![Elements of Music](http://s1.studyres.com/store/data/000419998_1-85d6e87616f59d97b5e485e1dbc4e27d-300x300.png)
Elements of Music
... it as a bass note. Bass players can usually stick to going with the second note. Another popular chord is a suspended chord. It would be written like Asus, Dsus, Esus A suspended chord is when the 3rd is raised. An Esus would have be made up of E, A, and B This is usually used as a prolongation of t ...
... it as a bass note. Bass players can usually stick to going with the second note. Another popular chord is a suspended chord. It would be written like Asus, Dsus, Esus A suspended chord is when the 3rd is raised. An Esus would have be made up of E, A, and B This is usually used as a prolongation of t ...
Notation
... Most scales consistently use certain sharps or flats throughout a piece Writing in those sharps or flats every time they appear takes time and adds clutter Instead, composers put them in a key signature, found just after the clef at the beginning of each staff ...
... Most scales consistently use certain sharps or flats throughout a piece Writing in those sharps or flats every time they appear takes time and adds clutter Instead, composers put them in a key signature, found just after the clef at the beginning of each staff ...
On Ben Johnston`s Notation and the Performance
... complex and dissonant; by lowering E slightly one finds the ratio 5/3, which sounds more simple and consonant. However, the ratio from this lower E to the open A string then becomes 27/20, which has a complex and dissonant sound.1 Using ratios one can measure the difference between these two E’s, si ...
... complex and dissonant; by lowering E slightly one finds the ratio 5/3, which sounds more simple and consonant. However, the ratio from this lower E to the open A string then becomes 27/20, which has a complex and dissonant sound.1 Using ratios one can measure the difference between these two E’s, si ...
Slightly Out of Tune: The Story of Musical Temperament
... So if a computer is outfitted with a sound system of some sort, then you can program that system with the frequency numbers and produce sounds. That’s what a musical synthesizer is, of course. I have a program on this computer called Scala, with which you can re-create musical tunings and hear what ...
... So if a computer is outfitted with a sound system of some sort, then you can program that system with the frequency numbers and produce sounds. That’s what a musical synthesizer is, of course. I have a program on this computer called Scala, with which you can re-create musical tunings and hear what ...
Concepts Word Bank - Stage 5
... Dissonance – where the notes have a feeling of tension and unease. Intervals that clash Transpose - a change of register Modulation – a key change Tonal – where a piece of music is based on a definite key Atonal – where a piece of music does not belong to any key. Perfect Cadence - where the final c ...
... Dissonance – where the notes have a feeling of tension and unease. Intervals that clash Transpose - a change of register Modulation – a key change Tonal – where a piece of music is based on a definite key Atonal – where a piece of music does not belong to any key. Perfect Cadence - where the final c ...
Tones and Semitones
... On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to use? In fact, what we need to know is the distance between each of the notes in the scale. The distance between any t ...
... On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to use? In fact, what we need to know is the distance between each of the notes in the scale. The distance between any t ...
doc Fundamentals
... Overtones: One of the frequency components of a sound other than that of lowest frequency. : Emphasis on different overtones creates different timbres. ...
... Overtones: One of the frequency components of a sound other than that of lowest frequency. : Emphasis on different overtones creates different timbres. ...
Hymn Reading 101
... bass clef line of music by reading the notes as is and playing down an octave with a different key signature. To figure out the key signature, Eb instruments always transpose down a Minor 3rd . If the hymn example is in G Major, the alto saxophones would be in E Major, which has 4 sharps. The first ...
... bass clef line of music by reading the notes as is and playing down an octave with a different key signature. To figure out the key signature, Eb instruments always transpose down a Minor 3rd . If the hymn example is in G Major, the alto saxophones would be in E Major, which has 4 sharps. The first ...
AoS2 – Harmony and Tonality
... 4th and 7th and 8th notes of the scale, C major is the only major scale which can be played only using the white notes of a keyboard ! If we start a major scale on any other note we ...
... 4th and 7th and 8th notes of the scale, C major is the only major scale which can be played only using the white notes of a keyboard ! If we start a major scale on any other note we ...
Intro to Music Theory - Hamden High School Music Program
... refers to sounds in the upper frequency range (such as a flute), and low refers to sounds in the lower frequency range (such as an upright bass). Pitch can be specifically defined using the letter names A B C D E F G. Each pitch refers to a specific line or space on the staff or a specific note play ...
... refers to sounds in the upper frequency range (such as a flute), and low refers to sounds in the lower frequency range (such as an upright bass). Pitch can be specifically defined using the letter names A B C D E F G. Each pitch refers to a specific line or space on the staff or a specific note play ...
These are the main forms that are used: AB, or
... Often called Ritornello Form, as there is a recurring A theme, with episodes (B, C, D etc) in between each recurrence. The A theme is called the Ritonello theme ...
... Often called Ritornello Form, as there is a recurring A theme, with episodes (B, C, D etc) in between each recurrence. The A theme is called the Ritonello theme ...
Diatonic Triads Powerpoint
... What is the roman numeral used to represent the tonic chord in a major scale? What is the roman numeral used to represent the dominant chord in a minor scale? What is the name of the chord built on the fourth scale degree called? What is the bottom note of a triad called? ...
... What is the roman numeral used to represent the tonic chord in a major scale? What is the roman numeral used to represent the dominant chord in a minor scale? What is the name of the chord built on the fourth scale degree called? What is the bottom note of a triad called? ...
MSP_lecture3
... The next unique interval in the harmonic series after 3/2 is 5/4 This step in our modern scale is known as the “major third” (E in a C scale which we will see more of later). Closest interval in Pythag’s scale is “Unstable” interval of 81/64 Slightly higher than the closest interval of 5/4 i ...
