Area of study 2: Vocal Music - Pearson Schools and FE Colleges
... The chord sequences owe more to songs from musicals than to the bluesbased chord sequences of rock music. A standard rock song will often follow an adapted 12-bar-blues sequence for at least one of its sections or, if not, will generally still use chords I, IV and V (and possibly ♭VII) as the basis ...
... The chord sequences owe more to songs from musicals than to the bluesbased chord sequences of rock music. A standard rock song will often follow an adapted 12-bar-blues sequence for at least one of its sections or, if not, will generally still use chords I, IV and V (and possibly ♭VII) as the basis ...
powerpoint - davenantperformingarts
... finger while the string is bowed. This produces a note of very high pitch. • Percussion instruments are particularly important in this piece: • They reinforce the sense of terror. • Timpani used on 1st beat of bar at beginning, doubled by piano to give powerful rhythmic impetus. • Ethnic instruments ...
... finger while the string is bowed. This produces a note of very high pitch. • Percussion instruments are particularly important in this piece: • They reinforce the sense of terror. • Timpani used on 1st beat of bar at beginning, doubled by piano to give powerful rhythmic impetus. • Ethnic instruments ...
ROOTS LEVEL - Youth Music Project
... Finger Numbers on both hands Identify all of the line and space note names on the Treble Clef Play treble clef notes in c position (C, D, E, F, G) Demonstrate understanding of measure, bar lines, double bar lines, repeat, staff, treble clef Understand and demonstrate ability to follow ...
... Finger Numbers on both hands Identify all of the line and space note names on the Treble Clef Play treble clef notes in c position (C, D, E, F, G) Demonstrate understanding of measure, bar lines, double bar lines, repeat, staff, treble clef Understand and demonstrate ability to follow ...
Document
... – “Cloud theme” built on oscillating chords – Octatonic English horn motive – Focus on shifting textures, tone colors ...
... – “Cloud theme” built on oscillating chords – Octatonic English horn motive – Focus on shifting textures, tone colors ...
Music 11, 7/24/06 Fundamental of harmony Melodies are often built
... Melodies are often built around the triad. This means that by looking at a melody, we can easily understand the harmony that it expresses. A harmony will often emerge in melody as an “outline” that fills in the space of the triad. For example, a melody C-D-EF-G might imply a C-major triad by the way ...
... Melodies are often built around the triad. This means that by looking at a melody, we can easily understand the harmony that it expresses. A harmony will often emerge in melody as an “outline” that fills in the space of the triad. For example, a melody C-D-EF-G might imply a C-major triad by the way ...
12.2
... varied greatly from one performer to the next • Classical composers wanted more control over specific color & spacing of chords ...
... varied greatly from one performer to the next • Classical composers wanted more control over specific color & spacing of chords ...
Basic Elements of Music
... large intervals called leaps. A step is for example from do to re, re to mi, and mi to fa and so on. A larger interval or leap is for example like from do to mi, do to sol, and so on. There is a variety of effects on how and when the melody tones are performed. They are called legato when they are p ...
... large intervals called leaps. A step is for example from do to re, re to mi, and mi to fa and so on. A larger interval or leap is for example like from do to mi, do to sol, and so on. There is a variety of effects on how and when the melody tones are performed. They are called legato when they are p ...
Дисциплина «Профессиональное общение на иностранном языке
... one-thematic or two-thematic. In one-thematic form the second part develops the musical material of the first part, as it is sometimes with the second sentence of the period. 4) In the XIX century the modern type of variations appeared. These variations got rid of many restrictions characteristic of ...
... one-thematic or two-thematic. In one-thematic form the second part develops the musical material of the first part, as it is sometimes with the second sentence of the period. 4) In the XIX century the modern type of variations appeared. These variations got rid of many restrictions characteristic of ...
