Download Reading on the "True Gladiator"

Survey
yes no Was this document useful for you?
   Thank you for your participation!

* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project

Document related concepts

Daqin wikipedia , lookup

Education in ancient Rome wikipedia , lookup

Leges regiae wikipedia , lookup

Food and dining in the Roman Empire wikipedia , lookup

Roman army of the late Republic wikipedia , lookup

Roman Senate wikipedia , lookup

Roman agriculture wikipedia , lookup

Gladiator wikipedia , lookup

Promagistrate wikipedia , lookup

Constitution of the Late Roman Empire wikipedia , lookup

Cursus honorum wikipedia , lookup

Roman Kingdom wikipedia , lookup

Elections in the Roman Republic wikipedia , lookup

Culture of ancient Rome wikipedia , lookup

First secessio plebis wikipedia , lookup

Constitutional reforms of Augustus wikipedia , lookup

Constitutional reforms of Sulla wikipedia , lookup

Roman historiography wikipedia , lookup

Senatus consultum ultimum wikipedia , lookup

Early Roman army wikipedia , lookup

Marcus Aurelius wikipedia , lookup

History of the Roman Empire wikipedia , lookup

The Last Legion wikipedia , lookup

Roman emperor wikipedia , lookup

Constitution of the Roman Empire wikipedia , lookup

History of the Constitution of the Roman Empire wikipedia , lookup

Lucius Verus wikipedia , lookup

History of the Roman Constitution wikipedia , lookup

Transcript
IS THE FILM GLADIATOR A TRUE STORY?
Yes and no.
While it is obvious that an impressive amount of historical and scholarly research was
undertaken by the filmmakers, much of the plot is fiction. The fiction does however, appear to
be inspired by actual historical events, as will be shown in the appropriate sections below. In
this sense, the film is perhaps best seen as a collage, or artistic representation of ancient
history, as opposed to an accurate, chronological, reconstruction of events.
It also appears that Scott attempts to present not just a reconstruction of empirical facts, but
also desires to present to us his vision of the culture of ancient Rome, the spirit of its time, and
the psychological outlook characteristic of its period. In other words, its zeitgeist, and for the
psychology of the characters, their mentalite. On that note, Ridley Scott, much to his credit,
has gone further than any filmmaker before him. Only Fellini, in The Satyricon, has attempted
to do this before, and in so doing, Scott, while historiographically imperfect, avoids many of
the annoying anachronisms of psychology present in such films as Spartacus, Cleopatra, and
Ben Hur.
Clearly, director Scott, and screenwriter David Franzoni, understand that history is more than a
regurgitation of empirical data, and that to understand a society, one must be able to do more
than recite names and dates, one must also attempt to understand the psychology and culture
of its characters. Hence the film emphasizes Maximus's worship of his family and ancestors,
his obsessive compulsion for virtue and duty, and the stoical elements ever present in his
character.
WHAT WAS MARCUS AURELIUS REALLY LIKE?
Marcus Aurelius was, as well as emperor from 161 to 180 CE, a stoic philosopher. He really did
wage battles along the frontier as depicted in the film, and is remembered by historians of his
time as a competent ruler, whom they favour. His name in full was Imperator Caesar Marcus
Aurelius Antoninus Augustus, and these are the titles to which he would have been referred,
not the anachronistic "sire" and "my lord" as in the film.
His work The Meditations, although more a compilation of existing stoical thought than a work
of great originality, remains a highly readable classic in philosophy.
An interesting fact omitted in the film, was that his adoptive brother and husband to daughter
Lucilla, Lucius Verus, was made co-emperor with Marcus. In the time of the Republic, Rome
was not ruled by emperors, but rather by two consuls. These consuls, with equal power, were
to guard against dictatorship. So, perhaps Marcus really did have Republican inclinations, as
attested to in the film, or perhaps this was a Machiavellian maneuver undertaken in an attempt
to avoid the fate of the perceived dictator Julius Caesar. This was the first time in history that
the Roman Empire had two joint emperors of formally equal constitutional status and powers,
although in reality, Marcus was clearly the ruler of Rome.
WHAT WAS COMMODUS REALLY LIKE?
If the ancient sources can be trusted, Commodus was even more bizarre in real life than he
was in the film.
Commodus, whose full name was Caesar Marcus Aurelius Commodus Antoninus Augustus,
was proclaimed Caesar at age 5 and joint emperor (co-Augustus) at the age of 17, in 177 CE, by
his father, Marcus Aurelius. Reality was very different than the film in this instance. Commodus
was, as depicted in Gladiator, present with his father during the Danubian wars, and yes, this is
where Marcus Aurelius died. As for the actual circumstances of his father's death, see below.
Historians from the time of Commodus have not been kind to him. As aristocratic intellectuals,
they were not amused by his crude antics. Hence, our present day historiography still reflects,
rightly or wrongly, this ancient bias. His father, possessing the virtues seen as noble by the
literate aristocracy, was, and often still is, regarded as a great man, while his son was hated by
the Senate and ridiculed by historians. Yet it is said that the army and the lower classes loved
