Word Format
... Mr. Sanabria demonstrates how history, politics and religion influenced the rhythms of Africa to create the rich array of music styles we now call Latin music. Although he never shies away from the brutal realities and harsh conditions of slavery, his emphasis is on a shared musical tradition and a ...
... Mr. Sanabria demonstrates how history, politics and religion influenced the rhythms of Africa to create the rich array of music styles we now call Latin music. Although he never shies away from the brutal realities and harsh conditions of slavery, his emphasis is on a shared musical tradition and a ...
The 7-4-2 chord in early Italian recitative
... Upper voices in the 7-4-2 chord always resolve to the notes that immediately preceded them (the actual order in the upper voices may change at the resolution, if good voice-leading is maintained). The moment of resolution of this chord is rarely notated (it should be 8-5-3). The 7th is always a rais ...
... Upper voices in the 7-4-2 chord always resolve to the notes that immediately preceded them (the actual order in the upper voices may change at the resolution, if good voice-leading is maintained). The moment of resolution of this chord is rarely notated (it should be 8-5-3). The 7th is always a rais ...
Example Paraphrase/ synonym ...when it comes to that music which
... ...when it comes to that music which enables players to commune with each other or with a few friends... ...some taking part in the ceremonies and others dreaming of being singled out by the Sun King to hold a candle... Accompanying parts were completely subordinated to the principle melodic line. I ...
... ...when it comes to that music which enables players to commune with each other or with a few friends... ...some taking part in the ceremonies and others dreaming of being singled out by the Sun King to hold a candle... Accompanying parts were completely subordinated to the principle melodic line. I ...
Advanced - Georgia Standards
... a. Compare the following terms used in music to like terms used in other subject areas by describing similarities and differences: color, movement, expression, style, symmetry, form, interpretation, texture, harmony, patterns and sequence, repetition, texts and lyrics, meter, wave and sound producti ...
... a. Compare the following terms used in music to like terms used in other subject areas by describing similarities and differences: color, movement, expression, style, symmetry, form, interpretation, texture, harmony, patterns and sequence, repetition, texts and lyrics, meter, wave and sound producti ...
Uniting Orff and Kodály: Best of Both Worlds
... twice (as words indicate). T sings all other measures. Students sing only measures 5-6. As students get more comfortable with the song, divide class into 2 groups. Group 1 asks the question (phrases 1-2); Group 2 answers (phrases 3-4). Presentation/Practice of Mixolydian Mode: Lead class in sing ...
... twice (as words indicate). T sings all other measures. Students sing only measures 5-6. As students get more comfortable with the song, divide class into 2 groups. Group 1 asks the question (phrases 1-2); Group 2 answers (phrases 3-4). Presentation/Practice of Mixolydian Mode: Lead class in sing ...
Funki - QuT – Exploring ChromatiCism through Composition
... but create a melodic line that lie largely outside the associated chord scales. By creating a melody derived from a given chord scale, it is possible to establish a particular sound, and any one note that is out of the scale will sound dissonant. However, when playing a melody that lies mostly outsi ...
... but create a melodic line that lie largely outside the associated chord scales. By creating a melody derived from a given chord scale, it is possible to establish a particular sound, and any one note that is out of the scale will sound dissonant. However, when playing a melody that lies mostly outsi ...
Rossini`s - The Spirit of Great Oak
... Also to note in Gershwin’s Writing ● Always a very clear sense of key ● and changes throughout piece ○ Perfect cadences ■ meaning he doesn’t choose to stay in a key for ...
... Also to note in Gershwin’s Writing ● Always a very clear sense of key ● and changes throughout piece ○ Perfect cadences ■ meaning he doesn’t choose to stay in a key for ...
Symmetry in Music - College of the Holy Cross
... by the length of time needed to perform the basic pattern (hence any integer multiple of them), then that rhythmic structure would be unchanged – it is invariant (periodic) under time translations. Of course a real piece of music has a beginning and an end in time, so this is a mathematical ideali ...
