Twentieth Century Declarative Knowledge
... o Successful career in the insurance business Composed after-hours and on weekends His contributions were recognized late in life o Drew on music of New England (hymns, patriotic songs, brass band, and dance music) o Incorporated polytonality and polyrhythm, quarter tones (half the size of a hal ...
... o Successful career in the insurance business Composed after-hours and on weekends His contributions were recognized late in life o Drew on music of New England (hymns, patriotic songs, brass band, and dance music) o Incorporated polytonality and polyrhythm, quarter tones (half the size of a hal ...
12-13 A S05 rubric
... A grade = 5 or more A marks on the rubric and no P (progress) B grade = all marks on the rubric at the B or A level and no P (progress) AGE 12/13 A Unit S05 grading scale Essential OUTCOME: TSW1 perform rhythms (including syncopated) to a steady beat in duple and triple meter, and define the terms: ...
... A grade = 5 or more A marks on the rubric and no P (progress) B grade = all marks on the rubric at the B or A level and no P (progress) AGE 12/13 A Unit S05 grading scale Essential OUTCOME: TSW1 perform rhythms (including syncopated) to a steady beat in duple and triple meter, and define the terms: ...
Elements of Music: Sound, Melody, Rhythm, and Harmony
... Haydn, String Quartet, op. 33, no. 3, (“The Bird”) IV—dissonance 2. Music is a most difficult art to grasp because it is so abstract. It never entirely exists in the present, but relies on both memory and intuition (or expectation, as Leonard Meyer says in his Emotion and Meaning in Music). The list ...
... Haydn, String Quartet, op. 33, no. 3, (“The Bird”) IV—dissonance 2. Music is a most difficult art to grasp because it is so abstract. It never entirely exists in the present, but relies on both memory and intuition (or expectation, as Leonard Meyer says in his Emotion and Meaning in Music). The list ...
elements-of-music
... only one line of music sounding alone- gregorian chant S Homophonic means one line ...
... only one line of music sounding alone- gregorian chant S Homophonic means one line ...
Comparative (Ethno)Musicology. - Institut 13: Ethnomusikologie
... general outline of small studies, which are all organized along the same lines: often they are entitled “… melodies recorded on the phonograph” and are based on a few samples (“Stichproben”) of phonograph recordings of a particular kind of music which are analyzed according to standard (Western) mus ...
... general outline of small studies, which are all organized along the same lines: often they are entitled “… melodies recorded on the phonograph” and are based on a few samples (“Stichproben”) of phonograph recordings of a particular kind of music which are analyzed according to standard (Western) mus ...
2 Chants Ancient Roo.. - Paul Ayick Vintage Brass
... In order to fully understand the origins of plainsong or chant, actually all of Western music, one must go back to the ancient Greeks. In approximately 500 B.C. Pythagoras, perhaps history’s first music theorist and other ancient Greek scientists developed the system of scales (modes) and division o ...
... In order to fully understand the origins of plainsong or chant, actually all of Western music, one must go back to the ancient Greeks. In approximately 500 B.C. Pythagoras, perhaps history’s first music theorist and other ancient Greek scientists developed the system of scales (modes) and division o ...
Traditional composition techniques
... non-tonal scales scale structures that are symmetric in content; e.g., whole-tone scale, which has no differences to imply a tonic octave displacement melody with tones played in differing octave registers; occurs frequently ion Webern's music ornamentation embellishment of a given figure or framewo ...
... non-tonal scales scale structures that are symmetric in content; e.g., whole-tone scale, which has no differences to imply a tonic octave displacement melody with tones played in differing octave registers; occurs frequently ion Webern's music ornamentation embellishment of a given figure or framewo ...
document
... The orchestra in the Romantic period was greatly expanded. Sometimes the orchestra outnumbered the audience. The brass section became an independent group, equal with the woodwinds and strings. The addition of valves to the brass instruments made them much more agile and freed them from the support ...