Contemporary Egyptian Music Compositions Between Inheritance
... the history of nation or a country, and having some future goals to achieve to best select for a present plan to act according to it. Jacinta explains this notion stating that: “because cultural identities often draw upon perceptions of history and tradition as an important source of direction and l ...
... the history of nation or a country, and having some future goals to achieve to best select for a present plan to act according to it. Jacinta explains this notion stating that: “because cultural identities often draw upon perceptions of history and tradition as an important source of direction and l ...
Jazz - Rebecca Lofton
... Kruppa, we hear their adjustments to the trumpet playing of Harry James. One can not help but hear the give and take that is inherent in any improve work-musicians who bring their social, cultural and musical ideas to the stage. But their individuality blends together so that after each musician has ...
... Kruppa, we hear their adjustments to the trumpet playing of Harry James. One can not help but hear the give and take that is inherent in any improve work-musicians who bring their social, cultural and musical ideas to the stage. But their individuality blends together so that after each musician has ...
Music Of India
... The Drone Since Indian music is modal music, based on the relations between a permanent fixed sound, the tonic, and successive notes, it is the independent relationship that each note has with the tonic that determines the meaning of the particular note. The tonic, therefore, needs to be repeated an ...
... The Drone Since Indian music is modal music, based on the relations between a permanent fixed sound, the tonic, and successive notes, it is the independent relationship that each note has with the tonic that determines the meaning of the particular note. The tonic, therefore, needs to be repeated an ...
Name of general study
... • Mood = Tense/Terrifying/Suspense. The story of a great white shark rising through the depths to attack a victim or terrorise sailors and swimmers. • Tempo: begins very slowly and with exaggerated pauses it speeds up (shark lurking in the depths & springing to life when it spots its ...
... • Mood = Tense/Terrifying/Suspense. The story of a great white shark rising through the depths to attack a victim or terrorise sailors and swimmers. • Tempo: begins very slowly and with exaggerated pauses it speeds up (shark lurking in the depths & springing to life when it spots its ...
Fluctuant grouping in a Silk-and
... But many other melodies could possess the same general properties; what is so special about this one? I propose to highlight some of the singular qualities of "Liuban" by analyzing it as a temporal process that exposes and repeats a small set of basic scale‐degree, rhythmic, and contour entities. ...
... But many other melodies could possess the same general properties; what is so special about this one? I propose to highlight some of the singular qualities of "Liuban" by analyzing it as a temporal process that exposes and repeats a small set of basic scale‐degree, rhythmic, and contour entities. ...
Peripetie for 5 Orchestral Pieces, Op. 16 by Schoenberg (1909)
... Wagner = Made extensive use of Chromaticism and frequent modulations, leaving the key of a piece often unclear. Builds up the tension with ‘endless melody’. ‘Endless Melody’ comes from the lack of cadence points, the opposite of Mozart and Haydn who use them regularly to punctuate their music ...
... Wagner = Made extensive use of Chromaticism and frequent modulations, leaving the key of a piece often unclear. Builds up the tension with ‘endless melody’. ‘Endless Melody’ comes from the lack of cadence points, the opposite of Mozart and Haydn who use them regularly to punctuate their music ...
Jazz is a music genre that started in the early 1900`s or earlier
... No Chaser" and "Well, You Needn't". Monk is the second-most recorded jazz composer after Duke Ellington, even though he only wrote about 70. His music has unusual harmonies and melodic twists. His style was not appreciated at first, but he is now thought to be one of the all time great figures in j ...
... No Chaser" and "Well, You Needn't". Monk is the second-most recorded jazz composer after Duke Ellington, even though he only wrote about 70. His music has unusual harmonies and melodic twists. His style was not appreciated at first, but he is now thought to be one of the all time great figures in j ...
NCEA Level 2 Music (91275) 2015 Assessment Schedule
... the second time, flutes and strings are used, flutes playing the melody and strings accompanying the third time, (flutes and) strings are used, the (flutes and) upper strings playing the melody and the lower strings accompanying. (b) (i) ...
