![Tone and Voice: A Derivation of the Rules of Voice](http://s1.studyres.com/store/data/008092172_1-0c77b88914030ce2896dfc59dc005004-300x300.png)
Tone and Voice: A Derivation of the Rules of Voice
... Rule. Avoid similar pitch motion in which the voices employ unisons, octaves, or perfect fifths. (For example, when both parts ascend beginning an octave apart, and end a fifth apart.) D21. Parallel Unisons, Octaves, and Fifths Rule. Avoid parallel unisons, octaves, or fifths. D22. Exposed Intervals ...
... Rule. Avoid similar pitch motion in which the voices employ unisons, octaves, or perfect fifths. (For example, when both parts ascend beginning an octave apart, and end a fifth apart.) D21. Parallel Unisons, Octaves, and Fifths Rule. Avoid parallel unisons, octaves, or fifths. D22. Exposed Intervals ...
SCALES and ORNAMENTS ~ Higher Level
... a semitone ascending, and similarly lowers them descending. ...
... a semitone ascending, and similarly lowers them descending. ...
Review for Exam No.
... In two (or four), disjunct, consonance In three, conjunct, with dissonance In two (or four), conjunct, with consonance In three, conjunct, with a narrow range ...
... In two (or four), disjunct, consonance In three, conjunct, with dissonance In two (or four), conjunct, with consonance In three, conjunct, with a narrow range ...
The Lowdown on the Octatonic Scale
... Rudiments, scale types such as the octatonic scale are now expected to be part of a student's knowledge base. An octatonic scale includes eight pitches per octave arranged in a pattern of alternating semitones and whole tones (for example: c c# d# e f# g a a# c). Octatonic scales can start on any pi ...
... Rudiments, scale types such as the octatonic scale are now expected to be part of a student's knowledge base. An octatonic scale includes eight pitches per octave arranged in a pattern of alternating semitones and whole tones (for example: c c# d# e f# g a a# c). Octatonic scales can start on any pi ...
2015 Chorus Midterm Review Sheet
... beats. The pattern is created by accented and weaker beats. basic notation – notation is the system of sings used in writing music. a. the staff – music is written on a staff having five parallel, horizontal lines and four spaces. Symbols called notes are placed on the lines and in the spaces, and t ...
... beats. The pattern is created by accented and weaker beats. basic notation – notation is the system of sings used in writing music. a. the staff – music is written on a staff having five parallel, horizontal lines and four spaces. Symbols called notes are placed on the lines and in the spaces, and t ...
Musical Scales and Tonality - University of Toronto Scarborough
... Facts about musical systems • Musical cultures make use of variation in pitch • Use tones of low to high frequency, and combine them in various ways • Pitch and frequency are continuous ...
... Facts about musical systems • Musical cultures make use of variation in pitch • Use tones of low to high frequency, and combine them in various ways • Pitch and frequency are continuous ...
12_6_Deeper_Reading_Scales_and_Tuning
... do this would be to use the pattern of tone/tone/semitone/etc... given above. If we choose to write the scale of D-major, we know immediately that the scale begins on a D. The next note will be a tone above - an E. The note after that will also be a tone above, however it is not simply an F as would ...
... do this would be to use the pattern of tone/tone/semitone/etc... given above. If we choose to write the scale of D-major, we know immediately that the scale begins on a D. The next note will be a tone above - an E. The note after that will also be a tone above, however it is not simply an F as would ...
Musical Scales and Tuning
... do this would be to use the pattern of tone/tone/semitone/etc... given above. If we choose to write the scale of D-major, we know immediately that the scale begins on a D. The next note will be a tone above - an E. The note after that will also be a tone above, however it is not simply an F as would ...
... do this would be to use the pattern of tone/tone/semitone/etc... given above. If we choose to write the scale of D-major, we know immediately that the scale begins on a D. The next note will be a tone above - an E. The note after that will also be a tone above, however it is not simply an F as would ...
