![A Few Notes on the Piano Works of Luca Lombardi](http://s1.studyres.com/store/data/005895391_1-0de4d6113943566bf9097defc0b541c8-300x300.png)
A Few Notes on the Piano Works of Luca Lombardi
... determination, by hearing, of distinct autonomous entities by means of contrasts, silences or section indicators, perception of continuity and prolongations” (Jean-Jacques Nattiez, in reference to Boulez’s Répons). Also significant are these remarks by Foucault: “Listening to music becomes more diff ...
... determination, by hearing, of distinct autonomous entities by means of contrasts, silences or section indicators, perception of continuity and prolongations” (Jean-Jacques Nattiez, in reference to Boulez’s Répons). Also significant are these remarks by Foucault: “Listening to music becomes more diff ...
Indian Music and Jazz: Reflections of Form
... music was a crucial element in this process, and an important element in the musical language of one of the acknowledged masters of contemporary jazz. Other jazz musicians were also working with Indian music. Two such bands were IndoJazz Fusions, led by the composer John Mayer in the United Kingdom, ...
... music was a crucial element in this process, and an important element in the musical language of one of the acknowledged masters of contemporary jazz. Other jazz musicians were also working with Indian music. Two such bands were IndoJazz Fusions, led by the composer John Mayer in the United Kingdom, ...
`The Minóre Dhrómos [Popular Mode] in the Songs of Vasilis
... makam names, the names of many dhrómi are mistakenly used, for they do not correspond to the original makams (for example, dhrómos Ousák does not correspond to makam Uşşâk). This problematic use of names has created a bizarre situation where Greek musicians communicate on the music stands by actuall ...
... makam names, the names of many dhrómi are mistakenly used, for they do not correspond to the original makams (for example, dhrómos Ousák does not correspond to makam Uşşâk). This problematic use of names has created a bizarre situation where Greek musicians communicate on the music stands by actuall ...
national 3 concepts list az - Deans Community High School
... Scat singing – Nonsense words and sounds are improvised by the singer. Sometimes the singer is imitating the sounds of instruments. Used mainly in Jazz singing. See Improvisation. ...
... Scat singing – Nonsense words and sounds are improvised by the singer. Sometimes the singer is imitating the sounds of instruments. Used mainly in Jazz singing. See Improvisation. ...
In Praise of Older Drummers: The Cuban Creators of Latin Jazz
... canon, a glaring omission in light of recurring Latin dance music crazes. Acknowledging that the Spanish language served as one barrier for many audiences, Fernandez also claims that musical characteristics (primarily aspects of rhythm and drumming) could create reception problems on the part of aud ...
... canon, a glaring omission in light of recurring Latin dance music crazes. Acknowledging that the Spanish language served as one barrier for many audiences, Fernandez also claims that musical characteristics (primarily aspects of rhythm and drumming) could create reception problems on the part of aud ...
3. Elements of Music
... diatonic - uses notes within a major/minor key chromatic - uses any notes ...
... diatonic - uses notes within a major/minor key chromatic - uses any notes ...
Jumpin` Punkins By Mercer Ellington Arranged by
... which is common in Ellington arrangements. The lead trumpet range extends to concert A in the third octave, and the lead trombone range goes to concert B-flat in the third octave. This composition employs a very sing-able saxophone section introduction that recapitulates in the eight bar ending sect ...
... which is common in Ellington arrangements. The lead trumpet range extends to concert A in the third octave, and the lead trombone range goes to concert B-flat in the third octave. This composition employs a very sing-able saxophone section introduction that recapitulates in the eight bar ending sect ...
File
... The idée fixe is now played by the flute, doubled by harp harmonics, again with long note values. The serenade theme is broken up with the first two bars repeated in a different part of the bar starting a tone ...
... The idée fixe is now played by the flute, doubled by harp harmonics, again with long note values. The serenade theme is broken up with the first two bars repeated in a different part of the bar starting a tone ...
spring17jazz_IV_1
... harmony and tonality: „ Let‘s play the music and not the background.“ „The most important thing was for us to play together, all at the same time, without getting in each other‘s way, and also to have enough room for each player to ad lib alone—and to follow this idea for the duration of the album. ...
... harmony and tonality: „ Let‘s play the music and not the background.“ „The most important thing was for us to play together, all at the same time, without getting in each other‘s way, and also to have enough room for each player to ad lib alone—and to follow this idea for the duration of the album. ...
music and solfege lesson
... MUS2.1 Sings, plays and moves to a range of music demonstrating a basic knowledge of musical concepts MUS2.2 Improvises musical phrases, organises sounds and explains reasons for choices • improvises short musical phrases based on C pentatonic scale MUS2.3 Uses commonly understood symbols to represe ...
... MUS2.1 Sings, plays and moves to a range of music demonstrating a basic knowledge of musical concepts MUS2.2 Improvises musical phrases, organises sounds and explains reasons for choices • improvises short musical phrases based on C pentatonic scale MUS2.3 Uses commonly understood symbols to represe ...
Paul Ayick
... to a globe made increasingly smaller by improved modes of both communication and travel. Regardless, in this fine article Mr. Nketia illustrates specific ways that these cultural musical idioms might best be employed by current composers or as he states; “to approach contemporary music as a cultural ...
... to a globe made increasingly smaller by improved modes of both communication and travel. Regardless, in this fine article Mr. Nketia illustrates specific ways that these cultural musical idioms might best be employed by current composers or as he states; “to approach contemporary music as a cultural ...