... by the length of time needed to perform the basic pattern (hence any integer multiple of them), then that rhythmic structure would be unchanged – it is invariant (periodic) under time translations. Of course a real piece of music has a beginning and an end in time, so this is a mathematical ideali ...
Creative Practice as Research
... by the inclusion of cello countermelodies and falling suspensions. In the scherzo, the piano left hand part features jazz voicings of the same harmonic progressions. These chords are usually clustered in inversion and stabbed on the off-beats of the bar. Common extensions include major 7ths, minor 9 ...
... by the inclusion of cello countermelodies and falling suspensions. In the scherzo, the piano left hand part features jazz voicings of the same harmonic progressions. These chords are usually clustered in inversion and stabbed on the off-beats of the bar. Common extensions include major 7ths, minor 9 ...
document
... _____________ listening is being aware that there, is music playing, perhaps enjoying what you are hearing ...
... _____________ listening is being aware that there, is music playing, perhaps enjoying what you are hearing ...
chapter14
... • The flow of music is mildly interrupted by the end and beginning of sections. • Cadences are the primary device for indicating these units or sections. • Contrast can also be used to create ...
... • The flow of music is mildly interrupted by the end and beginning of sections. • Cadences are the primary device for indicating these units or sections. • Contrast can also be used to create ...
A Mythic Jazz Fable - Denver Center for the Performing Arts
... of jazz was a three-fold process: • The development of an indigenous black American folk music was created by using African and European musical elements. • Out of this music, other forms developed such as minstrel songs, ragtime and blues. • The merging of blues, ragtime and mainstream popular musi ...
... of jazz was a three-fold process: • The development of an indigenous black American folk music was created by using African and European musical elements. • Out of this music, other forms developed such as minstrel songs, ragtime and blues. • The merging of blues, ragtime and mainstream popular musi ...
AS Music Technology - NW 14-19
... • High / piercing sounds get very different reactions than low / resonant sounds. • Some music needs high sounds, others need low ones. • Most music is created using a contrast of high and low pitches. Without it there would not be any musical contrast. ...
... • High / piercing sounds get very different reactions than low / resonant sounds. • Some music needs high sounds, others need low ones. • Most music is created using a contrast of high and low pitches. Without it there would not be any musical contrast. ...
El Salon Mexico by Aaron Copland model essay answer
... diatonic with the odd smatterings of bitonality and the use of jazzy added-note chords (eg. bars 305 – 390), with clear tonal centres throughout the piece. The use of additive rhythms as inspired by the work of Bartók, such as his Bulgarian dances, eg. in bars 40 – 43 (including the upbeat) in basso ...
... diatonic with the odd smatterings of bitonality and the use of jazzy added-note chords (eg. bars 305 – 390), with clear tonal centres throughout the piece. The use of additive rhythms as inspired by the work of Bartók, such as his Bulgarian dances, eg. in bars 40 – 43 (including the upbeat) in basso ...
FENDER PLAYERS CLUB COUNTRY BASICS WHAT:
... Dolly Parton, Loretta Lynn, Ricky Skaggs, Randy Travis, Clint Black, Travis Tritt, Reba McEntire, and Garth Brooks are all prominent country artists. In addition, renowned country guitarists include Albert Lee, Steve Warner, Chet Atkins, and Carl Perkins. Sitting on the fringes of the country music ...
... Dolly Parton, Loretta Lynn, Ricky Skaggs, Randy Travis, Clint Black, Travis Tritt, Reba McEntire, and Garth Brooks are all prominent country artists. In addition, renowned country guitarists include Albert Lee, Steve Warner, Chet Atkins, and Carl Perkins. Sitting on the fringes of the country music ...
- Catalyst
... continues to be a significant cornerstone of the African American community and Gospel music has grown to achieve worldwide ...
... continues to be a significant cornerstone of the African American community and Gospel music has grown to achieve worldwide ...
Debussy
... twentieth century. His works are associated with the impressionistic movement in art by their invocation of mood, color, and fluidity. While impressionism has been the enduring term for his musical style, Debussy was more influenced by symbolist writers, whose poetry inspired many of his works. A co ...