... The orchestra in the Romantic period was greatly expanded. Sometimes the orchestra outnumbered the audience. The brass section became an independent group, equal with the woodwinds and strings. The addition of valves to the brass instruments made them much more agile and freed them from the support ...
Dan`s Music Theory 101 Cheat Sheet
... Chord Tone- A note that’s part of the current chord. Chromatic Scale- A scale consisting of every note. Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. A ...
... Chord Tone- A note that’s part of the current chord. Chromatic Scale- A scale consisting of every note. Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. A ...
![Dan`s Music Theory 101 Cheat Sheet []](http://s1.studyres.com/store/data/007752700_2-d39806ec781c16b3e6c991a5c61a970a-300x300.png)
Dan`s Music Theory 101 Cheat Sheet []
... Chord Tone- A note that’s part of the current chord. Chromatic Scale- A scale consisting of every note. Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. A ...
... Chord Tone- A note that’s part of the current chord. Chromatic Scale- A scale consisting of every note. Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. A ...
Hugo Wolf`s Der Feuerreiter: Text Painting and Form
... Wolf’s use of text-painting is quite intriguing and sophisticated, and similar to his organization of tonal structure, operates at various levels. On one hand, there exists a very surface type of text-painting which is fairly obvious, such as the use of the ringing B-pedal in the piano for the fire ...
... Wolf’s use of text-painting is quite intriguing and sophisticated, and similar to his organization of tonal structure, operates at various levels. On one hand, there exists a very surface type of text-painting which is fairly obvious, such as the use of the ringing B-pedal in the piano for the fire ...
Tonal Harmony Chapter 5 Pinciples of Voice Leading
... o Parallel: both move in same direction by the same interval When the texture contains more than two voices, they will be more ”pairs” of voices to consider o Three parts: 3 pairs o Four parts: 6 pairs Avoid parallels 5ths and 8ves (example 5-15), parallels 12ths and unisons Composers of tonal ...
... o Parallel: both move in same direction by the same interval When the texture contains more than two voices, they will be more ”pairs” of voices to consider o Three parts: 3 pairs o Four parts: 6 pairs Avoid parallels 5ths and 8ves (example 5-15), parallels 12ths and unisons Composers of tonal ...
Musical Rhetoric Summary
... Synecdoche – using a larger structure as a substitute for a smaller structure that is contained within it, to function as the smaller one, but to different effect, i.e a chord that uses all notes in the scale or row of its origin . Tonic-dom-tonic encapsulates an entire tonal composition, which woul ...
... Synecdoche – using a larger structure as a substitute for a smaller structure that is contained within it, to function as the smaller one, but to different effect, i.e a chord that uses all notes in the scale or row of its origin . Tonic-dom-tonic encapsulates an entire tonal composition, which woul ...
Artemis 3-19 Notes
... development, and recapitulation, in which the primary themes are introduced, led into conflict through melodic and harmonic changes, and resolved in a grand restatement. The composers on tonight’s program both hail from Central Europe (Germany and Hungary), where composers have often been more prone ...
... development, and recapitulation, in which the primary themes are introduced, led into conflict through melodic and harmonic changes, and resolved in a grand restatement. The composers on tonight’s program both hail from Central Europe (Germany and Hungary), where composers have often been more prone ...
The Shoemaker`s Tetrameter: Alterman à la Argov Abstract
... The discussion revolves around salient songs from the musical The King and the Cobbler (King Solomon and Shalmai the Shoemaker), almost all of them written in iambic tetrameter. The methodology is based on the following comparative procedure: First we look at the lyrics, ignoring the music, and dete ...
... The discussion revolves around salient songs from the musical The King and the Cobbler (King Solomon and Shalmai the Shoemaker), almost all of them written in iambic tetrameter. The methodology is based on the following comparative procedure: First we look at the lyrics, ignoring the music, and dete ...
