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MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 – HARMONY Introduction
MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 – HARMONY Introduction

... So, with these seven different chords in the major scale you could compose a countless number of songs just by picking chords more or less at random. They will all work, although of course some progressions sound better than others. Your chord I and V are important chords as discussed, as is chord I ...
Notes - Higher Music
Notes - Higher Music

... order to add tension, and it was almost immediately followed by a concord. In the 20th century composers made greater use of discords, merging them into further ...
Impressionism - Mallaig High School Music Dept
Impressionism - Mallaig High School Music Dept

... • 7th chords ...
1 Elements of Music Olli F16
1 Elements of Music Olli F16

... Rhythm is when events, such as notes, chords, and rests, happen in time. In Western music, time is divided and subdivided into small, equal increments. The main units of time, or rhythm, are called measures or bars. Each bar contains a small number of beats, usually 4, 3, or 6. The number of beats p ...
Seventh chords - Wilson Central High School Band
Seventh chords - Wilson Central High School Band

... major 7th (CEGB). This is also known as a major 7th. • A minor-minor seventh chord (mm7) has a minor triad and a minor 7th (CEbGBb). This is also known as a minor 7th chord. • A major-minor seventh chord (Mm7) has a major triad and a minor 7th (CEGBb). This is also known as a dominant 7th chord • Se ...
Higher Music Concepts
Higher Music Concepts

... Sometimes referred to as continuo. In the Baroque period, the continuo part consisted of a bass line (basso continuo) played by cello, bass, viola da gamba or bassoon, along with which was the harpsichord, organ or lute which filled in harmonies built on the bass line. Sometimes numbers were written ...
$doc.title

... bit of transposition skills by the player. But if the song is in multiple keys, the chord progression can be written out only one time with notations of the key changes. The next lesson (Nashville Number System Part 2) will give more detail and examples of specific musical situations and how they wo ...
Understanding 12-bar Blues The most common musical form of
Understanding 12-bar Blues The most common musical form of

... measures, or musical bars, used to express the theme of a typical blues song. Nearly all blues music is played to a 4/4 time signature, which means that there are four beats in every measure or bar and each quarter note is equal to one beat. A 12-bar blues is divided into three four-bar segments. A ...
1 Terms and Definitions Characteristics of Modern and Postmodern
1 Terms and Definitions Characteristics of Modern and Postmodern

... Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Impressionism and Impressionist Music (See textbook and lecture notes) Modernism and Modernist Music (see textbook and lecture notes) Tone cluster: ...
ap® music theory 2015 scoring guidelines
ap® music theory 2015 scoring guidelines

... soprano pitches are not allowed.) C. No enharmonic equivalents are allowed. II. Chord Symbols (8 points) A. Award 1 point for each chord symbol correct in both Roman and Arabic numerals. B. Award ½ point for each correct Roman numeral that has incorrect or missing Arabic numerals. C. Accept the corr ...
Reference Guide to Music Literacy
Reference Guide to Music Literacy

... that are next to each other. You will see on the keyboard that C to C# is a semitone. E to F is also a semitone, as is B to C. A tone is the distance of two semitones. There is a tone between C and D. E to F# is also a tone, as is B to C#. ...
what is harmony
what is harmony

... “above” the tonic); the fifth (V) note is called the “dominant” (because after chord I it’s the most important note in the scale); the third (III) note is called the “mediant” (because it’s midway between the two most important notes of the scale I & V); the fourth (IV) is called the “sub-dominant”; ...
Behind The Guitar Chords 1. Tempered Notes Plucking a string will
Behind The Guitar Chords 1. Tempered Notes Plucking a string will

... developments. Children songs all fit into this simpler system and do, re, mi, fa, so, la, ti, do are the relative names of these increments. They are exactly the alphabetical (white) keys if we start from C : ...
CREATING CHORDS
CREATING CHORDS

... 2. Your melody will sound best if most of the pitches in each measure have the same letter names as the names of the notes in your chord for that measure. Use the other side of this sheet as a reference for what pitches are in each chord and also the names of the notes on the music staff using the R ...
69s and pentatonics
69s and pentatonics