him. Cassius Dio, a senator and historian who lived during the reign of both Commodus and
his father wrote, in regards to the accession of Commodus, that "our history now descends
from a kingdom of gold to one of iron and rust, as affairs did for the Romans of that day."
Indeed, some historians even question his sanity. Commodus, in his own time, was accused of
being a megalomaniac. He renamed Rome Colonia Commodiana, the "Colony of Commodus",
and renamed the months of the year after titles held in his honour, namely, Lucius, Aelius,
Aurelius, Commodus, Augustus, Herculeus, Romanus, Exsuperatorius, Amazonius, Invictus,
Felix, and Pius. The Senate was renamed the Commodian Fortunate Senate, and the Roman
people were given the name Commodianus.
Historian Aelius Lampridius tells us that "Commodus lived, rioting in the palace amid banquets
and in baths along with 300 concubines, gathered together for their beauty and chosen from
both matrons and harlots... By his orders concubines were debauched before his own eyes,
and he was not free from the disgrace of intimacy with young men, defiling every part of his
body in dealings with persons of either sex."
Commodus went so far as to declare himself the new founder of Rome, a "new Romulus". In
attempting to boast a new "Golden Age" of Rome, he was clearly emulating his father. But the
effect was to make him the laughing stock of the aristocratic class.
DID COMMODUS REALLY KILL HIS FATHER?
Maybe.
Some sources suspect that he did. The fact that he was present at the time, made a hasty
peace with the enemy, and a quick retreat back to Rome in a victory triumph, has fueled
speculation. The official story is that Marcus Aurelius died of plague.
DID COMMODUS REALLY FIGHT AS A GLADIATOR?
Yes!
In this case, the truth is even stranger than the fiction. Commodus claimed to be descended
from the God Hercules, and even began to dress like him, wearing lion skins and carrying a
club.
The historian Herodian wrote that "in his gladiatorial combats, he defeated his opponents with
ease, and he did no more than wound them, since they all submitted to him, but only because
they knew he was the emperor, not because he was truly a gladiator."
He also fought wild beasts. Dio Cassius wrote that Commodus killed five hippopotami at one
time. He also killed two elephants, several rhinoceroses, and a giraffe "with the greatest of
ease".
Herodian tells us further that Commodus had a special platform constructed which encircled
the arena, from which he would display his skills as a hunter. He is recorded to have killed one
hundred leopards with one hundred javelins. As a theatrical treat, he would slice the heads off
of ostriches with crescent-headed arrows, which would then run around the amphitheater
headless.
Dio Cassius reveals that Senators were made to attend these spectacles, and that on one
occasion Commodus killed an ostrich and displayed the severed head in one hand, his sword
dripping with blood in the other, thus implying that he could treat them the same way.
DID COMMODUS REALLY DIE IN THE ARENA?
No.
However he was assassinated, and, by an athlete. There were numerous plots and attempts
upon his life, but the one which finally succeeded was carried out by a wrestler named
Narcissus, while Commodus was in his bath. The plot was orchestrated by his closest
advisors, and apparently even included his mistress, Marcia.
It occurred on the last day of the year 192. It was believed that Commodus planned to kill the
consuls-elect, and be sworn in as consul himself. This he reportedly was going to do dressed
as a gladiator, in his lion skins. This was the final outrage. His fate was sealed.
Commodus ruled for 12 years, a much longer period than alluded to in the film. Dio Cassius
wrote that Commodus was "a greater curse to the Romans than any pestilence or any crime."
WAS THE REPUBLIC RESTORED AFTER THE DEATH OF COMMODUS?
No.
The film is wrong on this count. A republic is a system of government which does not have a
hereditary monarch. An emperor is a monarch. The United States is a republic, and England is
not.
Rome was not founded as a republic, as was stated by a senator (who should have known
better) in the film. Legend has it that Rome was originally ruled by Etruscan kings. The first
king was Romulus. The kings were overthrown in a revolution, which was sparked by the rape
of Lucretia, in 509 BCE, by Sextus Tarquin, the son of the seventh and last king, Tarquinius
Superbus.
Dictators and kings were thereafter despised by Romans, hence, the ideological adulation of a
republican system of government, which was a central theme of both Roman history and the
movie.
After Commodus was murdered, the Senate met before daybreak, and declared sixty-six year
old Pertinax, who was the son of a former slave, emperor. Pertinax thus became emperor on
January 1st, but he was murdered by a group of soldiers the following March, after less than
three months in power.
WHAT WAS MAXIMUS REALLY LIKE?
Maximus Decimus Meridius (his full name is stated only once in the film) is a fictitious
character!
Although he did not exist, he seems to be a composite of actual historical figures. In the film,
Maximus was Marcus Aurelius' general. There was in fact a general by the name of Avidius
Cassius, who was involved in the military campaign shown in the film, and, upon hearing a
rumor of Marcus Aurelius' death, declared himself emperor. He however, was assassinated by
his own soldiers. It is true that there was, in the later Empire, a General by the name of
