Orchestra Final Exam Study Sheet
... Natural Minor Scale- only minor scale without alterations (accidentals) Octave- distance between two notes with same letter name eight letter names apart Piano (p)- play softly Pianissimo (pp)- play very softly Pit Orchestra- orchestra used to accompany musicals, operas, etc. Pizzicato- pluck the st ...
... Natural Minor Scale- only minor scale without alterations (accidentals) Octave- distance between two notes with same letter name eight letter names apart Piano (p)- play softly Pianissimo (pp)- play very softly Pit Orchestra- orchestra used to accompany musicals, operas, etc. Pizzicato- pluck the st ...
Complex Chords Table of Content
... Four note chords are build the same way as triads, but they contain one more (major or minor) third, and therefore there are twice as much possible combinations as for triads. Not all these possible combinations are really useful in practice; in fact, some chords that do not consist exclusively of i ...
... Four note chords are build the same way as triads, but they contain one more (major or minor) third, and therefore there are twice as much possible combinations as for triads. Not all these possible combinations are really useful in practice; in fact, some chords that do not consist exclusively of i ...
Music Vocabulary Lists Year 1
... Staff - Made up of five horizontal parallel lines and the spaces between them on which musical notation is written. Tempo - Indicating speed. List 8(April) Theme - A melodic or, sometimes a harmonic idea presented in a musical form. Timbre - Tone color, quality of sound that distinguishes one verse ...
... Staff - Made up of five horizontal parallel lines and the spaces between them on which musical notation is written. Tempo - Indicating speed. List 8(April) Theme - A melodic or, sometimes a harmonic idea presented in a musical form. Timbre - Tone color, quality of sound that distinguishes one verse ...
Chapter 9 - eacfaculty.org
... chords, the bass is preceded and followed by the same tone and is placed between two root positions of the same triad. ...
... chords, the bass is preceded and followed by the same tone and is placed between two root positions of the same triad. ...
B Chapter 1: Introduction and Basics Learning about Chords, Scales, and Intervals.
... The black keys are named two different ways, depending on how chords are spelled. They can either take their name from the white key just below (to the left of them) or from the white key just above (to the right). If a black key takes its name from the white key just to the left of it, it is called ...
... The black keys are named two different ways, depending on how chords are spelled. They can either take their name from the white key just below (to the left of them) or from the white key just above (to the right). If a black key takes its name from the white key just to the left of it, it is called ...
as a PDF
... Most of the time they are inert, but sometimes they may also act like dissonances in terms of how they need to be resolved. Chordal dissonances (cd) are notes that clash mildly with the current harmonic function, even though they still form relatively stable chords built in thirds. All chordal disso ...
... Most of the time they are inert, but sometimes they may also act like dissonances in terms of how they need to be resolved. Chordal dissonances (cd) are notes that clash mildly with the current harmonic function, even though they still form relatively stable chords built in thirds. All chordal disso ...
modern jazz techniques
... all of the intervals, from minor 2nd up to major 7th. All of the tertian triads except for the augmented triad can be extracted from this scale, as can four of the five common 7thchord types (the major-7th cannot).2 Diminished scales and patterns derived from them are now part of modern jazz harmoni ...
... all of the intervals, from minor 2nd up to major 7th. All of the tertian triads except for the augmented triad can be extracted from this scale, as can four of the five common 7thchord types (the major-7th cannot).2 Diminished scales and patterns derived from them are now part of modern jazz harmoni ...
Vocal Music Intermediate Baseline Assessment Section One
... Remembering and Understanding 1. Second lowest male singing voice, between tenor and bass a. baritone b. head voice c. falsetto 2. An alternative way of identifying a time signature where there are 4 beats in a measure and the quarter note receives the beat is _____. a. common time b. cut time c. tr ...
... Remembering and Understanding 1. Second lowest male singing voice, between tenor and bass a. baritone b. head voice c. falsetto 2. An alternative way of identifying a time signature where there are 4 beats in a measure and the quarter note receives the beat is _____. a. common time b. cut time c. tr ...
music questions section i
... What is another name for sharps or flats? a. Accidentals What is a natural? a. When a sharp or flat is “undone” What happens when the music is notated? a. All three types of minor scales use the same key signature How many scales, major or minor, are there? a. 24 (12 major, 12 minor) Why? a. Have to ...
... What is another name for sharps or flats? a. Accidentals What is a natural? a. When a sharp or flat is “undone” What happens when the music is notated? a. All three types of minor scales use the same key signature How many scales, major or minor, are there? a. 24 (12 major, 12 minor) Why? a. Have to ...
Other Chords of the Major Key
... a major third interval as the lower interval and a minor third upper interval. Minor Chords are made up of a minor third interval as the lower interval and a major third upper interval. The viio chord, however, is made up a two minor third intervals, thus a diminished chord. Examples of the Leading ...
... a major third interval as the lower interval and a minor third upper interval. Minor Chords are made up of a minor third interval as the lower interval and a major third upper interval. The viio chord, however, is made up a two minor third intervals, thus a diminished chord. Examples of the Leading ...
Traditional composition techniques
... inversion mirrored contour; e.g., subject and inversion in Bartok's Music for Strings, Percussion and Celeste, first movement isomelos same notes, different rhythm; used constantly in dodecaphony microtones intervals smaller than a semitone non-tonal scales scale structures that are symmetric in con ...
... inversion mirrored contour; e.g., subject and inversion in Bartok's Music for Strings, Percussion and Celeste, first movement isomelos same notes, different rhythm; used constantly in dodecaphony microtones intervals smaller than a semitone non-tonal scales scale structures that are symmetric in con ...
