The UNESCO courier
... itself is music. You make music as soon as you leave your mother's womb. People have always used sounds to soften or harden human feelings. Music is one of the essential factors of knowledge. Dialogue is first and foremost a form of music. But once you have learned something you have to learn it ove ...
... itself is music. You make music as soon as you leave your mother's womb. People have always used sounds to soften or harden human feelings. Music is one of the essential factors of knowledge. Dialogue is first and foremost a form of music. But once you have learned something you have to learn it ove ...
Ms Word
... MUS 1112: Classical Guitar For Beginners Description Designed to provide students with basic classical guitar playing techniques and performance. Students will also be given basic skills in handling, maintenance and storage of a guitar as well as handling of Rehearsals. Emphasis is on fundamentals: ...
... MUS 1112: Classical Guitar For Beginners Description Designed to provide students with basic classical guitar playing techniques and performance. Students will also be given basic skills in handling, maintenance and storage of a guitar as well as handling of Rehearsals. Emphasis is on fundamentals: ...
AN 34307 TOPICS IN US HISTORY:
... Arrangement. A new version of a previously written piece. Jazz arrangements often include new chords for the piece as well as new material to be played during and between solos, and so on. Avant-garde. Jazz (usually atonal) not based on preconceived chord changes; jazz played in a freely improvised ...
... Arrangement. A new version of a previously written piece. Jazz arrangements often include new chords for the piece as well as new material to be played during and between solos, and so on. Avant-garde. Jazz (usually atonal) not based on preconceived chord changes; jazz played in a freely improvised ...
Voc Music Baseline
... 21.A secular form in several parts, popular in the Renaissance is a(n)_____ A. Madrigal B. spiritual C. interlude 22.A type of song created by African Americans which combines African rhythms with melodies they heard in America is _____ A. spiritual B. arpeggio C. interlude ...
... 21.A secular form in several parts, popular in the Renaissance is a(n)_____ A. Madrigal B. spiritual C. interlude 22.A type of song created by African Americans which combines African rhythms with melodies they heard in America is _____ A. spiritual B. arpeggio C. interlude ...
Music Vocabulary 2011.xlsx
... a small one headed drum with metallic disks at the sides. x rate a speed of a musical piece or passage. x the voice part next ot the lowest part in a four part chorus highest range of the male voice in modern choral music. a pattern of musicalsound created by tones of lines played or sung together. ...
... a small one headed drum with metallic disks at the sides. x rate a speed of a musical piece or passage. x the voice part next ot the lowest part in a four part chorus highest range of the male voice in modern choral music. a pattern of musicalsound created by tones of lines played or sung together. ...
Hindustani Classical Music
... Unlike Western music, ragas also dictate the hierarchy of strong and weak notes, sets of typical melodic figures and a set of extramusical associations with things such as moods, times of the day etc. Sometimes, ragas are represented pictorially as individual human beings. ...
... Unlike Western music, ragas also dictate the hierarchy of strong and weak notes, sets of typical melodic figures and a set of extramusical associations with things such as moods, times of the day etc. Sometimes, ragas are represented pictorially as individual human beings. ...
Advanced - Georgia Standards
... three and four part writing as practiced during the common style period. p. Identify and describe common terminologies of form, style, musical expression, volume/intensity, and tempo modification. B. ...
... three and four part writing as practiced during the common style period. p. Identify and describe common terminologies of form, style, musical expression, volume/intensity, and tempo modification. B. ...
What`s in Cuesheet? - Wenatchee Jazz Workshop
... as they adapted to this new land and faced the conditions of slavery. Most slaves were taken from the western countries of Africa. They were Vai, Twi, Mandingo, Yoruba, or people of dozens of other tribes. They brought with them their memories and habits based on the old ways Music in the Early Days ...
... as they adapted to this new land and faced the conditions of slavery. Most slaves were taken from the western countries of Africa. They were Vai, Twi, Mandingo, Yoruba, or people of dozens of other tribes. They brought with them their memories and habits based on the old ways Music in the Early Days ...
Unit 1 Practice Test
... C. an art based on the organization of sounds in time D. a system of symbols that performers learn to read _________11. The four main properties of musical sounds are pitch, dynamics, tone color, and A. duration B. tempo C. melody D. medium _________12. Pitch is defined as A. degrees of loudness or ...
... C. an art based on the organization of sounds in time D. a system of symbols that performers learn to read _________11. The four main properties of musical sounds are pitch, dynamics, tone color, and A. duration B. tempo C. melody D. medium _________12. Pitch is defined as A. degrees of loudness or ...
