Cross rhythm; two opposing rhythms at once - Polyrhythm; many rhythms (may b ...
... - Ostinato/Riff; rhythmic ostinato; utilisation of same phrase repeatedly as basis o Is there variation, development or is it unchanging? - Motivic development; is the motif expanded, and how is this achieved? Eg; ‘Kanon’ - Cross rhythm; two opposing rhythms at once - Polyrhythm; many rhythms (may b ...
There are three basic musical textures: monophony, polyphony, and
... view, that melodic line is heard over the harmonic accompaniment. On most keyboard pieces, for example, the right hand usually carries the main melodic line while the left hand provides the harmonic accompaniment. In popular music, the lead singer sings the vocal melody over the band's harmonic acco ...
... view, that melodic line is heard over the harmonic accompaniment. On most keyboard pieces, for example, the right hand usually carries the main melodic line while the left hand provides the harmonic accompaniment. In popular music, the lead singer sings the vocal melody over the band's harmonic acco ...
Voice leading from IV-V
... With chords a fifth apart (I-IV and I-V) there is always a common tone, so we have the option of using voicing with a common tone. Going from IV-V the two chords are a second apart, and have no common tones. In bar 1, we start off with a IV chord in close position: ...
... With chords a fifth apart (I-IV and I-V) there is always a common tone, so we have the option of using voicing with a common tone. Going from IV-V the two chords are a second apart, and have no common tones. In bar 1, we start off with a IV chord in close position: ...
Hector Berlioz (1803
... life, in the tumult of a festive party, in the peaceful contemplation of the beautiful sights of nature, yet everywhere, whether in town or in the countryside, the beloved image keeps haunting him and throws his spirit into confusion. Part three: Scene in the countryside One evening in the countrysi ...
... life, in the tumult of a festive party, in the peaceful contemplation of the beautiful sights of nature, yet everywhere, whether in town or in the countryside, the beloved image keeps haunting him and throws his spirit into confusion. Part three: Scene in the countryside One evening in the countrysi ...
20th Century Musicians - Jamesville Dewitt School District
... Rock was a blend of jazz, rhythm and blues, country, and gospel • Rock was most influenced by African American music • Rock was popular because it was simple, fast, fun, and you could dance to it. ...
... Rock was a blend of jazz, rhythm and blues, country, and gospel • Rock was most influenced by African American music • Rock was popular because it was simple, fast, fun, and you could dance to it. ...
2013年1月12日托福写作真题回忆
... musicians. New Orleans; Memphis; St. Louis; Kansas City, Missouri; Chicago; Detroit; and New York City were all important centers of jazz. A group of Midwest youths, many from Chicago's Austin High School, developed a type of improvisation and arrangement that became known as "Chicago style" jazz. T ...
... musicians. New Orleans; Memphis; St. Louis; Kansas City, Missouri; Chicago; Detroit; and New York City were all important centers of jazz. A group of Midwest youths, many from Chicago's Austin High School, developed a type of improvisation and arrangement that became known as "Chicago style" jazz. T ...
A CONTOUR-BASED JAZZ WALKING BASS GENERATOR
... the walking bass technique, there are several other aspects regarding the notes, rhythm and articulations that have an important role in a good performance. These aspects, here referred to as ornaments, are little nuances and additions to the phrases that dont change nor define the main contents of ...
... the walking bass technique, there are several other aspects regarding the notes, rhythm and articulations that have an important role in a good performance. These aspects, here referred to as ornaments, are little nuances and additions to the phrases that dont change nor define the main contents of ...
Musical Elements
... Musical Elements are the basic materials or "building blocks" which are used in forming the structure of music. In explaining the elements of music, I like to group them into two general categories, RHYTHM and MELODY. Keep in mind that this is a western view of music, although most musical cultures ...
... Musical Elements are the basic materials or "building blocks" which are used in forming the structure of music. In explaining the elements of music, I like to group them into two general categories, RHYTHM and MELODY. Keep in mind that this is a western view of music, although most musical cultures ...
homework - WordPress.com
... In 1970, Reich took time out to study African drumming in Ghana. This led to him writing works such as Drumming (1970-1971) and Clapping Music (1972) that are based around rhythms phasing in the same way as the tape loops did in It's Gonna Rain and Come Out. He also studied Balinese gamelan music in ...
... In 1970, Reich took time out to study African drumming in Ghana. This led to him writing works such as Drumming (1970-1971) and Clapping Music (1972) that are based around rhythms phasing in the same way as the tape loops did in It's Gonna Rain and Come Out. He also studied Balinese gamelan music in ...
0495571911_215159
... Bizet: Farandole from L’Arlésienne, Suite No. 2 As you listen to Farandole, notice Its march-like quality Its steady beat Its two- or four-beat meter Where the tempo changes and becomes faster ...
... Bizet: Farandole from L’Arlésienne, Suite No. 2 As you listen to Farandole, notice Its march-like quality Its steady beat Its two- or four-beat meter Where the tempo changes and becomes faster ...
History of Rock Music
... Work songs of the slaves Call-and-response (African) style mixed with chords (European) Ex-slaves singing in the 1860’s sad and ‘blue’ songs Traditional instruments are (all acoustic) o Harmonica o Guitar o Banjo o Violin o Piano o Double bass o Voice By the 1920’s blues was popular by black and whi ...
... Work songs of the slaves Call-and-response (African) style mixed with chords (European) Ex-slaves singing in the 1860’s sad and ‘blue’ songs Traditional instruments are (all acoustic) o Harmonica o Guitar o Banjo o Violin o Piano o Double bass o Voice By the 1920’s blues was popular by black and whi ...
Music Glossary
... texture – the character of music that results from the ways in which the vertical and horizontal elements are combined theme— a complete and self-contained melody tie – a curved line joining two successive notes of the same pitch indicating that the second note is a prolongation of the first and not ...
... texture – the character of music that results from the ways in which the vertical and horizontal elements are combined theme— a complete and self-contained melody tie – a curved line joining two successive notes of the same pitch indicating that the second note is a prolongation of the first and not ...
Linking Your Vocals and Guitar Through Parallel Melodies.ppp
... In the example below, the vocal melody is the sung line, “I love you.” Below it, a simple, fingerpicked guitar part is shown. Notice that the guitar part’s upper notes parallel the vocal melody in thirds (that is, its uppermost notes follow the same rhythmic pattern and melodic contour as the vocal ...
... In the example below, the vocal melody is the sung line, “I love you.” Below it, a simple, fingerpicked guitar part is shown. Notice that the guitar part’s upper notes parallel the vocal melody in thirds (that is, its uppermost notes follow the same rhythmic pattern and melodic contour as the vocal ...
about Barbershop style music.
... For singers who come from a traditional choral music background, the world of barbershop harmony can be confusing at first. In simple terms, barbershop harmony is vocal harmony produced by four parts: lead, tenor, baritone and bass. It is sung a cappella (without instrumental accompaniment) and is o ...
... For singers who come from a traditional choral music background, the world of barbershop harmony can be confusing at first. In simple terms, barbershop harmony is vocal harmony produced by four parts: lead, tenor, baritone and bass. It is sung a cappella (without instrumental accompaniment) and is o ...
Melody Definitions
... The members of the string family include two types of instruments: bowed and plucked. The standard bowed string instruments, from highest to lowest, are: violin, viola, cello, and double bass. The harp and guitar are common plucked string instruments. String instruments often play special effects, i ...
... The members of the string family include two types of instruments: bowed and plucked. The standard bowed string instruments, from highest to lowest, are: violin, viola, cello, and double bass. The harp and guitar are common plucked string instruments. String instruments often play special effects, i ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.