... based on the same note as the start of the scale, ie. a C major pentatonic or m69 scale played against a C chord. Bear in mind that major seventh chords are not used in bluesy or funky progressions. ...
document - Far Western District
document - Far Western District

... This exercise is designed to help you identify the notes in a chord and which part is singing the Root, 3rd, 5th and/or 7th. It is NOT meant to teach you how to arrange or to analyze anything too complicated. But, it IS a way to help the beginner to understand the general breakdown structure of a ch ...
New Harmonic Resources
New Harmonic Resources

... Chords may be constructed of intervals other than thirds (triadic harmony):! 3rds (tertian)! Extensions of traditional triads: ! 7th, 9th, 11th, and 13th chords.! diatonic! ...
Classical 1
Classical 1

... • The themes are stated again in their original form but both in the home key of the movement ...
Tippett - Concerto for Double String Orchestra movement I (Harmony)
Tippett - Concerto for Double String Orchestra movement I (Harmony)

... harmony. The most important functions of the chords are subdominant, dominant, and tonic (S, D, T). They are usually represented by scale degrees II/IV, V, and I, but other degrees can be substituted for them as well. ...
Scales, Modes, and Chord/Cluster Concepts for 20th
Scales, Modes, and Chord/Cluster Concepts for 20th

... All whole steps (only 7 notes in an octave) Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two options for a "d ...
Transposing Chord Symbols
Transposing Chord Symbols

... major thirteenth is added to the eleventh chords given above if, to relieve the texture, the eleventh is missing the chord remains a 13th; if, however, the eleventh is present but altered, this must be shown in the name of the chord Here are a number of other chords that feature in modern popular mu ...
Glossary of Terms
Glossary of Terms

... Pentatonic scale: scales containing five pitches per octave Chromatic scale: a scale containing all twelve possible pitches within the octave Whole tone scale: divides the octave into six consecutive whole steps Sharp: to raise a pitch a half step Flat: to lower a pitch a half step Staff: five lines ...
Lecture 8
Lecture 8

... The Octave • Produced by one string vibrating twice as fast as another • Notes an octave apart have the same ...
How Music Works I
How Music Works I

... https://www.youtube.com/wat ch?v=FMspIsLEOvY (contemporary) ...
cadences - UT School of Music
cadences - UT School of Music

... • Either or both of the above two rules are broken. • The progression could involve an inversion of the V chord, and inversion of the I chord, or both chords in inversion. • The progression could also be a leading tone chord to tonic (viio-I); this progression will always be an imperfect authentic s ...
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Chord (music)



A chord, in music, is any harmonic set of three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may, for many practical and theoretical purposes, constitute chords. Chords and sequences of chords are frequently used in modern Western, West African and Oceanian music, whereas they are absent from the music of many other parts of the world.In tonal Western classical music, the most frequently encountered chords are triads, so called because they consist of three distinct notes: further notes may be added to give tetrads such as seventh chords and added tone chords, as well as extended chords and tone clusters. Triads commonly found in the Western classical tradition are major, minor, augmented and diminished chords. The descriptions major, minor, augmented, and diminished are referred to collectively as chordal quality. Chords are also commonly classified by their root note—for instance, a C major triad consists of the pitch classes C, E, and G. Chords may also be classified by inversion, the way in which their pitches are vertically arranged.An ordered series of chords is called a chord progression. Although any chord may in principle be followed by any other chord, certain patterns of chords have been accepted as establishing key in common-practice harmony. To describe this, Western music theory has developed the practicing of numbering chords using Roman numerals which represent the number of diatonic steps up from the tonic note of the scale. Common ways of notating or representing chords in Western music other than conventional staff notation include Roman numerals, figured bass, macro symbols (sometimes used in modern musicology), and chord charts. Each of these systems is more likely to appear in certain contexts: figured bass notation was used prominently in notation of Baroque music, macro symbols are used in modern musicology, and chord charts are typically found in the lead sheets used in popular music.
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