General Music Curriculum - Iowa City Community School District
... a. sings alone and with others, using accurate pitches, a variety of ethnic, folk, and patriotic songs b. uses rhythmic speech as a performance element or as a tool in learning rhythmic patterns c. incorporates movement or dance into a performance product to enhance the message of the music d. accum ...
... a. sings alone and with others, using accurate pitches, a variety of ethnic, folk, and patriotic songs b. uses rhythmic speech as a performance element or as a tool in learning rhythmic patterns c. incorporates movement or dance into a performance product to enhance the message of the music d. accum ...
Dhrupad - Dagarvani.org
... A dhrupad performance starts with the alap, an extended melodic improvisation without lyrics or rhythmic accompaniment realizing the mood and personality of the raga. The alap has slow, medium, fast tempo (laya) phases called the vilambit, madhya and dhrut. With a customary vocal range of two and a ...
... A dhrupad performance starts with the alap, an extended melodic improvisation without lyrics or rhythmic accompaniment realizing the mood and personality of the raga. The alap has slow, medium, fast tempo (laya) phases called the vilambit, madhya and dhrut. With a customary vocal range of two and a ...
Seiber, Matyas (1905-60) Born in Budapest, Hungary, in 1905
... In 1929, Seiber returned to the Frankfurt Conservatory where he set up a School of Jazz, one of the first attempts anywhere to teach/study jazz as a serious musical subject. The rise of Hitler to power in 1933 put a premature end to jazz in Germany, the Nazi Party frowning upon a form of music emana ...
... In 1929, Seiber returned to the Frankfurt Conservatory where he set up a School of Jazz, one of the first attempts anywhere to teach/study jazz as a serious musical subject. The rise of Hitler to power in 1933 put a premature end to jazz in Germany, the Nazi Party frowning upon a form of music emana ...
presentation source
... during a musical piece. There are approximately 8-10 general dynamic levels which can have fractal properties. Though we did not use dynamic properties in our own fractals, they are another important aspect of the fractal properties of music ...
... during a musical piece. There are approximately 8-10 general dynamic levels which can have fractal properties. Though we did not use dynamic properties in our own fractals, they are another important aspect of the fractal properties of music ...
How to Represent Texture of a Musical
... Much Baroque music is contrapuntal, particularly the works of J.S. Bach. Most music for large instrumental groups such as bands or orchestras is contrapuntal at least some of the time. Music that is mostly homophonic can become temporarily polyphonic if an independent countermelody is added. Think o ...
... Much Baroque music is contrapuntal, particularly the works of J.S. Bach. Most music for large instrumental groups such as bands or orchestras is contrapuntal at least some of the time. Music that is mostly homophonic can become temporarily polyphonic if an independent countermelody is added. Think o ...
Matt Pike Music 122 Final Paper Ravel – String Quartet in F Major
... use of diatonic methods. One of the ways this is accomplished is through a practice called “polytonality”. This refers to the use of more than one diatonic key simultaneously. At first glance, the harmony seems to be chromatic, or simply atonal, but upon inspection, two distinct keys are audible, an ...
... use of diatonic methods. One of the ways this is accomplished is through a practice called “polytonality”. This refers to the use of more than one diatonic key simultaneously. At first glance, the harmony seems to be chromatic, or simply atonal, but upon inspection, two distinct keys are audible, an ...
Electric Counterpoint PowerPoint
... Riley’s most important piece which brought minimalism to the forefront was “In C”, focuses on short musical fragments – Steve Reich played in the ensemble. Minimalist music used in film soundtracks and tv programmes – influenced many rock and electronic pop music. Minimalist music is always in const ...
... Riley’s most important piece which brought minimalism to the forefront was “In C”, focuses on short musical fragments – Steve Reich played in the ensemble. Minimalist music used in film soundtracks and tv programmes – influenced many rock and electronic pop music. Minimalist music is always in const ...
Introducing the Laura Dubin Trio
... Citing masters like Oscar Peterson, Bill Evans, Dave Brubeck, Red Garland and Charlie Parker among her influences, Laura’s playing is powerful, textured and exciting. On Introducing… Laura performs ten of her own compositions in the spirited company of a rhythm section comprised of bassist Sam We ...