Maximus who appears to have had revolutionary intentions. He is most likely an inspiration as
well.
Maximus also reminds one of the emperor Diocletian. Remember that in the film, Marcus
Aurelius names Maximus as his heir. Diocletian, who ruled Rome from 284 to 305 CE, was born
in the lower classes, like Maximus. He eventually became his emperor's trusted favourite and
bodyguard, and later became a general. Finally he was named heir, and thus became emperor.
Commodus, in reality, was not murdered in the arena by Maximus. He was however murdered
by a wrestler. So the character Maximus, while fictitious, is not that far-fetched. He appears to
be collage of other, real, historical figures.
As for his personality, he was definitely a stoic, as evidenced by his sense of obligation to the
state, and concern for duty and virtue. This makes sense, given his admiration for Marcus
Aurelius, who was a stoic philosopher. One difficulty is, even though many Romans (and not
just Christians) believed in an afterlife, stoics usually did not. So this is problematic with
regards to his character in the film.
DID SENATOR GRACCHUS REALLY EXIST?
No.
The ideology which he represents is however, somewhat authentic. Senator Gracchus appears
to be based upon Tiberius and Gaius Gracchus. During the Republic, these two brothers, were,
one after the other, plebeian tribunes (not senators). They were champions of the common
people, and paid the cost with their lives.
Tiberius Gracchus was elected tribune of the people in 133 BCE, and fought for reforms of
benefit to the plebeians. He was murdered by opponents. His brother Gaius was elected
tribune of the people in 123 BCE, and attempted the continuation of popular reforms. He was
also murdered. It is problematic that in the film Gracchus was a senator, in the sense that it
was the senatorial class which opposed Gauis and Tiberius, and even participated in their
murder.
The political infrastructure of ancient Rome evolved over time, and was actually more complex
than portrayed in the film. Other important political entities, along with the Senate, were the
Plebeian Tribunate, as well as the Comitia Centuriata. These, along with two Consuls who
would rule jointly, are the basic Republican institutions so cherished by Romans, and which
emperors would claim to restore.
DID LUCILLA REALLY PLOT AGAINST HER BROTHER?
Yes.
Commodus really did have a sister Lucilla, and she hated her brother. Lucilla was at one time
married to Lucius Verus, as her son tells Maximus in the film. What is not said is that Verus
was co-emperor with Marcus Aurelius. Lucilla conspired against Commodus, and attempted to
have him assassinated in 182 CE. Commodus banished Lucilla to the island of Capreae as
punishment, and ordered her execution shortly after. So, unlike the film portrayal, Commodus
actually outlived Lucilla.
Incidentally, it was his other sisters, not Lucilla, that he reputedly had sexual relations with.
DID WOMEN REALLY FIGHT IN THE ARENA?
Yes.
Some criticism by film reviewers has been levied towards Scott for having a female gladiator.
However, the ancient sources are clear; they did in fact exist. Tacitus, for instance, wrote that
Nero staged "a number of gladiatorial shows, equal in magnificence to their predecessors,
though more women of rank and senators disgraced themselves in the arena". Petronius, in
The Satyricon, wrote of female charioteers. Dio Cassius explained how some women
performed as venatores, that is gladiators who fought wild beasts. The Emperor Domitian
staged games in which women battled pygmies.
Women were forbidden from gladiatorial performances shortly after the time of Commodus, by
the emperor Alexander Severus, in 200 CE.
WHAT'S WITH THE TATTOO WORN BY MAXIMUS?
S.P.Q.R., the letters of the tattoo worn by Maximus, was an abbreviation for an oft used Latin
phrase whose English translation is "the Senate and People of Rome".
The Latin word for "tattoo" was stigma, and our modern meaning of stigmatize, as a pejorative,
has clearly evolved from the Latin. It was slaves, gladiators, criminals, and later, soldiers, who
were tattooed, as an identifying mark.
Upper class Romans did not partake in tattooing, which they associated with either marginal
groups, or foreigners, such as Thracians, who were known to tattoo extensively. The emperor
Caligula is said to have forced individuals of rank to become tattooed as an embarrassment.
In late antiquity, the Roman army consisted largely of mercenaries, they were tattooed in order
that deserters could be identified.
The sixth century Roman physician, Aetius, wrote that:
"Stigmates are the marks which are made on the face and other parts of the body. We see such
marks on the hands of soldiers. To perform the operation they use ink made according to this
formula: Egyptian pine wood (acacia) and especially the bark, one pound; corroded bronze,
two ounces; gall, two ounces; vitriol, one ounce. Mix well and sift... First wash the place to be
tattooed with leek juice and then prick in the design with pointed needles until blood is drawn.
Then rub in the ink."
The Christian emperor Constantine, ca. 325 AD, decreed that individuals condemned to fight as
gladiators or to work in the mines could be tattooed on the legs or the hands, but not on the
face, because "the face, which has been formed in the image of the divine beauty, should be
defiled as little as possible."
In 787, Pope Hadrian the First prohibited tattooing altogether, due to its association with
superstition, paganism, and the marginal classes.