Scales - SmartSite
... A useful tool in understanding the major-minor tonal system is a diagram known as the circle of fifths (next screen). Each segment of the circle is a 5th higher than the pitch to its immediate left: you start at the top with no sharps or flats and proceed clockwise by adding sharps and counterclockw ...
... A useful tool in understanding the major-minor tonal system is a diagram known as the circle of fifths (next screen). Each segment of the circle is a 5th higher than the pitch to its immediate left: you start at the top with no sharps or flats and proceed clockwise by adding sharps and counterclockw ...
Word - asboa
... Melody Minor chord Minor key Mixed meter Modal harmony Modes (church mode) Modulation Monophonic Music cognition Musical textures Natural minor scale Neighboring tones Note Parallel scales Passing tone Pentatonic scale ...
... Melody Minor chord Minor key Mixed meter Modal harmony Modes (church mode) Modulation Monophonic Music cognition Musical textures Natural minor scale Neighboring tones Note Parallel scales Passing tone Pentatonic scale ...
A Field Guide to Chromaticism
... in the diminished seventh chord. One can't write one without using at least one accidental. The most familiar form is Vo9, or what some theorists, but not I, prefer to call VII7 — B D F Aflat in the key of C major or C minor. If in the major mode, the chord requires an accidental for the minor sixth ...
... in the diminished seventh chord. One can't write one without using at least one accidental. The most familiar form is Vo9, or what some theorists, but not I, prefer to call VII7 — B D F Aflat in the key of C major or C minor. If in the major mode, the chord requires an accidental for the minor sixth ...
Unit 3 – Scales, Keys & Modes
... Key Signatures are written at the beginning of every staff. They show which pitches are to be sharp or flat consistently throughout the piece, and helps determine the key or tonal center. Major Scales help determine which accidentals make-up its key signature. For example: the G Major Scale has an F ...
... Key Signatures are written at the beginning of every staff. They show which pitches are to be sharp or flat consistently throughout the piece, and helps determine the key or tonal center. Major Scales help determine which accidentals make-up its key signature. For example: the G Major Scale has an F ...
iReal Pro - Johnathon Bower
... Each Church Mode has 7 pitches, plus an eighth that is repeated on top. Each pitch is considered a scale degree. Each church mode starts on a different scale degree of the Major scale or Ionian mode. In order of scale degrees starting at one the modes are as follows: Ionian, Dorian, Phrygian, Lyd ...
... Each Church Mode has 7 pitches, plus an eighth that is repeated on top. Each pitch is considered a scale degree. Each church mode starts on a different scale degree of the Major scale or Ionian mode. In order of scale degrees starting at one the modes are as follows: Ionian, Dorian, Phrygian, Lyd ...
Theory of Music Grade 1 - Trinity College London
... 6. You are reminded that you are bound by the regulations for written examinations displayed at the examination centre and listed on page 5 of the current edition of the written examinations syllabus. In particular, you are reminded that you are not allowed to bring books, music or papers into the e ...
... 6. You are reminded that you are bound by the regulations for written examinations displayed at the examination centre and listed on page 5 of the current edition of the written examinations syllabus. In particular, you are reminded that you are not allowed to bring books, music or papers into the e ...
Week 1-Review
... Pitch: A tone sounding in a particular octave (scientifically refers to the specific sound wave frequencies that occur to create that sound) Pitches are named with the first seven letters in the alphabet- A, B, C, D, E, F, G Forward in the alphabet=moving upward in pitch; backward in the alphabet=mo ...
... Pitch: A tone sounding in a particular octave (scientifically refers to the specific sound wave frequencies that occur to create that sound) Pitches are named with the first seven letters in the alphabet- A, B, C, D, E, F, G Forward in the alphabet=moving upward in pitch; backward in the alphabet=mo ...
Orchestra Final Exam Study Sheet
... Arco- played with the bow Arpeggio- a broken chord, to play the notes of a chord one after the other A Piacere- as you like it, up to the performer Bar Line- the line drawn through the staff to mark off the measures Baroque Period- 1600-1750 (Bach, Handel, Vivaldi) Bach’s Brandenburg Concerti 1-6! C ...
