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Terms cont’d. Harmony, Texture, and Form Readings • pp. 8-10 (harmony) • pp. 45; 24, 42, 55, 61, 67, 74, 89 (texture) • pp. 56; 33, 45, 56 (form) Harmony • Two or more pitches played at the same time Harmony • Key/Tonality - the idea of building a piece of music around a central or “home sound” Harmony • Consonance - stability. Pitch combinations that sound pleasant or stable • Dissonance - instability. Pitch combinations that sound unpleasant or unstable Harmony • Scale - a series of pitches played in order from low to high or high to low. • Major Scale - do re mi fa sol la ti do.The most common musical "menu" from which to choose pitches. • Minor Scale - The scale with a darker quality, often times more emotional. Harmony • Drone - one repeated pitch among other changing pitches - more of a "folksy" quality. Texture • The interweaving of melody and harmony Texture • The interweaving of melody and harmony • Monophonic - one unaccompanied melody • Homophonic - one melody with some type of accompaniment (most common texture) • Polyphonic - two or more melodies at the same time.May be with or without accompaniment. This is "the crowning achievement of Western Music". Form • Musical structure and design Form • Form. = formula; format = recipe. Form • Form can be followed by identifying repetition, variation, and contrast. • Repetition - literal repeats of the same material. • Contrast - completely new material from the first musical idea • Variation - when the original material is slightly changed to create interest • The above three methods used in conjunction are the methods used in achieving musical interest. Form • Theme - the tune in classical music.Not just repeated, but expanded and "developed" Form • Thematic development - when a theme is fragmented and used in different ways. • Motive - a fragment of a melody.Very little piece that is recognizable, but not as long as a phrase. • Sequence - the repetition of a motive at a higher or lower pitch. • Ostinato - a short musical pattern that is repeated over and over as the basis of a musical composition. Classic vs. Romantic • Classic - form, symmetry, balance, emotional detachment. • Adoration of the Magi by Botticelli • Death of Socrates by Jacques-Louis David Adoration of the Magi Death of Socrates Classic vs. Romantic • Romantic - freedom, emotion, drama, individual • Meeting of Abraham and Melchizedek by Peter Paul Rubens • Traveler Looking Over A Sea of Fog by Caspar David Meeting of Abraham and Melchizedek Traveler Looking Over A Sea of Fog Common Practice Period • 1600-1900 • Composers use the common language of “tonality” • Music is written using a central key or “home sound” • Can be both Classic and/or Romantic