... Citing masters like Oscar Peterson, Bill Evans, Dave Brubeck, Red Garland and Charlie Parker among her influences, Laura’s playing is powerful, textured and exciting. On Introducing… Laura performs ten of her own compositions in the spirited company of a rhythm section comprised of bassist Sam We ...
study guide - Junior High Band
... Playing the changes means playing the correct chord tones as the chords change. It also can mean playing the notes that change from scale to scale. Example: When playing in F7 (F G A Bb C D Eb) and moving to Bb7 (Bb C D Eb F G Ab) emphasize the A in the F scale and the Ab in the Bb scale. All the ot ...
... Playing the changes means playing the correct chord tones as the chords change. It also can mean playing the notes that change from scale to scale. Example: When playing in F7 (F G A Bb C D Eb) and moving to Bb7 (Bb C D Eb F G Ab) emphasize the A in the F scale and the Ab in the Bb scale. All the ot ...
Name: Class:___________ Music Workbook Semester 1 Semester
... Tie - a curved line connecting two notes of the same pitch. Tied notes are held for the length of both notes. Canon – A piece of music where one voice repeats the part of another, throughout the whole piece. It is singing the same song starting at different times. Partner Songs - – Two differe ...
... Tie - a curved line connecting two notes of the same pitch. Tied notes are held for the length of both notes. Canon – A piece of music where one voice repeats the part of another, throughout the whole piece. It is singing the same song starting at different times. Partner Songs - – Two differe ...
Gershwin: An American in Paris
... An American in Paris is often described as a tone poem. This form, developed in the nineteenth century usually refers to a large-scale composition for orchestra whose structure is based on a story, or ‘programme’, notable exponents of the form being Liszt and Richard Strauss. It implies a somewhat l ...
... An American in Paris is often described as a tone poem. This form, developed in the nineteenth century usually refers to a large-scale composition for orchestra whose structure is based on a story, or ‘programme’, notable exponents of the form being Liszt and Richard Strauss. It implies a somewhat l ...
Music Periods, Styles, Composers
... The first attempts at music printing came shortly after the appearance of Gutenberg's Bible (c. 1455). The first book of music ever printed is a Gradual; the date (probably c. 1473) and the name of the printer are unknown. Petrucci adapted Gutenberg's process of printing, and published music quickl ...
... The first attempts at music printing came shortly after the appearance of Gutenberg's Bible (c. 1455). The first book of music ever printed is a Gradual; the date (probably c. 1473) and the name of the printer are unknown. Petrucci adapted Gutenberg's process of printing, and published music quickl ...
essay - Dartmouth Math Home
... being able to create echo sounds and sounds that do not sound pianistic, even though the only instrument used in the piece is the piano. As the piece progresses, it begins to rely more heavily on harmonic structures, but also stretches the capabilities of the piano strings. As discussed in class, t ...
... being able to create echo sounds and sounds that do not sound pianistic, even though the only instrument used in the piece is the piano. As the piece progresses, it begins to rely more heavily on harmonic structures, but also stretches the capabilities of the piano strings. As discussed in class, t ...
Inversions
... useful rule applying to all intervals (that is those of one octave or less). The number of any interval and the number of its inversion always add up to nine. Thus a fifth (number 5) and its inverse or complement, a fourth (number is 4) add up to 9. Do not forget that chord quality is still a factor ...
... useful rule applying to all intervals (that is those of one octave or less). The number of any interval and the number of its inversion always add up to nine. Thus a fifth (number 5) and its inverse or complement, a fourth (number is 4) add up to 9. Do not forget that chord quality is still a factor ...
Tippett - Concerto for Double String Orchestra movement I (Harmony)
... harmony. The most important functions of the chords are subdominant, dominant, and tonic (S, D, T). They are usually represented by scale degrees II/IV, V, and I, but other degrees can be substituted for them as well. ...
... harmony. The most important functions of the chords are subdominant, dominant, and tonic (S, D, T). They are usually represented by scale degrees II/IV, V, and I, but other degrees can be substituted for them as well. ...
here - STUART JOHNSON Saxophonist. Contemporary Music
... The first half presented classical composer/pianist Fitkin’s “Mistaken Identity”; the second featured jazz saxophonist Garland’s “Life in Syncopation”, and as one would expect there was a progression from the completely written to the completely improvised – there was even a burst of everything-in-t ...
... The first half presented classical composer/pianist Fitkin’s “Mistaken Identity”; the second featured jazz saxophonist Garland’s “Life in Syncopation”, and as one would expect there was a progression from the completely written to the completely improvised – there was even a burst of everything-in-t ...
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.