... twentieth century. His works are associated with the impressionistic movement in art by their invocation of mood, color, and fluidity. While impressionism has been the enduring term for his musical style, Debussy was more influenced by symbolist writers, whose poetry inspired many of his works. A co ...
Melody - StudyDaddy
... The component units of a melody are like parts of a sentence. A phrase in music, as in language, is aunit of meaning within a larger structure. The phrase ends in a resting place, or cadence, whichpunctuates the music in the same wa y that a comma or period punctuates a sentence. The cadencemay be i ...
... The component units of a melody are like parts of a sentence. A phrase in music, as in language, is aunit of meaning within a larger structure. The phrase ends in a resting place, or cadence, whichpunctuates the music in the same wa y that a comma or period punctuates a sentence. The cadencemay be i ...
Harmony from the Inside
... - To appreciate their different expressive characteristics - To enjoy deeper responses to harmony as both singers and listeners Triads: Simplest type of chord – 3 notes. Triads are the most stable, clear, open chords. Songs nearly always end on a triad. Place of rest. Note: it is still recognisably ...
... - To appreciate their different expressive characteristics - To enjoy deeper responses to harmony as both singers and listeners Triads: Simplest type of chord – 3 notes. Triads are the most stable, clear, open chords. Songs nearly always end on a triad. Place of rest. Note: it is still recognisably ...
The Early 20 th Century (Age of Musical Diversity)
... • Unstable – dissonance /forward motion • 20th century chords are blending of the two & some traditional chords abandoned all together • New chords types = • POLY CHORDS, 4ths Chords, • Still use triads but not only the only chord in town • 12 tonal music ...
... • Unstable – dissonance /forward motion • 20th century chords are blending of the two & some traditional chords abandoned all together • New chords types = • POLY CHORDS, 4ths Chords, • Still use triads but not only the only chord in town • 12 tonal music ...
Harmonic Analysis 1: Homophonic Texture
... The third harmony in the example above is ambiguous, because there are only two pitches: C and E. The missing note of the triad could be either G (for CEG, a I chord) or A (for ACE=vi). To resolve ambiguities like this one: 1. Consider the harmonic progressions from section 5.3. Sometimes this will ...
... The third harmony in the example above is ambiguous, because there are only two pitches: C and E. The missing note of the triad could be either G (for CEG, a I chord) or A (for ACE=vi). To resolve ambiguities like this one: 1. Consider the harmonic progressions from section 5.3. Sometimes this will ...
File
... 6c - identify and classify orchestral, folk, and world instruments by sight and sound 6d - identify simple meters (beat groupings) 6e - distinguish aurally between music in major and minor keys 6f - compare and contrast chord sequence and tonal structure (major, minor, I, V) 6g - distinguish between ...
... 6c - identify and classify orchestral, folk, and world instruments by sight and sound 6d - identify simple meters (beat groupings) 6e - distinguish aurally between music in major and minor keys 6f - compare and contrast chord sequence and tonal structure (major, minor, I, V) 6g - distinguish between ...
is you will like to all the projects as one
... The amazing and talented Cuban pianist Aruan Ortíz is currently a professor at the prestigious Berklee College of Music. Touched by a variety of influences, from Andrew Hill and Red Garland to Catalonian composer Federico Mompou and Cuban legend Lili Martínez, Aruán's playing transmits a fresh sound ...
... The amazing and talented Cuban pianist Aruan Ortíz is currently a professor at the prestigious Berklee College of Music. Touched by a variety of influences, from Andrew Hill and Red Garland to Catalonian composer Federico Mompou and Cuban legend Lili Martínez, Aruán's playing transmits a fresh sound ...
Document
... Main idea that serves as a starting point for an extended piece of music Something that unites and marks a piece – Can be a motive – Can be a melody – Can be other musical elements • Dynamics • Timbre, etc. ...
... Main idea that serves as a starting point for an extended piece of music Something that unites and marks a piece – Can be a motive – Can be a melody – Can be other musical elements • Dynamics • Timbre, etc. ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.