Scales - MUS 231: Music in Western Civ
... • Melody: a series of notes arranged in order to form a distinctive, recognizable musical unit; the “tune” • Pitch: the relative position (high or low) of a musical sound • Octave: Span between the first note and the eighth note of a scale • Interval: the distance between any two pitches ...
... • Melody: a series of notes arranged in order to form a distinctive, recognizable musical unit; the “tune” • Pitch: the relative position (high or low) of a musical sound • Octave: Span between the first note and the eighth note of a scale • Interval: the distance between any two pitches ...
Justin`s Quick Guide to Basic Music Theory and Playing by Ear
... The Western chromatic scale is made of half-steps or semitones and consists of 12 “steps.” On a piano, one would play all the black and white keys and on a guitar, one would play one fret after another. To play a major scale, one would use the sequence, WWHWWWH. W represents “whole step” which consi ...
... The Western chromatic scale is made of half-steps or semitones and consists of 12 “steps.” On a piano, one would play all the black and white keys and on a guitar, one would play one fret after another. To play a major scale, one would use the sequence, WWHWWWH. W represents “whole step” which consi ...
The Lydian Mode - Fundamental Changes
... When forming chord progressions to highlight the characteristics of the Lydian mode, some varying techniques are used. Often in rock it is played over a static vamp, and sometimes even the tonic Major 7#11 chord is sustained: Example 14b ...
... When forming chord progressions to highlight the characteristics of the Lydian mode, some varying techniques are used. Often in rock it is played over a static vamp, and sometimes even the tonic Major 7#11 chord is sustained: Example 14b ...
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... Music Notation –Visual symbols for sound. Notation is how we write musical ideas down to be read and produced. Staff – Five lines and four spaces in which music notation is written. A set of five, equidistant (spaced the same), horizontal lines joined together by a brace. The staff (also called stav ...
... Music Notation –Visual symbols for sound. Notation is how we write musical ideas down to be read and produced. Staff – Five lines and four spaces in which music notation is written. A set of five, equidistant (spaced the same), horizontal lines joined together by a brace. The staff (also called stav ...
Musician’s Toolbox Christina Lipson ‘14 Advisor: Professor John Ridgway
... (Train, Create, Analyze, Reference) act as categories and each contain different musical functions. The application was built using Ruby on Rails and other assisting web development languages (HTML, CSS, JavaScript). I utilized open source code for the sound and visual components of my application i ...
... (Train, Create, Analyze, Reference) act as categories and each contain different musical functions. The application was built using Ruby on Rails and other assisting web development languages (HTML, CSS, JavaScript). I utilized open source code for the sound and visual components of my application i ...
Variation
... Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
... Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
63. Familia Valera Miranda Se quema la chumbamba
... Chords restricted to I and V7 in G minor in a regular four-bar pattern which repeats ...
... Chords restricted to I and V7 in G minor in a regular four-bar pattern which repeats ...
“Eric Whitacre Sleep” Analysis
... • The first incidence of chord I (Eb) is seen in b.6 (see fig.II); It is a strong arrival via a surprisingly conventional perfect cadence (IV-V-I) firmly establishing Eb as the tonic. • Whitacre gives prominence to the IV chord (Ab) in Section A as the upbeat and climax chord of each phrase (e.g. b. ...
... • The first incidence of chord I (Eb) is seen in b.6 (see fig.II); It is a strong arrival via a surprisingly conventional perfect cadence (IV-V-I) firmly establishing Eb as the tonic. • Whitacre gives prominence to the IV chord (Ab) in Section A as the upbeat and climax chord of each phrase (e.g. b. ...
Score ppt
... 36 – 39 repeat of 28 – 31 but with added inner crotchet melody Strong octaves in bass and treble minim chords in right hand with doubling top notes of left hand in octaves = thicker texture ...
... 36 – 39 repeat of 28 – 31 but with added inner crotchet melody Strong octaves in bass and treble minim chords in right hand with doubling top notes of left hand in octaves = thicker texture ...
FREE - James Buckham
... It will also help you communicate with other musicians. These concepts and the associated terminology are often discussed when forming arrangements, rehearsing or the 10-seconds you have on a gig to learn the form and changes to a tune that you’ve never played before from the other musicians! And ho ...
... It will also help you communicate with other musicians. These concepts and the associated terminology are often discussed when forming arrangements, rehearsing or the 10-seconds you have on a gig to learn the form and changes to a tune that you’ve never played before from the other musicians! And ho ...
Chord (music)
A chord, in music, is any harmonic set of three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may, for many practical and theoretical purposes, constitute chords. Chords and sequences of chords are frequently used in modern Western, West African and Oceanian music, whereas they are absent from the music of many other parts of the world.In tonal Western classical music, the most frequently encountered chords are triads, so called because they consist of three distinct notes: further notes may be added to give tetrads such as seventh chords and added tone chords, as well as extended chords and tone clusters. Triads commonly found in the Western classical tradition are major, minor, augmented and diminished chords. The descriptions major, minor, augmented, and diminished are referred to collectively as chordal quality. Chords are also commonly classified by their root note—for instance, a C major triad consists of the pitch classes C, E, and G. Chords may also be classified by inversion, the way in which their pitches are vertically arranged.An ordered series of chords is called a chord progression. Although any chord may in principle be followed by any other chord, certain patterns of chords have been accepted as establishing key in common-practice harmony. To describe this, Western music theory has developed the practicing of numbering chords using Roman numerals which represent the number of diatonic steps up from the tonic note of the scale. Common ways of notating or representing chords in Western music other than conventional staff notation include Roman numerals, figured bass, macro symbols (sometimes used in modern musicology), and chord charts. Each of these systems is more likely to appear in certain contexts: figured bass notation was used prominently in notation of Baroque music, macro symbols are used in modern musicology, and chord charts are typically found in the lead sheets used in popular music.