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MUSC 101 – Introduction to Music Study Guide
... Minor Scale - A seven tone pattern first distinguished from the Major scale by its third tone which is a half-step lower in pitch than in the major scale. Songs in a Minor keys often sound serious or melancholy, such as: Greensleeves, Eleanor Rigby, Scarborough Fair, and many traditional blues and ' ...
... Minor Scale - A seven tone pattern first distinguished from the Major scale by its third tone which is a half-step lower in pitch than in the major scale. Songs in a Minor keys often sound serious or melancholy, such as: Greensleeves, Eleanor Rigby, Scarborough Fair, and many traditional blues and ' ...
CHAPTER I: Elements of Music: Sound, Melody, Rhythm, and
... 1. Spend some time exploring the idea of tonality. The major and minor scales depend on more than certain patterns of whole and half steps. They establish a hierarchy of pitches, some of which are more important than others. The keynote (tonic) is one pole and the dominant (fifth scale degree) is th ...
... 1. Spend some time exploring the idea of tonality. The major and minor scales depend on more than certain patterns of whole and half steps. They establish a hierarchy of pitches, some of which are more important than others. The keynote (tonic) is one pole and the dominant (fifth scale degree) is th ...
Scales, Modes, and Chord/Cluster Concepts for 20th
... All whole steps (only 7 notes in an octave) Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two options for a "d ...
... All whole steps (only 7 notes in an octave) Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two options for a "d ...
presentation source
... 1. Use just major third, divided into two equal intervals 2. This defines a wholetone interval - how many cents? (answer: 193.2 cents) ...
... 1. Use just major third, divided into two equal intervals 2. This defines a wholetone interval - how many cents? (answer: 193.2 cents) ...
Notes - Higher Music
... The second example shows a lower mordent again, illustrating first how a lower mordent is written in notation and then how it is played: the main note is played, followed by the note below, then the main note again. Ornaments ...
... The second example shows a lower mordent again, illustrating first how a lower mordent is written in notation and then how it is played: the main note is played, followed by the note below, then the main note again. Ornaments ...
Scales
... Chromatic Scales are made up entirely of half steps. When ascending, the scale uses sharps, when descending it uses flats.Listen ...
... Chromatic Scales are made up entirely of half steps. When ascending, the scale uses sharps, when descending it uses flats.Listen ...
ZCHS Performing Arts Department 2015-2016
... Augmented interval: when a perfect interval or major interval is made larger by one half step Chord: three or more notes sounded together Chromatic Scale: a scale made up entirely of half step in consecutive order Common time: four four time Cut time: two two time, two beats per measure, half note g ...
... Augmented interval: when a perfect interval or major interval is made larger by one half step Chord: three or more notes sounded together Chromatic Scale: a scale made up entirely of half step in consecutive order Common time: four four time Cut time: two two time, two beats per measure, half note g ...
Advanced Ensemble Exams – Semester II (50 questions)
... Augmented interval: when a perfect interval or major interval is made larger by one half step Chord: three or more notes sounded together Chromatic Scale: a scale made up entirely of half step in consecutive order Common time: four four time Cut time: two two time, two beats per measure, half note g ...
... Augmented interval: when a perfect interval or major interval is made larger by one half step Chord: three or more notes sounded together Chromatic Scale: a scale made up entirely of half step in consecutive order Common time: four four time Cut time: two two time, two beats per measure, half note g ...
Musical Intervals and Scales
... The Pythagorean Scale • Step 2 - bring into the range of a single octave by descending in whole octave steps ...
... The Pythagorean Scale • Step 2 - bring into the range of a single octave by descending in whole octave steps ...
microtonal scale exploration in Central
... goal is to document the endangered musical heritage of African oral cultures, specifically its tone scale diversity. The specific characteristics of tone scales in this wide range of music, urged us to develop a very flexible system for pitch analysis, pitch representation, pitch (and scale) interpr ...
... goal is to document the endangered musical heritage of African oral cultures, specifically its tone scale diversity. The specific characteristics of tone scales in this wide range of music, urged us to develop a very flexible system for pitch analysis, pitch representation, pitch (and scale) interpr ...
Week 3 Pitch Class
... Pitch Class Collection: the group of pitches used in a piece of music (no duplications or any particular order) Diatonic: the set of seven pitch classes in a single key (Mozart example) ...
... Pitch Class Collection: the group of pitches used in a piece of music (no duplications or any particular order) Diatonic: the set of seven pitch classes in a single key (Mozart example) ...
Milhaud Describes Polytonality
... entire piece the lower part acts as pedal made from four notes. ...
... entire piece the lower part acts as pedal made from four notes. ...
Chapter 3 Melody and Harmony
... Most music centers around a home pitch ─ the key center or tonic Most pieces usually begin, spend a good share of the time in, and return to their key center or tonic. ...
... Most music centers around a home pitch ─ the key center or tonic Most pieces usually begin, spend a good share of the time in, and return to their key center or tonic. ...
OTHER SCALES CHROMATIC SCALE The scale consisting of all
... The scale consisting of all twelve notes occurring between any two pitches an octave apart. The ascending form of the chromatic scale is usually written using sharps, and the descending version is usually written using flats. ...