Music as a means of connecting, understanding, and being
... piece is drawn from just two motives. The first is a piquant succession of two semitones (compounded into minor ninths and/or inverted into major sevenths), and the second is the interval of a minor tenth. The extended techniques, formal symmetry, and unity of thematic material help overcome the ch ...
... piece is drawn from just two motives. The first is a piquant succession of two semitones (compounded into minor ninths and/or inverted into major sevenths), and the second is the interval of a minor tenth. The extended techniques, formal symmetry, and unity of thematic material help overcome the ch ...
1 Szotkowski Annie Szotkowski Alto Sax Album Review 10/14/2011
... vibes (so to not overpower the flute with individual note patterns). The drums and vibes maintain consistent patterns and drum styles as the trumpet solos. The drums and trumpet sync in the rapidity of the solo and rhythmic background. The vibes demonstrate many alternating patterns either ascending ...
... vibes (so to not overpower the flute with individual note patterns). The drums and vibes maintain consistent patterns and drum styles as the trumpet solos. The drums and trumpet sync in the rapidity of the solo and rhythmic background. The vibes demonstrate many alternating patterns either ascending ...
Jazz Combos - Digital Commons @ Kennesaw State University
... Studies at Georgia State University, and he currently teaches Applied Jazz Guitar, Jazz Theory and Composition, Jazz Guitar Ensemble, Jazz History, Jazz Improvisation, and The History of Rock at Kennesaw State University. Trey has also taught at LaGrange College, Gainesville College, the Atlanta Ins ...
... Studies at Georgia State University, and he currently teaches Applied Jazz Guitar, Jazz Theory and Composition, Jazz Guitar Ensemble, Jazz History, Jazz Improvisation, and The History of Rock at Kennesaw State University. Trey has also taught at LaGrange College, Gainesville College, the Atlanta Ins ...
File
... The closing of the poco piu lento section slightly alters the phrasing. A breath is clearly signaled by a rest on beat 3 of the final measure of the phrase. In the allegro section, with the exception of m.76-84, all breaths are clearly marked by the use of rest. Although there are rests in the solo ...
... The closing of the poco piu lento section slightly alters the phrasing. A breath is clearly signaled by a rest on beat 3 of the final measure of the phrase. In the allegro section, with the exception of m.76-84, all breaths are clearly marked by the use of rest. Although there are rests in the solo ...
Definitions, Quiz 1
... fugue is called a "subject.") Thematic development. The process of revealing a theme's capacities and brining them to fulfillment. The principle of elaborating or varying a musical idea is pervasive in Western music, and it is also found in melody-oriented styles of many Far Eastern and Middle Easte ...
... fugue is called a "subject.") Thematic development. The process of revealing a theme's capacities and brining them to fulfillment. The principle of elaborating or varying a musical idea is pervasive in Western music, and it is also found in melody-oriented styles of many Far Eastern and Middle Easte ...
Assignment 3a Musical Concepts Young Children Can Learn
... Teaching music to young children is fun, because they enjoy it so much. “The Ants go Marching,” “Skip to My Lou,” “Looby Lou” and other commonly heard early childhood music used during the day allow for release of energy, relaxation, and pure enjoyment. The exposure to music also promotes an underst ...
... Teaching music to young children is fun, because they enjoy it so much. “The Ants go Marching,” “Skip to My Lou,” “Looby Lou” and other commonly heard early childhood music used during the day allow for release of energy, relaxation, and pure enjoyment. The exposure to music also promotes an underst ...
Indian Music - Ms Jones` GCSE Class
... • MA can be sharpened (tivra) this would be shown as a line above the note • RI , GA, DHA and NI can be flattened (komal), this would be shown as a line below the note. • A dot above the note means an octave above. • A dot below the note means an octave below. ...
... • MA can be sharpened (tivra) this would be shown as a line above the note • RI , GA, DHA and NI can be flattened (komal), this would be shown as a line below the note. • A dot above the note means an octave above. • A dot below the note means an octave below. ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.