... The next unique interval in the harmonic series after 3/2 is 5/4 This step in our modern scale is known as the “major third” (E in a C scale which we will see more of later). Closest interval in Pythag’s scale is “Unstable” interval of 81/64 Slightly higher than the closest interval of 5/4 i ...
Harmony Rules - Jeanie`s Online Music Studio
... * Write in the bass notes (the root of each chord). * Keep the note in common to both chords in the same part (this is the tonic of the key). * The other two parts should move as closely as possible, usually they can simply both move down a step. ...
... * Write in the bass notes (the root of each chord). * Keep the note in common to both chords in the same part (this is the tonic of the key). * The other two parts should move as closely as possible, usually they can simply both move down a step. ...
Page 1 of 8 NAHOO || Maths || The Relationship between
... equal tempered tuning was universally adopted. The modern piano signalled the introduction of equal temperament around 1854, helped by the ever-increasing demand on versatile instruments for chromatics and a wider range of keys. Helmholtz produced the first physical evidence leading to an understand ...
... equal tempered tuning was universally adopted. The modern piano signalled the introduction of equal temperament around 1854, helped by the ever-increasing demand on versatile instruments for chromatics and a wider range of keys. Helmholtz produced the first physical evidence leading to an understand ...
melody and syncopation
... There is also another structure when we take into account the notes and pitches of every melody. It depends on the scale. A scale is a sequence of notes from which melodies and harmony can be derived. Scales are named according to the first note or degree. For example, in the C (do) major scale the ...
... There is also another structure when we take into account the notes and pitches of every melody. It depends on the scale. A scale is a sequence of notes from which melodies and harmony can be derived. Scales are named according to the first note or degree. For example, in the C (do) major scale the ...
Tonality vs. Atonality
... Characteristics of Traditional Harmony: • Tonality. A tonal center embodied in the tonic triad. • Tonality is established by the progression V-I and the resolution of the leading tone to the tonic pitch. Harmonic progressions point towards the tonic. • Functional harmony. Chords are polarized around ...
... Characteristics of Traditional Harmony: • Tonality. A tonal center embodied in the tonic triad. • Tonality is established by the progression V-I and the resolution of the leading tone to the tonic pitch. Harmonic progressions point towards the tonic. • Functional harmony. Chords are polarized around ...
music terminology
... Forte (f) - loud Fortissimo (ff) - very loud e, et, ed: Meaning "and" Enharmonic: The same pitch given two different letter names, e.g., e natural and f flat Espressivo: With expression Fermata: A sign that indicates the note or rest over which it is placed is to be prolonged Fine: The end Forzando ...
... Forte (f) - loud Fortissimo (ff) - very loud e, et, ed: Meaning "and" Enharmonic: The same pitch given two different letter names, e.g., e natural and f flat Espressivo: With expression Fermata: A sign that indicates the note or rest over which it is placed is to be prolonged Fine: The end Forzando ...
Symbolic Music Representations
... The most common naming convention for intervals uses two attributes to describe them: quality and number. Quality Quality: perfect, major, minor, augmented, diminished. Number Number: unison, second, third, fifth, sixth, seventh, octave and is based on counting staff positions ...
... The most common naming convention for intervals uses two attributes to describe them: quality and number. Quality Quality: perfect, major, minor, augmented, diminished. Number Number: unison, second, third, fifth, sixth, seventh, octave and is based on counting staff positions ...
12 Scale- A scale is a series of pitches in ascending order, such as
... wishes to finish, there is one letter that will feel satisfying and complete when the composer stops there. Often tonal music focuses on the letters of a particular scale (although it is common to introduce pitches outside that scale, or shift to other scales in the course of a composition) and the ...
... wishes to finish, there is one letter that will feel satisfying and complete when the composer stops there. Often tonal music focuses on the letters of a particular scale (although it is common to introduce pitches outside that scale, or shift to other scales in the course of a composition) and the ...
Texture, Dynamics, Cadences
... 2 types of cadence sound finished, like the piece could end at the cadence. 2 types of cadence sound unfinished, like the piece needs to continue or go off in a new direction. ...
... 2 types of cadence sound finished, like the piece could end at the cadence. 2 types of cadence sound unfinished, like the piece needs to continue or go off in a new direction. ...
pdf, 181kb
... Pentatonic Scale: A scale consisting of five pitches. Often used as a scale omitting the fourth and seventh pitches of a major scale; or the second and fifth pitches of a minor scale. Phrasing: Dividing musical sentences or thoughts into melodic and/or rhythmic sections, similar to the effect of pu ...
... Pentatonic Scale: A scale consisting of five pitches. Often used as a scale omitting the fourth and seventh pitches of a major scale; or the second and fifth pitches of a minor scale. Phrasing: Dividing musical sentences or thoughts into melodic and/or rhythmic sections, similar to the effect of pu ...
“Tuning and temperament” by Rudolph Rasch Know who and where
... What can be described by root extraction? Note: We use “tuning” to mean “setting the pitches of an instrument,” no matter what system we use to tune the instrument. In technical terminology, “tuning” can mean only one system (or set of systems) for setting pitches. “Temperament” is a different syste ...
... What can be described by root extraction? Note: We use “tuning” to mean “setting the pitches of an instrument,” no matter what system we use to tune the instrument. In technical terminology, “tuning” can mean only one system (or set of systems) for setting pitches. “Temperament” is a different syste ...
Circle of fifths
In music theory, the circle of fifths (or circle of fourths) is a visual representation of the relationships among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space.