CIRCLE OF THE DANCE, ALMA BRASILEIRA THE ART OF CLEA
... different timbres of the flute and guitar, which dialog in what is one of the most perfect combinations in chamber music. A sensitive interpretation highlights the beautiful melodic structure created by Gismonti. A special note about Circle of the Dance, the track that gave this CD its name. The mus ...
... different timbres of the flute and guitar, which dialog in what is one of the most perfect combinations in chamber music. A sensitive interpretation highlights the beautiful melodic structure created by Gismonti. A special note about Circle of the Dance, the track that gave this CD its name. The mus ...
Throbbing Analysis - MLC Music eJournal
... The bass line (bass clarinet, cello and bass) uses rhythmic diminutions of the driving, pulsating bass line heard since the beginning of the piece. Here it divides the rhythms in half (ie they are ...
... The bass line (bass clarinet, cello and bass) uses rhythmic diminutions of the driving, pulsating bass line heard since the beginning of the piece. Here it divides the rhythms in half (ie they are ...
Elements of Music Overview
... “Patterns and Combinations of musical sounds or silences of differing durations…” ...
... “Patterns and Combinations of musical sounds or silences of differing durations…” ...
Music
... The children are introduced to accidentals and accompany themselves with rhythms that include dotted notes and rests. They are exposed to note-names, note values and bar lines and play in a whole class ensemble. Instruments of the orchestra are introduced. Theory: - Degrees of the scale and interval ...
... The children are introduced to accidentals and accompany themselves with rhythms that include dotted notes and rests. They are exposed to note-names, note values and bar lines and play in a whole class ensemble. Instruments of the orchestra are introduced. Theory: - Degrees of the scale and interval ...
Music Vocabulary Lists Year 1
... Accelerando - A symbol used in musical notation indicating to gradually quicken tempo. Adagio - A tempo having slow movement; restful at ease. Allegro - A direction to play lively and fast. Atonal - Music that is written and performed without regard to any specific key. Baroque - Time in music histo ...
... Accelerando - A symbol used in musical notation indicating to gradually quicken tempo. Adagio - A tempo having slow movement; restful at ease. Allegro - A direction to play lively and fast. Atonal - Music that is written and performed without regard to any specific key. Baroque - Time in music histo ...
Texture_and_Melody
... A melodic phrase is repeated. Usually exactly the same but can have slight changes such as starting at a different pitch. ...
... A melodic phrase is repeated. Usually exactly the same but can have slight changes such as starting at a different pitch. ...
Elementary Curriculum Map
... instrumental and students differentiate between different voice get tokens and then play parts and families of instruments. music and have students 2: I can consistently and accurately identify which group it is. differentiate between different voice parts and families of instruments ...
... instrumental and students differentiate between different voice get tokens and then play parts and families of instruments. music and have students 2: I can consistently and accurately identify which group it is. differentiate between different voice parts and families of instruments ...
13 POSTMODERNISM AND MUSIC DEREK B. SCOTT
... Nanci Griffith, Shirley Bassey and Kiri Te Kanawa think they are singing to? The way the music sounds may indicate that it is intended, for example, for a salon, a concert hall, or outdoors. If so, this may have affected the composition in terms of form and instrumentation. Beethoven’s folksong arran ...
... Nanci Griffith, Shirley Bassey and Kiri Te Kanawa think they are singing to? The way the music sounds may indicate that it is intended, for example, for a salon, a concert hall, or outdoors. If so, this may have affected the composition in terms of form and instrumentation. Beethoven’s folksong arran ...
Diatonic Triads Powerpoint
... What is the roman numeral used to represent the tonic chord in a major scale? What is the roman numeral used to represent the dominant chord in a minor scale? What is the name of the chord built on the fourth scale degree called? What is the bottom note of a triad called? ...
... What is the roman numeral used to represent the tonic chord in a major scale? What is the roman numeral used to represent the dominant chord in a minor scale? What is the name of the chord built on the fourth scale degree called? What is the bottom note of a triad called? ...
Comparison of Sonata IV by Biagio Marini and Trio
... It is amazing to consider the value of the resource left to us by composers such as Biagio Marini and Arcangelo Corelli, when viewed through the lens of history. The Baroque era was an exciting time in which musical ideas were changing and being challenged, and the diversity of work from that era is ...
... It is amazing to consider the value of the resource left to us by composers such as Biagio Marini and Arcangelo Corelli, when viewed through the lens of history. The Baroque era was an exciting time in which musical ideas were changing and being challenged, and the diversity of work from that era is ...
Stuart Greenbaum: Natural Satellite Background I: The gravitational
... At letter C the mood changes with a cooler, more remote atmosphere. It is set as lyrical, formally phrased melody against harmonic accompaniment that is at turns modal and at times bi-‐tonal. A harm ...
... At letter C the mood changes with a cooler, more remote atmosphere. It is set as lyrical, formally phrased melody against harmonic accompaniment that is at turns modal and at times bi-‐tonal. A harm ...
music questions section i
... a. When they borrow notes from outside the key What is another name for a tonic triad? a. Tonic chord (or tonic) What is a tonic triad? a. Diatonic triad built on the tonic pitch What makes it so special? a. Most stable chord in a key b. Nearly all pieces of music end on the tonic chord When is the ...
... a. When they borrow notes from outside the key What is another name for a tonic triad? a. Tonic chord (or tonic) What is a tonic triad? a. Diatonic triad built on the tonic pitch What makes it so special? a. Most stable chord in a key b. Nearly all pieces of music end on the tonic chord When is the ...
Ostinato
![](https://commons.wikimedia.org/wiki/Special:FilePath/Dido's_Lament_ground_bass.png?width=300)
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.