... the second time, flutes and strings are used, flutes playing the melody and strings accompanying the third time, (flutes and) strings are used, the (flutes and) upper strings playing the melody and the lower strings accompanying. (b) (i) ...
6560117th_music_terms_glossary_(annotated).
... choir…………………..…..An ensemble of singers crescendo (cresc.)...........Gradually increase volume (get louder). Looks like an arrow getting bigger as you go. decrescendo (decresc.)....Gradually decrease volume (get softer). Looks like an arrow getting smaller as you go. descant…………………….A harmony part h ...
... choir…………………..…..An ensemble of singers crescendo (cresc.)...........Gradually increase volume (get louder). Looks like an arrow getting bigger as you go. decrescendo (decresc.)....Gradually decrease volume (get softer). Looks like an arrow getting smaller as you go. descant…………………….A harmony part h ...
File
... organum. The discant was formed by adding a part or parts to the tenor, differing from organum in that the parts moved not only in parallel motion but also in oblique and contrary motion. In discant, all the voices move at approximately the same speed. Discantus: Latin for Discant. Fiddle (Medieval ...
... organum. The discant was formed by adding a part or parts to the tenor, differing from organum in that the parts moved not only in parallel motion but also in oblique and contrary motion. In discant, all the voices move at approximately the same speed. Discantus: Latin for Discant. Fiddle (Medieval ...
The Classics
... hammers hitting strings. The inside of a piano – including the hammers and strings, can be seen below. ...
... hammers hitting strings. The inside of a piano – including the hammers and strings, can be seen below. ...
Beethoven Septet in Eb, mvt
... Tune 4. Flowing melody, rather unpredictable in contour. 2 bar units with the first (b.26-7) repeated exactly in b.30 and b.34 (phrase pattern therefore ABACA, like a mini rondo) Cadenza-like passage for trumpet (wide leaps and fast scale) with accompaniment pattern continuing from the previous bars ...
... Tune 4. Flowing melody, rather unpredictable in contour. 2 bar units with the first (b.26-7) repeated exactly in b.30 and b.34 (phrase pattern therefore ABACA, like a mini rondo) Cadenza-like passage for trumpet (wide leaps and fast scale) with accompaniment pattern continuing from the previous bars ...
Elements of Music Worksheet Name: August 9th, 2011 Fine Arts List
... 22. A regular, recurrent pulsation that divides music into equal units of time is ____________ 23. What are the 4 main properties of musical sound? 24. The particular arrangement of note lengths in a piece of music is called _______________ 25. Meter is: 26. A measure is: 27. The first, or stressed, ...
... 22. A regular, recurrent pulsation that divides music into equal units of time is ____________ 23. What are the 4 main properties of musical sound? 24. The particular arrangement of note lengths in a piece of music is called _______________ 25. Meter is: 26. A measure is: 27. The first, or stressed, ...
Elementary Curriculum Map
... MU.5.H.1.1: Identify the purposes for which music is used within various cultures. MU.5.H.2.1: Examine the contributions of musicians and composers for a specific historical period. MU.5.S.3.1: Sing part songs in an appropriate range, using proper vocal technique and maintaining pitch. MU.5.S.3.2: P ...
... MU.5.H.1.1: Identify the purposes for which music is used within various cultures. MU.5.H.2.1: Examine the contributions of musicians and composers for a specific historical period. MU.5.S.3.1: Sing part songs in an appropriate range, using proper vocal technique and maintaining pitch. MU.5.S.3.2: P ...
250KB - NZQA
... • the second time, flutes and strings are used, flutes playing the melody and strings accompanying • the third time, (flutes and) strings are used, the (flutes and) upper strings playing the melody and the lower strings accompanying. (b) (i) ...
... • the second time, flutes and strings are used, flutes playing the melody and strings accompanying • the third time, (flutes and) strings are used, the (flutes and) upper strings playing the melody and the lower strings accompanying. (b) (i) ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.