... Arco- played with the bow Arpeggio- a broken chord, to play the notes of a chord one after the other A Piacere- as you like it, up to the performer Bar Line- the line drawn through the staff to mark off the measures Baroque Period- 1600-1750 (Bach, Handel, Vivaldi) Bach’s Brandenburg Concerti 1-6! C ...
Music Vocabulary - TJ-Reed
... Dot- A symbol placed to the right of a not that increases the duration of the note by one half. Enharmonic-Two notes that sound the same, but are spelled musically different. Ex. Ab and G# Genre- a category of musical compositions Ex. classical, medieval, sacred, secular, rock, pop, modern Grand Sta ...
... Dot- A symbol placed to the right of a not that increases the duration of the note by one half. Enharmonic-Two notes that sound the same, but are spelled musically different. Ex. Ab and G# Genre- a category of musical compositions Ex. classical, medieval, sacred, secular, rock, pop, modern Grand Sta ...
Minor Scales
... lower it. These last two can apply to any scale degree, but least commonly with the perfect intervals. ...
... lower it. These last two can apply to any scale degree, but least commonly with the perfect intervals. ...
musical texture
... Music sounds are a little empty if notes are only played one at a time. It is the interaction between different notes played together that gives music its richness and color. Before describing chords let’s define a term called interval which will help us to understand how we build chords. An interva ...
... Music sounds are a little empty if notes are only played one at a time. It is the interaction between different notes played together that gives music its richness and color. Before describing chords let’s define a term called interval which will help us to understand how we build chords. An interva ...
20th-century art music
... In this system, devised by Schoenberg after WWI, the 12 chromatic notes are pre-arranged into a fixed order which becomes a substitute for the ‘tonic’ – it becomes the main point of reference and the building block of longer structures. Since the music is entirely made up of various versions of the ...
... In this system, devised by Schoenberg after WWI, the 12 chromatic notes are pre-arranged into a fixed order which becomes a substitute for the ‘tonic’ – it becomes the main point of reference and the building block of longer structures. Since the music is entirely made up of various versions of the ...
Richland School District Two Orchestra Programs Level 2
... Other Musical Terms: 1st and 2nd endings, accidentals (flat, natural, and sharp), arpeggio, clef (treble, alto, and bass clef), composition vs. improvisation, contact point, dynamics vs. articulations, fermata, intervals (half step vs. whole step), ledger line, orchestra, scale (what is a scale; wha ...
... Other Musical Terms: 1st and 2nd endings, accidentals (flat, natural, and sharp), arpeggio, clef (treble, alto, and bass clef), composition vs. improvisation, contact point, dynamics vs. articulations, fermata, intervals (half step vs. whole step), ledger line, orchestra, scale (what is a scale; wha ...
Lec2
... – Upper note seems to duplicate lower note, though its pitch is higher – Very smooth blend derives from overtone series; octave is the first overtone – Men and women singing a tune together normally sing in octaves ...
... – Upper note seems to duplicate lower note, though its pitch is higher – Very smooth blend derives from overtone series; octave is the first overtone – Men and women singing a tune together normally sing in octaves ...
TERMS AND CONCEPTS OF 20TH C. MUSIC GENERAL: ostinato
... metric modulation (tempo modulation) -- the method of changing tempos precisely by making some note value in the first tempo equal to a different note value (or at least a different proportion of the beat) in the second tempo; used first by Elliott Carter nonretrogradable rhythm -- a rhythmic patter ...
... metric modulation (tempo modulation) -- the method of changing tempos precisely by making some note value in the first tempo equal to a different note value (or at least a different proportion of the beat) in the second tempo; used first by Elliott Carter nonretrogradable rhythm -- a rhythmic patter ...
Circle of fifths
In music theory, the circle of fifths (or circle of fourths) is a visual representation of the relationships among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space.