... The scale consisting of all twelve notes occurring between any two pitches an octave apart. The ascending form of the chromatic scale is usually written using sharps, and the descending version is usually written using flats. ...
Unraveling Ravel - Macro Analysis Creative Research Organization
... analysis of the Prélude. The harmonic palette Ravel uses here includes many extended chords, including a number of chords that are best analyzed as ninth, eleventh, or thirteenth chords. A thirteenth chord contains every pitch of a diatonic scale. Even a ninth chord has five of the seven pitches in ...
... analysis of the Prélude. The harmonic palette Ravel uses here includes many extended chords, including a number of chords that are best analyzed as ninth, eleventh, or thirteenth chords. A thirteenth chord contains every pitch of a diatonic scale. Even a ninth chord has five of the seven pitches in ...
prelude
... 19. The major and minor scales each contain the same number of half and whole steps. a. true b. false [a] 20. The arrangement of half and whole steps is the same in both the major and minor scales. a. true b. false [b] 21. The tonic is the __________ note of a diatonic scale. a. first b. second c. f ...
... 19. The major and minor scales each contain the same number of half and whole steps. a. true b. false [a] 20. The arrangement of half and whole steps is the same in both the major and minor scales. a. true b. false [b] 21. The tonic is the __________ note of a diatonic scale. a. first b. second c. f ...
Time Signatures and Intervals
... major relative. In both cases apply the key signature then For Harmonic minor, raise note number 7 For Melodic minor, raise notes 6 and7 on the way up, than cancel them on the way down! ...
... major relative. In both cases apply the key signature then For Harmonic minor, raise note number 7 For Melodic minor, raise notes 6 and7 on the way up, than cancel them on the way down! ...
Music KS3 Skills Framework DOCX File
... Compositions are used to show contrasts in the music. Can use pitch and rhythm notation together. Expression marks are used to create depth and contrast in the music. Is identifying notes within major triads and uses them to compose a ground bass. ...
... Compositions are used to show contrasts in the music. Can use pitch and rhythm notation together. Expression marks are used to create depth and contrast in the music. Is identifying notes within major triads and uses them to compose a ground bass. ...
Music_Grade 5_2.2(Major scale, Harmony - Arts-Education-Wake
... b. Is the movement in the melody by skips or steps mostly. (steps) c. Is this song Pentatonic? (No) Hint: Find do (indicated to the left of the treble clef) and count up to see if there is a fa or ti. d. This is a Major Scale because it DOES include fa and ti e. New Vocabulary - Use the keyboard on ...
... b. Is the movement in the melody by skips or steps mostly. (steps) c. Is this song Pentatonic? (No) Hint: Find do (indicated to the left of the treble clef) and count up to see if there is a fa or ti. d. This is a Major Scale because it DOES include fa and ti e. New Vocabulary - Use the keyboard on ...
Scales, Modes, and Chord/Cluster Concepts for 20th
... All whole steps (only 7 notes in an octave) Whole-Tone Scale Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two ...
... All whole steps (only 7 notes in an octave) Whole-Tone Scale Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two ...
A Mathematical and Musical Analogy in Microtonal Systems
... Piano keyboards–our musical instrument of choice–are typically tuned in equal temperament where any two adjacent keys, regardless of whether they are a white or black key, are at the same musical distance from one another and this distance, or interval, between each note is called a half-step, or se ...
... Piano keyboards–our musical instrument of choice–are typically tuned in equal temperament where any two adjacent keys, regardless of whether they are a white or black key, are at the same musical distance from one another and this distance, or interval, between each note is called a half-step, or se ...
Workshop: The 2005 Kyoto Prize in Arts and Philosophy
... Rhythm causes the most complicated questions in this music because even or equal notes are not always easy to distinguish from uneven, unequal notes. Even written 8th-notes are very often to be played uneven (exceptions: if nottes égales is written, or if dots are above the notes, or, if andante is ...
... Rhythm causes the most complicated questions in this music because even or equal notes are not always easy to distinguish from uneven, unequal notes. Even written 8th-notes are very often to be played uneven (exceptions: if nottes égales is written, or if dots are above the notes, or, if andante is ...
notes and scales
... (re) you have one tone because you have another key between both keys. This black key is the sharp C or flat D (therefore, you could call one sound with two different names). On the other hand, between the keys of E (mi) and F (fa) you have one semitone because there isn’t any key between both keys. ...
... (re) you have one tone because you have another key between both keys. This black key is the sharp C or flat D (therefore, you could call one sound with two different names). On the other hand, between the keys of E (mi) and F (fa) you have one semitone because there isn’t any key between both keys. ...
Review of Music Rudiments
... White key mode from C to C Major Scales use this succession of Tones and Semitones starting on any pitch For Example: D Major = D, E, F#, G, A, B, C#. Key of D Major - uses this scale melodically F Major: F, G, A, Bb, C, D, E. Key of F Major uses this scale melodically Notice how in both s ...
... White key mode from C to C Major Scales use this succession of Tones and Semitones starting on any pitch For Example: D Major = D, E, F#, G, A, B, C#. Key of D Major - uses this scale melodically F Major: F, G, A, Bb, C, D, E. Key of F Major uses this scale melodically Notice how in both s ...
Circle of fifths
In music theory, the circle of fifths (or circle of fourths) is a visual representation of the relationships among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space.